Southland Tales

Originally Written and Posted at Epinions.com on 5/20/08 w/ Additional Edits & Revisions.

Written and directed by Richard Kelly, Southland Tales is a multi-narrative story set in post-apocalyptic Los Angeles on Fourth of July weekend 2008. The film follows the lives of various characters including an amnesiac action film star, an ex-porn star, and twin brothers as they deal with the bleakness of the world around them. With an all-star cast that includes Dwayne "The Rock" Johnson, Sarah Michelle Gellar, Seann William Scott, Mandy Moore, Miranda Richardson, Nora Dunn, Justin Timberlake, Jon Lovitz, John Larroquette, Wallace Shawn, Kevin Smith, Lou Taylor Pucci, Beth Grant, Bai Ling, Will Sasso, Holmes Osborne, Cheri Oteri, Amy Poehler, Zelda Rubenstein, Janeane Garafalo, and Christopher Lambert. Southland Tales, despite its concept, is a messy, incoherent, and purely self-indulgent film from Richard Kelly.

It's Fourth of July weekend in 2008 which would mark the third anniversary of the nuclear bombing of a small Texas town that began World War III. With the Patriot Act in full power, gasoline and alternative fuel resources in decline, and America on the verge of chaos. An action film star named Boxer Santaros (Dwayne "The Rock" Johnson) is in the desert with amnesia as he arrives in California. After being captured, he meets with a former porn star-turned reality TV show host Krysta Now (Sarah Michelle Gellar) as the two collaborate on a screenplay. Boxer learns that Krysta is part of a neo-Marxist movement led by her manager Cyndi Pinziki (Nora Dunn) who is trying to combat a Republican Presidential candidate Senator Bobby Frost (Holmes Osbourne) and his wife/head of US-IDent Nana Mae Frost (Miranda Richardson).

Meanwhile, the neo-Marxist movement learns that a scientist Baron Von Westphalen (Wallace Shawn) is trying to create a new source of alternative fuel as he is endorsing Senator Frost. With the war still waging on, Frost hopes to have a Republican victory in California as the neo-Marxists have taken a racist LAPD officer named Roland Tavener (Seann William Scott) hostage while using his twin brother Ronald to impersonate him. Ronald accompanies Boxer, who joins in to research his film role, as the two go into hijinks where a domestic dispute that was supposed to be routine went crazy thanks to a rogue cop named Bart Bookman (Jon Lovitz) who is also a neo-Marxist with his girlfriend Zora Carmichaels (Cheri Oteri). Boxer and Ronald run in fear as Boxer has an encounter with Baron and his cohorts that included his mother (Beth Grant), Dr. Soberin Exx (Curtis Armstrong), Katarina Kuntzler (Zelda Rubenstein), and Serpentine (Bai Ling).

With Pinziki and Frost's advisor Vaughn Smallhouse (John Larroquette) trying to negotiate over terms about the release of a possible sex tape between Boxer and Krysta Now, Boxer's wife Madeline Frost Santaros (Mandy Moore) wants the tape blocked. With Boxer returning to his home, he is now believing that he's Jericho as he's made contact with a woman named Starla Von Luft (Michele Durrett) about his screenplay. Santaros escapes the Frost home to meet with Von Luft as things get crazy when an Iraqi war veteran named Pilot Abilene (Justin Timberlake), high on a new drug, kills her. Ronald Taverner had just escape and learned something powerful is going on with his right hand as did his twin brother as the two try to find each other. Ronald seeks help with a secret arms dealer named Walter Mung (Christopher Lambert) while Roland gets help from a local drug dealer named Martin Kefauver (Lou Taylor Pucci). With Krysta now getting possession of a video tape that could incriminate her, she makes her own deal with Smallhouse as the night approaches for what could be the end of the world. It is there at a party for a new Zeppelin that the Taverner twins and Boxer learned what happened to them a few days ago.

The concept of Southland Tales about the end of the world emerging on a Fourth of July weekend with intertwining storylines, multiple characters, and themes of social and environmental unrest is a very good concept. The problem is that it's a good idea on paper. On film and in script, it's a mess. A bloated mess that has too many characters, too many stories, too many situations, and nothing to gel on. It's clear that there's a conflict between two groups. The problem is that it gets confusing on who is working for the neo-Marxists and who is working for the U.S. government. Some characters start of as neo-Marxists and then become pawns for Frost and company. It becomes confusing.

The script doesn't have a sense of cohesiveness nor any characters with the exception of the Tavener twins and Boxer Santaros, that have any depth or development. Instead, Kelly brings out caricatures of individuals that looks like they've come out of films by David Lynch and Gregg Araki. Kelly's claim that the film is meant to be a satire but there's not much to satirize about except reality TV and pop stardom in the form of Krysta Now. The dialogue is stylized for some characters yet it sounds very ridiculous coming out of the mouths of the actors while what's even worse is the film's voice-over narration from Pilot Abilene. The narration brings nothing but a bunch of strange and inane philosophies while the reading by Justin Timberlake sounds very flat and lifeless. Then there's the story and plot. There's nothing clear in what it's trying to say and though things do clear a bit in the third act that involves time travel as well as motivation for two of its lead characters. There's no payoff even though something happens but what is the aftermath?

If Kelly's demands for the audience to be very attentive to the film in script, then the demand for the film in his direction is too overwhelming. Kelly had intended it to be a much bigger experience that is interactive with the audience that included a graphic novel that preceded the film. The problem is that Kelly is trying to create a film that is strange enough for an art-house film audience while using big stars for a mainstream audience and he succeeds in neither. The problem is that Kelly is too enamored with the film's concept and is convinced that the film should be seen more than once to understand the story. Kelly's demands for an audience is too much for a mainstream audience to handle while an art-house audience are smart enough to know when a film should be seen twice.

Kelly's demands for the audience are marred by his bad choices in the direction. The awkward framing, compositions, and no depth of field for the film's exterior and interior settings really create a film that is messy. Plus, Kelly's knack for bending genres, that worked in his previous film Donnie Darko, fails because he tries to do too much. He tries to make it into a comedy, action, drama, satire, sci-fi, and also, a musical. There's a couple of musical dance numbers where one of them is based on a drug trip where Pilot Abilene is lip-syncing to the Killers' All The Things That I've Done with back-up dancer and it's an extremely baffling scene that really confuses the audience into what they're seeing. While there's a couple of interesting moment in the directing including a tracking shot of the MegaZeppelin scene, the rest of the film falters with inane special effects, chaotic conflicts, and everything else where the result is a bloated mess that doesn't make any sense to its audience.

Cinematographer Steven B. Poster does have some nice coloring but due to Kelly's direction, he is given nothing to do as he's forced to emphasize on lighting style that doesn&#146t have any depth at all. Neither does Sam Bauer's editing that at the film's theatrical 144-minute running time, lags in pacing, tries to go for style, and doesn't add anything to the film other than the fact that more scenes should be cut while its approach in the intertwining stories makes it confusing. Production designer Alec Hammond and set decorator Tracey A. Doyle does an OK job in some of the film's set designs though it's most notable achievement is the pristine look of the MegaZeppelin. Costume designer April Ferry creates interesting costumes for the actresses involved yet the look at times is very cartoonish and lacks any real depth.

Sound designer/editor David Esparza also doesn't do anything brilliant that's expected in a film that bends genre as his work in some of the action sequences are average at best while a scene in a gun battle tends to be very muddled more in part due to the direction. The visual effects by Thomas Tannenberg does have nice touch for its mix of animation and computer graphics in some sequences but the rest of it isn't very good at all, notably the climatic scene along with the MegaZeppelin is poorly made. The film's music by renowned electronic-pop artist Moby is dull at best. Originally supposed to be a collaboration with Nine Inch Nails' Trent Reznor, Moby's score fits in the mood with his ambient setting though the addition of pulsating, techno beats create a sense of distraction and at times, doesn't fit in with the mood of the film.

The soundtrack is a tribute to classic alternative music of the 90s with bands like Radiohead, Jane's Addiction, the Pixies, Blur, Big Head Todd & the Monster, Elbow, and Black Rebel Motorcycle Club along with the Killers, Louis Armstrong, Beethoven, Muse, Waylon Jennings, and an original song for Sarah Michelle Gellar's character that's a bad impersonation of Britney Spears music.

The casting by Mary Vernieu and Venus Kanani though is an interesting ensemble. There's very few people to stand out as nearly every actor in this film has little to work on while it's clear that the film features cameos and character actors where sometimes, their appearance or presence tends to be a distraction. Cameos from Kevin Smith as a legless war veteran, singer Rebekah del Rio from Mulholland Dr.as a singer, Janeane Garafalo as a general in the final party scene, Christopher Lambert as an arms dealer in an ice cream truck, Eli Roth as a man killed in a toilet, and Sab Shimono as a Japanese prime minister don't really add anything since they're just cameos. Garafalo's appearance is only brief which suggests her appearance was supposed to be bigger but never made it into the final cut while Smith is barely recognizable in his own role. Comedians Will Sasso as Krysta's bodyguard, Amy Poehler as a poet, and Cheri Oteri as neo-Marxist are very bad with Poehler and Oteri not given anything funny to do with Oteri being way over the top in her role. Jon Lovitz also suffers in his role as rogue cop where he ends up being very silly.

Wood Harris as a famed rapper doesn't make much impression nor does Jill Ritchie as one of Krysta's girlfriends while Mike Nielsen as a government spy isn't memorable at all where he's in the film for one minute and then, he's gone. Michele Durrett also suffers the same fate just as her character was getting a bit interesting despite her own exaggerated performance. Famed character actors Curtis Armstrong, Zelda Rubenstein, and the always enjoyable Beth Grant as the Baron's cohorts are practically wasted since they just show up and say their lines while Bai Ling as Serpentine makes more of an impression that's really more of a distraction than a performance.

Nora Dunn is okay in her role as Cindy Pinziki but her character lacks any real sense of clear motivation while John Larroquette looks bored in his role as Vaughn Smallhouse. Lou Taylor Pucci is also okay in his role as drug dealer talking like a rapper though he does manage to make an impression in the film's climatic scene. Wallace Shawn, a great character actor, sadly doesn't really get to do anything but squirm and act slimy as if that's all he's given to do. Holmes Osbourne also doesn't get anything to do but act awkward and such while Miranda Richardson, sporting a Texan accent, is kind of annoying in the film and doesn't get anything to do than sit, talk in a Texan accent, and watch a lot of TV screens. Mandy Moore gives a flat, uninspiring performance where all she does is nag and be a glorified trophy wife which is sad considering that Moore is more talented than that.

Sarah Michelle Gellar is okay in her role as a former porn star turned entrepreneur though sadly, Gellar doesn't get to do anything but look pretty, act like a dumb blonde, and that's all which is sad considering she's far more talented than that through her work in Buffy the Vampire Slayer. The film's most baffling and certainly, the worst performance is Justin Timberlake as a war veteran who likes to get high and shoot people while voicing some of the worst narration ever committed on film.

Seann William Scott, who is known as the obnoxious Stifler in the first three American Pie films, is good in his dual role as twin brothers who hold the key to the conspiracy that the American government is doing. While Scott does get to have a few, funny one-liners, he does manage to show his skills as a dramatic actor in the third act where he gets to do a lot despite what little depth and development his characters had to work with. His performance proves that he can do more than just being Stifler. Dwayne "The Rock" Johnson is also good as Boxer Santaros and his character alter-ego, Jericho Cane (a nod to both Chris Jericho and Kane) where he has this great presence that's expected from an action film star but also a sense of humor in how jittery he is when he's nervous. While the dialogue he's given doesn't work for him, Johnson at least does his best to his charisma and presence to give a good performance to prove that he's more than some big tough guy.

Southland Tales is a tremendously horrific film from Richard Kelly. Despite some of the visuals and the performances of Dwayen Johnson and Seann William Scott. The film doesn't do enough to create a very compelling story that would make sense in favor of style over substance that is unable to live up to the ambitions that Kelly wanted. It's also a film where it tries to hard to do so much and ask a lot from its audience only to either bore or frustrate them in the mess that it is. In the end, Southland Tales is a very shitty film from Richard Kelly who tries too hard and fail.

Richard Kelly Films: Donnie Darko - (The Box (2009 film))

© thevoid99 2014

Tangled

Based on the Grimm Brothers fairy tale Rapunzel, Tangled is the story about a long-lost princess with long magical hair who yearns to leave her secluded tower with the help of a thief to reach a city for an upcoming festival. Directed by Nathan Greno and Byron Howard with a screenplay by Dan Fogelman, the animated film is a partially-experimental film where 2D hand-drawn animation and 3D computer animation work together to create a new take on the story of Rapunzel. With a voice cast that includes Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman, M.C. Gainey, Frank Welker, Brad Garrett, and Jeffrey Tambor. Tangled is a fun and adventurous animated film from Nathan Greno and Byron Howard.

After being kidnapped by an old woman named Gothel (Donna Murphy), Rapunzel (Mandy Moore) has been kept in seclusion by Gothel who needs her long hair to maintain her youth. All of her life, Rapunzel wonders about these lights she sees up in the sky as they always appear on her birthday as she’s about to turn 18. She asks Gothel if she can go out and see what’s over there as Gothel claims the outside world is a dark place as she goes out to gather things Rapunzel needs for her painting. Meanwhile, a young thief named Flynn Rider (Zachary Levi) has stolen a crown from a kingdom as he and the Stabbington brothers (Ron Perlman) flee the guards where Flynn finds himself hiding in Rapunzel’s home where he is knocked and interrogated by the young girl.

After Flynn reluctantly agrees to take Rapunzel to see the sky lanterns in exchange for the crown he stole, Rapunzel enters the outside world with her pet chameleon Pascal. When Gothel realizes that Rapunzel has left her tower, she tries to find her with the help of the Stabbington brothers as Flynn and Rapunzel go to a tavern where they meet rough thugs whom they befriend due to their aspirations for a life outside of crime. The thugs help Rapunzel evade the guards who are looking for Rider as they hide in caves where Flynn learns about the magical elements of Rapunzel’s hair. Flynn reveals his real name as he takes Rapunzel to the kingdom with help the guards’ lead horse Maximus.

With Rapunzel finally getting the chance to see the sky lanterns with Flynn, Flynn encounters the Stabbington brothers in hope to live up to his deal with them. Instead, the plan is altered where Gothel takes Rapunzel as she discovers her true identity while Flynn deals with guards in his hopes to save Rapunzel.

The film is essentially a re-telling of the story of Rapunzel with a new twist as screenwriter Dan Fogelman creates a story where it’s about this young girl who is this long-lost princess that has been secluded for all her life in the care of a woman who needs her hair to maintain her youth and beauty. While there is a bit of exposition about Rapunzel’s hair told in a prologue by the character of Flynn Rider. It does reveal the kind of person Gothel is and why she’s been keeping Rapunzel as she isn’t a traditional villain. Rider and Rapunzel aren’t traditional good guys either as Flynn is an admitted thief while Rapunzel is a young woman who doesn’t know about the outside world but can fend for herself. Fogelman’s script succeeds in not just giving these characters more than what they’re supposed to be. He also succeeds in playing with the damsel-in-distress formula by adding humor and light-dramatic scenes that does help move the story forward.

The direction of Nathan Greno and Byron Howard is brilliant for the compositions and scenes that are created. Notably as it combines 2D hand-drawn animation with 3D computer animation as the film has a look that is all computer animated but the feeling of a 2D animated film. Notably in the way the characters move and interact with certain things as well as the set pieces created for the film. One notable sequence that really is a marvel to watch is the sky lanterns scene where all of these lanterns are displayed in a nighttime sky. It’s truly exquisite in its beauty and the way those scenes are drawn. With its mix of humor and adventure, Greno and Howard create a film that is truly entertaining as well as making something is a true visual feast.

Editor Tim Merkins does an incredible job with the film‘s editing as he brings a wonderful sense of style in creating montages to Rapunzel‘s reaction to be out of the world as well as a few jump-cuts to play with the film‘s unique rhythm. Production designer Douglas Rogers, along with art directors Dan Cooper and David Goetz, does great work in creating some of the set pieces for the film such as Rapunzel‘s tower and the tavern the thugs hang out at. Visual effects supervisor Steve Goldberg does a brilliant job with some of the visual effects created for some of the 3D parts of the film that includes the sky lanterns scene.

Sound designers Cameron Frankley, Jason W. Jennings, and Ai-Ling Lee do a fantastic job with the sound work from the sound of leaves and waterfalls in the woods to the atmosphere of the tavern and damn that Rapunzel and Flynn encounter. The film’s music by Alan Menken is brilliant for its mixture of flourishing orchestral music to more playful folk music for some of the scenes at the kingdom. The songs that Menken wrote with lyricist Glenn Slater are definitely top of the line such as Mother Knows Best, the ballad I See the Light, and the very upbeat I’ve Got a Dream as it’s some of the best work that Menken has done as it also includes a song by Grace Potter in the film’s final credits.

The voice casting by Jamie Sparer Roberts is wonderful for the ensemble that is created as it includes Frank Welker voicing the enjoyable animal creatures in the horse Maximus and the chameleon Pascal. Other notable small voice work include Richard Kiel, Jeffrey Tambor, and Brad Garrett as friendly thugs, M.C. Gainey as the guard captain, and Ron Perlman doing dual voice work as the rough and conniving Stabbington Brothers. Donna Murphy is superb as the sly yet cunning Gothel who is desperate to keep Rapunzel with her while dealing with Rapunzel’s yearning for freedom. Zachary Levi is terrific as the charming and brave Flynn Rider who reluctantly helps Rapunzel out while realizing what it takes to be a very good guy. Finally, there’s Mandy Moore in a fantastic performance as Rapunzel as she brings a lot of humor, wit, and determination to the character who is quite naïve but also willing to see the sky lanterns as she also has great chemistry with Levi and Murphy.

Tangled is an extraordinary film from Nathan Greno and Byron Howard. Featuring amazing animation and a remarkable ensemble voice cast, it’s a film that definitely lives up to a lot of the animated films Disney has made in the past. Notably as it allows hand-drawn animators and computer animators to create a hybrid of both styles that gives the film a very dazzling yet magical feel. In the end, Tangled is a rich and delightful animated film from Disney Animation Studios.

© thevoid99 2012

Saved!

Originally Written and Posted at Epinions.com on 6/27/04 w/ Additional Edits & Revisions.

Saved! is a teen comedy set in a modern-day American Christian high school about a young woman named Mary whose life has always been influenced by Jesus and Christianity. Then when she learns her boyfriend is gay and tries to save him by having sex with him, she ends up being pregnant and alienated by her peers including zealot Hilary Faye where Mary is forced to join the school’s outcasts. Directed by Brian Dannelly from a script he co-wrote with Michael Urban, Saved! is a part satire, part teen-comedy that isn’t attacking Christianity but rather study the narrow-minded attitude of some its people including preachers and followers. Starring Jena Malone, Mandy Moore, Macaulay Culkin, Patrick Fugit, Eva Amurri, Heather Matarazzo, Mary-Louise Parker, and Martin Donovan, Saved! is one of the year’s smartest comedies.

The young life of Mary (Jena Malone) has always been driven by her devotion to Jesus Christ and the Christian faith as she lives with her mother Lillian (Mary-Louise Parker). Mary's seemingly perfect life is suddenly shattered when her boyfriend Dean (Chad Faust) reveals to her that he might be gay. After seeing a vision of Jesus Christ, Mary believes that it's her mission to save Dean as she takes the advice of her friend Hilary Faye (Mandy Moore). Mary decides to lose her virginity to Dean as a sacrificial act but Dean is sent to a clinic over his homosexuality making Mary feel upset as she's set to return to American Eagle Christian School for her senior year.

With Hilary and Hilary's cynical, wheelchair-bound brother Roland (Macaulay Culkin) returning as well, Mary notices that also returning is the Jewish bad girl Cassandra (Eva Amurri) and a new student in Patrick, who is the son of their principal Pastor Skip (Martin Donovan). During an assembly with Veronica (Elizabeth Thai) as Hilary and Mary are part of the elite Christian Jewels group, Cassandra causes trouble as Roland is impressed by Cassandra. Mary later learns that she's pregnant as she learns that Hilary is holding an intervention about Dean leading to an argument between the two as Mary is kicked out of the Christian Jewels as she's replaced by Tia (Heather Matarazzo). Feeling like an outcast, Mary becomes friends with Cassandra as she and Roland help Mary out as she starts to have feelings towards Patrick. Mary's time with Roland and Cassandra helps her deal with her issues while her mother starts to date Pastor Skip.

Cassandra decides to battle it out with Hilary over her hypocritical stance as Mary and Roland help Cassandra out with this new war. Hilary starts to fire back where Mary's secret is revealed as it leads to problems between Lillian and Pastor Skip. For Roland, the battle isn't over as he decides to help Mary and Cassandra go on a final battle at prom against Hilary with some unexpected help.

While the film has a nice balance of drama and comedy along with satire throughout the film, Brian Dannelly makes sure the film isn’t trying to be offensive but more of something everyone to enjoy. Throughout the film, the movie has some hilarious comedic sequences including a scene involving a TV-movie starring Valerie Bertinelli that leads to Mary wanting to have cancer instead of being pregnant. The comedic aspects are very silly in a fun way while the dramatic aspects is pretty restrained to encompass on the film’s entertaining presentation. The only major flaw with the film is the ending, mostly because its too nice and doesn’t leave much for anything realistic where you want to know what happens to many of the characters at the end.

While the film’s screenplay and directing works for the most part, the film’s look from cinematographer Bobby Bukowski is very colorful and exquisite in the outside scenes while looking very realistic in the interior school and mall scenes with a lot of credit due to production designer Tony Devenyi and art director Kristina Lyne. The film’s look is perfect for this comedy along with the look of the school uniforms where it plays well to its individual players from its costume designer Wendy Chuck. Even the film’s music is very light-hearted and catchy, even playing to some cheesiness in the Christian music with very funny lyrics from music composer Christophe Beck along with contributions of music from the Replacements in the prom scene and Mandy Moore doing a fine duet of the Beach Boys’ God Only Knows with the film’s producer and R.E.M. singer Michael Stipe.

The film has a very fine cast with some small but stellar performances from Heather Matarazzo as Faye’s suck-up friend Tia, who is funny while Elizabeth Thai is excellent as Faye’s partner-in-crime. Martin Donovan gives a fine performance as Pastor Skip who brings a very hilarious, cool approach to preaching with lines like “Who’s down with the G-O-D” while brings his masterful dramatic performances in his scenes as a father and with Mary-Louise Parker. Parker also shines as Mary’s mother in her moments of infatuation with Skip but does better in her scenes with Jena Malone as a mother who doesn’t know until the end where she really brings her mastery of drama. Chad Faust is also fine in his small role as Mary’s gay boyfriend Dean while Patrick Fugit unfortunately, doesn’t do much in his role as Mary’s love interest. Fugit does a nice job with his role but isn’t given much to as far as development is concerned and there is confusion sometimes when he’s with Hilary Faye and we don’t really know why other than the fact that he likes Mary.

Mandy Moore is a total riot throughout the entire film with her over-the-top performance with lines of “I am filled with Christ love” and her Jesus speeches in which they’re so funny. Throughout the film, Moore just comes off as this misguided girl who really begins to alienate everyone but by the film’s end, she tries to become some martyr in which, doesn’t really work and her character in the end, doesn’t get any resolve. Of the supporting cast, Eva Amurri delivers a breakthrough performance as the bad-girl Cassandra. Bringing a flat-out, edgy comedic performance, Amurri brings an energy and likeability to her character that just wants to be herself and not be tagged into any category. The daughter of actress Susan Sarandon, Amurri has now officially arrived. Macaulay Culkin is also spellbinding as the cynical yet charming Roland with his witty commentary on Hilary Faye’s mission to save people. Culkin brings a smile to everyone with his intellectual view on faith while just wanting to have fun while in scenes with Amurri, the two shines with great chemistry as Culkin is finally on his way out of child stardom hell.

The film’s best performance easily goes to Jena Malone in her sympathetic portrayal as the anguished and disillusioned Mary. Malone brings her character some flaws from a girl who is just misguided to someone who grows up and learns that you don’t really need to be restricted by all of these guidelines in how to live her life. Malone has proven herself to being one of the best young actresses of her generation where she proved she can do love scenes with Fugit.  Notably as she can light up in scenes with Culkin and Amurri as it's one of her best performances of her career.

While it’s not the funniest film of the year, Saved! is still a smart comedy from Brian Dannelly with great performances from Jena Malone, Macaulay Culkin, Eva Amurri, and Mandy Moore. The film isn’t very offensive but rather give light that God can be misunderstood at times through people who can take him very seriously. There’s nothing wrong with faith or anything, it’s just that people needs to find a balance. Saved! is smart in making a comedy that is entertaining and enlightening without trying to be too subversive or overtly preachy.

(C) thevoid99 2011

Romance & Cigarettes

Originally Written and Posted at Epinions.com 11/9/08.

John Turturro is known to many for his work with the Coen Brothers in such films as Miller's Crossing, Barton Fink, The Big Lebowski, and O Brother, Where Art Thou? where he is considered to be one of their acting regulars. While Turturro has also worked frequently with Martin Scorsese, Woody Allen, and Spike Lee, he remains a devoted collaborator to the Coen Brothers. In 2005, Turturro turned to the Coen Brothers as producers for his third directorial feature in a musical-romance film entitled Romance & Cigarettes.

Written and directed by John Turturro with Joel and Ethan Coen serving as producers, Romance & Cigarettes tells the story of a working class husband whose life spins out of his control when his infidelity puts him into a moral crisis. Therefore, he has to choose between his wife and his seductive mistress while his three daughters are going against him following his affair with his mistress. Part romantic-comedy and part-musical with pop songs being the soundtrack, Turturro creates a film that is definitely in its own world.

With an all-star cast that includes James Gandolfini, Susan Sarandon, Kate Winslet, Mandy Moore, Steve Buscemi, Aida Turturro, Mary-Louise Parker, Christopher Walken, Bobby Cannavale, Barbara Sukowa, Eddie Izzard, Elaine Stritch, Cady Huffman, Adam LaFerve, Amy Sedaris, and Kumar Pallana. Romance & Cigarettes is a whimsical, romantic-comedy, musical film from John Turturro and company.

Nicky Murder (James Gandolfini) had just got caught cheating on his wife Kitty (Susan Sarandon) due to a love letter she found to his mistress Tula (Kate Winslet). His three daughters Rosebud (Aida Turturro), Constance (Mary-Louise Parker), and Baby (Mandy Moore) are all siding with their mother as they refuse to help him or give him any good food. With no support in his own home, he confides in his buddy Angelo (Steve Buscemi) about his affairs as he reveals his attraction toward the red-headed, Scottish woman known as Tula. Kitty meanwhile, turns to her friend Gracie (Barbara Sukowa) as her son Fryburg (Bobby Cannavale) is already dating Baby as Kitty's daughters are part of his band. After some guidance from Father Gene Vincent (Eddie Izzard), Kitty calls her cousin Bo (Christopher Walken) for help in trying to find Tula.

Nicky meanwhile, hears about improvements in his sex life with Tula as he goes to a doctor (David Thornton) for help. Yet, his affair with Tula starts to turn sour due to her crazy demands while Kitty is now dealing with the engagement between Fryburg and Baby. With Kitty getting closer to find about Tula with help from Bo, who is still reeling from his own heartbreak with his wife Ro (Cady Huffman). Baby turns to Nicky for advice where it's clear that despite his differences with Kitty, Nicky seems to agree in what Kitty is thinking about the engagement. A health crisis suddenly hits Nicky while Kitty finally finds Tula as Nicky's mother (Elaine Stritch) reveals harsh revelations. Things gets more revealing during a fight with neighbors (Adam LaFarve and Amy Sedaris) that also makes Kitty think about their troubled marriage.

The film can be described as a lot of things. Yet overall, the genre-bending film with romance, comedy, drama, and as a musical reveals something that audiences can relate to in this story of love gone wrong, infidelity, and other family crises. John Turturro creates a film where the musical elements is more about what a character would do if life was a musical. The approach is that the music does come naturally and without the idea where it feels staged or contrived. While the film doesn't have a real plot, the story about this man trying to figure out his role while coming to terms with his infidelity.

The direction is superb in its staging, musical sequences, and locations where a lot of it is shot on location in New Jersey. The first two acts are very strong in this exploration of infidelity and a woman scorned as she tries to figure out who Tula is. Yet, the third act is uneven in its tone as the exuberance of the first two acts goes away. Though there's music is played, it's more intimate yet it does disrupt the entire tone of the film. Despite the flaws the film has, Turturro does create an interesting film that really bends a lot of genres.

Cinematographer Tom Stern, known for his work with Clint Eastwood, does some excellent work with his camera in capturing the daytime look of New Jersey in its exteriors along with some of greyish work in some of the film's urban locations. The interior shots of the Murders' home is wonderfully intimate with low lights while an amazing, fiery sequence with Kate Winslet has Stern's camera capturing the action with great lighting and wide shots. Editor Ray Hubley does some excellent work with the film's cutting to capture the rhythm of some of the film's exuberance musical sequences that is wonderfully energetic. Though the third act does have pacing issues near the end, Hubley's work is still excellent in capturing the emotion of that act.

Production/costume designer Donna Zakowska along with set decorator Elaine O'Donnell and art director Mario Ventenilla do great work in the look of the glam-like look of the hotel suite for a memorable dance sequence along with the look of New Jersey in all of its dirty yet blue-collar look. Zakowska also creating great costumes for the Murder daughters while the costumes that Kate Winslet wears including a read leathery dress is hot to complement her character. Sound designer Tod A. Maitland and editor Eliza Paley do great work with the location sounds and mixing for some of the musical sequences and such. Choreographer Tricia Brouk does great work for many of the film's choreography in the dance sequences that are theatrical as well as natural while Margie Gillis does an amazing dance sequence for a scene with Christopher Walken and Cady Huffman to the tune of Tom Jones' Delilah.

The music supervised by Chris Robertson is filled with songs by Tom Jones, Engelbert Humperdinck, Bruce Springsteen, and others ranging from 1950s doo-wop music and 60s pop with the actors singing along to various songs as if people do that in real life. With three versions of Piece Of My Heart by Dusty Springfield, Janis Joplin, and Erma Franklin with Susan Sarandon singing along to one of them. The soundtrack includes Mandy Moore singing I Want Candy with other dance sequences to the music of Buena Vista Social Club for the fiery dance scene with Kate Winslet and another Winslet dance number to the tune of Vicky Carr's It Must Be Him. Other music by James Brown, Connie Francis, and Ute Lemper round out the soundtrack while James Gandolfini and Susan Sarandon do a quiet yet wonderful duet of The Girl I Marry.

The casting by Todd Thaler is excellent with John Turturro and real-life wife Katherine Borowitz serving their roles as dancers in one of the film's sequences. John's son Diego makes an appearance as a boy on a tricycle along with Diego's older brother Amedeo as a friend of Fryburg and John's mother Katherine as a choir singer. Yianni Digaletos plays a Greek lover of Bo's wife while Tonya Pinkins as a medic and P.J. Brown as a police officer each have a memorable moment as they also get a chance to sing. Tony Goldwyn makes an appearance as an old lover of Kitty. Kumar Pallana, known for his work with Wes Anderson, is great in a memorable appearance as a flower-card shop owner. Broadway star Cady Huffman is excellent as Bo's cheating wife while Adam LaFarve is good as a loudmouth neighbor. Amy Sedaris is funny as a loudmouth neighbor who likes to badmouth the Murder family. David Thornton is also good in his small role as a doctor Elaine Stritch is very good and funny as Nicky's mother who reveals some shocking stories.

British comedian Eddie Izzard is good as a preacher who brings guidance to Kitty in a wonderful musical sequence to Piece Of My Heart while Barbara Sukowa is funny as Fryburg's mother Gracie who pines for the first love of her life that she hopes return. Steve Buscemi is funny as Nicky's friend Angelo who brings some strange advice while giving his view on infidelity. Bobby Cannavale is great as Fryburg, a guy with a Teddy Bear hairdo who is filled with lots of charms and insults as he's a guy who isn't very smart but loveable. THE GREAT Christopher Walken is amazing as Bo, an oddball cousin who reveals the flaw of men while dealing with his own heartbreak as he helps out his cousin. Walken has scenes where it's clear, he's a natural to the musical sequences as he's having fun and just stealing some moments when he's dancing and singing along to Tom Jones' Delilah.

Aida Turturro, Mary-Louise Parker, and Mandy Moore are great as the three daughters who revolt against their father. Turturro gets to be the more talkative of the trio with Parker being the quiet yet more musical trio of the daughter. Moore gets more to do as her character deals with the idea of marriage while proving she can sing rock. Susan Sarandon is great as Kitty, the scorned woman trying to find the mistress while pondering on why she fell in love with Nicky. Kate Winslet is brilliant as Tula, the fiery Scottish woman that is very sexy and a presence that is dynamic. Sporting a Scottish brogue, Winslet's performance is truly sensational as she just commands every scene she's in along with her dance sequence making her completely bonafide. James Gandolfini is excellent as Nicky Murder, a man trying to ponder his role while seeing whether he should go to his mistress or try to get forgiveness from his wife. It's a performance from Gandolfini that isn't seen much yet proves that he's a solid actor outside of his work from The Sopranos.

While it's not a great film, Romance & Cigarettes is still a very good film that has a lot of redeeming qualities and musical numbers under the vision of John Turturro. Thanks to a great cast and amazing musical numbers, it's a film that is entertaining despite its flaws. This film had the unfortunate of going through distributions problems when in 2006, United Artists and MGM was bought by Sony which led to a legal mess forcing Turturro to distribute the film himself to a small audience. This is a film that should be seen for anyone that likes musicals or romantic comedies as in the end, Romance & Cigarettes is a film that's worth your time in its entertainment factor thanks to the vision of John Turturro.

(C) thevoid99 2011