Showing posts with label brian geraghty. Show all posts
Showing posts with label brian geraghty. Show all posts

Thursday, December 12, 2013

Flight (2012 film)




Directed by Robert Zemeckis and written by John Gatins, Flight is the story of a substance-abusing airline pilot who manages to stop an airplane from crashing as he later tries to deal with addiction to drugs and alcohol. The film marks a return for Robert Zemeckis after a period of helming motion-capture animated films as he explores a man dealing with his addiction and actions. Starring Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood, and Melissa Leo. Flight is a harrowing yet gripping film from Robert Zemeckis.

The film is this exploration into the life of an airline pilot who is brilliant but troubled by his substance abuse when he suddenly does the impossible and save a bunch of lives during a crash landing that could’ve killed everyone on board. Yet, he not only deals with the fact that there were a few people that did die but also the questions into whether he’s a hero or was he negligent in his role during this event. In turn, Captain Whip Whitaker (Denzel Washington) is forced to face not just what he did but also his substance abuse as he’s an alcoholic who also occasionally does some cocaine. While meeting a recovering heroin addict in Nicole (Kelly Reilly), he tries to deal with the lies he has created as friends try to help him yet the guilt over the lives that were lost and his actions continue to haunt him. It’s a film that is about a man dealing with guilt where he would eventually reach his bottom.

John Gatins’ screenplay is largely a character study about Whitaker as he’s a man that is divorced and he doesn’t see his son very much while he spends most of his time drinking and doing some cocaine with a flight attendant. He’s even intoxicated during this flight where everyone could’ve died but he has somehow managed to pull something off that some describe as miraculous. The film’s first act not only follows Whitaker’s day where he nearly crashed the plane but also Nicole who would reach her bottom after nearly dying of a heroin overdose. Whitaker’s encounter with Nicole would have him thinking about getting sober but his demons would often come back which would threaten their relationship as Nicole is eager to stay clean.

Adding to the chaos of Whitaker’s life is an impending hearing he has to face about his role where he asks those to lie for him so he can save his own skin. Still, there are those like his friend Charlie (Bruce Greenwood) who wants to help as does Whitaker’s lawyer Hugh Lang (Don Cheadle) but Whitaker proves too much to be a man who is just unraveling. Especially as he is convinced that he’s failed as a husband and father as he hopes this hearing he is to attend will get him back on a plane and just do what he does without compromise.

Robert Zemeckis’ direction is unique in not just some of the way he presents the drama but also in the fact that it is a story of a man not willing to face his demons as he is waiting to hit his bottom. Much of the direction in terms of the drama is pretty straightforward but also entrancing in some of the close-ups he creates to showcase the sense of pain and denial that Whitaker is dealing with. He also puts in some little details into the compositions such as the line of coke that is on a small mirror or a tiny bottle of vodka. There is a sense of unpredictability in the way Zemeckis captures a man that could be falling apart one day or be sober the next though it all plays into Whitaker’s state of mind as he just wants to self-destruct or lash out at someone. Still, Zemeckis wants to present Whitaker as a good man in a scene where he helps Nicole move out of her apartment where he fights off her landlord as he would offer her a place to stay. Even as he accompanies to meetings where Zemeckis has the camera on a person talking as well as Whitaker’s reaction where it does play into a sense of foreshadow.

The plane crash sequence is definitely one that is filled with terror and gripping suspense where Zemeckis maintains a claustrophobic intimacy of what goes on in the cockpit as well as where the passengers are sitting as the plane would go upside down. The shots of the plane from the outside are quite spectacular to play into the horror and the sense of the impossible that Whitaker pulled off. Still, that moment would be shown in numerous occasions including the hearing that Whitaker attends as it’s definitely one of the most chilling moments of the film as it is also its climax. One that is just unforgettable not just in its dramatic impact but also in the way Whitaker has to face not just truths about himself but everything else he did in that day. Overall, Robert Zemeckis creates a very powerful drama about a man facing his own demons and the lies that he surrounds himself with.

Cinematographer Don Burgess does excellent work with the film‘s cinematography from some of daytime locations in Atlanta as well as the scenes in the Whitaker farm to some of the interior scenes such as some shots in hotels and the bars that Whitaker goes to. Editor Jeremiah O’Driscoll does brilliant work with the editing from the use of rhythmic cuts for the film‘s intense moments in the plane to some of the stylish cuts for some of the film‘s dramatic moments. Production designer Nelson Coates, with set decorator James Edward Farrell Jr. and art director David Lazan does fantastic work with the set pieces such as the plane as well as the farm that Whitaker lives in as a sanctuary to get away from the press and the world.

Costume designer Louise Frogley does terrific work with the costumes where it‘s mostly casual with the exception of the hippie-like look of Whitaker‘s friend/drug dealer Harling. Visual effects supervisors Kevin Baillee and Hitesh Shah do amazing work with the visual effects for the scene of the plane where it plays into that sense of danger where it looks like it‘s going to crash as it‘s one of the film‘s major highlights. Sound designers Dennis Leonard and Randy Thom do superb work with the sound to capture what was going on inside that plane as well as some of the sound mixing to play into the troubled state of mind from Whitaker as well as Nicole early in the film. The film’s music by Alan Silvestri is wonderful for its broad orchestral score for some of the film’s intense moments along with low-key cuts to underscore the drama while its soundtrack contains a mix of music from the Rolling Stones, Joe Cocker, Marvin Gaye, the Red Hot Chili Peppers, and several others.

The casting by Scot Boland and Victoria Burrows is incredible for the ensemble that is created as it features some notable small performances from Nadine Velazquez as the stewardess Whitaker is with in the beginning of the film, Peter Geraty as the airline owner who wants to punish Whitaker for making him lose money, Garcelle Beauvais as Whitaker’s ex-wife Deana, Justin Martin as Whitaker’s son who doesn’t want to see him, Tamara Tunie as a flight attendant that survived the crash as she knows about Whitaker’s substance abuse, and James Badge Dale in a very memorable one-scene performance as a cancer patient Whitaker and Nicole meet at the hospital. Brian Geraghty is terrific as Whitaker’s co-pilot Ken Evans who would survive the crash as he would be a key person that would force Whitaker to confront his demons. Melissa Leo is wonderful as a NTSB investigator who interrogates Whitaker at the hearing.

John Goodman is very funny as Whitaker’s drug dealer Harling who always comes in to a Rolling Stones song as he would find ways to get Whitaker back up as he’s also a very unique individual who is an enabler but also the one person that can get him to focus. Don Cheadle is superb as Whitaker’s lawyer Hugh Lang who tries to get Whitaker to face the reality of his situation while admitting to not liking him. Bruce Greenwood is excellent as Whitaker’s friend Charlie who tries to help him deal with the legal things as well as trying to get him sober no matter how impossible it is. Kelly Reilly is fantastic as Nicole as this recovering heroin addict who befriends Whitaker as she would also live with him for a while as she would struggle with his alcoholism and her need to be sober.

Finally, there’s Denzel Washington in a magnificent performance as William “Whip” Whitaker as a man who lives a very exciting but empty life of being an airline pilot as well as doing all of the things a pilot does. Yet, he is a man that is denial over his substance abuse as he is also quite cruel and abusive to others which adds a sense of power to Washington’s performance. He can make Whitaker a despicable human being but also one who is sympathetic and in need of help as it is definitely Washington creating one of his best roles ever.

Flight is an incredible film from Robert Zemeckis that features a tour-de-force performance from Denzel Washington. Along with strong supporting work from John Goodman, Kelly Reilly, Bruce Greenwood, and Don Cheadle. The film is definitely one of Zemeckis’ best films that explores a man falling apart in the wake of a nearly catastrophic event where he does something miraculous. Even as he is forced to wake up and face the demons in his life. In the end, Flight is a phenomenal film from Robert Zemeckis.

Robert Zemeckis Films: (I Wanna Hold Your Hand) - (Used Cars) - (Romancing the Stone) - Back to the Future - (Who Framed Roger Rabbit?) - (Back to the Future Part II) - (Back to the Future Part III) - (Death Becomes Her) - (Forrest Gump) - (Contact) - (What Lies Beneath) - (Cast Away) - (The Polar Express) - (Beowulf (2007 film)) - (A Christmas Carol (2009 film)) - The Walk (2015 film) - (Doc Brown Saves the World) - (Allies (2017 film))

© thevoid99 2013

Monday, January 02, 2012

The Hurt Locker


Originally Written and Posted at Epinions.com on 8/9/09 w/ Additional Edits.


Directed by Kathryn Bigelow and written by Mark Boal, The Hurt Locker tells the story of a bomb squad working on the streets of Iraq defusing bombs during the war. Leading the team is a man who loves doing the job for the hell of it while trying to deal with the chaos surrounding him with members of his team watching him. A part war-drama, part-psychological film, it's a movie that delves into the mind of what a bomb squad goes through in defusing bombs and being a soldier at war. Starring Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes, Evangeline Lilly, and David Morse. The Hurt Locker is a mesmerizing yet haunting war drama from Kathryn Bigelow and company.

It's 2004 in Baghdad as a new member of an elite Explosive Ordnance Disposal unit named Staff Sergeant William James (Jeremy Renner) is now part of a new group filled by Sergeant JT Sanborn (Anthony Mackie) and Specialist Owen Elridge (Brian Geraghty). With 40 days left in their tour of duty, James has already become an eccentric figure as he refuses to take orders in order to get the job done. Even as he comes across one bomb attached to another which he defuses quite well despite a bit of pressure. Though Sanborn is frustrated over James' no-frills, all thrills attitude and his willing to put himself on the line. Elridge is already going through his own problems following the death of a superior (Guy Pearce) as he is now having psychological sessions with Colonel Cambridge (Christian Camargo). James meanwhile, feels at home in the line of duty and at war as he befriends a 12-year old Iraqi kid named Beckham (Christopher Sayegh) while defusing bombs all for the hell of it.

Then when a bomb site is nearby a United Nations building, James diffuses it quite successfully except bringing lots of anxiety to his team in taking off his bomb suit and refusing to wear headphones to listen to Sanborn's orders. Impressed by James' ability to just diffuse bombs is Colonel Reed (David Morse) who is amazed over James' experience in diffusing bombs. Though James reveals to have a life at home with a wife (Evangeline Lilly) and a baby boy, he prefers to work as a bomb tech without robots and go with his gut. When he, Sanborn, and Elridge encounter a group of contractors led by its leader (Ralph Fiennes), they are ambushed by a group of Iraqi militia where things get tense as Sanborn and Elridge with James' help manages to diffuse the situation. While it was a great day for the three as they all got drunk and beat each other up for fun, it was like all three men has finally clicked. With the days winding down, some traumatic events occur for all three that would shape their minds. With James getting more personal and even putting his own team in danger, everything would crash down for the three men with James starting to unravel over his life as a soldier and at home.

Films about the Iraq war in recent years has been filled with a lot of overwrought melodrama despite its noble intentions to reveal the horrors of war and in the injustice soldiers have to face. What makes this film very different is that it's about three men just doing their job as they all face their own personal turmoil inside of themselves. Of those three, it's William James that is the most compelling as he's a man that loves to take risks in order to get the job done and diffuse situations. Yet, he's also reckless, refusing to take orders, and is always on an adrenaline rush. James is a loose cannon but does have a compassionate side when he befriends an Iraqi kid who sells him DVDs and plays soccer with him though he has a hard time being that person at home despite his noble efforts.

Screenwriter Mark Boal does a superb job in creating a unique structure to the story which begins with a scene involving a bomb about to be diffused by the previous bomb tech. The first act is about Staff Sgt. James arrival to the unit while proving to be a unique figure to his team like the by-the-book Sgt. Sanborn and the young, insecure Specialist Elridge. Both of whom each are given some development and insight into their own characters with Sanborn trying to be in control while Elridge is haunted by his own issues where in some intense moments, he's comforted by James. Boal's screenplay is well-structured in not just introducing the character but providing a strong second act for the characters to finally bond and click with each other while the third act would unveil some harsh truths and situations involving the main three characters.

While Boal's script does manage to delve into the psychological elements of what is going on in battle and in diffusing a bomb along with the soldier's experience. It's Kathryn Bigelow's direction that is really the highlight of the film. Bigelow's engaging approach to the film by getting inside the battlefield, inside the action, and all of the drama that goes on is really what sets this film apart from not just the Iraq war films that came before in the past few years is that it's not melodramatic. At the same time, it is not very stylized, not filled with lots of CGI creations, or anything that is sprawling in its action scenes. Instead, it goes deep into the action with gun battles, explosions, and the tension that goes in diffusing a bomb while the soldiers have to look out to see if the enemy is watching. Utilizing a hand-held approach to the camera work in capturing all of the action and intensity. Bigelow's direction is truly remarkable in just being real, to-the-point, and not overglazing it with fast action, bloated scenery, or lifeless spectacles.

Cinematographer Barry Ackroyd does amazing work with the film's gritty, hand-held photography with elements of grainy shots in some of the nighttime scenes with little light. The action scenes are filled with close-ups of the action with camera blurs to emphasize a point-of-view shot from a sniper. Ackroyd's cinematography is exhilarating in its realism and in not being over-stylized. Editors Chris Innis and Bob Murawski do excellent work in the film's editing in providing some nice jump-cuts for some rhythmic editing along with rhythms to play up to the tension that is going in scenes where bombs are diffused or in the action. While it has a running time of nearly two-hours and fifteen minutes, it does have the feeling or pacing approach of a film that long which is brilliant as Innis and Murawski do some masterful work in the editing.

Production designer Karl Juliusson, along with set decorator Amin Charif El Masri and art director David Bryan, does fine work in the creation of bases and camps that the soldiers live in along with the designs of the bombs and devices. Costume designer George L. Little does good work in the design of the bomb suit that Jeremy Renner wears in order to unveil all of the detail of what bomb technicians have to wear. Sound designer/editor Paul N.J. Ottosson does spectacular work with the film's sound work in its action sequences and moments of suspense to add tension to all that is going on. Music composers Marco Beltrami and Buck Sanders provide an excellent score with haunting arrangements from strings and drums to provide the tension and drama that is going on in the war scenes. For the film's soundtrack, three tracks are provided from the legendary industrial-metal band Ministry from their Rio Grande Blood album as it serves as amazing accompaniment for James' state of mind.

The casting by Mark Bennett is superb with appearances from Lost's Evangeline Lilly as Staff Sgt. James' wife, Hasan Darwish as a DVD vendor, Nabil Koni as a professor William visits, and Christopher Sayegh as Beckham, the boy Staff Sgt. James befriends. Christian Camargo is very good as Elridge's psychologist who may know what soldiers go through but has little experience in what goes on when they're on the battlefield. Making appearances in some very small roles include Guy Pearce as a bomb tech, David Morse as a lively colonel, and Ralph Fiennes as a British contractor carrying a sniper rifle. Brian Geraghty is excellent as Elridge, a young soldier who is dealing with the horrors of war as he tries to cope with it the best he can do. Anthony Mackie is superb as Sgt. Sanborn, the straight man of the story as he is the man who does things by the book while trying to deal with James' reckless persona as well as his own horrors about life after war.

Finally, there's Jeremy Renner in what is truly a remarkable performance. In the role of Staff Sgt. William James, Renner displays a swagger and nonchalant attitude to his character as a man who loves his job and is willing to take all the risks. While he has a compassionate side to him, Renner displays all of the conflict his character has to go through when he knows he has to go home. Yet, he couldn't help but be on an adrenaline rush when he knows that there's something wrong and he wants to go out there and fight. It's truly a star-making performance for the actor who has been famous for supporting roles and small parts as he's now an actor to watch out for.

The Hurt Locker is a sensational film from Kathryn Bigelow thanks to an amazing performance from Jeremy Renner. In an era of heavy-handed, melodramatic war films that does nothing but rally around a political message along with action films that are all spectacles and no sense of what is happening. This is the film that corrects all of those things in what is expected from their genres. Fans of smart action films and war films will no doubt enjoy this film for its sheer realism and ideas of what soldiers have to go through. For director Kathryn Bigelow, this film is truly her best work to date while it may not be as entertaining as Point Break or Strange Days. Yet, in a genre that's dominated by men helming action features. This film proves that not only can she do a great action film. It also proves that she's better than the guys in creating great explosions and action scenes. In the end, for a film that is smart, entertaining, and filled with great action sequences. The Hurt Locker is the film to go see.


© thevoid99 2012