Set in a small rural town called Centerville, the film revolves around a mysterious zombie invasion caused by polar fracking that has altered the rotation of the Earth’s axis. It is a film with a simple premise as it relates to locals and local law enforcement dealing with a zombie invasion with some unique commentary observed by a local recluse in Hermit Bob (Tom Waits) who would narrate as he walks around the woods seeing what is happening. Jim Jarmusch’s script has a unique narrative as it play into multiple characters including locals, the law enforcement, a Scottish undertaker who carries a samurai sword, traveling hipsters, a trio of juvenile delinquents, and a MAGA farmer. Notably in their reaction to the news about the Earth’s axis being off its rotation which explains watches and smartphones not working as well as day and night being off with the dead rising from the grave on the latter. The script also play with the dialogue as well as certain phrases that would become gags.
Jarmusch’s direction is also offbeat as it is set in a small town that is shot on various locations in small towns in upstate New York. While Jarmusch would include wide and medium shots of the locations that include the mountains near these small towns. Much of his direction is intimate in the usage of medium shots and close-ups as it opens with Chief Cliff Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) trying to talk to Hermit Bob over claims that he stole some chickens from the local MAGA farmer Frank Miller (Steve Buscemi). The film then goes into offbeat elements with Chief Robertson and Officer Peterson noticing that it is 8 PM and it is still daylight with their watches and phones not working. Jarmusch’s approach to horror is more comical as the first two zombies who would appear during nighttime with the moon glowing would create havoc all because they want coffee. It would then lead to other mysterious events where Chief Robertson, Officer Peterson, and Officer Mindy Morrison (Chloe Sevigny) try to comprehend what happened with Officer Peterson realizing it is a zombie invasion.
Jarmusch would also create moments that are suspenseful yet also play into humor with characters realizing some of the zombies they killed as well as things with which they could not deal. A trio of juvenile delinquents in Stella (Maya Delmont), Olivia (Taliyah Whitaker), and Geronimo (Jahi Di’Allo Winston) are easily the smartest characters in the film as they figured out how all of this happened while dealing with their adult supervisors treating them like idiots. Jarmusch also play into the idea of consumerism in what these zombies want in the words they say as Jarmusch also puts in some satire as it relates to conspiracy theories and fake news with a news reporter in Posie Juarez (Rosie Perez) providing the news on nearby locations. The sense of surrealism and odd things would occur that includes the presence of the new local undertaker in Zelda Winston (Tilda Swinton) who is an oddball that practices Buddhism, carries a samurai sword, and speaks in a Scottish accent. Even as she participates in a climax that also strays from convention in a film where moments of the fourth wall is broken. Overall, Jarmusch crafts a quirky and humorous film about a group of locals dealing with a zombie invasion.
Cinematographer Frederick Elmes does brilliant work with the film’s cinematography with its emphasis on low-key lighting and shadows for the exterior scenes at night including shots at the cemetery as well as colorful lighting for some of the interior scenes. Editor Affonso Goncalves does excellent work with the editing with a few elements of jump-cuts, slow-motion shots, and other stylish cuts to play into the film’s humor. Production designer Alex DiGerlando, with set decorator Kendall Anderson and art director Julia Heymans, does fantastic work with the look of the diner where some of the characters socialize as well as the police base where some of the action happens. Costume designer Catherine George does nice work with the costumes as they are straightforward, including a few stylish bits in the clothes that the zombies wear.
Special makeup effects designer Michael Marino does amazing work with the look of the zombies as they all have a different look to play into their own wants as it also has elements of quirkiness in how they move. Special effects supervisors Michael Fontaine and Johann Kunz, along with visual effects supervisor Alex Hansson, do terrific work with the visual effects as it relates to the moon as well as scenes involving the zombie and a major moment in the film’s climax. Sound designer Robert Hein does superb work with the sound in how music sounds from a car as well as sound effects that play into the zombie apocalypse. The film’s music by SQURL and Carter Logan is wonderful for its low-key electronic score with contributions by Jim Jarmusch that play into the film’s suspense and humor while the music soundtrack features an original song by Sturgill Simpson that is played throughout the film.
The casting by Ellen Lewis is marvelous as it feature some notable small roles from Sturgill Simpson as a guitar-carrying zombie, Charlotte Kemp Muhl as a fashion zombie, Jodie Markell as a woman on TV talking about her missing cat, Eszter Balint as the diner waitress Fern, Rosal Colon as a janitor working at the diner, RZA as delivery worker who is friends with the gas station/toy shop owner Bobby that has some unique views on the world, Carol Kane as a dead town drunk who comes alive as a zombie who wants chardonnay, and the duo of Iggy Pop and Sara Driver as two zombies that wants coffee. Larry Fessenden is terrific as a motel owner in Danny Perkins who is becoming upset over his cats disappearing while Rosie Perez is superb as the local news reporter Posie Juarez who reports all the mysterious events on the news. The trio of Maya Delmont, Taliyah Whitaker, and Jahi Di’Allo Winston are fantastic in their respective roles as the juvenile delinquents Stella, Olivia, and Geronimo.
The trio of Austin Butler, Lukas Sabbat, and Selena Gomez are excellent in their respective as a trio of hipster travelers in Jack, Zack, and Zoe with Gomez being the standout as a young woman with a love for Sturgill Simpson. Caleb Landry Jones, Danny Glover, and Steve Buscemi are brilliant in their respective roles as town locals in the gas station/toy store owner Bobby, the hardware store owner Hank Thompson, and the MAGA farmer Frank Miller as locals who deal with the zombie invasion with Buscemi being ignorant about what is happening. Tom Waits is amazing as the local recluse Hermit Bob who is the observer in the film as he realizes something is going wrong as he does everything he can to be away from the chaos. Tilda Swinton is incredible as the local undertaker Zelda Winston who is an odd newcomer to the town in what she wears as well as practicing Buddhism and carries a samurai sword as Swinton brings a lot of fun to her character.
Finally, there is the trio of Bill Murray, Adam Driver, and Chloe Sevigny in remarkable performances as the local law enforcement in Chief Cliff Robertson, Officer Ronnie Peterson, and Officer Mindy Morrison. Sevigny provides that sense of fear of a woman who is unprepared for zombies while becomes emotional over the fact that she must kill people she knew. Driver’s performance is low-key in his humor as he is someone who drives a small smart-car while also comments on everything that is happening where he breaks the fourth wall at times. Murray’s performance is subdued as a police chief who is taken aback at what he is facing as he was hoping to retire as he later copes with the severity of the situation he is in.
The Dead Don’t Die is a marvelous film by Jim Jarmusch. Featuring a great ensemble cast, an offbeat and witty take on the zombie movie genre, colorful visuals, and an eerie yet odd music soundtrack. It is a film that plays with the tropes of the zombie film genre while also being subversive in its approach to the genre. In the end, The Dead Don’t Die is a remarkable film by Jim Jarmusch.
Jim Jarmusch Films: Permanent Vacation - Stranger Than Paradise - Down by Law - Mystery Train - Night on Earth - Dead Man - Year of the Horse - Ghost Dog: The Way of the Samurai - Coffee and Cigarettes - Broken Flowers - The Limits of Control - Only Lovers Left Alive - Gimmie Danger - Paterson - (Father Mother Sister Brother) - The Auteurs #27: Jim Jarmusch
© thevoid99 2025
The film revolves around a drug cartel leader who seeks the help of a low-level lawyer in Mexico to hide his identity and life so that he can become a woman and start a new life as well as hide his wife and children from old enemies. It is a film that explores the lives of three women who are impacted by their own situations in the world as well as the past, present, and future all driven by one person who is willing to make a change for herself to become her true self. Jacques Audiard’s screenplay, with additional contributions from Thomas Bidegain, Lea Mysius, and Nicolas Livecchi, is straightforward in its narrative as it follows a low-level lawyer in Rita Mora Castro (Zoe Saldana) who just won a case despite going against her own conscience where she receives a mysterious phone call as she is taken to a mysterious location while being masked where she finds herself meeting the drug lord Juan “Manitas” Del Monte (Karla Sofia Gascon) who reveals to Rita that she wants to use her money to become a woman as she has already gone through two years of treatment. Rita would travel to Bangkok and Tel Aviv to see what place would be best for Manitas as she chose the latter in Dr. Wasserman (Mark Ivanir) who agrees to do the surgery.
The script would have dialogue that would be sung at times as they are written by Camille Dalmais that plays into the plight of the characters with the first act as it relates to Rita and Manitas with the latter going through his own change into the titular character as they would meet again four years later in the film’s second act. Rita would oversee a lot of things for Manitas before his final transition as it relates to his family that includes his wife Jessi (Selena Gomez) where she would stay in Switzerland for four years and then return to Mexico to live with this woman she does not know. Rita and Emilia’s return to Mexico would force the latter to think about her past life as a drug lord and the disappearances that she had caused of those where she would organize a non-profit company to help the family find those who have disappeared. The script also play into the politics and corruption within Mexico in the hand of drug cartels that Emilia was once a part of where she and Rita would gain some fulfillment. For Jessi, she feels alienated prompting her to contact a former lover.
Audiard’s direction is stylish as it is shot on location in France to play into the many different locations the characters go to. Notably as some of the scenes set in Mexico were shot in soundstages to recreate some of the places in the country including Mexico City. Audiard’s direction does use a lot of medium and wide shots to play into the chaos in Mexico with close-ups as it plays into Rita’s own plight as a Black lawyer born in the Dominican Republic who is overworked and underpaid as there is an element of racism in the way she is treated. Audiard also creates some unique camera movements for scenes involving some of the musical numbers with the aid of choreographer Damien Jalet. Particularly in scenes that has a sense of improvisation and a lot of physicality in the movement as it play into the plight of both Rita and Jessi with the latter feeling frustrated and unhappy over the loss of Manitas and her own desires as a woman.
The bending of genres do get messy as Audiard’s overall presentation is all over the place. Even in scenes that are serious yet there is some singing, but it is not presented as camp nor overly-serious where Audiard knows how to keep things simple. The film’s third act is intense as it relates to a new thing for Emilia in meeting a woman in Epifania Flores (Adriana Paz) but also in Jessi whose relationship with her lover Gustavo Brun (Edgar Ramirez) would threaten the life that Emilia has created. Especially with Rita finding herself in the middle as she realizes the severity of Jessi’s actions but also the faults in Emilia’s own planning in keeping everything secretive. Notably in not revealing her identity to Jessi who feels slight and becomes neglectful towards their children for a time where a lot becomes unveiled. Overall, Audiard crafts a riveting and wild film about a drug lord’s desire to become a woman with the help of a low-level lawyer.
Cinematographer Paul Guilhaume does brilliant work with the film’s cinematography with its usage of stylish lighting for a club scene involving Jessi as well as other low-key lighting for some interior/exterior scenes at night. Editor Juliette Welfling does excellent work with the editing with its usage of jump-cuts, rhythmic cuts, and dissolves to play into the sense of style and manic energy in some of the dancing. Production designer/set decorator Emmanuelle Duplay, along with art director/costume designer Virginie Montel plus set decorators Sandra Castello, Cecile Deleu, and Sandrine Jarron, does amazing work with the look of the exterior streets in Mexico as well as the home that Emilia has created for herself and her family with Montel providing fantastic costumes that includes the stylish dresses and clothes that Emilia, Rita, and Jessi wear.
Visual effects supervisor Cedric Fayolle does terrific work with the visual effects for a few scenes that involve set dressing in a few travel montages as well as in some of the dance numbers in the film. Sound editor Aymeric Devoldere does superb work with the sound in the way a location sounds as well as how music sounds in a car stereo and other sound effects used in the film. The film’s music by Clement Ducol is incredible for its mixture of styles ranging from Mexican folk, pop, electronic, and orchestral to play into the drama with songs by Camille Dalmais that help drive the story while music supervisors Raphaelle Dannus and Pierre Marie-Dru create a soundtrack that play into those different environments.
The casting by Christel Baras and Carla Hool is marvelous as it feature some notable small roles and appearances from Eduardo Alardo as Rita’s boss early in the film, Emiliano Hasan as a guilty client Rita defends early in the film, James Gerard as a British acquaintance of both Emilia and Rita, and the duo of Theo Guarin and Lucas Varoclier as Manitas and Jessi’s kids who become fond of Emilia. Edgar Ramirez is superb as a former lover of Jessi in Gustavo as a man that is fond of her despite having a past that Emilia does not approve once she learns about Jessi’s plans with him with the children. Mark Ivanir is fantastic as Dr. Wasserman as a surgeon who learns about Manitas’ transition as he agrees to help him become a woman while helping him remain anonymous. Adriana Paz is excellent as Epifania Flores as a woman that Emilia meets as she falls for her where she not only brings joy to Emilia but also a broader view of the world that only pushes her to do better for her organization.
Selena Gomez is incredible as Jessi Del Monte as Manitas’ wife who is kept in the dark about what is happening to her life where she deals with living in Switzerland and then returning to Mexico. Gomez’s performance has this air of physicality in her dancing and singing while also displaying this sense of loss of a woman that is trying to find her own fulfillment as well as answers about what her husband did. Zoe Saldana is tremendous as Rita Mora Castro as a low-level lawyer who is given the opportunity of a lifetime where she becomes rich in hiding Manitas’ identity during her transition and later becoming her partner in creating a nonprofit organization as she deals with some of the chaos and her own frustrations in life while also wanting to protect Emilia and her past identity. Finally, there’s Karla Sofia Gascon in a spectacular performance as the titular character/Juan “Manitas” Del Monte as a drug lord who wants to become a woman as he becomes uncomfortable with who he is as he used his money and power to become his true self. Once he becomes Emilia, he starts to find some joy and fulfillment in her life while also confronting the past in the hope of creating a better future for those she cares about unaware of the neglect she displays towards Jessi.
Emilia Perez is a phenomenal film by Jacques Audiard that features a trio of great performances from Karla Sofia Gascon, Zoe Saldana, and Selena Gomez. Along with its supporting cast, offbeat presentation, study of identity and redemption, and whimsical music soundtrack. It is a film that is not afraid to be messy as well as explore some themes of reinvention including what it means to be their true self. In the end, Emilia Perez is a sensational film by Jacques Audiard.
Jacques Audiard Films: (See How They Fall) – (A Self-Made Hero) – (Read My Lips) – (The Beat That Skipped My Heart) – A Prophet - Rust and Bone - (Dheepan) – (The Sisters Brothers) – (Paris, 13th District)
© thevoid99 2025
Written and directed by Harmony Korine, Spring Breakers is the story of four college girls who embark into a world of crime where they later meet a drug dealer who takes them in as part of his gang where it leads to all sorts of trouble. The film is a look into the world of spring break celebrations in college as well as the subculture of drugs and crime where four girls decide to be part of this world that is filled with chaos and terror. Starring James Franco, Vanessa Hudgens, Ashley Benson, Selena Gomez, Rachel Korine, and Gucci Mane. Spring Breakers is a riveting and evocative film from Harmony Korine.
The film is the simple story of a group of college girls who want to go to South Florida to do spring break where they venture into the world of crime and later meet up with a drug dealer who become part of his gang in a world full of debauchery and terror. While it is a film that does have a traditional narrative structure, it is more about the myth of spring break parties for college students and young people going there in need of a break from education and being at home where they want to get drunk, do drugs, and have a good time. It also explores what some are willing to go through to enjoy themselves where three of the four girls would venture into crime and later associate themselves with this charismatic drug dealer named Alien (James Franco) who offers them a chance at this life of drugs, money, guns, booze, and all sorts of crazy shit. Korine would also explore that sense of intrigue in the young women as two of them in Brit (Ashley Benson) and Candy (Vanessa Hudgens) are fascinated by that sense of danger as it is this break from the monotony of college.
Korine’s direction is definitely mesmerizing not just in the way he captures that air of decadence that goes on in these spring break parties but also in that sense of danger that occurs throughout the film. Shot largely on location in St. Petersburg, Florida and other parts of South Florida, the film does have this sense of a world that is unique where it is about the beaches, speedboats, sunny hotels/motels, the strip clubs, and all of these places that makes part of the American South so vibrant and exciting. Yet, there is also the world of the college campuses that are quite typical as it represents the opposite of what these girls want to go through but there is also a spiritual element in the film as it relates to the character Faith (Selena Gomez) who is first seen at a Bible study as she’s confused about going on the trip as she’s kind of the film’s conscience. Her character drink and smoke in the debauchery but when she and her friends are sent to jail, the reality starts to seep in where it would be overwhelming.
The direction is filled with some dazzling compositions in the usage of close-ups, medium shots, and wide shots as well as go for different types of film and digital stock including the old video camera for some of the party scenes. It says a lot to the decadence but it also displays elements that might seem as sexist where there are moments where young women expose themselves in many ways while Korine would do a tracking shot where the camera is following a couple of girls by focusing on their butts. It does add to the idea of the male fantasy in the idea of bikini girls with machine guns is something a guy would want to see but he does it in a visual style that is quite entrancing while emphasizing on repeated images that play into the joy of spring break parties. Korine would also create compositions that would help say a lot by doing very little as it does express that sense that spring break is fleeting though the girls wish it would be forever. Especially as the third act does go into very dark territory filled with violence and decadence with elements of non-linear narrative that either provides a sense of foreshadowing or the aftermath of what these girls would encounter. Overall, Korine crafts a ravishing and gripping film about four girls going to spring break and meet a charming drug dealer.
Cinematographer Benoit Debie does phenomenal work with the film‘s cinematography with its array of colors and lighting to play into the scenes set at night while the usage of neon lights in the way bikinis look or what a room looks like at night are just among some of the most gorgeous images captured on film as it is a major highlight of the film. Editor Douglas Crise does brilliant work with the editing with its stylish usage of montages, jump-cuts, slow-motion cuts, and non-linear editing as it does a lot to flesh out the story. Production designer Elliott Hostetter, with set decorator Adam Willis and art director Almitra Corey, does excellent work with the look of Alien‘s home with all of its guns, drugs, and other things that is typical of what dealers and gangsters are but yet it also sort of makes fun of the idea of the modern gangster. Costume designer Heidi Bivens does fantastic work with the costumes from the bikinis and shorts the girls wear to the lavish clothes of Alien.
Hair/makeup artist Nana Fischer does terrific work with the look of Alien from his dreadlocks to the tattoos in his body as well as his metallic teeth. Visual effects supervisor Chris Woods does nice work with some of the film‘s minimal visual effects for some of the scenes shot on digital video as it plays into the surreal textures in the camera work. Sound designer Adam Glascock and co-sound editor Byron Wilson do superb work with the sound with its mixing in the way the parties sound in and out of the room as well as the editing as it relates to some of the voiceover work of the characters in the film. The film’s music of Skrillex and Cliff Martinez do incredible work with the music with the former providing some rhythmic electronic music with his dubstep sound and some fuzzy electronics while the latter would bring some ambient textures into the score. Music supervisors Randall Poster and Brandon Thompson do wonderful work with the film’s music soundtrack that includes a range of music from pop, hip-hop, and electronic music by Britney Spears, Birdy Nam Nam, Waka Flocka Flame, Gucci Mane, and Ellie Goulding.
The casting by Laray Mayfield is excellent for the ensemble that is created as it features some notable small performances from professional wrestler Jeff Jarrett as a preacher in a Bible study meeting, Sidney and Thurman Sewell as themselves as they’re called the ATL Twins, and Gucci Mane as Alien’s former friend/mentor and now rival Big Arch. Rachel Korine is fantastic as Cotty as one of the four girls who joins in the adventure as she helps Brit and Candy in their schemes while getting her own taste of debauchery. Ashley Benson and Vanessa Hudgens are amazing in their respective roles as Brit and Candy as the two girls who love to drink and do drugs as their wildest of the two who become Alien’s lovers as well as their most dangerous confidants. Selena Gomez is brilliant as Faith as the youngest of the four girls as someone who joins the girl in the fun until she is arrested with her friends as well as her own encounter with Alien makes her very uncomfortable where she displays that sense of the conscience into the film. Finally, there’s James Franco in a phenomenal performance as the drug dealer Alien where Franco goes all out in the role where he displays a sense of charm and dark comic wit as it is a performance of the ages for Franco.
Spring Breakers is a spectacular film from Harmony Korine. Featuring a great cast, gorgeous cinematography by Benoit Debie, a killer soundtrack, and some dazzling technical work. The film is definitely a provocative look into the world of spring break culture and what young women are willing to do to be part of that world along with the subculture of crime. In the end, Spring Breakers is a rapturous film from Harmony Korine.
Harmony Korine Films: Gummo - Dogme #6-Julien-Donkey Boy - (Mister Lonely) - (Trash Humpers) - (The Trap (2016 film))
© thevoid99 2016
