Showing posts with label ben platt. Show all posts
Showing posts with label ben platt. Show all posts

Saturday, June 25, 2016

Ricki and the Flash





In Memory of Bernie Worrell (1944-2016)


Directed by Jonathan Demme and written by Diablo Cody, Ricki and the Flash is the story of a middle-aged rock singer who learns about her daughter’s divorce as she goes to see and help her while dealing with the family she left to pursue her dream as a rock star. The film is a simple family drama where a woman returns to her family to help her daughter as well as cope with the decision she made in abandoning them to pursue her dream. Starring Meryl Streep, Kevin Kline, Mamie Gummer, Audra McDonald, Sebastian Stan, Ben Platt, Nick Westrate, and Rick Springfield. Ricki and the Flash is an exhilarating and heartfelt film from Jonathan Demme.

The film follows a woman who abandoned her family to pursue her dreams to be a rock star as she finally returns home after hearing about her daughter getting a divorce. It’s a film where a woman not only deals with not just the decisions she made to pursue her dreams but also make an attempt to set things right again for herself and her family. Especially as she still wants to play music in California as she fronts a band called the Flash. Diablo Cody’s screenplay doesn’t just explore the world that Linda “Ricki” Rendazzo (Meryl Streep) lives where she plays at a bar with her band that includes her guitarist Greg (Rick Springfield) who has feelings for her. It’s also in the fact that Ricki is struggling to get by as she’s working at an organic supermarket and paying off her debts. The first half of the film is about Ricki returning to Indianapolis to see her ex-husband Pete (Kevin Kline) and their daughter Julie (Mamie Gummer) as the latter has fallen apart because her husband left her for another woman.

Cody’s script also play into Ricki’s struggle with her family as well as the fact that the void she left was filled by Pete’s second wife Maureen (Audra McDonald) who did a lot for Julie as well Julie’s older brothers Joshua (Sebastian Stan) and Adam (Nick Westrate). The latter of which is gay while the former is about to get married to Ricki’s own surprise as she is also quite conservative in her views despite the music she plays. It adds a lot to the complexity of Ricki but also her own flaws as she is quite selfish as well as ignorant though she means well. Especially when she is confronted by Maureen despite what Ricki had done to help Julie as it would lead to this third act which revolves around Joshua’s wedding.

Jonathan Demme’s direction is quite stylish in terms of the looseness he creates for many of the scenes set in California while going for something that is more controlled and tight for the scenes set in Indianapolis as much of the film is shot in upstate New York. Yet, a lesser director would struggle with trying to create a balance in the two styles but Demme does find that balance where it never feels like two different films. Notably as the film features a lot of music from Ricki playing with her band as well as a scene where she plays a song to Pete and Julie. Demme’s usage of close-ups and medium shots for many of the scenes in Indianapolis are quite intriguing as well as playing into some of the family tension when Ricki sees her sons for the first time in years. The scenes at the bar where the Flash play is quite lively as it include some line dancing as well as moments that are quite raucous where Demme does use a few wide shots to capture the space of the bar. The film’s climax at Joshua’s wedding is a mixture of the different visual styles yet Demme does find a way for all of it to come together. Overall, Demme creates a touching yet entertaining film about middle-aged rocker coming home to help her daughter and mend old wounds with her family.

Cinematographer Declan Quinn does excellent work with the cinematography as it is very straightforward with some unique lighting for the interiors at the bar and the scenes set at night in both California and Indianapolis. Editor Wyatt Smith does nice work with the editing as it is largely straightforward with a few stylish cuts for some of the musical performances. Production designer Stuart Wurtzel, with set decorator George DeTitta Jr. and art director Patricia Woodbridge, does brilliant work with the look of the bar Ricki and the Flash play as well as the home that Pete and Maureen lives in at Indianapolis.

Costume designer Ann Roth does terrific work with the costumes from the stylish clothes of Ricki as well as the more straight-laced look of Pete and the mixture of both in Julie. Visual effects supervisor Luke DiTommaso does wonderful work with the minimal visual effects in the film as it‘s mostly a few set-dressing pieces for some of the scenes in Indianapolis. Sound mixer Jeff Pullman does superb work with the sound as it is straightforward as well as play into the energy of the concerts that Ricki and the Flash perform at. The film’s soundtrack features not just a lot of songs ranging from rock to pop music that Ricki and the Flash performs but also music from Spirit, the Feelies, and Electric Light Orchestra that is played in the background.

The casting by Tiffany Little Canfield and Bernard Telsey is great as it features cameo appearances from Adam Shulman as a customer at Ricki’s supermarket, Bill Irwin as a father at a donut shop who is annoyed by Ricki and Julie’s conversation, Charlotte Rae as Pete’s mother, Beau Sia as Adam’s partner Desmond, and Gabriel Ebert as Julie’s ex-husband Max whom Pete and Ricki confront during a night-out with Julie. In roles as members of the Flash, there’s legendary Parliament-Funkadelic keyboardist Bernie Worrell as keyboardist Billy, famed session drummer Joe Vitale as the drummer Joe, and famed session bassist Rick Rosas as the bassist Buster (whom the film is dedicated to) as they all provide a great presence to their roles as the musicians. Hailey Gates is wonderful as Joshua’s fiancee Emily who is bewildered by Ricki while Ben Platt is terrific as the bartender Daniel who worships at the altar of Ricki and the Flash. Nick Westrate and Sebastian Stan are excellent in their respective roles as Ricki’s sons Adam and Joshua with the former not really fond of his mother accusing her of being a homophobe with the latter wanting to make peace but is unsure of inviting her to the wedding.

Audra McDonald is brilliant as Pete’s wife Maureen who had become the maternal void filled for Ricki’s children as she tries to make peace with Ricki as well as give her some truths that Ricki has to face. Mamie Gummer is amazing as Julie as Ricki’s daughter who has become a wreck following a divorce as she is quite funny in the way she does things as well as be someone who is very fragile. Rick Springfield is fantastic as Greg as the Flash lead guitarist who is in love with Ricki as he gives her some advice as well as tell her how important she is as a mother. Kevin Kline is incredible as Pete as Ricki’s ex-husband who tells Ricki about Julie as he copes with Julie’s mood as well as trying to maintain the peace in the family while admitting he still cares about Ricki. Finally, there’s Meryl Streep in a sensational performance as Ricki Rendazzo as this middle-aged rocker that is trying to reach her dream while helping out her daughter get back on her feet as it’s a lively and entertaining performance from Streep.

Ricki and the Flash is a marvelous film from Jonathan Demme that features a dazzling performance from Meryl Streep. Also featuring a witty script by Diablo Cody, a fantastic ensemble cast, and a killer soundtrack, the film is a heartfelt yet entertaining film that manages to be fun as well as state the importance of family. In the end, Ricki and the Flash is a remarkable film from Jonathan Demme.

Jonathan Demme Films: (Caged Heat) - (Crazy Mama) - (Fighting Mad) - (Handle with Care) - (Last Embrace) - (Melvin & Howard) - (Who Am I This Time?) - (Swing Shift) - Stop Making Sense - (Something Wild) - (Swimming to Cambodia) - (Married to the Mob) - (The Silence of the Lambs) - (Cousin Bobby) - (Philadelphia) - (Storefront Hitchcock) - (Beloved) - (The Truth About Charlie) - (The Agronomist) - (The Manchurian Candidate (2004 film)) - (Neil Young: Heart of Gold) - (Man from Plains) - Rachel Getting Married - (Neil Young Trunk Show) - (Neil Young Journeys) - (A Master Builder)

© thevoid99 2016

Saturday, March 26, 2016

Pitch Perfect 2



Directed by Elizabeth Banks and written by Kay Cannon, Pitch Perfect 2 is the sequel to the 2012 film where a group of female a capella singers try to enter a global a capella competition in the hopes to save their sorority following a national scandal. The film is another tale about a group of young women who find themselves in a new world as some try to cope with life after college along with the fact they’re being scrutinized over something that was an accident. Starring Anna Kendrick, Brittany Snow, Rebel Wilson, Hailee Steinfeld, Alexis Knapp, Hana Mae Lee, Skylar Astin, Ester Dean, Anna Camp, Adam Devine, Ben Platt, John Michael Higgins, Katey Sagal, Flula Borg, Brigitte Hjort Sorenson, and Elizabeth Banks. Pitch Perfect 2 is a delightful and witty comedy from Elizabeth Banks.

Set three years after the events of the first films, the Barden Bellas become a national treasure in the world of a capella singing until a concert in front of the American president becomes a scandal where the group is faced with suspension and not being able to perform or bring in new members. This sets the course for what happens in this film where they find a loophole that would allow them to compete in a global a capella singing competition though their chances of winning is very long. Along the way, the group takes in a new member whose mother was a Bella while the group’s co-leader in Becca (Anna Kendrick) becomes an intern for an egocentric music producer. It’s a film that isn’t just about these ladies wanting to redeem themselves but also face with the prospects of growing up and dealing with life after college as it’s something Bella co-leader Chloe (Brittany Snow) isn’t ready to cope with as she had purposely flunked classes to remain a Bella.

Kay Cannon’s script doesn’t just play into the growing conflicts and struggles the group face from within but also in the fact that they’re considered pariahs over the scandal caused by Fat Amy (Rebel Wilson) when she accidentally exposes herself in front of President Obama during a birthday concert. Adding to their struggle is the fact that they’re being replaced by a super-German a capella group known as Das Sound Machine who provide a lot of things that overwhelm the Bellas in their attempt to redeem themselves. While Cannon provides some funny one-liners and some structure to the story, the story does feel a bit familiar but it has some unique subplots such as the group taking in freshman Emily Junk (Hailee Steinfeld) who is a legacy as she wants to write songs. Another subplot involves Fat Amy’s own attraction towards former Treblemaker leader Bumper (Adam Devine) who is now the university’s security chief.

Elizabeth Banks’ direction is quite straightforward in terms of the compositions that are created while maintaining that lively sense of humor that made the first film so special in the first place. Though much of what happens is quite conventional, Banks does make sure many of the moments of the film are engaging while having that sense of feeling improvised to make it feel more natural. Banks’ usage of medium shots and close-ups help maintain that sense of intimacy as well as the importance of sisterhood among the young women while using a few wide shots for some of the performances including an attempted comeback performance in the second act where the Bellas try too hard to outdo the Das Sound Machine. Shot largely in Louisiana State University in Baton Rouge, Louisiana, the film doesn’t just play into something that is vibrant as well as modern while using some of its older streets for the film’s climatic showdown at Copenhagen. Even as Banks knows that the film’s heart is in the music and singing a capella where it manages to do a lot in its performance and a whole lot more. Overall, Banks creates a fun and exhilarating film about a group of young ladies trying to win back their respect in an a capella competition.

Cinematographer Jim Denault does excellent work with the film‘s cinematography with its naturalistic yet colorful look for many of the daytime scenes set at the college campuses to the usage of lights for some of the musical performances and scenes set at night. Editor Craig Alpert does nice work with the editing as a lot of it is straightforward with some stylish usages of jump-cuts and montages for some of the livelier moments of the film including musical performances. Production designer Toby Corbett, with set decorator Monique Champagne and art director Nate Jones, does fantastic work with the look of the Bellas‘ house as well as the studio Becca would intern at along with the retreat camp the girls would go following a humiliating performance. Costume designer Salvador Perez Jr. does wonderful work with the clothes from the casual yet stylish look of the clothes to the array of stylish costumes the Bellas would wear as well as the clothes of Das Sound Machine.

Key hairstylist Meagan Herrera and key makeup artist Judy Yonemoto do terrific work with the look of the characters in the way they would present themselves during a musical performance. Visual effects supervisor Steve Parish does superb work with some of the film‘s visual effects as much of it is set dressing for the scenes set in Copenhagen. Sound editor Erin Oakely and sound designer Jack Whittaker do amazing work with the sound in capturing the naturalistic sound of a capella singing in all of its layers as well as the raucous sounds of the crowds and parties. The film’s music by Mark Mothersbaugh is brilliant for its mixture of electronics, dance and orchestral music as well as providing that same mix for the sound of a capella music while music supervisors Sarah Webster and Angela Leus would create a soundtrack filled with contemporary pop tunes and hip-hop into some of the songs as well as what is playing in the background.

The casting by Kerry Barden and Paul Schnee is incredible as it features appearances from Clay Matthews, David Bakhtiari, Don Barclay, Josh Sitton, and T.J. Lang as real-life players of the Green Bay Packers who do sing a capella, David Cross as a riff-off host, Keegan-Michael Key as a music producer Becca is interning for, Shawn Carter Peterson as the producer’s hipster yet dim-witted nephew, Snoop Dogg as himself, and as members of the Tone Hangers group, Reggie Watts, Joe Lo Truglio, Jason Jones, and John Hodgman. Other notable small roles include Kelly Jakle and Shelley Regner in their respective roles as senior Bellas Jessica and Ashley, Birgitte Hjort Sorensen and Flula Borg as leaders of Das Sound Machine, Ben Platt as Treblemakers co-leader Benji who has a crush on Emily, Skylar Astin as Treblemakers co-leader/Becca’s boyfriend Jesse, Anna Camp as former Bellas leader Aubrey who runs a retreat camp as she would help the team get back up, and Katey Sagal as Emily’s mother Katherine who is considered a legend among the Bellas. Hana Mae Lee is a total delight as the very quiet yet creepy Lilly who is the group’s beat-boxer as she always says some very funny things.

Ester Dean is excellent as the soulful lesbian Cynthia with top-notch rhyming skills while Alexis Knapp is wonderful as sensual Stacie who often uses her sex appeal to get ahead. Adam DeVine is hilarious as the former Treblemakers leader Bumper as the college’s new security chief that is trying to get himself back into the world of singing. Chrissie Fit is fantastic as the Guatemalan exchange student who joined the Bellas a year after the events of the first films as she provides some very funny comments about everything that is foreign to her. Hailee Steinfeld is amazing as Emily Junk as a freshman who is accepted by the Bellas because of her mother as she copes with her new surroundings as well as wanting to create original songs. Elizabeth Banks and John Michael Higgins are incredible in their respective roles as a capella broadcasters Gail Abernathy-McKadden-Feinberger and John Smith as they provide some funny commentary with the latter being very misogynistic.

Brittany Snow is brilliant as Chloe as a super-senior Bella who is obsessed with trying to win as it is really a cover for the fact that she’s not ready to leave college and the Bellas while being very funny. Rebel Wilson is phenomenal as Fat Amy as the Australian in the group whose accidental actions has given the Bellas a lot of trouble as she tries to set things right while dealing with her own feelings for Bumper. Finally, there’s Anna Kendrick in a remarkable role as Becca as the group’s co-leader who is trying to help the Bellas redeem themselves from scandal but also deal with her own future where she learns what it really takes to become a record producer where she finds inspiration and help from a Bella.

Pitch Perfect 2 is a delightful and entertaining film from Elizabeth Banks. Led by a great cast, some very funny moments, and wonderful musical performances, the film is definitely something that has a lot to offer while providing enough substance and characters for audiences to care about. In the end, Pitch Perfect 2 is a sensational film from Elizabeth Banks.

Pitch Perfect

© thevoid99 2016