The Lego Movie

Written and directed by Phil Lord and Chris Miller from a story by Lord, Miller, Dan Hageman, and Kevin Hageman, The Lego Movie is the story of an ordinary construction worker who is asked to join a quest to help a wizard defeat an evil lord. The film is an animated feature inspired by the Legos building toys as this ordinary person is believed to be part of a prophecy to help the world of Legos from this evil tyrant. Featuring the voices of Chris Pratt, Will Ferrell, Elizabeth Banks, Liam Neeson, Alison Brie, Will Arnett, Nick Offerman, Charlie Day, and Morgan Freeman. The Lego Movie is a truly fun and extremely awesome film from Phil Lord and Chris Miller.

Set in a world where it’s built entirely on Legos, the film revolves around an ordinary construction worker who finds a relic that is believed to be part of a prophecy to stop an evil lord from wreaking havoc and instill conformity as part of his vision of perfection and order. By taking part in a quest with a group of misfits led by a wizard, this ordinary worker in Emmett (Chris Pratt) finds himself realizing that he has been in a world where he doesn’t feel special as those question about whether he is this master builder that the prophecy claim to be. It’s a film with a simple premise yet it has compelling themes on the idea of conformity vs. individuality where the latter is rebelling against the ideas of this evil lord in Lord Business (Will Ferrell) as they’re known for creating things based on spontaneity. Yet, Lord Business is an individual who hates these ideas where Emmett would force this band of misfits to work together and find a way to use their spontaneity to defeat the evil lord.

The film’s screenplay definitely plays into aspects of conventional ideas about conformity vs. individuality yet the balance of that is Emmett as he is just this ordinary construction worker that is just trying to fit in as he works on creating buildings based on instructional manuals. When he meets this mysterious woman named Wyldstyle (Elizabeth Banks) where he would accidentally find this relic, he comes across something where it is clear that he wasn’t meant to find this thing as he would team up with Wyldstyle and this wizard named Vitruvius (Morgan Freeman) who is a master builder that leads a group of master builders. Yet, they’re pursued by Lord Business’ henchman Bad Cop (Liam Neeson) as they trek through different worlds as they do whatever it takes to stop Lord Business from unleashing the mysterious weapon known as the Kragle.

Phil Lord and Chris Miller’s direction is definitely wondrous not just for the fact that they created this unique mix of 3D computer animation with traditional elements as they would use Legos as their template. It’s also in how they use Legos to tell the story as well as play into how these characters interact with one another and feel like they’re a part of something. It’s part of the dramatic conflict that occurs in someone like Emmett who wants to fit yet he is unable to stand out as many of his co-workers just think of him as just no one. Much of the compositions aren’t just simple but they also have elements of surrealism in the way Emmett interacts with his surroundings as they’re very strange worlds that he is in. Among them is a world of the West, a medieval world, a world set in the clouds, and all sorts of crazy things that is definitely everything that Lord Business wants to get rid of.

The direction of the film also has elements that feels like a low-budget film where it’s clear that Lord and Miller are having fun as if they are playing with actual Lego toys. Even as the sense of spontaneity comes in whenever characters create something to get out of a bad situation. There’s also superheroes such as Superman, Batman, Green Lantern, Gandalf, and many others that appear in the film as they do serve some importance to the film as it also plays to how silly things are in the world of Legos. Especially into what the object known as the Kragle is as there are elements that add to this strange sense of surrealism which does bring a sense of joy and weirdness that feels very accessible. Overall, Lord and Miller create a very delightful and extremely fun film about an ordinary construction worker trying to save his Lego world and its people.

Cinematographer Pablo Plaisted does excellent work with some of the lighting schemes needed for some of the film‘s interior sets to play into the colorful look of the film. Editors David Burrows and Chris McKay do fantastic work with the editing to play into the energetic tone of the film as well as slowing things down for the suspenseful moments. Production designer Grant Freckelton does brilliant work with the look of the Lego buildings and other objects to play into the strange world of Legos. Sound designer Wayne Pashley does superb work with the sound effects including the smaller things into how some things are built. The film’s music by Mark Mothersbaugh is amazing for its mixture of orchestral music with elements of electronic and other offbeat music as it also features the song Everything is Awesome by Tegan & Sara.

The voice casting by Mary Hidalgo is incredible as it features voice cameos from Will Forte, Dave Franco, and Jorma Taccone in small roles as well as other voice performances from Cobie Smolders as Wonder Woman, Channing Tatum as Superman, Jonah Hill as Green Lantern, Shaquille O’Neal as a Lego version of himself, and Charlie Day in a very funny voice performance as 80s space guy who always wants to keep building a spaceship. Other notable small voice roles include Alison Brie as a very optimistic hybrid of cat and unicorn called Princess Unikitty while Nick Offerman is hilarious as a pirate character called Metalbeard who seeks vengeance of Lord Business. Morgan Freeman is excellent as the mysterious wizard Vitruvius as he is this wise man that is often in some very funny situations. Liam Neeson is superb as Bad Cop as this good cop/bad cop who is often forced to do Lord Business’ bidding as Neeson also voices Bad Cop’s parents and his good side.

Will Arnett is fantastic as the voice of Batman as this hilarious variation of the superhero who is often full of himself and thinks he is better than everyone. Will Ferrell is brilliant as Lord Business as this evil tyrant who is keen on making sure that everyone is doing things his way in an act of conformity. Elizabeth Banks is amazing as Wyldstyle as this tech-savvy fighter who was trying to find the mysterious relic as she becomes an object of affection for Emmett while dealing with her own flaws as an individual. Finally, there’s Chris Pratt in a remarkable voice performance as Emmett as this ordinary construction worker who learns that he is part of a prophecy that can save the Lego world as he copes with trying to live up to those expectations while admitting that he is just ordinary.

The Lego Movie is a phenomenal film from Phil Lord and Chris Miller. Featuring a great cast as well as a unique premise that is inspired by Legos, it is a film that manages to be full of imagination as well as bring out all sorts of joy for those who love Legos. Even as it manages to infuse elements of surrealism and weird things that manages to be crazier than it actually is. In the end, The Lego Movie is a sensational film from Phil Lord and Chris Miller.

Phil Lord & Chris Miller Films: (Cloudy with a Chance of Meatballs) - 21 Jump Street - 22 Jump Street

Related: The Lego Batman Movie - (The Lego Ninjago Movie)

© thevoid99 2014

22 Jump Street

Based on the TV show 21 Jump Street, 22 Jump Street is the story where two cops go to college to find the supplier who had been creating new drugs that has been circulating into the world of college. Directed by Phil Lord and Chris Miller and screenplay by Michael Bacall, Oren Uziel, and Rodney Rothman from a story by Bacall and Jonah Hill. The film is a spoof of sorts on sequels where characters of the first film do the same thing for the second film set in college as Jonah Hill and Channing Tatum reprise their roles as Morton Schmidt and Greg Jenko who deal with their friendship. Also starring Amber Stevens, Peter Stormare, Nick Offerman, Rob Riggle, Dave Franco, and Ice Cube as Captain Dickson. 22 Jump Street is a witty yet off-the-wall film from Phil Lord and Chris Miller.

The film is essentially a re-hash of sorts of the first film where Schmidt and Jenko have to go undercover and pretend to be college students so they can the dealers and suppliers of a new drug that is about to become big in college campuses. Along the way, Schmidt and Jenko endure challenges that would separate them while they also deal with new enemies and secrets that come into play during their investigation. It’s a film that definitely takes the same storyline, plot-points, and such of the first film but makes it aware that it is a re-hash where there’s elements of the fourth-wall being broken as the characters often talking about budgets and doing the same thing all over again. The film’s screenplay isn’t afraid to comment on doing things all over again while there’s a lot more hilarity that goes on as well as suggestions that Schmidt and Jenko’s friendship is so much more. Notably as those that Schmidt and Jenko surround themselves would tell one person that the other is dragging him down.

Phil Lord and Chris Miller’s direction definitely plays into the same style as the first but with bigger set pieces, action sequences, and all sorts of things where it knows that it is making fun of itself. The compositions are quite simple at times but also stylish as it plays to Jenko’s ability to do parkour and such while Schmidt would try to do that as well. Another hilarious sequence is another take on the two getting high on drugs where both Schmidt and Jenko each get a different reaction. There’s also sequences where Lord and Miller play up the bro-mance between Schmidt and Jenko as it does have this chaotic sense of style that is a play on the cinematic style of Michael Bay.

The action sequences are over the top as much of it is shot in New Orleans while its climatic showdown is shot in Puerto Rico as it is this very wild take on spring break. While the results is obvious predictable, it is followed by a closing credits sequence that not only breaks down the fourth wall but also in the idea of what is to come in all sorts of genres and such. Overall, Lord and Miller create a very smart and extremely funny film about two guys pretending to be college kids to bust up some drug dealers, have a good time, and be aware that they’re doing the same thing all over again.

Cinematographer Barry Peterson does excellent work with the cinematography in terms of the vibrant exterior colors of the locations in its interior and exterior settings. Editors David Rennie and Keith Brachmann do fantastic work with the editing where it plays into the chaotic, speed-editing style of most action blockbusters while keeping things straightforward so that audiences can make sense of what is happening. Production designer Steve Sakland, with set decorator Tracey A. Doyle and art director Scott Plauche, does nice work with the set pieces from the frat house that Jenko gets accepted to as well as the new 22 Jump Street base that was created to showcase the bigger budget.

Costume designer Leesa Evans does terrific work with the costumes as it plays to the world of college as it‘s mostly casual. Visual effects supervisors Edwin Rivera and Peter G. Travers do amazing work with some of the visual effects that includes a hilarious scene of Schmidt and Jenko high on the new drug and the different effects it had on them. Sound editor Geoffrey G. Rubay does superb work with the sound from the sound effects of gunfire to the atmosphere of the parties. The film’s music by Mark Mothersbaugh is brilliant for its mixture of orchestral music with some electronic-based cuts while music supervisor Kier Lehman brings in a fun soundtrack that features a lot of dubstep, hip-hop, electronic music, and some songs from the 80s.

The casting by Nicole Abellera and Jeanne McCarthy is amazing as it features some notable appearances from Rob Riggle and Dave Franco reprising their roles as Mr. Walters and Eric, respectively, as well as Caroline Aaron and Joe Chrest as Schmidt’s parents, and Nick Offerman playing the role of Captain Hardy who puts Schmidt and Jenko back on the Jump Street program. Wyatt Russell is terrific as the jock Zook that Jenko befriends while Jimmy Tatro is good as Zook’s friend Rooster. The Lucas Brothers are funny as twin drug dealers who always say the same thing while Marc Evan Jackson is wonderful as the college psychiatrist who is the initial suspect as the supplier. Jillian Bell is brilliant as Mercedes who dislikes Schmidt as she is very creepy as well as being very funny. Amber Stevens is excellent as Maya as an art student Schmidt falls for as she knows about the dealer who had died as she reluctantly let Mercedes stay in her dorm room.

Peter Stormare is superb as the antagonist Ghost as this old-school drug dealer that Schmidt and Jenko try to capture as he could be connected to the new drug that is being sent out to college campuses. Ice Cube is hilarious as Captain Dickson who continues to berate Schmidt and Jenko as Cube gets more to do as it relates to a minor character in the film. Finally, there’s Jonah Hill and Channing Tatum in fantastic performances as their respective characters Schmidt and Jenko. Hill displays a lot of the sensitivity and awkwardness of Schmidt that is fun to watch while Tatum brings in that physicality and dimness to his character as the two definitely have fun in their roles while not being afraid to showcase some homoerotic overtones in their bro-mance.

22 Jump Street is an excellent film from Phil Lord and Chris Miller. Featuring a great cast and a witty approach to the idea of sequels, it is a film that isn’t afraid to play dumb while be aware that it’s rehashing everything that made the first film so successful. Especially as it isn’t afraid to give the audience what they want as well as be even sillier. In the end, 22 Jump Street is a fantastic film from Phil Lord and Chris Miller.

Phil Lord & Chris Miller Films: (Cloudy with a Chance of Meatballs) - 21 Jump Street - The Lego Movie

© thevoid99 2014

21 Jump Street

Based on the 1980s TV show by Patrick Hasburgh and Stephen J. Cannell, 21 Jump Street is the story of two former high school classmates who become undercover police officers as they return to high school to uncover a drug bust. Directed by Phil Lord and Chris Miller with a script by Michael Bacall based on a story by Bacall and Jonah Hill. The film is an updated take on the hit 80s TV show that starred Johnny Depp as it explores new high school social orders and the world of undercover police officers. Starring Jonah Hill, Channing Tatum, Brie Larson, Dave Franco, Rob Riggle, Ellie Kemper, Nick Offerman, and Ice Cube. 21 Jump Street is a riotous yet very entertaining film from Phil Lord and Chris Miller.

Two former schoolmates in Morton Schmidt (Jonah Hill) and Greg Jenko (Channing Tatum) meet up seven years after senior year in the police academy where they become buddies helping each to become police officers. After being assigned to park patrol where they would encounter a drug trade as they managed to nab a dealer but Jenko forgot to read the Miranda rights. After the screw-up, Captain Hardy (Nick Offerman) has the two transferred to a revived undercover specialty unit led by Captain Dickson (Ice Cube) who would have them return to high school to uncover a new drug craze that is spreading around various high school campuses. Living with Schmidt’s parents for the assignment, Schmidt and Jenko learn that the social order of high school has changed as they pretend to be brothers.

With Jenko hanging out with the nerds as he accidentally takes Schmidt’s classes, Schmidt ends up hanging out with the popular kids led by Eric (Dave Franco) who is the main dealer of this new drug. Wanting to impress Eric, Schmidt and Jenko throw a party where they gain Eric’s trust while Schmidt also befriends Eric’s friend Molly (Brie Larson). With Schmidt part of Eric’s inner circle while Jenko manages to get a group of nerds to tap into Eric’s phone to hear conversations. Yet, Jenko becomes upset over Schmidt’s newfound popularity in school as a moment to uncover more of what Eric is doing goes bad. When prom is about to start where a deal is about to happen, the two finally decide to figure out what is going on with some surprising results.

Since the concept of the film is about a group of undercover who pretend to be high school students in order to infiltrate whatever drug culture is out there. The idea of a film based on an old TV show doesn’t seem very promising as a film. However, the result ended up being a whole lot better than its concept suggests by exploring the world of the high school social order where two young men become baffled by these changes. Particularly as one of them was a jock and the other was a nerd back in school where neither of them came out of high school satisfied. Going back would give them a chance to a do-over as well as becoming great cops but the changing times and the new drug craze would have them be in very different positions.

Michael Bacall’s screenplay does follow a formula of sorts that is expected in these action buddy-comedies. Taking that formula and infusing it with the concept based on the TV does allow Bacall to for a lot of bawdy humor in the fact that these two guys are inept cops. Schmidt is insecure due to his physicality, lack of social skills, and can’t really fire his weapon at someone. Jenko is an imbecile who gets by with his looks but can’t remember the Miranda rights while is pretty ignorant about school subjects. Together, they become this unlikely duo where they would start to improve themselves in different ways. Schmidt becomes more confident while Jenko starts to use his brains where they would become this awesome duo.

Bacall’s script succeeds in developing the characters while reveling into how times had changed from the mid-2000s to the early 2010s. Back then, jocks ruled where a guy like Jenko was able to get away with anything, except in academics, while Schmidt tries to be cool by looking like Eminem only to be rejected by a girl. Through some witty dialogue that reaches into lots of raunchy humor and action scenes that revel in a mix of humor and playing with clichés. Bacall creates a truly fantastic yet extremely enjoyable buddy comedy that does more than what its genre suggests.

Directors Phil Lord and Chris Miller do an excellent job in creating a buddy comedy that mixes over-the-top violence with frat-boy humor that is pretty wild. While a lot of the compositions in terms of its simpler, light-hearted moments are quite straightforward. They’re still engaging for the way it will play up the drama while they create one of the film’s most hilarious moments involving this drug that takes its time to play up the humor. Notably as it would escalate from one funny moment to something funnier and funnier as the drug itself proves to be very powerful. It’s among the many moments in the film where Lord and Miller are allowed to let the humor play out while getting their actors to be really comfortable in their parts.

The film’s action scenes also have Lord and Miller play up with the clichés as its most notable is this hilarious chase scene involving bikers, traffic jams, and all sorts of things that is expected in the action genre. What is unique about it is the fact that they play with what is expected as the main characters are wondering if something is about to happen and they’re caught off-guard. Notably in the film’s climatic moment where they meet up with the supplier as it would include a surprising mix of over-the-top violence and humor as it proves that Lord and Miller are able to do a lot with these sequences while not going too far into the conventions. Overall, Lord and Miller create a truly exhilarating and funny action buddy comedy that does a whole lot more for its genre.

Cinematographer Barry Peterson does a nice job with the film‘s photography to play up the sunny look of the locations, set in New Orleans, while providing some stylish looks for some of the film‘s nighttime exterior and interior settings. Editor Joel Negrone does an excellent with the editing in creating amazing montage scenes to play up some of the craziness of the humor with swift cuts that aren‘t too fast while maintaining more straightforward cuts for the light-hearted moments. Production designer Peter Wenham, with art directors Scott Plauche and Thomas Valentine as well as set decorator Bob Kensinger, does a superb job with the look of the 21 Jump Street base that Captain Dickson works at that includes a hilarious prop of a Korean version of Jesus Christ. Costume designer Leah Katznelson does a very good job with the costumes from the early look that Schmidt wears in the film‘s first scene to more casual yet stylish looks to play up the many cliques in high school.

Visual effects supervisor Richard Edlund and Helena Packer do terrific work with some of the film‘s minimal visual effects scene including some of hilarious montages involving the side effects of what happens when being on the drug. Sound editor Geoffrey G. Rubay does a superb job with the sound work to capture the atmosphere of the party scene as well as the chaos in some of the film’s violent moments. The film’s score by Mark Mothersbaugh is wonderful for the thrilling score that mixes bit of orchestral elements as well as electronic music to play up the energy of the action scenes. Particularly as the film’s soundtrack is a mix of party music for many of the party scenes.

The casting by Nicole Abellera and Jeanne McCarthy is brilliant for the ensemble that is created which does include cameos from a few actors of the original TV show. Notable small roles include Dakota Johnson as an undercover cop, Caroline Aaron as Schmidt’s smothering mother, Jake Johnson as the school principal, DeRay Davis as a drug dealer named Domingo, Nick Offerman as Schmidt and Jenko’s original superior Captain Hardy, and Johnny Simmons as a nerdy kid that Jenko befriends. Rob Riggle is very good as the brash P.E. coach Mr. Walters who always tries to intimidate Schmidt and Jenko while Ellie Kemper is very funny in a small role as science teacher who is sexually attracted to Jenko. Dave Franco is excellent as the laid-back drug dealer Eric who tries to do things low-key in an attempt to be powerful.

Ice Cube is great as the profanity-spouting and intimidating Captain Dickson who always berates Schmidt and Jenko while trying to get them in line as it is Cube going back to his gangsta roots. Brie Larson is wonderful as Molly whom Schmidt falls for as Larson brings a nice charm to her character while proving be just as bawdy as the guys in the film’s third act. Finally, there’s the duo of Jonah Hill and Channing Tatum as they really are the heart and soul of the film. In the role of Schmidt, Hill brings a goofy charm to his character that tries hard to be cool while also being inept when it comes to getting physical. For the role of Jenko, Tatum is the film’s real surprise as he brings a real laid-back humor that also goes a little out there as he seems very comfortable playing the role of a dim cop who later becomes smart. Hill and Tatum’s chemistry is a joy to watch in the way they interact and do hilarious things together.

21 Jump Street is a flat-out hilarious buddy action-comedy from Phil Lord and Chris Miller featuring amazing performances from Jonah Hill and Channing Tatum. Along with amazing supporting work from Brie Larson, Dave Franco, and Ice Cube plus lots of insane gags that will keep audiences laughing their ass off. It’s a comedy that gets it right in terms of taking the premise of the original 1980s TV show and making it feel fresh while paying tribute to that show. It’s also a comedy that isn’t afraid to go the extra edge of being raunchy and inappropriate just so it can get a laugh in the right way. In the end, 21 Jump Street is marvelously-crafted action-comedy from Phil Lord and Chris Miller.

Phil Lord & Chris Miller Films: (Cloudy with a Chance of Meatballs) - The Lego Movie - 22 Jump Street

© thevoid99 2012