Based on the story The Knight’s Tale by Geoffrey Chaucer, A Knight’s Tale is the story of a squire who decides to become a knight as he becomes a hero to the people while gaining the ire of a tournament champion. Written for the screen and directed by Brian Helgeland, the film plays into a young who comes from nothing and becomes a champion with the help of other peasants as well as those who are from the world of nobility. Starring Heath Ledger, Rufus Sewell, Mark Addy, Shannyn Sossaman, Alan Tudyk, Laura Fraser, Berenice Bejo, James Purefoy, and Paul Bettany as Geoffrey Chaucer. A Knight’s Tale is a gloriously entertaining and engaging film from Brian Helgeland.
The film revolves a young squire who decides to become a knight following the death of his master as he’s aided by a couple of friends in his quest to become a champion despite not being connected to any kind of nobility. With the aid of a broke and naked Geoffrey Chaucer and female blacksmith in Kate (Laura Fraser), William Thatcher (Heath Ledger) would find his way to climb up the ranks as tournament champion while hoping to defeat the great champion Count Adhemar (Rufus Sewell) and win the heart of a noblewoman in Jocelyn (Shannyn Sossaman). While it’s a story that is quite simple, Brian Helgeland creates something that manages to be universal in this young man who was born a peasant squire who does these joust tournaments and becomes a champion of the people.
Helgeland’s script plays into William’s determination to become a knight in the hopes that he can get out of his hardened upbringing and go for something more. Yet, he would share it with his friends as well as intrigue Jocelyn who sees him as someone that is very different from the knights that often court her. To the film’s antagonist in Count Adhemar, he sees William as someone that doesn’t play by the rules nor is someone that behaves a certain way as his jousting style is one that Ademar replies as no style at all. It adds to this conflict of sorts of old world ideals vs. new world ideals as William represents the latter in his pseudonym Sir Ulrich von Lichtenstein of Gelderland.
Helgeland’s direction is filled with not just an air of simplicity in the compositions but also something that is very offbeat in the way he fuses 20th/21st Century ideas into the film such as music and product placement logos. Notably as Helgeland discards the idea of anachronisms in scenes where songs by Queen or David Bowie are played in parties or jousting events as it makes sense in the scenes he creates. Many of the compositions in wide and medium shots play into the many locations set in the film as much of it is shot in the Czech Republic near Prague. Helgeland’s usage of close-ups add to some of the drama as well as the humor including some scenes where William looks back into his life as a child and the dreams that are instilled in him wanting to make his own destiny. Even as it plays into that determination of a man from a poor background giving people from his world hope in becoming champion as well as defying the odds. Overall, Helgeland creates a riveting and exciting film about a poor squire who becomes a champion for the people.
Cinematographer Richard Greatrex does excellent work with the film‘s cinematography with some naturalistic lighting for some of the daytime exterior scenes while creating some unique lighting schemes and moods for scenes set at night. Editor Kevin Stitt does brilliant work with the editing with its stylish usage of jump-cuts, montages, and dissolves to play into some of the action and humor in the film. Production designer Tony Burrough, with set decorators Dominic Smithers and Jiri Zureck and art directors John Hill and Grant Armstrong, does amazing work with the set pieces from the jousting arenas and castle halls as well as the tents in that period of medieval times. Costume designer Caroline Harris does fantastic work with the costumes from the gowns that the noblewomen wear including the dazzling clothes of Jocelyn to the armors and robes the knights wore.
Hair/makeup artist Pebbles does nice work with some of the designs for Jocelyn‘s hairstyle and some of the makeup she would wear. Visual effects supervisor Tim Burke does terrific work with the minimal visual effects that include a few set dressing scenery including one shot of the old London Bridge. Sound editor Jon Johnson does superb work with the sound from the way the spears sound against the armor to the sounds of swords clanging. The film’s music by Carter Burwell is wonderful for its mixture of orchestral flourishes and folk pieces to play into the periods of the time as it is mixed in with late 20th Century music from Queen, David Bowie, War, Thin Lizzy, Rare Earth, Bachman-Turner Overdrive, Sly and the Family Stone, AC/DC, and Eric Clapton.
The casting by Francine Maisler is phenomenal as it features some notable small roles from Steven O’Donnell and Jonathan Slinger as men Chaucer owes money to, Nick Brimble as William’s old master Sir Ector, Leagh Conwell as the young William, Christopher Cazenove as William’s father who encouraged him to go after his dreams, Scott Handy as Adhemar’s assistant, and James Purefoy as the knight Sir Colville whom William befriends. Berenice Bejo is wonderful as Jocelyn’s lady-in-waiting Christiana who would be Jocelyn’s conscience and liaison. Laura Fraser is terrific as William’s blacksmith who would create a new armor for him while showing him how to dance with a woman for a ball. Alan Tudyk is fantastic as William’s friend Wat as this very tempered squire that always throw a fit while hoping to eat again. Mark Addy is excellent as Roland as another of William’s friend who is also a squire as he is also a conscience of sorts for William.
Paul Bettany is brilliant as Geoffrey Chaucer as a writer who becomes William’s herald as well as speak for him before the matches where Bettany also provides humor from the way he’s introduced as he’s walking on the road completely naked. Shannyn Sossaman is amazing as Jocelyn as a noblewoman who copes with her status and being seen as a prize until she meets William and realizes that he just cares about her as an equal as it’s a very delightful performance to watch. Rufus Sewell is incredible as Count Adhemar as jousting champion and nobleman who tries to woo Jocelyn while dealing with William’s presence which he sees as a threat as he’s a fun antagonist to watch. Finally, there’s Heath Ledger in a spectacular performance as William Thatcher as a young peasant squire who dreams of becoming a knight as he seizes the chance to become one while trying to do what is right as well as be humble as it’s one of Ledger’s definitive performances.
A Knight’s Tale is a remarkable film from Brian Helgeland that features a phenomenal performance from the late Heath Ledger. Along with a strong ensemble, a compelling story, and a fun soundtrack. It’s a film that manages to be a story that is entertaining with characters audiences can care for. In the end, A Knight’s Tale is a sensational film from Brian Helgeland.
Brian Helgeland Films: (Payback) - (The Order (2003 film) - (42) - Legend (2015 film)
© thevoid99 2016
Based on the play Titus Andronicus by William Shakespeare, Titus is the story of a general who tries to seek vengeance against a queen as it would play into his own downfall. Written for the screen and directed by Julie Taymor, the film is a radicalized interpretation of the Shakespeare play where the Roman Empire is set in the mid-20th Century in a world that is very anachronistic and chaotic as it plays to this general’s downfall as the titular character is played by Anthony Hopkins. Also starring Jessica Lange, Harry Lennix, Alan Cumming, Laura Fraser, Jonathan Rhys-Meyers, Colm Feore, James Frain, Matthew Rhys, Angus MacFayden, and Geraldine McEwan. Titus is a sprawling and rapturous film from Julie Taymor.
Set in a world that mixes Fascist-era Italy and Ancient Rome into an anachronistic world, the film revolves the downfall of a general in the hands of a queen whose life he had destroyed as she would seek vengeance for the death of her son in the most graphic way. There, Titus Andronicus copes with the decisions he has made in his life as well as the decision of who would be Rome’s new emperor as it would come back to haunt him as he faces dishonor and ruin in himself and his own family. Much of it involving a plot by the Queen of the Goths in Tamora (Jessica Lange) who sways the mind of Rome’s new emperor Saturninus (Alan Cumming) while conspiring with her moor lover Aaron (Harry Lenix).
Julie Taymor’s script does explore the world of vengeance in all of its fallacies where Titus would descend to madness not only by his own hands but also in the way his own family would be affected. Much of it is observed by his young grandson in young Lucius (Osheen Jones) who is mostly silent for much of the film. The script also involves commentary by Aaron who would break the fourth wall to unveil many of his plans to destroy Andronicus and his family. Even as Aaron becomes an integral part into playing both sides for his own gain until he would become vulnerable in his attempt to play into observing Titus’ own fragile state of mind.
Taymor’s direction is definitely grand in not just the way he tells the story but in how she would fuse to different periods of Roman history into a story where it could’ve been told in any time frame. Shooting on location in various areas in Rome and nearby as well as a few of its ancient monuments. Taymor definitely aims for something that mixes decadence and surrealism in her approach to telling the story as she goes for all sorts of dazzling visuals in her compositions. Even as she isn’t afraid to put in things like video game arcades or pool floats into the film as it is obvious they weren’t around during Fascist-era Italy. Using a lot of wide and medium shots as well as some low camera angles, Taymor goes for a film that plays into a man coping with a world that is changing as the decisions he made for this next era of Rome would have some serious repercussions.
Taymor also infuses a lot of these lavish moments about the way some of the parties emerge as well as some of the film’s violence. The latter of which involves rape and other graphic moments where it is told in a very stylistic manner. Even as the impact of what Titus would see are shown in some very eerie close-ups as while Taymor would use wide shots and some unique framing devices to play into his own confusion and the need to comprehend about what had happened. All of which would lead to some definite extremes into Titus’ own plot for vengeance as it played into its fallacies as well as the cost of what one man did for vengeance as well as Tamora’s own quest as it led to tragedy. Overall, Taymor creates a very extravagant yet harrowing film about the fallacy of revenge.
Cinematographer Luciano Tovoli does brilliant work with the film‘s very colorful and lavish cinematography with its use of stylish lights and shades for some of its nighttime interior/exterior scenes along with vibrant colors for the daytime scenes. Editor Francoise Bonnot does amazing work with the editing as it is very stylized with its jump-cuts and dissolves to play into some the craziness that goes on in the film as well as in some of the drama. Production designer Dante Ferretti, with set decorator Carlo Gervasi and supervising art director Pier Luigi Basile, does fantastic work with some of the film‘s set pieces from the palace where Saturninus lives in with Tamora to the home of Andronicus. Costume designer Milena Canonero does excellent work with the costumes as they’re lavish from the gowns that Tamora wears as well as the design of the uniforms and clothes that the men wear.
Special makeup effects artist Tony Gardner does superb work with the makeup for some of the characters in their look as well as some of things they wear to play into Andronicus‘ troubled mind. Visual effects supervisor Kent Houston does terrific work with the visual effects with its emphasis on surrealism for the dream sequences as well as some of the key elements that drive the story. Sound designer Blake Leyh does nice work with the sound to play into some of the sound effects as well as the sense of terror that occurs in the film in terms of its plotting and in Titus‘ mad state of mind. The film’s music by Elliot Goldenthal is wonderful for its orchestral-based score that features elements of bombast to play into the drama as well as some comical moments as the score features elements of electronic music and rock with contributions by Page Hamilton of the alternative-metal band Helmet.
The casting by Irene Lamb and Ellen Lewis is incredible as it features some notable small performances from Raz Degan as Tamora’s eldest son Alarbus, Geraldine McEwan as a nurse who would bring Aaron his son, and as the trio of Titus’ youngest sons, there’s Kenny Doughty, Blake Ritson, and Colin Wells as the men who become victimized in Aaron and Tamora’s plot. Jonathan Rhys Meyers and Matthew Rhys are superb as Tamora’s son in Chiron and Demetrius, respectively, who create chaos and cause trouble while James Frain is terrific as Saturninus’ brother Bassianus who is love with Lavinia as he tries to bring peace only to be a source of ire for Saturninus. Osheen Jones is wonderful as the young Lucius who is the film’s observer while Angus MacFayden is excellent as Titus’ eldest son Lucius who tries to see reason for everything while coping with the chaos that is emerging. Colm Feore is fantastic as Titus’ brother Marcus who is sort of the film’s conscious as he copes with the decisions his brother has made as well as the sense of chaos that has loomed over his entire family.
Laura Fraser is amazing as Titus’ daughter Lavinia who becomes victimized by Chiron and Demetrius in the worst way where she spends much of the film in silence to display the loss of innocence that she once represented. Harry Lennix is great as Tamora’s lover Aaron who would be the architect of the conspiracy as he often breaks the fourth wall to create elements of chaos. Alan Cumming is brilliant as Saturninus as the new emperor who is this man that represents a form of chaos as he becomes drunk with power. Jessica Lange is remarkable as Tamora as Lange brings a lot of theatricality and ferocity to her performance as a woman who felt wronged as she plots the ultimate revenge. Finally, there’s Anthony Hopkins in a tremendous performance as the titular character as a general whose decisions that he makes would come back to haunt him as he descends into madness where Hopkins brings a lot of energy to his role as well as not afraid to ham it up.
Titus is a phenomenal film from Julie Taymor. Armed with a great cast as well as dazzling visuals and sprawling set pieces. It’s a film that plays into the fallacy of revenge as it’s told with such style that pays true to the works of William Shakespeare. In the end, Titus is a spectacular film from Julie Taymor.
Julie Taymor Films: Frida - Across the Universe - The Tempest - The Auteurs #42: Julie Taymor
© thevoid99 2015
