Logan Lucky

Directed, shot, and edited by Steven Soderbergh and written by Rebecca Blunt, Logan Lucky is the story of a trio of siblings who try to end their family’s streak of bad luck and underachievement by robbing the Charlotte Motor Speedway and hope they don’t get caught by the FBI. The film marks a return from Soderbergh following a four-year break from films as he returns to a genre that has brought him success and mixing it with humor. Starring Channing Tatum, Adam Driver, Riley Keough, Katie Holmes, Hilary Swank, Sebastian Stan, Katherine Waterston, Seth McFarlane, Jack Quaid, Brian Gleeson, Dwight Yoakam, and Daniel Craig. Logan Lucky is an exhilarating and whimsical film from Steven Soderbergh.

The film follows two brothers whose lives haven’t gone well as they conspire with their younger sister about stealing money at the Charlotte Motor Speedway with the help of an incarcerated safecracker they know. It’s a film with a simple premise with some complexities and intrigue yet it is about a family trying to change their fortunes and hope to give themselves a better life. Yet, they know they can’t do it by themselves as it’s not just this safecracker they need but also his brothers who aren’t very smart but are dependable. Rebecca Blunt’s screenplay does follow a simple three-act structure as the first act is about the Logan family with the eldest in Jimmy (Channing Tatum) was once a promising football star until his right knee gave out as he works in construction and wanting to be a good dad to his daughter Sadie (Farah Mackenzie) whom he has shared custody with his ex-wife Bobbie Jo Chapman (Katie Holmes).

Yet, he would be laid off due to insurance liabilities relating to his knee as it add to his growing misfortunes that would include his younger brother Clyde (Adam Driver) who lost part of his left arm in the Iraq War and is wearing a prosthetic while working as a bartender. The first act doesn’t just play into the Logans’ misfortune and Jimmy’s motivation to rob the Charlotte Motor Speedway but also wanting to change it as he knows what to do, where to steal, and when as they recruit their younger sister Mellie (Riley Keough), the incarcerated safecracker Joe Bang (Daniel Craig), and Bang’s younger brothers Sam (Brian Gleeson) and Fish (Jack Quaid). The second act isn’t just about the heist but also how Joe and Clyde, who would put himself in prison to help Joe, break out and later get back in to serve their sentences but there are also complications as it relates the day of the heist forcing Jimmy to change plans. The third act is about its aftermath where the no-nonsense FBI agent Sarah Grayson (Hilary Swank) come in and figure what is going on as she would prove to be a match for all involved.

Steven Soderbergh’s direction is definitely stylish in some respects in terms of some of the compositions and set pieces he creates yet much of it is still straightforward as it play into the simple world of a trio of unfortunate siblings. Shot on various locations in North Carolina as well as Charlotte including the Charlotte Motor Speedway and parts of the Atlanta Motor Speedway. Soderbergh does use the locations to play into this world of the American South as it is set mainly in the border between West Virginia and North Carolina where Jimmy did some of his construction work in the latter though he lives in the former. Soderbergh would emphasize on a simple approach to the compositions such as the opening scene of Jimmy fixing his truck while talking to Sadie about a John Denver song. It’s among these moments where Soderbergh can bring so much by doing so little which would also include a key scene of Sadie doing her pageant performance as the simplicity of the shots are captivating in establishing what is happening but also would serve as a key motivation for the few involved in that scene.

Also serving as cinematographer and editor in respective pseudonyms as Peter Andrews and Mary Ann Bernard, Soderbergh’s approach to the visuals as there are some stylistic approach to lighting for some of the interiors and scenes at night whether it’s the usage of dark-yellowish colors or something natural for some scenes set in the daytime. Soderbergh’s editing does have style such as this usage of dissolves in a montage for some characters during the third act but also in some stylish cuts as it play into the heist and its aftermath. The heist sequence has elements of comedy but also intrigue into the attention to detail of what is going on and how they get the money but there’s also some twists and turns along the way such as what is happening at the prison Joe and Clyde are serving at. Soderbergh would also infuse bits of comedy as it relates to a snobbish British businessman in Max Chaliban (Seth MacFarlane) who would rile up the Logan brothers but also put himself into some serious shit. All of which play into two sets of siblings trying to pull off a heist without having the authorities wonder who it is. Overall, Soderbergh crafts as mesmerizing and fun film about a trio of siblings trying to rob the Charlotte Motor Speedway to end their family curse.

Production designer Howard Cummings, with set decorators Barbara Munch plus art directors Eric R. Johnson and Rob Simons, does brilliant work with the look of the homes that some of the characters live in as well as the interior of the tube system inside the Charlotte Motor Speedway. Costume designer Ellen Mirojnick does fantastic work with the costumes from the dresses that Sadie wears for her pageant as well as some of the stylish clothing that Mellie wears. Visual effects supervisors Christina Mitrotti and Lesley Robson-Foster do terrific work with the visual effects as it relates to Clyde without his prosthetic as well as a few set dressing scenes. Sound designer Larry Blake does excellent work with the sound as it play into the way the tube system sounds from the inside as well as the scenes at the race track. The film’s music by David Holmes is amazing for its electronic-jazz score that has a lot of energy in the way it play into the suspense and humor with some blues and rock in the mix while music supervisor Season Kent provides a fun soundtrack of blues, rock, and country from artists and acts like Bo Diddley, John Denver, the Groundhogs, Lord John Sutch, John Fahey, LeAnn Rimes, Dr. John, and Creedence Clearwater Revival.

The casting by Carmen Cuba is great as it feature some notable small roles and appearances from real NASCAR racers Carl Edwards and Kyle Busch as state troopers, Jon Eyez as an inmate friend of Joe in Naaman, Kyle Larson as a limo driver, LeAnn Rimes as herself singing America the Beautiful, Brad Keselowski and Joey Logano as security guards, the trio of Jeff Gordon, Darrell Waltrip, and Mike Joy as themselves commentating the race, Charles Halford as a friend of the Logans in Earl, Macon Blair as Grayson’s partner, Jim O’Heir as Jimmy’s boss early in the film who reluctantly lays him off, David Denman as Bobbie Jo’s husband Moody Chapman, Boden and Sutton Johnston in their respective roles as Moody’s sons Dylan and Levi, Ann Mahoney as a woman working security named Gleema, and Sebastian Stan in a terrific small role as NASCAR racer Dayton White who tries to live a healthy lifestyle despite working for Chaliban.

Katherine Waterston is fantastic in a small role as a former classmate of Jimmy in Sylvia who runs a mobile clinic where she gives Jimmy a tetanus shot. Dwight Yoakam is superb as Warden Burns as a prison warden who tries to uphold some order during a prison riot that lead to Joe and Clyde’s brief escape. Jack Quaid and Brian Gleeson are hilarious in their respective roles as Joe’s dim-witted brothers Fish and Sam as two guys who aren’t smart but are still guys who can get the job done. Katie Holmes is wonderful as Bobbie Jo Chapman as Jimmy’s ex-wife who is still bitter about Jimmy’s shortcomings as she is also concerned about her daughter’s performance at the pageant. Farrah Mackenzie is brilliant as Sadie as Jimmy and Bobbie Jo’s daughter who is entering a beauty pageant as she turns to her Aunt Mellie for help while wondering what song to sing at the pageant. Hilary Swank is excellent as Sarah Grayson as a no-nonsense FBI agent who arrives in the film’s third act as she knows something is up but is also aware that whoever stole the money are a lot smarter than anyone realizes.

Seth MacFarlane is a joy to watch as Max Chaliban as a pretentious businessman from Britain with awful hair and a mustache who insults the Logan brothers as well as try to get his racer to drink his awful energy drink as he is just fun to watch. Riley Keough is amazing as Mellie Logan as a hairdresser who doesn’t believe in the family curse but is aware that the family hasn’t done great as she helps her brothers with the robbery in her own way while being there for her niece Sadie for the upcoming pageant. Daniel Craig is incredible as Joe Bang as a safecracker who is doing time in prison that knows how to open safes while Craig is given the chance to be funny and charming as he is a joy to watch. Adam Driver is marvelous as Clyde Logan as a former Iraq War veteran with a prosthetic left arm who also works as a bartender where he is reluctant to be part of the bank robbery as he had gotten arrested before as a kid yet is hoping to reverse the family curse. Finally, there’s Channing Tatum in a remarkable performance as Jimmy Logan as a former football star turned construction worker who decides to rob the Charlotte Motor Speedway in the hope to change his family fortunes but also give his daughter a chance for a future as it is a low-key but charismatic performance from Tatum.

Logan Lucky is a phenomenal film from Steven Soderbergh. Featuring a great cast, gorgeous visuals, a killer music soundtrack, and a witty take on the caper/heist film. The film is definitely one of Soderbergh’s most entertaining films but also one that is full of engaging characters and moment that are full of heart and joy. In the end, Logan Lucky is a spectacular film from Steven Soderbergh.

Steven Soderbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Eros-Equilibrium - Ocean’s Twelve - Bubble - The Good German - Ocean’s Thirteen - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - (Unsane) – (High Flying Bird)

The Auteurs #39: Steven Soderbergh: Part 1 - Part 2

© thevoid99 2018

Hellboy II: The Golden Army

Originally Written and Posted at Epinions.com on 7/13/08 w/ Additional Edits & Revisions.

Directed by Guillermo del Toro and screenplay by del Toro based on a story by del Toro and Hellboy creator Mike Mignola, Hellboy II: The Golden Army is the story about an exiled prince who returns in hopes to revive an indestructible army to rid humanity forever. Hellboy and his team is asked to stop the prince while dealing with new challenges that would have Hellboy question about humanity. The film is a more ambitious story than its predecessor as features elements of mythology and folklore to add more complexity to the story as Ron Perlman, Selma Blair, Doug Jones, Jeffrey Tambor, and an appearance from John Hurt return to play their roles from the previous film. Also starring Luke Goss, Anna Walton, John Alexander, Brian Steele, and the voice of Seth MacFarlane as Johann Krause. Hellboy II: The Golden Army is an exciting and visually-marvelous film from Guillermo del Toro.

After leaving in exile following a peace treaty between humans mythical creatures that included elves, trolls, and goblins, Prince Nuada (Luke Goss) decides to return after many years where humans had overtaken the magical world. With help from troll cohort Wink (Brian Steele), they break into an auction house to kill people with a swarm of killer tooth fairies. The incident gets the attention of FBI head Tom Manning (Jeffrey Tambor) as he needs Hellboy (Ron Perlman), Abe Sapien (Doug Jones), and Liz Sherman (Selma Blair) to investigate. The timing couldn't have been worse due to Hellboy and Liz's relationship problems while Manning is trying to keep Hellboy a secret to the public. After a battle with tooth fairies, Liz's pyrokinetic powers would help rid of the tooth fairies while Hellboy is official exposed to the public much to Manning's dismay. After this incident in which Hellboy enjoys the public attention, Manning brings in German agent Johann Krauss (John Alexander & James Dodd), a psychic with an ectoplasmic soul contained in a suit, take lead the team.

Prince Nuada makes his return to the old kingdom to meet his father King Balor (Roy Doctrice) and twin sister Princess Nuala (Anna Walton) in wanting the two remaining crown pieces to revive the Golden Army. King Balor and Nuala refuses as Balor reluctantly has Nuada executed only for things to go wrong with Nuala fleeing. After observing the dead body of a tooth fairy, Krauss leads Hellboy and Abe to the secret troll market under the Brooklyn Bridge where they would encounter mythical creatures as Hellboy would fight Wink while Abe finds Nuala whom he falls for. After retrieving Nuala as she tells them about the crown piece she's holding, Hellboy remembers the story of the Golden Army that Professor Bruttenholm (John Hurt) had told him when he was a kid (Montse Ribe). Yet, Nuada would have Hellboy fight off the Element creature as Hellboy would succeed in saving people but a misunderstanding would have him wondering if he would ever be accepted by humanity. With Nuala staying at the BPRD headquarters, Abe and Nuala bond over books as he later asks Hellboy for advice on love. Yet, Nuada and Nuala's psychic connections would have him break into the BPRD headquarters that left Hellboy wounded and Nuala captured.

Needing to get the piece of spear out of Hellboy, Liz and Abe decided to go the old palace where the Golden Army lives as Krauss decides to help them. After meeting a goblin who takes them to the Angel of Death (Doug Jones), the figure would help Hellboy though warns Liz about the role he's destined to play. Still, Hellboy and the team decides to confront Nuada and the Golden Army in hopes to save the world once again.

What makes The Golden Army superior than its predecessor isn't just a bigger, more ambitious story. It also explores the character of Hellboy who tries to be accepted by everyone only forced to grow up as Liz makes an announcement that would change their lives. Screenwriter Guillermo del Toro creates a story where Hellboy and his team fight a prince whose ignorance blinds him as he's convinced that humanity will destroy the world. Though Hellboy might agree with Prince Nuada's statements, he is someone who lives with humans as he knows that there's good in them despite their flaws. What del Toro does is create a unique story that is mystical and also delve into reality. At the same time, another aspect that makes The Golden Army superior than its predecessor is that del Toro allows a few supporting characters to get more screen time and development.

The direction of del Toro is truly superb as he creates new worlds that Hellboy and his team explore. The film also exemplifies del Toro's love for fantasy and mythology as he brings a more broader scope to the film. Though some of the look of the creatures and worlds that del Toro bring might be considered leftovers from his 2006 film Pan's Labyrinth, the world he creates including the Troll Market under the Brooklyn Bridge is truly fascinating while holding true to mythology and children's fantasy. Notably in the film's opening prologue where Professor Bruttenholm tells the young Hellboy about the story of the Golden Army in a rich animated sequence that is truly unforgettable. The success of del Toro's direction is bringing in a balance of drama, action, adventure, and humor. The humor is very witty and sarcastic as there's a great comical moment that involves Hellboy and Abe drinking beers about their love life while listening and singing to Barry Manilow's Can't Smile Without You.

What the film does make clear is that del Toro is becoming more confident and ambitious in his vision while being grounded in just telling a story and developing great characters. He's a director that can do both in directing actors into what they should do while balancing out with visual effects and such. Notably the film's opening scene of the Golden Army story that is a mix of puppetry and animation as del Toro's use of style works. The result is a film that's more solid and full of visual splendors as Guillermo del Toro makes Hellboy a hero we all can love and relate to.

Cinematographer Guillermo Navarro does a fantastic job with his lighting style of flashy, yellow-sepia awash colors along with blue while getting to add more color for some of the film's exterior scenes. Notably the scenes in Northern Ireland as Navarro captures a wide scope to the exterior look while a lot of the film is shot in its interiors with the exception of New York City and Brooklyn. Navarro's work is definitely top-notch though it doesn't top the brilliant, Oscar-winning work he did in Pan's Labyrinth. Editor Bernat Vilaplana does a fine job with the film's editing and transitional cuts while also employing great, stylized transitions and split-shots to emphasize the film's roots in comic book form.

Production designer Stephen Scott along with set decorator Elli Griff and supervising art director Peter Francis do great work on the film's set design for the decayed but urban look of the Troll Market, the ancient yet rich world of the mythological creatures, and the BPRD base that Hellboy lives in that includes a cameo from one of the set pieces of del Toro's 2001 film The Devil's Backbone. Costume designer Sammy Sheldon does a fascinating job with the look of Nuada and Nuala's clothing that is rich and colorful that is large contrast to the more urban look that Hellboy and Liz wears. Makeup designer Mike Elizalde does great work in the look of the several characters in the film including a pale-like look for Nuada and Nuala, the looks of the trolls and the characters that Doug Jones and Brian Steele plays.

Visual effects supervisor Mike Wassel does a great job in the look of CGI-created monsters like the Elemental and the tooth fairies while adding a great visual splendor to their looks as the monsters and trolls have an innocent look as well as something menacing. Longtime sound designer Martin Hernandez along with sound editor Scott Martin Gershin do great work in the film's sound work for the growls of the monsters, the atmosphere of the different locations the characters are in and the conflicts they get into. Music composer Danny Elfman creates a sweeping yet energetic film score to accompany the film's sense of action and humor while creating great theme pieces to accompany the characters and their situations, notably Johann Krauss. The film's soundtrack is a mix of melodic alternative music, rock, metal, and surprisingly, in cheesy form, Barry Manilow.

The casting by Zsolt Csutak and Jeremy Zimmerman, who plays the auctioneer at the auction, do an excellent job in assembling the film's cast that includes a cameo from talk show host Jimmy Kimmel and a fun performance from Montse Ribe as the young Hellboy. Brian Steele does great work in playing multiple roles as the troll monster Wink along with several creatures including a spice shop owner, and the man who would give Nuala the map. Roy Dotrice is good as the aging King Balor who tries to tell his son not to revive the Golden Army. John Alexander and James Dodd do great work in playing the glass-suit wearing Johan Krauss while Alexander also does work as the Goblin who created the Golden Army. Yet, it's Seth MacFarlane of Family Guy fame who brings a comical, know-it-all personality as the voice of Johann Krauss, who often dukes it out with Hellboy.

Though John Hurt only makes a brief appearance as Professor Trevor "Broom" Bruttenholm, Hurt's lone appearance is definitely memorable and full of class as he tells the young Hellboy the story of the Golden Army with such grace that it was good of del Toro to give him an appearance since his character is an important part to Hellboy's story. Jeffrey Tambor is good as Tom Manning, the FBI head who tries to deal with Hellboy's yearning for publicity while finding time to suck up to Johann Krauss over his by-the-book personality. Anna Walton is wonderful as Nuala, the princess who tries to hide the final piece of the crown as she also finds herself smitten with Abe Sapien as Walton's performance is truly mesmerizing. Though the character of Nuada is a bit one-dimensional, Luke Goss makes Nuada into a truly memorable villain who is just ignorant yet powerful as he tries to wipe out humanity while being a true badass who can match up against Hellboy.

Selma Blair is great as Liz Sherman, Hellboy's girlfriend who tries to deal with issues of their relationship while carrying a secret that will change their lives. Blair makes Liz into a more confident, more menacing figure than in the first film as she gains full control of her fire-starting powers while dealing with Hellboy's emotions of rejection as she makes an unexpected move into saving him. Doug Jones is superb in his work in playing three roles. While the roles of the Chamberlain and the Angel of Death are small, they're memorable for their look and presence yet it's Jones' work as Abe Sapien that is hypnotic to watch. Doing the voice of Sapien this time around, instead of David Hyde Pierce in the first film. Jones brings a new personality and innocence to the fish-like character as he deals with his first crush and love while his scenes with Perlman are wonderfully funny.

Ron Perlman is once again brilliant in his role as Hellboy by bringing that great mix of being a hero and a sarcastic figure. Yet, Perlman manages to explore the depths of Hellboy's character as he deals with rejection from humanity after a misunderstanding while pondering his role in that world. Perlman's approach to drama is subtle while getting to do more comic moments in scenes that involve Johann Krauss and Abe Sapien as Perlman's comedic timing is great. Especially since Perlman is allowed to bring a lot of charm and wit to the character of Hellboy while sharing the spotlight with his fellow actors.

Hellboy II: The Golden Army is a brilliant, visually-spectacular, and entertaining film from Guillermo del Toro that tops its predecessor. The film clearly shows del Toro's talent for creating entertaining stories with great visual splendor and heartfelt yet funny characters. With a great cast led by Ron Perlman, Doug Jones, and Selma Blair, the Hellboy sequel is clearly one of the year's best summer blockbusters as well as one of the smartest. In the end, for a hero that likes to smoke cigars, have some witty one-liners, and just likes to fight. Hellboy II: The Golden Army is the film to go see.

Guillermo del Toro Film: Cronos - Mimic/Mimic (Director's Cut) - The Devil's Backbone - Blade II - Hellboy - Pan's Labyrinth - Pacific Rim - Crimson Peak - The Shape of Water - Nightmare Alley (2021 film) - Pinocchio (2022 film) - The Auteurs #10: Guillermo del Toro

© thevoid99 2012