Logan Lucky

Directed, shot, and edited by Steven Soderbergh and written by Rebecca Blunt, Logan Lucky is the story of a trio of siblings who try to end their family’s streak of bad luck and underachievement by robbing the Charlotte Motor Speedway and hope they don’t get caught by the FBI. The film marks a return from Soderbergh following a four-year break from films as he returns to a genre that has brought him success and mixing it with humor. Starring Channing Tatum, Adam Driver, Riley Keough, Katie Holmes, Hilary Swank, Sebastian Stan, Katherine Waterston, Seth McFarlane, Jack Quaid, Brian Gleeson, Dwight Yoakam, and Daniel Craig. Logan Lucky is an exhilarating and whimsical film from Steven Soderbergh.

The film follows two brothers whose lives haven’t gone well as they conspire with their younger sister about stealing money at the Charlotte Motor Speedway with the help of an incarcerated safecracker they know. It’s a film with a simple premise with some complexities and intrigue yet it is about a family trying to change their fortunes and hope to give themselves a better life. Yet, they know they can’t do it by themselves as it’s not just this safecracker they need but also his brothers who aren’t very smart but are dependable. Rebecca Blunt’s screenplay does follow a simple three-act structure as the first act is about the Logan family with the eldest in Jimmy (Channing Tatum) was once a promising football star until his right knee gave out as he works in construction and wanting to be a good dad to his daughter Sadie (Farah Mackenzie) whom he has shared custody with his ex-wife Bobbie Jo Chapman (Katie Holmes).

Yet, he would be laid off due to insurance liabilities relating to his knee as it add to his growing misfortunes that would include his younger brother Clyde (Adam Driver) who lost part of his left arm in the Iraq War and is wearing a prosthetic while working as a bartender. The first act doesn’t just play into the Logans’ misfortune and Jimmy’s motivation to rob the Charlotte Motor Speedway but also wanting to change it as he knows what to do, where to steal, and when as they recruit their younger sister Mellie (Riley Keough), the incarcerated safecracker Joe Bang (Daniel Craig), and Bang’s younger brothers Sam (Brian Gleeson) and Fish (Jack Quaid). The second act isn’t just about the heist but also how Joe and Clyde, who would put himself in prison to help Joe, break out and later get back in to serve their sentences but there are also complications as it relates the day of the heist forcing Jimmy to change plans. The third act is about its aftermath where the no-nonsense FBI agent Sarah Grayson (Hilary Swank) come in and figure what is going on as she would prove to be a match for all involved.

Steven Soderbergh’s direction is definitely stylish in some respects in terms of some of the compositions and set pieces he creates yet much of it is still straightforward as it play into the simple world of a trio of unfortunate siblings. Shot on various locations in North Carolina as well as Charlotte including the Charlotte Motor Speedway and parts of the Atlanta Motor Speedway. Soderbergh does use the locations to play into this world of the American South as it is set mainly in the border between West Virginia and North Carolina where Jimmy did some of his construction work in the latter though he lives in the former. Soderbergh would emphasize on a simple approach to the compositions such as the opening scene of Jimmy fixing his truck while talking to Sadie about a John Denver song. It’s among these moments where Soderbergh can bring so much by doing so little which would also include a key scene of Sadie doing her pageant performance as the simplicity of the shots are captivating in establishing what is happening but also would serve as a key motivation for the few involved in that scene.

Also serving as cinematographer and editor in respective pseudonyms as Peter Andrews and Mary Ann Bernard, Soderbergh’s approach to the visuals as there are some stylistic approach to lighting for some of the interiors and scenes at night whether it’s the usage of dark-yellowish colors or something natural for some scenes set in the daytime. Soderbergh’s editing does have style such as this usage of dissolves in a montage for some characters during the third act but also in some stylish cuts as it play into the heist and its aftermath. The heist sequence has elements of comedy but also intrigue into the attention to detail of what is going on and how they get the money but there’s also some twists and turns along the way such as what is happening at the prison Joe and Clyde are serving at. Soderbergh would also infuse bits of comedy as it relates to a snobbish British businessman in Max Chaliban (Seth MacFarlane) who would rile up the Logan brothers but also put himself into some serious shit. All of which play into two sets of siblings trying to pull off a heist without having the authorities wonder who it is. Overall, Soderbergh crafts as mesmerizing and fun film about a trio of siblings trying to rob the Charlotte Motor Speedway to end their family curse.

Production designer Howard Cummings, with set decorators Barbara Munch plus art directors Eric R. Johnson and Rob Simons, does brilliant work with the look of the homes that some of the characters live in as well as the interior of the tube system inside the Charlotte Motor Speedway. Costume designer Ellen Mirojnick does fantastic work with the costumes from the dresses that Sadie wears for her pageant as well as some of the stylish clothing that Mellie wears. Visual effects supervisors Christina Mitrotti and Lesley Robson-Foster do terrific work with the visual effects as it relates to Clyde without his prosthetic as well as a few set dressing scenes. Sound designer Larry Blake does excellent work with the sound as it play into the way the tube system sounds from the inside as well as the scenes at the race track. The film’s music by David Holmes is amazing for its electronic-jazz score that has a lot of energy in the way it play into the suspense and humor with some blues and rock in the mix while music supervisor Season Kent provides a fun soundtrack of blues, rock, and country from artists and acts like Bo Diddley, John Denver, the Groundhogs, Lord John Sutch, John Fahey, LeAnn Rimes, Dr. John, and Creedence Clearwater Revival.

The casting by Carmen Cuba is great as it feature some notable small roles and appearances from real NASCAR racers Carl Edwards and Kyle Busch as state troopers, Jon Eyez as an inmate friend of Joe in Naaman, Kyle Larson as a limo driver, LeAnn Rimes as herself singing America the Beautiful, Brad Keselowski and Joey Logano as security guards, the trio of Jeff Gordon, Darrell Waltrip, and Mike Joy as themselves commentating the race, Charles Halford as a friend of the Logans in Earl, Macon Blair as Grayson’s partner, Jim O’Heir as Jimmy’s boss early in the film who reluctantly lays him off, David Denman as Bobbie Jo’s husband Moody Chapman, Boden and Sutton Johnston in their respective roles as Moody’s sons Dylan and Levi, Ann Mahoney as a woman working security named Gleema, and Sebastian Stan in a terrific small role as NASCAR racer Dayton White who tries to live a healthy lifestyle despite working for Chaliban.

Katherine Waterston is fantastic in a small role as a former classmate of Jimmy in Sylvia who runs a mobile clinic where she gives Jimmy a tetanus shot. Dwight Yoakam is superb as Warden Burns as a prison warden who tries to uphold some order during a prison riot that lead to Joe and Clyde’s brief escape. Jack Quaid and Brian Gleeson are hilarious in their respective roles as Joe’s dim-witted brothers Fish and Sam as two guys who aren’t smart but are still guys who can get the job done. Katie Holmes is wonderful as Bobbie Jo Chapman as Jimmy’s ex-wife who is still bitter about Jimmy’s shortcomings as she is also concerned about her daughter’s performance at the pageant. Farrah Mackenzie is brilliant as Sadie as Jimmy and Bobbie Jo’s daughter who is entering a beauty pageant as she turns to her Aunt Mellie for help while wondering what song to sing at the pageant. Hilary Swank is excellent as Sarah Grayson as a no-nonsense FBI agent who arrives in the film’s third act as she knows something is up but is also aware that whoever stole the money are a lot smarter than anyone realizes.

Seth MacFarlane is a joy to watch as Max Chaliban as a pretentious businessman from Britain with awful hair and a mustache who insults the Logan brothers as well as try to get his racer to drink his awful energy drink as he is just fun to watch. Riley Keough is amazing as Mellie Logan as a hairdresser who doesn’t believe in the family curse but is aware that the family hasn’t done great as she helps her brothers with the robbery in her own way while being there for her niece Sadie for the upcoming pageant. Daniel Craig is incredible as Joe Bang as a safecracker who is doing time in prison that knows how to open safes while Craig is given the chance to be funny and charming as he is a joy to watch. Adam Driver is marvelous as Clyde Logan as a former Iraq War veteran with a prosthetic left arm who also works as a bartender where he is reluctant to be part of the bank robbery as he had gotten arrested before as a kid yet is hoping to reverse the family curse. Finally, there’s Channing Tatum in a remarkable performance as Jimmy Logan as a former football star turned construction worker who decides to rob the Charlotte Motor Speedway in the hope to change his family fortunes but also give his daughter a chance for a future as it is a low-key but charismatic performance from Tatum.

Logan Lucky is a phenomenal film from Steven Soderbergh. Featuring a great cast, gorgeous visuals, a killer music soundtrack, and a witty take on the caper/heist film. The film is definitely one of Soderbergh’s most entertaining films but also one that is full of engaging characters and moment that are full of heart and joy. In the end, Logan Lucky is a spectacular film from Steven Soderbergh.

Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Eros-Equilibrium - Ocean’s Twelve - Bubble - The Good German - Ocean’s Thirteen - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - (Unsane) – (High Flying Bird)

The Auteurs #39: Steven Soderbergh: Part 1 - Part 2

© thevoid99 2018

I, Tonya

Directed by Craig Gillespie and written by Steven Rogers, I, Tonya is the story of the figure skater Tonya Harding and the notoriety she gained when she had supposedly planned the attack on rival skater Nancy Kerrigan in 1994 before its Winter Olympics. The film is an unconventional bio-pic of sorts that explores Harding’s troubled life as well as her tumultuous relationship with her mother and husband as Margot Robbie plays Harding. Also starring Sebastian Stan, Julianne Nicholson, Caitlin Carver, Bobby Cannavale, and Allison Janney. I, Tonya is a witty and entertaining film from Craig Gillespie.

In 1994, the world of figure skating went upside down when figure skater Nancy Kerrigan had been attacked just a month before the Winter Olympics at Lillehammer, Norway was to happen. News then emerged that a rival skater in Tonya Harding was involved in the attack because of her ex-husband who conspired with a friend to hire two men to put a hit on her yet Harding would deny her involvement that unfortunately lead to the end of her figure skating career. The film is about Harding as it’s told in a documentary-style of sorts set nearly 20 years after the incident where Harding, her ex-husband Jeff Gillooly (Sebastian Stan), former coach Diane Rawlinson (Julianne Nicholson) and her mother LaVona Golden (Allison Janney) give their take on what happened and about Harding from her desire to be a figure skating champion to later becoming a woman of great notoriety.

Steven Rogers’ screenplay takes a back-and-forth narrative of various characters reflecting on the events in Harding’s life including Harding herself as well as moments that played into the many different versions of the truth. Notably in a moment where Harding and Gillooly have their marital problems where Harding tries to shoot Gillooly with a shotgun but Harding said “that didn’t happen” to the camera yet Gillooly disputes that. Yet, the story is all about Tonya as she was someone who had to endure the physical and verbal abuse of her mother as a child and later as a teen and an adult while having to create her costumes herself with the little money she makes as an adult. For all of her skills and being the first American skater to complete the triple axel that would give her a victory at Nationals in 1991. Many in the world of figure skating feel that she doesn’t have the look nor the typical background that she needs to be the poster girl for figure skating which is something she would battle during the course of the film. Even as she would have to endure the scrutiny she would receive in her supposed involvement over the Kerrigan attack.

Craig Gillespie’s direction does bear elements of style yet much of the compositions are straightforward in its mixture of documentary and dramatic recreation. Shot on various locations in and around Atlanta, GA as well as parts of Macon, GA as Portland and bits of Detroit, Gillespie captures a period in time before the era of 24-hours news and rampant media coverage that was to become prevalent during the 1990s. While there are some wide shots of the location including some of the skating scenes that are shown to get a scope of how big figure skating was in the early 1990s. Much of Gillespie’s direction rely on close-ups and medium shots to play into the dramatic events in Harding’s life with elements of dark humor as it relate to these moments where the fourth wall is broken. While much of the film is shot in a 2:39:1 aspect ratio, the documentary interviews are shot in the 1:33:1 full-frame aspect ratio as it play into the characters that include a TV producer in Martin Maddox (Bobby Cannavale) talking about the Kerrigan attack.

It all play into the events and versions of what had happened with Harding knowing that her story and her denials over what happened won’t be heard by anyone. There is some truth to what she would say as it adds to the notoriety that she’s unfortunately gained as it relates to what the public wants and what figure skating wants. At the end of the day, all Harding wanted to do was skate as there is an element of heartbreak as it relates to Harding’s fate but there is that comfort to the fact that amidst all of the abuse from her mother and her ex-husband and all of the bullshit that she had to endured. All she wanted was to be loved as there was that brief moment where America did love her. Overall, Gillespie creates a compelling yet exhilarating film about a figure skater and the notoriety she gained over the assault of rival competitor.

Cinematographer Nicolas Karakatsanis does excellent work with the film’s cinematography from the usage of low-key lighting for some of the scenes at night including the fantasy of Harding killing Kerrigan as well the usage of grainy film stock and video for some of the documentary footage. Editor Tatiana S. Riegel does brilliant work with the editing as it play into some of the film’s humor with its rhythmic cuts as well as some montage-style editing for some of the training sequences. Production designer Jade Healy, with set decorator Adam Willis and art director Andi Crumbley, does fantastic work with the look of the interiors of the homes Harding had lived in as well as the look of the skating rink where Harding learned her craft. Costume designer Jennifer Johnson does nice work with the costumes as it play into the period of the late 80s/early 90s as well as the dresses that figure skaters had to wear for competition.

Hair designer Adruitha Lee and prosthetic designer Vincent Van Dyke do terrific work with the look of the characters from the hairstyles Harding had as a teenager and as an adult as well as the look of LaVona. Special effects supervisors John S. Baker and Jeffrey D. Woodrel, with visual effects supervisor Jean-Marc Demmer, do amazing work with some of the visual effects in not just elements of set-dressing but also in the skating scenes for some of the big jumps that Harding makes. Sound editor Dave Paterson does superb work with the sound as it play into the atmosphere of the skating performances as well as some of the domestic chaos that Harding endures. The film’s music by Peter Nashel is wonderful for orchestral bombast as well as some somber pieces to play into the drama while music supervisors Susan Jacobs and Jen Moss create a killer soundtrack that features a lot of the music from the 70s, 80s, and 90s from acts/artists like Fleetwood Mac, ZZ Top, Supertramp, En Vogue, Heart, Siouxsie & the Banshees, Dire Straits, Cliff Richard, Christopher Stills, Violent Femmes, Chicago, Bad Company, Laura Branigan, Mark Batson, and Doris Day with the Paul Weston Orchestra.

The casting by Lindsay Graham and Mary Vernieu is great as it feature some notable small roles from Dan Triandiflou as Diane’s lawyer husband Bob Rawlinson, Bojana Novakovic as one of Harding’s coaches during her early 90s time, Ricky Russert as the dim-witted hitman Shane Stant who would hit Kerrigan, Anthony Reynolds as the driver for Stant in Derrick Smith, Caitlin Carver as Nancy Kerrigan, and McKenna Grace as the young Tonya who loves to skate but still deals with the abuse of her mother. Paul Walter Hauser is superb as Gillooly’s idiot friend Shawn Eckhardt who does speak in interviews dated in the late 90s as someone who claims to do all of this shit involving espionage and such yet is a total moron as he thinks he does all of these things but ends up making things much worse.

Julianne Nicholson is fantastic as Diane Rawlinson as Harding’s coach from childhood till the late 80s early in her professional career who is aware of Harding’s gift and passion for skating as she would return for the 1994 Olympics to make sure things go right for her. Bobby Cannavale is excellent as Martin Maddox as former TV producer for the 90s tabloid show Hard Copy who talks about the whole Kerrigan incident as well as display that sleaziness that was emerging in the media that he admits to being a part of. Sebastian Stan is brilliant as Jeff Gillooly as Harding’s husband whom she falls for while in her teens as someone that is fascinated by Harding but is also frustrated by her leading to him beating her up at times where Stan brings a complexity to someone who is a screw-up but also a well-meaning person who loves Tonya but also despises her.

Allison Janney is phenomenal as Tonya’s mother LaVona as a woman that is also quite complex despite the fact that she’s a very awful person and a terrible mother. Yet, Janney’s performance is filled with a lot of dark humor as she is seen in interviews wearing an IV while smoking a cigarette, drinking alcohol, and having a parrot on her shoulder as there’s something about her that is just filled with cynicism as a way to drive her daughter to greatness but it comes with a fault as it’s really Janney in one of her best roles to date. Finally, there’s Margot Robbie in a spectacular performance as Tonya Harding in the way she brings in this sense of childlike desire to be loved but also someone with a real chip on her shoulder. Robbie has this sense of energy in the way she deals with her life but also a humility into someone that knows she doesn’t have much to offer as her only real escape from reality is on the skating rink. With the help of choreographer Sarah Kawahara and skating doubles Heidi Munger and Anna Malkova for the wide shots in the skating scenes. Robbie would showcase that energy and determination of a woman just wanting to be the best only to be blindsided by what her husband did as there is a sadness that Robbie displays as someone who just wanted to skate but also this sense of contentment into a woman that at least knew she was the best for a while as it is a crowning achievement for Robbie.

I, Tonya is a sensational film from Craig Gillespie that features top-notch performances from Margot Robbie and Allison Janney. It’s a film that doesn’t play by the rules of the ideas of the bio-pic while displaying some ideas of what could be true and what could be false in this story that was part of something strange and surreal during that period of sensationalized media of the 1990s. It’s also a film that explores the life of a young woman who was part of that culture for all of the wrong reasons as it’s that part of notoriety that will be around her for all of her life. In the end, I, Tonya is a phenomenal film from Craig Gillespie.

Craig Gillespie Films: (Mr. Woodcock) – Lars and the Real Girl - (Fright Night (2011 film)) – (Million Dollar Arm) – (The Finest Hours) - I, Tonya

© thevoid99 2018

Ricki and the Flash

In Memory of Bernie Worrell (1944-2016)

Directed by Jonathan Demme and written by Diablo Cody, Ricki and the Flash is the story of a middle-aged rock singer who learns about her daughter’s divorce as she goes to see and help her while dealing with the family she left to pursue her dream as a rock star. The film is a simple family drama where a woman returns to her family to help her daughter as well as cope with the decision she made in abandoning them to pursue her dream. Starring Meryl Streep, Kevin Kline, Mamie Gummer, Audra McDonald, Sebastian Stan, Ben Platt, Nick Westrate, and Rick Springfield. Ricki and the Flash is an exhilarating and heartfelt film from Jonathan Demme.

The film follows a woman who abandoned her family to pursue her dreams to be a rock star as she finally returns home after hearing about her daughter getting a divorce. It’s a film where a woman not only deals with not just the decisions she made to pursue her dreams but also make an attempt to set things right again for herself and her family. Especially as she still wants to play music in California as she fronts a band called the Flash. Diablo Cody’s screenplay doesn’t just explore the world that Linda “Ricki” Rendazzo (Meryl Streep) lives where she plays at a bar with her band that includes her guitarist Greg (Rick Springfield) who has feelings for her. It’s also in the fact that Ricki is struggling to get by as she’s working at an organic supermarket and paying off her debts. The first half of the film is about Ricki returning to Indianapolis to see her ex-husband Pete (Kevin Kline) and their daughter Julie (Mamie Gummer) as the latter has fallen apart because her husband left her for another woman.

Cody’s script also play into Ricki’s struggle with her family as well as the fact that the void she left was filled by Pete’s second wife Maureen (Audra McDonald) who did a lot for Julie as well Julie’s older brothers Joshua (Sebastian Stan) and Adam (Nick Westrate). The latter of which is gay while the former is about to get married to Ricki’s own surprise as she is also quite conservative in her views despite the music she plays. It adds a lot to the complexity of Ricki but also her own flaws as she is quite selfish as well as ignorant though she means well. Especially when she is confronted by Maureen despite what Ricki had done to help Julie as it would lead to this third act which revolves around Joshua’s wedding.

Jonathan Demme’s direction is quite stylish in terms of the looseness he creates for many of the scenes set in California while going for something that is more controlled and tight for the scenes set in Indianapolis as much of the film is shot in upstate New York. Yet, a lesser director would struggle with trying to create a balance in the two styles but Demme does find that balance where it never feels like two different films. Notably as the film features a lot of music from Ricki playing with her band as well as a scene where she plays a song to Pete and Julie. Demme’s usage of close-ups and medium shots for many of the scenes in Indianapolis are quite intriguing as well as playing into some of the family tension when Ricki sees her sons for the first time in years. The scenes at the bar where the Flash play is quite lively as it include some line dancing as well as moments that are quite raucous where Demme does use a few wide shots to capture the space of the bar. The film’s climax at Joshua’s wedding is a mixture of the different visual styles yet Demme does find a way for all of it to come together. Overall, Demme creates a touching yet entertaining film about middle-aged rocker coming home to help her daughter and mend old wounds with her family.

Cinematographer Declan Quinn does excellent work with the cinematography as it is very straightforward with some unique lighting for the interiors at the bar and the scenes set at night in both California and Indianapolis. Editor Wyatt Smith does nice work with the editing as it is largely straightforward with a few stylish cuts for some of the musical performances. Production designer Stuart Wurtzel, with set decorator George DeTitta Jr. and art director Patricia Woodbridge, does brilliant work with the look of the bar Ricki and the Flash play as well as the home that Pete and Maureen lives in at Indianapolis.

Costume designer Ann Roth does terrific work with the costumes from the stylish clothes of Ricki as well as the more straight-laced look of Pete and the mixture of both in Julie. Visual effects supervisor Luke DiTommaso does wonderful work with the minimal visual effects in the film as it‘s mostly a few set-dressing pieces for some of the scenes in Indianapolis. Sound mixer Jeff Pullman does superb work with the sound as it is straightforward as well as play into the energy of the concerts that Ricki and the Flash perform at. The film’s soundtrack features not just a lot of songs ranging from rock to pop music that Ricki and the Flash performs but also music from Spirit, the Feelies, and Electric Light Orchestra that is played in the background.

The casting by Tiffany Little Canfield and Bernard Telsey is great as it features cameo appearances from Adam Shulman as a customer at Ricki’s supermarket, Bill Irwin as a father at a donut shop who is annoyed by Ricki and Julie’s conversation, Charlotte Rae as Pete’s mother, Beau Sia as Adam’s partner Desmond, and Gabriel Ebert as Julie’s ex-husband Max whom Pete and Ricki confront during a night-out with Julie. In roles as members of the Flash, there’s legendary Parliament-Funkadelic keyboardist Bernie Worrell as keyboardist Billy, famed session drummer Joe Vitale as the drummer Joe, and famed session bassist Rick Rosas as the bassist Buster (whom the film is dedicated to) as they all provide a great presence to their roles as the musicians. Hailey Gates is wonderful as Joshua’s fiancee Emily who is bewildered by Ricki while Ben Platt is terrific as the bartender Daniel who worships at the altar of Ricki and the Flash. Nick Westrate and Sebastian Stan are excellent in their respective roles as Ricki’s sons Adam and Joshua with the former not really fond of his mother accusing her of being a homophobe with the latter wanting to make peace but is unsure of inviting her to the wedding.

Audra McDonald is brilliant as Pete’s wife Maureen who had become the maternal void filled for Ricki’s children as she tries to make peace with Ricki as well as give her some truths that Ricki has to face. Mamie Gummer is amazing as Julie as Ricki’s daughter who has become a wreck following a divorce as she is quite funny in the way she does things as well as be someone who is very fragile. Rick Springfield is fantastic as Greg as the Flash lead guitarist who is in love with Ricki as he gives her some advice as well as tell her how important she is as a mother. Kevin Kline is incredible as Pete as Ricki’s ex-husband who tells Ricki about Julie as he copes with Julie’s mood as well as trying to maintain the peace in the family while admitting he still cares about Ricki. Finally, there’s Meryl Streep in a sensational performance as Ricki Rendazzo as this middle-aged rocker that is trying to reach her dream while helping out her daughter get back on her feet as it’s a lively and entertaining performance from Streep.

Ricki and the Flash is a marvelous film from Jonathan Demme that features a dazzling performance from Meryl Streep. Also featuring a witty script by Diablo Cody, a fantastic ensemble cast, and a killer soundtrack, the film is a heartfelt yet entertaining film that manages to be fun as well as state the importance of family. In the end, Ricki and the Flash is a remarkable film from Jonathan Demme.

Jonathan Demme Films: (Caged Heat) - (Crazy Mama) - (Fighting Mad) - (Handle with Care) - (Last Embrace) - (Melvin & Howard) - (Who Am I This Time?) - (Swing Shift) - Stop Making Sense - (Something Wild) - (Swimming to Cambodia) - (Married to the Mob) - (The Silence of the Lambs) - (Cousin Bobby) - (Philadelphia) - (Storefront Hitchcock) - (Beloved) - (The Truth About Charlie) - (The Agronomist) - (The Manchurian Candidate (2004 film)) - (Neil Young: Heart of Gold) - (Man from Plains) - Rachel Getting Married - (Neil Young Trunk Show) - (Neil Young Journeys) - (A Master Builder)

© thevoid99 2016

The Martian

Based on the novel by Andy Weir, The Martian is the story of an astronaut who is accidentally left for dead on Mars during a manned mission where he struggles to survive in the planet while the people at NASA discover he’s alive as they try to figure out how to get him back home with the man’s crew dealing with guilt of leaving him behind. Directed by Ridley Scott and screenplay by Drew Goddard, the film explores the world of science where people on Earth find a way to try and bring this astronaut home as the man himself would try to find ways to survive on the planet using what he has in his head. Starring Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Kristen Wiig, Benedict Wong, Michael Pena, Sebastian Stan, Kate Mara, Mackenzie Davis, Askel Hennie, Sean Bean, Donald Glover, Eddy Ko, Chen Shu, and Jeff Daniels. The Martian is an adventurous and engaging film from Ridley Scott.

During a manned mission to Mars where an attempt to leave during a strong dust wind where an astronaut is struck by debris and is unfortunately left for dead by his crew. The film revolves around this astronaut who finds himself stuck on Mars aware that it is likely that it will take four years for another spaceship to come in and rescue him with the little rations he has where he is forced to find ways to survive. Meanwhile back on Earth, NASA who for two months believed the man to be dead make a discovery that he is alive through satellite photos as they try to find a way to get him back home but a lot of things are happening where they don’t even tell his crew for months. It’s a film that isn’t just about survival but also the need to rescue a man stranded on Mars where he is forced to left to his own devices yet would unveil what he is able to do to try and survive for the next few years.

Drew Goddard’s screenplay has a very unique narrative that moves back and forth in not just what astronaut Mark Watney (Matt Damon) does to survive on Mars where he would grow potatoes and make water in the planet thanks to his skills as a botanist. It also showcases what is happening in NASA where they try to figure out how long he can survive as well as how to create a rescue mission. The Earth portion of the narrative also play into the world of politics as NASA’s director Teddy Sanders (Jeff Daniels) ponders the financial cost as well as the risks while he also has to tell the truth to the public that Watney is alive after declaring him dead during the botched mission months earlier. For NASA, the news of Watney being alive has become a public relations nightmare for the company where it also shows what is happening behind the scenes where they also need to get help from other sources including rival space exploration companies.

At the space vessel Hermes, there is a subplot that involves Watney’s crew led by Commander Melissa Lewis (Jessica Chastain) who, along with the crew, are consumed with guilt as they’re returning home to Earth where they play a key part in the film’s third act as it relates to the rescue. While they’re aware that the journey back to Mars will take another 18 months with a special booster created by this rival company. Commander Lewis and the crew prefer to take that risk knowing that if it goes wrong, they will all die. Especially as their mission director Mitch Henderson (Sean Bean) gave them the option as he is aware of the risks not just in space but also the financial risks where he finds himself sparring with Sanders since Henderson wanted to tell Lewis and the crew about Watney once the news broke. It all play into that world of politics and when Watney who would finally communicate with NASA’s Mars mission director Vincent Kapoor (Chiwetel Ejiofor) who revealed what has been going on. Not surprisingly as there’s frustration where Kapoor and several other scientists try to find solutions where it would be a young astrodynamicist in Rich Purnell (Donald Glover) who would create what the Commander Lewis and her crew have to do as does Watney.

Ridley Scott’s direction is definitely quite vast for the world he creates not just in Mars but also outer space while also maintain a sense of ground for the fact that the film is also set on Earth. With many of the exterior scenes on Mars shot at Wadi Rum in Jordan with several interiors shot in Hungary, the film plays into a world that is quite large where Scott used a lot of wide shots for these exteriors in Mars as it has this air of mystique. Even in the some of the interiors in the base where Watney would have to live in and grow crops as Scott would also use small video cameras such as the Go-pro cameras to document everything Watney is going through. It has this air of the documentary in the film where it plays into what happens if a man is stranded alone in Mars having to survive by what he knows.

The direction is also intimate not just for the scenes inside the Hermes vessel but also on Earth where there’s a lot of discussion and squabbling going on about what to do. Scott chooses to keep things simple throughout the film by not going for anything flashy though he would utilize bits of style in some tracking and dolly shots but keep it to a minimum. The scenes at the Hermes vessel are quite entrancing to play into the world of this space vessel but also to show everyone trying to move on despite carrying this weight of guilt. While Scott is aware that it’s a sci-fi adventure film with a lot of drama, he knows that it’s a film that shouldn’t take itself too seriously by displaying the fact that Watney is kind of goofy. Even as there’s a recurring gag to the fact that the only thing playing at the base on Mars is 70s disco music that Watney hates yet it was chosen by Commander Lewis. All of which plays into a film that is about doing what is right no matter how complicated it can be. Overall, Scott crafts a riveting yet sprawling film about a man accidentally stuck on Mars and trying to survive as he awaits rescue.

Cinematographer Dariusz Wolski does brilliant work with the film‘s cinematography in creating some filters for the exterior scenes set on Mars as well as providing distinctive looks for the scenes at the Hermes space vessel and on Earth. Editor Pietro Scalia does excellent work with the editing as it‘s mostly straightforward with a few stylistic cuts for the big action sequences as well as a stylish montage sequence about the rescue planning. Production designer Arthur Max, with supervising art director Marc Homes and set decorators Celia Bobak and Zoltan Horvath, does amazing work with the look of the moon base and many of the interiors in that base as well as the space vessel interiors and rooms at NASA. Costume designer Janty Yates does nice work with the costumes in the way the astronaut suits look as well as the clothes of the people on Earth. Hair/makeup designer Tina Earnshaw and hair/makeup supervisor Csilla Blake-Horvath does terrific work with the look of Watney late in the film as he struggles to survive with the limited resources he had.

The visual effects work of Chris Lawrence, Anders Langlands, Richard Stammers, and Steve Warner is fantastic for the look of outer space as well as the Hermes space vessel along with some set dressing for the Mars exteriors. Sound designers Michael Fentum and Oliver Tarney do superb work with the sound in the way the dust winds sound in and out of the base as well as some of the computers and such along with the sparse and more natural sounds for the scenes in Earth. The film’s music by Harry Gregson-Williams is wonderful for its orchestral-based score that has some bombast in some of its intense moments while being low-key in its somber moments. The film’s soundtrack is definitely a joy to listen to not just in the fact that it consists a lot of classic 70s pop and disco music from the likes of ABBA, the Hues Corporation, Donna Summers, Thelma Houston, the O’Jays, Gloria Gaynor, and Vickie Robinson as well as inspired usage of David Bowie’s Starman.

The casting by Carmen Cuba and Nina Gold is incredible as it features some notable small roles from Eddy Ko and Chen Su as key officials from the Chinese Space program, Donald Glover as the astrodynamicisist Rich Purnell who comes up with an idea for the Hermes to travel back to Mars, Benedict Wong as a Jet Propulsion Laboratory director who tries to come up with ideas in saving Watney, and Mackenzie Davis as the NASA satellite planner Mindy Park who would be the one to discover that Watney is alive through satellite photos. Other notable small roles as members of the Ares III team includes Askel Hennie as the team’s navigator/chemist Dr. Alex Vogel, Sebastian Stan as flight surgeon Dr. Chris Beck, Kate Mara as the system operator Beth Johanssen, and Michael Pena as the team’s pilot Rick Martinez who is Watney’s closest friend.

Chiwetel Ejiofor is superb as the Mars mission director Vincent Kapoor who would be the first to communicate with Watney as he realizes with the severity of what is happening as he tries to figure out what to do to save him. Sean Bean is fantastic as the Ares III mission director Mitch Henderson who wanted to tell his crew that Watney is alive as he spars with Sanders about what to do. Kristen Wiig is terrific as NASA’s media relations director Annie Montrose who tries to smooth over all of the bad publicity NASA is facing as well as figure out how to save face for NASA. Jeff Daniels is excellent as NASA’s director Teddy Sanders who is trying to see anyway NASA can save money but also wanting to do what is right with caution. Jessica Chastain is amazing as Commander Melissa Lewis as the Ares III leader who deals with guilt of leaving Watney behind as she would later try to figure out every scenario into getting him back as a way to do what is right. Finally, there’s Matt Damon in a phenomenal performance as Mark Watney as the astronaut who is accidentally stranded on Mars following a freak accident where he manages to find a way to survive with his expertise on botany and wit while also providing some charm, humor, and humility to his role as it’s one of Damon’s finest performances.

The Martian is a spectacular film from Ridley Scott that features an incredible performance from Matt Damon. Along with a strong ensemble supporting cast, dazzling visuals, compelling themes on science, and a fun music soundtrack. The film isn’t just a sci-fi adventure film that doesn’t play dumb as well as reveal what might happen on a manned mission to Mars. It also showcases how someone is willing to survive with a positive attitude despite his hatred for disco. In the end, The Martian is a magnificent film from Ridley Scott.

Ridley Scott Films: (The Duellists) - Alien - Blade Runner - (Legend) - (Someone to Watch Over Me) - (Black Rain) - (Thelma & Louise) - (1492: Conquest of Paradise) - (White Squall) - (G.I. Jane) - (Gladiator) - (Hannibal) - (Black Hawk Down) - (Matchstick Men) - (Kingdom of Heaven) - (A Good Year) - (American Gangster) - (Body of Lies) - (Robin Hood) - Prometheus - (The Counselor) - (Exodus) - (Alien: Covenant) -All the Money in the World

© thevoid99 2016

Captain America: The Winter Soldier

Based on the Marvel comics series by Joe Simon and Jack Kirby, Captain America: The Winter Soldier is the story of Captain America uncovering a conspiracy involving the S.H.I.E.L.D. organization as he is also targeted by a mysterious assassin prompting him to face demons and new ideals about his new world. Directed by Anthony and Joe Russo and screenplay by Christopher Markus and Stephen McFeely, the film has Captain America/Steve Rogers adjust to living in the 21st Century following the events in the 2012 film The Avengers as well as his past as Chris Evans reprises the role of Captain America. Also starring Scarlett Johansson, Samuel L. Jackson, Cobie Smulders, Anthony Mackie, Sebastian Stan, Frank Grillo, Emily VanCamp, and Robert Redford. Captain America: The Winter Soldier is a rapturous and exhilarating film from Anthony and Joe Russo.

The film revolves around Steve Rogers working for S.H.I.E.L.D. as he copes with not just what he’s asked to do but also a world that is far more complicated once S.H.I.E.L.D. has been compromised by forces from within forcing Rogers to become a fugitive as well as being targeted by a mysterious assassin known as the Winter Soldier (Sebastian Stan). There, Rogers is forced to realize that all of these ideas of keeping things in control have been compromised as he has very few allies he can count on such as Natasha Romanoff/Black Widow (Scarlett Johansson) who aids him in uncovering the mystery. It’s a film that explores the idea of what people are willing to do to avoid war and to keep people safe as someone like Rogers who lived during the time of World War II has a hard time trying to understand what S.H.I.E.L.D. is trying to do as he questions what Nick Fury (Samuel L. Jackson) about these reasons to arm the world and keep them under heavy watch.

The film’s screenplay definitely plays into this world of conspiracies where Rogers would meet one of the heads of S.H.I.E.L.D. in Alexander Pierce (Robert Redford) who is trying to get a project unveiled as he is an old friend of Fury where he questions Rogers about his own ideas and such. It is in that moment where the film’s second act comes to play where Rogers is on the run as the only people he can trust is Romanoff and a former USAF pararescueman in Sam Wilson (Anthony Mackie) as the latter is a soldier that Rogers can relate to. When Rogers and Romanoff uncover more secrets about what has happened within S.H.I.E.L.D., it becomes clear that there’s elements of Rogers’ past that has come back to haunt him as well as the identity of the Winter Soldier which would only trouble Rogers. The eventual confrontation between Rogers and the Winter Soldier does come ahead in the third act but the stakes are much higher as it relates to what Rogers can do to make the world safer amidst the terror from within.

The film’s direction by Anthony and Joe Russo is definitely sprawling in terms of its action sequences and set pieces but the Russo Brothers know what to do when there’s a need for a break from the action. Much of it involves some inspired use of wide and medium shots where a lot of it is shot in location in Washington, D.C. plus locations in Cleveland and Long Beach, California. There’s also some close-ups as it plays to the drama along with some very key moments in the film as it relates to some of the things that Rogers would encounter that includes the eventual identity of the Winter Soldier. The usage of high camera angles, wide shots, and medium shots play into the sense of action that occurs as it’s very frenetic which plays to the sense of danger and no-holds-barred attitude that Rogers, Wilson, and Romanoff are facing.

There’s also elements of flashbacks that play into Rogers’ past as he is trying to hold on to ideals that he had grown up on where he knows that he need to hold on to them as it adds to the drama and elements of suspense. It’s climax where Rogers has to face the Winter Soldier is definitely gripping as it’s filled with massive set pieces where it adds to the sense of high stakes for Rogers and his need for people to believe in something all over again in a world that is very cynical and chaotic. Overall, the Russo brothers create a very intelligent yet engaging film about a hero dealing with his new surroundings and the need to keep his old ideals intact.

Cinematographer Trent Opaloch does excellent work with the film‘s cinematography with its use of low-key lights and sepia lighting schemes for some of its interiors to the usage of low-level lights for the exteriors set at night. Editors Jeffrey Ford and Matthew Schmidt do amazing work with the editing to create some unique fast-cutting styles to play into some of the fights and action scenes while slowing things down for some of the film‘s suspenseful and dramatic moments. Production designer Peter Wenham, with set decorator Leslie A. Pope and supervising art director Thomas Valentine, does brilliant work with the look of the S.H.I.E.L.D. building as well as the heli-carriers and the secret buildings where Rogers and Romanoff uncover a very dark secret. Costume designer Judianna Makovsky does nice work with the costumes as it’s mostly casual with the exception of Rogers’ Captain America uniform.

Visual effects supervisors Dan DeLeeuw, Russell Earl, Bryan Grill, and Dan Suduck do fantastic work with the visual effects from the look of the heli-carriers in the sky to design of some of the big action sequences as well as the look of a character from Rogers‘ past. Sound designers David Hughes, Shannon Mills, and Al Nelson, along with co-sound editor Daniel Laurie, do superb work with the sound in not just creating some unique sound effects but also in the way the sound adds to the sense of terror and suspense that occurs in the film. The film’s music by Henry Jackman is terrific for its mixture of bombast and lush orchestral pieces to play into the action and drama while music supervisor Dave Jordan brings in a couple of music pieces from Marvin Gaye and Harry James’ Orchestra.

The casting by Sarah Finn is great as it features some notable cameos that includes the obligatory cameo from Stan Lee plus small roles from Garry Shandling as Stern, Maximiliano Hernandez as S.H.I.E.L.D. official Jasper Sitwell, Danny Pudi as a S.H.I.E.L.D. technician, DC Pierson as an Apple store employee who helps Rogers and Romanoff, Gary Sinise as a Smithsonian narrator for a Captain America exhibit, Georges St. Pierre as a mercenary Rogers confronts early in the film, and as a trio of council members of the World Security Council are Chin Han, Alan Dale, and Bernard White. Other notable small roles include Jenny Agutter as a World Security Council member, Hayley Atwell in a brief but memorable appearance as Rogers’ old flame Peggy Carter, and Emily VanCamp as a S.H.I.E.L.D. agent assigned to protect Rogers at his home. Frank Grillo is terrific as the S.H.I.E.L.D. strike-team commander in Brock Rumlow who is part of the conspiracy as he proves to be a formidable opponent that is willing to take down Rogers and his cohorts.

Toby Jones is superb in his brief but eerie performance as Dr. Arnim Zola whom Rogers had dealt with back in the 1940s as he would be a key figure into uncovering the mystery that Rogers would have to deal with. Cobie Smulders is fantastic as S.H.I.E.L.D. agent Maria Hill who is one of the few people that Rogers and Romanoff can trust as she would help them and Wilson uncover the mystery behind the conspiracy on S.H.I.E.L.D. Sebastian Stan is excellent as the mysterious Winter Soldier who is known for being a fearsome assassin that is willing to cause damage as it’s a very menacing and nearly-silent performance that is all about action rather than words. Anthony Mackie is brilliant as Sam Wilson/Falcon as a former pararescuer who befriends Rogers as he later helps him and Romanoff uncover the mystery while proving to be a formidable soldier that Fury needs. Robert Redford is amazing as Alexander Pierce as a senior official of S.H.I.E.L.D. who would be the one that would make Rogers a fugitive over secrets Rogers refused to divulge as he represents this man that was part of an old world order as he wants to start something new for the sake of maintaining control in the world.

Samuel L. Jackson is great as Nick Fury as the director of S.H.I.E.L.D. who is aware of Rogers’ reluctance about the ways of the world as he starts to question things himself where Jackson brings some humility to Fury who is forced to realize that his organization has been compromised. Scarlett Johansson is phenomenal as Natasha Romanoff/Black Widow as this agent for S.H.I.E.L.D. who realizes what has been going on as she helps Rogers in trying to uncover the truth as Johansson brings some wit and a lot of ass-kicking into her role. Finally, there’s Chris Evans in a remarkable performance as Steve Rogers/Captain America who copes with not just the new rules of the world but also the conspiracy within S.H.I.E.L.D. as he tries to unravel its mystery as well as elements of his past as Evans brings in that very straightforward manner to someone who feels out of place in the world but with old-school values that still means something.

Captain America: The Winter Soldier is a dazzling and thrilling film from Anthony and Joe Russo that features great performances from Chris Evans, Scarlett Johansson, and Samuel L. Jackson. Not only is a blockbuster that entertains and enthralls but it’s also a film that is very smart and engages the audience into uncovering a lot of the suspense and intrigue that looms over the film. Especially with characters that audiences can root for as it has a lot of real-world ideas about the ways of the world. In the end, Captain America: The Winter Soldier is a sensational film from Anthony and Joe Russo.

Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers (2012 film)

Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man

Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home

Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2015

Captain America: The First Avenger

Based on the Marvel comic by Joe Simon and Jack Kirby, Captain America: The First Avenger is the story of how a young man named Steve Rogers became Captain America through an experiment as he helps Americans during World War II to fight one of Adolf Hitler’s evil henchmen. Directed by Joe Johnston and screenplay by Christopher Markus and Stephen McFeeley, the film is an origin story about Captain America and his rise to power as he’s played by Chris Evans. Also starring Hayley Atwell, Hugo Weaving, Stanley Tucci, Dominic Cooper, Derek Luke, Neal McDonough, Sebastian Stan, Toby Jones, and Tommy Lee Jones. Captain America: The First Avenger is a stylish yet exhilarating film from Joe Johnston.

A Nazi officer named Johan Schmidt (Hugo Weaving) has arrived in a small Norwegian village with a group of soldiers to retrieve a mysterious tesseract that possesses unlimited power. Meanwhile, a young man named Steve Rogers has tried out to be in the military but is rejected due to his sickly physical appearances and other ailments. With his friend Bucky Barnes (Sebastian Stan) accompanying to an exhibition hosted by famed inventor Howard Stark (Hugo Weaving), Steve sees another recruitment office where he gets the attention of Dr. Abraham Erskine (Stanley Tucci) who admires Steve’s determination as he gets him enlisted. Despite Steve’s small appearance where Colonel Chester Phillips (Tommy Lee Jones), an act of self sacrifice does manage to impress British agent Peggy Carter (Hayley Atwell).

After Erskine reveals to Steve about an experiment that he collaborated with Schmidt that went out of control due to Schmidt’s power, he reminds Steve that it’s about being a good man that matters. With Steve taking part of the experiment led by Erskine and Stark, the success becomes a surprising success only for one of Schmidt’s assassins (Richard Armitage) to take a formula where Steve, in his new powers, manages to stop him from taking the formula. Though Phillips remains unsure of Steve, U.S. Senator Brandt (Michael Brandon) has Steve play the role of a costumed hero named Captain America for a tour to sell war bonds. During a stop in Italy, Steve learns that his friend Bucky is captured by some men of Schmidt along with many POWs. With Phillips refusing to help in order to avoid taking a risk, Carter and Stark decided to aid Steve in the secret mission that turns out to be a major success.

Though the mission has Steve meeting Schmidt for the first time under his real face, he also learns what Schmidt is doing. With a team that includes Bucky, Dum Dum Dugan (Neal McDonough), Gabe Jones (Derek Luke), Japanese-American Jim Morita (Kenneth Choi), British soldier James Montgomery Falsworth (J.J. Feild), and French Resistance soldier Jacques Dernier (Bruno Ricci). Steve and his team manages to destroy Schmidt’s factories and bases as well as capturing his biochemist Arnim Zola (Toby Jones) who reluctantly reveals information to Phillips. Realizing what Schmidt will do with the power of the tesseract, Steve decides to go ahead to create a mission that will stop him from destroying the world.

The film is essentially an origin story of how Steve Rogers became Captain America through an experiment back in the 1940s during World War II. Yet, it’s a very compelling story since Steve Rogers is just this young guy who doesn’t have a lot of physical strength and probably the last guy anyone would want in an army. Yet, he just wants to help out and is willing to do anything for his country where he would impress some people and later become this symbol of American patriotism. Of course, he would have to face this Nazi officer who sports a red skull due to a botched experiment as he’s obsessed with the occult and power that would make him far more powerful that Hitler.

The screenplay that Christopher Markus and Stephen McFeeley does play to a certain formula that is expected in an origin story based on superheroes. What makes it different is the fact that Steve Rogers isn’t like a lot of the people who would become superheroes. He’s a guy with an idea about what a hero should be and is from an era that was about doing what is right for the country. When he gets the power to be super-strong and be able to do things better than most humans. He becomes more confident but is grounded by Erskine’s words that to be a true soldier is to just simply be a good person. That is the opposite of a character like Schmidt who craves power but only to become more intent on destroying the world including the people he’s really working for.

Other characters such as Peggy Carter, Dr. Erskine, Colonel Phillips, Howard Stark, and Bucky Barnes are well-rounded supporting characters that surround themselves with Rogers. Dr. Erskine is a man who is intrigued by Rogers’ determination as he sees someone who is pure of heart. This may not impress the more no-nonsense Col. Phillips but Rogers’ determination and willingness to fight does eventually win him over. These characters including the charming Howard Stark and the supportive Bucky Barnes do flesh out more of Rogers character but it’s Peggy Carter that is really won over by Rogers. Notably as she sees him as a man that just wants to do his job while there’s also some romantic tension between the two as they’re both intent on winning the war.

Thanks to the film’s adventurous and character-driven screenplay, director Joe Johnston is able to create a film that is very entertaining as well as giving the audience a superhero to root for. With its gorgeous set pieces with some visual effects to play up the world that Rogers is in. With lots of amazing sequences involving a chase scene early in the film as well as some battles, Johnston always play up an element of suspense to see what might happen and how Captain America will succeed. Notably as it is to establish what Captain America is facing where he has to prove that he’s not just some lab rat used to promote war bonds.

The film also had Johnston take his time to allow Rogers to relax and be human where he is sort of awkward in the way he deals with women while is also a guy that likes to hang out with his buddies. The compositions that Johnston gives are quite simple but also engaging since it also involves some small moments of humor and drama. Notably the scene between Dr. Erskine and Rogers about the upcoming experiment and Schmidt’s origins as the Red Skull. Johnston knows how to balance action, drama, and humor while also including a wonderful musical montage where Steve has to play Captain America selling war bonds that is pretty cheesy but also entertaining. Overall, Johnston does an incredible job in creating a film that is exciting and also heartfelt in the way it portrays Captain America.

Cinematographer Shelly Johnson does excellent work with the film‘s very stylish cinematography that is filled with elements of sepia washes for some of the film‘s interior scenes along with more low-key blue-green shots for some of the film‘s battle scenes. Editors Robert Dalva and Jeffrey Ford do nice work with the editing in creating wonderful montages for the war bonds stuff and Captain America‘s battles against Schmidt‘s men that is intercut with Schmidt‘s own reaction. Production designer Rick Heinrichs and set decorator John Bush do fantastic work with the set pieces such as the design for Captain America’s shield, the expo held by Howard Starks, and other 1940s sets and things to play up that world that Rogers lives in.

Costume designer Anne B. Sheppard does wonderful work with the costumes to play up that period of the 1940s including the different versions of the Captain America outfit. Visual effects supervisor Christopher Townshend does superb work with the visual effects to play up the look of the Red Skull and some of the set pieces while some of the effects of Steve Rogers early in the film doesn‘t look that great in some spots though it was effective to display his character.. Sound designers Stephen Hunter Flick, Shannon Mills, Daniel Pagan, and Jason W. Jennings, along with sound editor Howell Gibbens, do terrific work with the sound from the atmosphere of the expo to the battle scenes to display the element of suspense and action that occurs.

The film’s score by Alan Silvestri is brilliant for its soaring orchestral touches with elements of big-band brass music to play up the 1940s period. Notably as it includes some themes that is very patriotic including an original song co-written with David Zippel called Star Spangled Man in the film’s musical montage that is quite fun to hear.

The casting by Sarah Finn, Randi Hiller, and Priscilla John is outstanding for the ensemble that is created as it includes a cameo appearance from Stan Lee as a war general along with small appearances from Natalie Dormer as Col. Phillips’ secretary, David Bradley as a Norwegian tower keeper, Richard Armitage as Schmidt’s assassin, and Michael Brandon as Senator Brandt. Other notable roles include Kenneth Choi, J.J. Feild, and Bruno Ricci as fellow soldiers of Captain America’s team, Toby Jones as Schmidt’s cautious assistant Arnim Zola, Neal McDonough as the bowler-sporting soldier Dum Dum Dugan, and Derek Luke as the intelligent yet crafty soldier Gabe Jones. Stanley Tucci is superb in a very warm yet mesmerizing performance as Dr. Erskine who gives Rogers the experimenting while giving him wisdom about what it takes to be a good man and a good soldier. Sebastian Stan is very good as Steve’s friend Bucky who wants to protect Steve from joining only to aid him in defeating Schmidt.

Dominic Cooper is terrific as the arrogant but witty Howard Stark who provides the tools that Rogers needs while Tommy Lee Jones is excellent as the no-nonsense Colonel Phillips who spouts out some very funny lines in the film. Hugo Weaving is wonderful as the villainous Johan Schmidt who is willing to try and attain a lot of power while being intimidating to those who oppose him including the people he’s working for. Hayley Atwell is phenomenal as Peggy Carter in the way she maintains her role as an agent while proving to be quite handy with a gun as she also has some amazing chemistry with the film’s star in Chris Evans. In the role of the titular character, Evans brings a real sense of the everyman in this character as well as someone who knows that he just want to do what is right. It’s a truly charismatic and very grounded performance that proves that Chris Evans is really an incredible actor who doesn’t get much notice.

Captain America: The First Avenger is a spectacular and thrilling film from Joe Johnston that features an outstanding performance from Chris Evans. Along with top-notch supporting work from Hayley Atwell, Hugo Weaving, Stanley Tucci, and Tommy Lee Jones. It’s a film that does manage to create a superhero film with style and substance as well as a character to root for. Particularly as Joe Johnston is able to give the film a look and feel that feels true to the comic’s roots. In the end, Captain America: The First Avenger is a remarkable film from Joe Johnston.

Joe Johnston Films: (Honey, I Shrunk the Kids) - (The Rocketeer) - (The Pagemaster) - (Jumanji) - (October Sky) - (Jurassic Park III) - (Hidalgo) - (The Wolfman (2010 film))

Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - The Avengers (2012 film)

Marvel Phase 2 Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant Man

Marvel Phase Three Films: Captain America: Civil War Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home

Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special

Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)

Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)

Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World

© thevoid99 2012