Directed by Alex Gibney, Sinatra: All or Nothing at All is a two-part, four-plus hour documentary film about the life and career of Frank Sinatra through various archival footage and interviews from the man himself as well as those who knew him and biographers that wrote about Sinatra. Inter-cut with footage from Sinatra’s first retirement concert in 1971 in Los Angeles where he sings a selection of his iconic songs which serves as chapters to each part of his life. The film revels into the many highs and lows Sinatra endured as an entertainer and as a man. The result is a fascinating yet elegant film from Alex Gibney.
If there was one vocalist who was pretty much the standard bearer of the 20th Century, it was Frank Sinatra whose voice captured a generation where he was a heartthrob in late 1930s and 1940s into becoming the master crooner who would rule the charts from the 1950s and 1960s defying trends as well as cultivate a successful career in films where he would win an Oscar for Best Supporting Actor for the 1953 film From Here to Eternity. The documentary doesn’t just tell the story of Sinatra’s life but it is told through the songs that made him a legend as he performs them in his first retirement concert in 1971 that is shown through rare footage that hadn’t been seen for many years.
The film is split into two parts that intertwine with footage from the 1971 concert as the first half is about Sinatra’s early life as a child with Italian immigrant parents as well as his early triumphs as a singer where he was a teen heartthrob. The second half revolves around Sinatra in the 1950s after he won an Oscar and recovered from his late 1940s career decline where he would become very popular as well as having involvements with the Mafia and John F. Kennedy as well as his relationships with other women. Much of it isn’t just told through Sinatra’s own words but also from the view of friends and colleagues as it is collected through many archives and such that played into Sinatra’s life. Though there aren’t any real narrators in the film other than a few biographers, it does allow Sinatra’s life to be presented by many as well as display a man who was all sort of things yet remain a man that is from Hoboken, New Jersey.
Alex Gibney’s direction is quite simple where he and his editors Samuel D. Pollard, Ben Sozanski, and Anoosh Tertzakian, along with sound editor Alexa Zimmerman, Gibney compiles many archival interviews including a famous one in the 1960s with Walter Kronkite along with interviews from the late 70s and early 80s. With the aid of cinematographers Antonio Rossi and Samuel Painter along with visual effects supervisor Raul Ortega, they would recreate pictures and old stock footage to play into the impact Sinatra had not just in popular culture but also in American society. Even where he would have a reputation where it is flawed as it played into a man full of contradictions and such that makes him far more compelling.
Then there’s the music as the songs that are chosen to represent each part of his life play into who he is as a performer and why he’s never caught on into any trends where Mia Farrow reveal that singing something that is popular doesn’t mean anything to him if he can’t connect with it. It says a lot to the man as there’s clips of him performing with other acts including Elvis Presley where it represents the old guard passing the torch to the new generation where the two definitely show common ground when singing together. Even in moments that showcase that he is willing to sing at any place including a prison in Washington D.C. where it proves that despite the fact that he’s a womanizer and can be a dick sometimes. The man cares for the people and is willing to give them their times worth for a performance.
Sinatra: All or Nothing at All is a phenomenal documentary from Alex Gibney. The film is definitely not just a captivating portrait about one of the greatest entertainers that ever lived but also managed to show more of the man as just a man rather than the legend he’s known for. In the end, Sinatra: All or Nothing at All is a sensational film from Alex Gibney.
© thevoid99 2015
Based on the book by Lawrence Wright, Going Clear: Scientology and the Prison of Belief is a film about the history of the church of Scientology and the secrets behind its cult where it features top celebrities such as Tom Cruise as its public spokesperson. Written and directed by Alex Gibney, the film is a look into the world of Scientology as former members of the cult speak out about their experiences and the abuse they suffered during their time as Scientologists as Gibney and Sherry Stringfield narrate the controversy surrounding the church. The result is one of the most harrowing films about one of the most controversial religions and its methods.
The film explores not just Scientology’s vast history under the founding of L. Ron Hubbard but also into how it would expand into a worldwide phenomenon. Yet, it’s rise to power has been a controversial one as several people who were part of the church finally speak out about what goes on including those who were at the church from its inception to its battle with the IRS in the late 80s/early 90s for tax exemption and beyond. It’s a film that explores not just the life of L. Ron Hubbard but also his motivation to create this movement after World War II as it would evolve into something bigger. Following his death of a stroke in 1986, Scientology would be under the control of his longtime assistant David Miscavige who wouldn’t just make the religion bigger but also attract more controversy.
Through interviews from filmmaker Paul Haggis, actor Jason Beghe, former church leader Mark Rathbun, former office of special affairs head Mike Rinder, former publicist to John Travolta in Sylvia “Spanky” Taylor, and three other former Scientologists in Tom DeVocht, Sara Goldberg, and Hana Eltringham. The individuals who are interviewed for the film not only reveal a lot about the church’s methods and its teachings but also the demands that is laid upon them. Some of which reveal not just all of these levels that they have to do in order to be respected by its methods but also in how it affects people and their judgment towards one another. There’s also stories about what goes on in the world of Scientology and what happens when things go wrong as some of them reveal the dire consequences they have to face.
Among these stories involve Spanky’s time working for Travolta and her own punishment and abuse that she suffered in the church in the early 80s where her 10-month old daughter was also taken away by the church. All because she wanted to help her ailing boss by taking him to the hospital with some medication as she would eventually escape the church with her baby and would be gone from Scientology for good. It is among a series of stories where it might seem bizarre in some respects but it is quite startling into how several followers are forced to disconnect with loved ones who don’t share their views. Especially as it relates to reasons into why Nicole Kidman and Tom Cruise split up as Kidman’s father was a respected psychologist in Australia and Scientology saw that as a threat.
Alex Gibney keeps things straightforward while he allows archival footage of L. Ron Hubbard and David Miscavige to be used to tell their story along with rare interviews from John Travolta and Tom Cruise. While Miscavige, Cruise, and Travolta refuse to do interviews for the film, another individual that is interviewed is the novelist Lawrence Wright whose book is what the film is based on. Wright definitely brings his views on religion as he wanted to cover Scientology and its history on a fair basis but revealed a lot of things that definitely got him in trouble but managed to get his book out. Gibney’s direction also has elements of exotic inserts that features a lot of stock footage, dramatic interpretations, and other things that do pop up yet it plays into this mysticism that revolves around Scientology.
With the help of cinematographer Sam Painter, Gibney brings a unique visual style to the film as it’s straightforward but also evocative as he gives those he interviews a chance to feel comfortable. With some straightforward editing by Andy Grieve who also provide some stylish montage for some of the dramatic reinterpretations and stock footage as well as some sparse yet eerie sound design work by Bill Chesley. Gibney does also go for some style in some of the myths that play into Scientology through some visual effects based footage with the help of visual effects supervisors Steve Mottershead and Tamir Sapir. Adding to the film’s dramatic tone is the music of Will Bates who brings a somber yet disconcerting score that is largely driven by keyboards to play into some of the terror that looms over Scientology.
Going Clear: Scientology and the Prison of Belief is a phenomenal film from Alex Gibney. Not only is it one of the most compelling films about faith but also into a religious organization that does basically the opposite of what other religions do which is provide some sort of salvation. It’s a film that manages to ask some big questions while talking to those who were part of it as they reveal some dark truths into the works of a dangerous cult. In the end, Going Clear: Scientology and the Prison of Belief is a sensational film from Alex Gibney.
© thevoid99 2015
