Sinners (2025 film)

 

Written and directed by Ryan Coogler, Sinners is the story of twin brothers living in the American South in the early 1930s as they return home where they deal with an evil force that threatens themselves and their diverse community. The film is a period-horror film set during the Great Depression as twin brothers cope with not just trying to create something new in their hometown but also dealing with mysterious forces that want to destroy them. Starring Michael B. Jordan, Hailee Steinfeld, Miles Caton, Wunmi Mosaku, Jayme Lawson, Omar Miller, Jack O’Connell, Lola Kirke, Li Jun Li, and Delroy Lindo. Sinners is a gripping and haunting film by Ryan Coogler.

Set in the span of 24 hours at Clarksdale, Mississippi in the fall of 1932, the film revolves around twin siblings who bought a mill to create a juke joint for the locals with the help of people they have known for years where the music their young cousin plays unknowingly attracts a group of mysterious individuals who comes to destroy all. It is a film that is not a conventional vampire film but rather an exploration of American folklore and the temptations of humanity through music during a dark period in American history in a world where African-Americans try to create something for themselves. Ryan Coogler’s screenplay has a unique narrative structure where it opens with a young man in Sammie (Miles Caton) arriving to a local church holding a broken guitar neck where his preacher father (Saul Williams) asks what happened. It then shifts to what happened a day earlier where Sammie’s twin cousins in Elijah “Smoke” Moore and Elias “Stack” Moore (Michael B. Jordan) have returned from Chicago with money they stole from gangsters to buy a mill from this racist landowner Hogwood (David Maldonado) who claims that the Ku Klux Klan are dead.

The film’s first act is about Smoke and Stack gathering people in Clarksdale for this juke joint party hoping it would bring money to a community that is largely African-American as well as a Chinese couple in Grace and Bo Chow (Li Jun Li and Yao, respectively) who are shopkeepers in the town. They also bring in local bluesman Delta Slim (Delroy Lindo) while Sammie meets a married woman in Pearline (Jayme Lawson) who would go to the joint. Stack meanwhile, bumps into a former flame in a white woman in Mary (Hailee Steinfeld) who is in town for her mother’s funeral as she harbors resentment for leaving him years ago. Smoke would reunite with his estranged wife Annie (Wunmi Mosaku) who is an occultist as Smoke harbors resentment towards her over the death of their infant child years ago as she would help cook for the joint. The film’s second act is about the party with Mary also attending and getting reacquainted with Stack, yet the party is briefly interrupted by a trio of mysterious visitors led by the Irish immigrant Remmick (Jack O’Connell). Notably as they are drawn by the blues music that Sammie plays as they would play traditional Irish folk music as things go wrong. Notably as it leads to a third act of terror and violence.

Coogler’s direction is entrancing for not just its depiction of the American South during the Jim Crow era and in the final days of Prohibition during the Great Depression. It is also in playing up the many myths and spiritual elements about the American South as it is shot on location in and around New Orleans, Louisiana. Coogler opens the film with images of American folklore as it relates to the American South, Africa, and the Mississippi Choctaw tribe as they are seen briefly as they are in pursuit of something they deem is evil. The film then shows Sammie driving a car as he is covered in blood and holding a broken guitar neck as it would be shown again towards the end as it sort of plays into a reflective narrative. Coogler’s usage of wide and medium shots do allow him to get a lot of depth of field into the locations of the American South with a lot of coverage of cotton fields and ponds that do have this air of richness at a time when there is a lot of disparity and turmoil. A lot of its vast look is because Coogler shoots the film on 65mm IMAX film stock which allows him to get more coverage of the locations and the settings for the overall presentation.

Coogler also uses close-ups and medium shots to play into characters interacting with one another as well as some inventive tracking shots such as a scene of Smoke at a small town to meet the Chows. The direction also has this element of surrealism where Sammie plays a song on the Dobro resonator acoustic guitar that Stack claims is from Charley Patton. It plays into the way music can transcend all sorts of things where it can reach into the past as well as the future. The usage of music whether it is the blues or traditional Irish folk music is a key proponent of the film where Coogler also play into the sense of mysticism and spirituality that the music conjures. With the aid of choreographer Aakomon Jones, Coogler also play in the way music can bring together as it also has this sense of dread and terror that would play into the film’s third act where it does become a pure horror film. It is also where loss comes into play where many of the people who have become vampires are those filled with loss as well as resentment.

The third act is also filled with elements of surrealism as well as revelations about the mill that Smoke and Stack purchased. Notably as it forces people at the joint to fight for their own survival with Sammie at the center due to the music he played as well as being a survivor of what had happened. Coogler uses that film’s opening scene to also be an ending of sorts that would also include a mid-credit scene as it relates to Sammie and everything he endured back in his life. A lot of which plays into the legend of American blues as Clarksdale is a legendary area of where American blues came from dating back to Robert Johnson and the legend that he sold his soul to the devil. Coogler does a lot to play into these myths as it relates to the blues as he creates a film that does act like a blues song. Overall, Coogler crafts an unsettling yet ravishing film about twin brothers trying to create a juke joint in their hometown unaware of the evil forces they are inviting.

Cinematographer Autumn Durald Arkapaw does incredible work with the film’s cinematography where the usage of the 65mm film stock allows the film to have beauty in the nighttime interiors for the scenes at the juke joint with the usage of candles and available light as well as the gorgeous and colorful imagery for some of the daytime exteriors as it is a highlight of the film. Editor Michael P. Shawver does excellent work with the editing with its usage of stylish montages for some early bits in the film as well as some rhythmic cut to play into the suspense and horror. Production designer Hannah Beachler, with set decorator Monique Champagne and supervising art director Jesse Rosenthal, does brilliant work with the set design of the town of Clarksdale with its shops as well as the mill where Smoke and Stack have their juke joint as it is the centerpiece of the film. Costume designer Ruth E. Carter does fantastic work with the costumes in the posh-like dresses that Mary and Pearline wear in the juke joint as well as the expensive suits Smoke and Stack wear as well as the ragged look of some of the characters.

Special effects makeup artists Kelsey Berk, Bailey Domke, Lauren Spencer, and Kevin Wasner, along with hair designer Shunika Terry Jennings, do amazing work with the look of the characters in their vampire state with the colorful eyes as well as the hairstyle that many of the characters had at that time. Special effects supervisor Matt Kutcher and visual effects supervisor Michael Ralla do marvelous work with the visual effects as it play into the surreal elements of the film with the elements of mysticism and for some moments of set-dressing for the exterior scenes. Sound designer Steve Boeddeker does superb work with the sound as the layer of sound of what is heard on location as well as the way the music is presented when it is performed live as there are a lot of things that are presented as it is a highlight of the film.

The film’s music by Ludwig Goransson is phenomenal for its hypnotic and unsettling score that is a mixture of ambient, blues, and folk music. With additional production by Goransson’s wife Serena, the music is this collage of styles that play into elements of traditional music with elements of modern music including metal, hip-hop, and electronic music with contributions from musicians like Brittany Howard of Alabama Shakes, Raphael Saadiq, Lars Ulrich of Metallica, Jerry Cantrell of Alice in Chains, Bobby Rush, and Buddy Guy. The soundtrack also features elements of traditional blues and Irish folk songs along with original songs performed on set from Miles Caton, Jayme Lawson, Delroy Lindo, Jack O’Connell, Lola Kirke, Peter Dreimanis, and other recorded music from Hailee Steinfeld and Rod Wave. The soundtrack and score is a tremendous highlight of the film as it is a major proponent in the film’s story.

The casting by Francine Maisler is great as it feature some notable small roles and appearances from Helena Hu as the Chow’s daughter Lisa, Saul Williams as Sammie’s preacher father Jedidiah, Mark L. Patrick as a Choctaw horseback scout, David Maldonado as a landowner in Hogwood who sells the mill and its property to Smoke and Stack, Lola Kirke and Peter Dreimanis as married KKK members in Joan and Bert who later join Remmick in wreaking havoc, Yao as Grace’s shopkeeper husband Bo Chow, and Omar Benson Miller as a longtime friend of Smoke and Stack in Cornbread who works at the juke joint as a bouncer. Li Jun Li is fantastic as Grace Chow as a Chinese shopkeeper who creates the sign for the juke joint as well as serving alcohol as she also copes with the chaos that is happening later in the film as well as threats towards her daughter. Jayme Lawson is excellent as Pearline as a young married woman Sammie falls for as she would also prove herself to be a solid blues singer while also dealing with the chaos happening later in the film including being hesitant to eat garlic.

Jack O’Connell is brilliant as the Irish immigrant Remmick who arrives mysteriously as is later revealed to be a vampire as he is fascinated by the music that Sammie plays as he would channel his own traditional Irish folk music to seduce those who follow him. Delroy Lindo is incredible as Delta Slim as a blues musician who knows a lot about music as he is also someone who loves to drink where he is elder statesman of sorts who is aware of Sammie’s talents while also delivering some of the funniest lines in the film. Wunmi Mosaku is amazing as Smoke’s estranged wife who also works in the occult as she believes in superstitions and such while harbors resentment towards Smoke who left Clarksdale after the death of their daughter while also being someone who knows about how to deal with vampires. Hailee Steinfeld is phenomenal as Mary as a former flame of Stack who harbors resentment for being left behind where she hopes to rekindle their relationship while also dealing with the evil outside of the juke joint.

Miles Caton is tremendous in his film debut as Smoke and Stack’s cousin Sammie “Preacher Boy” Moore as a preacher’s son who is also a gifted musician that can play the blues in a way that is entrancing. Yet, he is also someone that is unaware of how gifted he is in how it would attract a form of evil that would haunt him where Caton brings a naturalism to a young man that would encounter fear of the worst kind as it is a major discovery in the film. Finally, there’s Michael B. Jordan in a spectacular dual-performance as the twin siblings Elijah “Smoke” Moore and Elias “Stack” Moore. Jordan’s performance as these twins has him bring different subtleties to two different characters with Smoke being the more serious and somber of the twins while Stack is a livelier person than Smoke as there are a lot of nuances that Jordan brings in the two performances. Even as things would intensify where Jordan adds elements of fear and terror in the roles to add up to the suspense and horror as it is a career-defining performance for Jordan.

Sinners is an outstanding film by Ryan Coogler. Featuring great performances from its ensemble cast, a gripping story of loss and fear in the American South, a balance of different genres, intoxicating visuals, an immersive sound design, and a grand yet unsettling music score and soundtrack. This is a film that does not define itself in any genre while also playing into the power of music as it transcends all sorts of things including past, present, and future in all its beauty and ugliness. In the end, Sinners is a magnificent film by Ryan Coogler.

Ryan Coogler Films: Fruitvale Station - Creed - Black Panther - Black Panther: Wakanda Forever - The Auteurs #74: Ryan Coogler

© thevoid99 2025

Da 5 Bloods

***In Memory of Chadwick Boseman (1976-2020) Rest in Power***

Directed by Spike Lee and screenplay by Lee, Kevin Willmott, Danny Bilson, and Paul De Meo from a story by Bilson and De Meo, Da 5 Bloods is the story of four Vietnam War veterans who return to the country to find the remains of their fallen leader as well as treasure they buried during the war. The film is an adventure-action story of sorts where a group of men return to Vietnam as they reflect on their time in the war as well as what was gained and wasn’t gained in their service as well as deal with demons from the past. Starring Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isaiah Whitlock Jr., Melanie Thierry, Johnny Tri Nguyen, Paul Walter Hauser, Jasper Paakkonen, Jean Reno, and Chadwick Boseman as Norman Earl “Stormin’ Norman” Holloway. Da 5 Bloods is a gripping and evocative film from Spike Lee.

The film is the story of four men who served in the Vietnam War as they return to the country to retrieve the remains of their fallen leader as well as gold they had buried many years ago in the hopes of regaining it. It is a film with a simple premise as these four men who fought in the war as they are aware of the dark history of what African-American soldiers had endured as they hope to use the gold for something bigger than themselves. Yet, they return to Vietnam as older men who saw a country that has changed into something different but the past still looms in them. The film’s screenplay by Spike Lee, Danny Bilson, Paul De Meo, and Kevin Willmott does follow a traditional narrative yet it does have elements of flashbacks and insight about the war and the many different perspectives from those who were involved as well as how the world saw it. At the center of the story are these four men in Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.) who return to Vietnam hoping to get the gold this time for themselves and whoever they felt need it.

Joining the four men is Paul’s son David (Jonathan Majors) who is concerned about his father’s state of mind since Paul suffers from PTSD as well as spouting rhetoric that his fellow Bloods don’t follow as they’re also disturbed by the fact that he wears a MAGA cap. Otis’ return to Vietnam is more personal as it relates to a former lover he has in Tien (Le Y Lan) who gives Otis connections on where the gold is with the aid of a French smuggler in Desroche (Jean Reno) who wants a cut of the gold as an offer to get it out of Vietnam. The second act is about the journey to the jungle with the aid of a guide named Vinh (Johnny Tri Nguyen) who stays behind at a rendezvous point once they finish their journey. Yet, things become complicated as it relates to Paul but also for Otis, Eddie, and Melvin as they’re aware that they’re getting older as the trip back would be even more difficult. Even as they meet a landmine clearing organization group who have put themselves in trouble leading to all sorts of chaos relating to Paul’s paranoia.

Spike Lee’s direction does bear element of style in not just its visuals but also in the way he presents modern-day Vietnam as well as Vietnam in the past. Shot on location in Ho Chi Minh City as well as locations in Bangkok and Chiang Mai, Lee does present a world that has changed yet there is still some lingering resentment from the Vietnamese over the war such as a scene where a young man on a boat tries to sell some fruit only to upset Paul leading some harsh racial words and such. Even as Lee showcases that there are those who are trying to be respectful yet Paul is someone on the verge of going apeshit due to his PTSD as well as some harboring secrets he is carrying. Lee’s compositions are straightforward but also with some stylish compositions where he does use a lot of wide shots to not just establish the locations but also to get a scope of where the characters are at as the jungle itself is a character in the film as it is unforgiving and intense. Especially as there’s areas involving landmines where the people at LAMB come into play despite the fact that David had met them earlier.

Lee’s usage of close-ups and medium shots also play into the drama and exchanges between characters as much of the scenes in present-day Vietnam is shot on digital while the flashback scenes involving Stormin’ Norman is shot on 16mm film stock with a different aspect ratio that allows Lee to bring an air of realism as well as distinctive look of those times. Lee also uses stock footage and such about the Vietnam War including pictures of those who had fallen including African-American soldiers as it relates to the racial inequality that these men endured. Lee also doesn’t shy away from using film references where both Apocalypse Now and Treasure of the Sierra Madre are referenced as it does play into the story. Notably as things do intensify in its third act as it play into this showdown between Da Bloods and these Vietnamese gunmen over the gold the former had found though it the gold also has this history of why it played a part in the war in the first place. Even as it forces these four old veterans to deal with other forces as it all play into the fallacy of greed. Overall, Lee crafts a riveting and intoxicating film about four former Vietnam veterans returning to the country to find gold and the remains of their fallen leader.

Cinematographer Newton Thomas Siegel does brilliant work with the film’s cinematography with its emphasis on low-key lighting for some scenes set at night along with the usage of filters for the nighttime scenes in the jungle along with the stylish usage of grainy 16mm film stock for the flashback scenes. Editor Adam Gough does excellent work with the editing as it does have some stylish cuts while maintaining unique rhythms to play into the emotions as well as letting shots linger on for nearly a minute to play into the drama. Production designer Wynn Thomas, with set decorator Jeanette Scott plus art directors Truong Trung Dao, Anusorn “Sorn” Musicabutr, and Jeremy Woolsey, does amazing work with the look of a club where the Da Bloods go to upon their arrival in Ho Chi Minh City as well as a hotel the four men plus David stay where they meet the people from LAMB. Costume designer Donna Berwick does terrific work with the costumes as it is largely straightforward to play into the personality of the characters as well as the design of the uniforms the soldiers wore back in the 60s.

Special effects supervisor Herbert Blank and visual effects supervisor Richard Baker do fantastic work with some of the film’s action scenes as well as a few visual effects involving the flashbacks without the need to de-age the actors with the exception of a picture for the film’s ending. Sound editor Philip Stockton does superb work with the sound as it plays into the atmosphere of the jungles as well as the sounds of gunfire and explosions that occur in some of the action scenes. The film’s music by Terence Blanchard is incredible for its orchestral based score filled with heavy string arrangements that play into the action and drama as well as low-key somber pieces for the emotional moments of the film while music supervisor Rochelle Claerbaut creates a soundtrack that largely features the music of Marvin Gaye including six songs from his 1971 album What’s Going On as the soundtrack also feature a famed classical piece from Richard Wagner and music by Curtis Mayfield, Freda Payne, the Spinners, and the Chamber Brothers.

The casting by Kim Coleman is wonderful as it feature some notable small roles from Veronica Ngo as the Vietcong radio broadcaster Hanoi Hannah, Sandy Huong Pham as Tien’s daughter Michon, Nguyen Ngoc Lam as a leader of a gang of gunmen wanting the gold, Le Y Tien as Otis’ former Vietnamese girlfriend Tien, Jasper Paakkonen as a member of LAMB in Seppo, and Paul Walter Hauser as an American member of LAMB in Simon. Jean Reno is superb as the slimy smuggler Desroche as a Frenchman who offers to help Da Bloods in getting the gold out with a price only to make things worse during its third act. Melanie Thierry is fantastic as Hedy Bouvier as a LAMB leader whom David meets as she is a woman who uses her own wealth to clear landmines and wants to do something good for the world. Johnny Tri Nguyen is excellent as the Vietnamese guide Vinh who helps Da Blood go through the country and into the jungle while also having to deal with the gunmen as he would prove his worth to the team. Jonathan Major is brilliant as Paul’s son David as a man who joins the Da Bloods in the journey as he is concerned for his father’s PTSD as well as doing what he can to help everyone else as he would have a near-death encounter with a landmine.

Chadwick Boseman is amazing as “Stormin’” Norman Earl Holloway as the leader of Da Bloods who was a warrior as he would get the men to try and do the right thing despite being killed in battle as he would also appear in a vision during a dramatically-intense moment in the film. Norm Lewis is incredible as Eddie as a car salesman who helps fund the whole thing to find Norman’s body while he copes with his own issues as he also laments over the journey involving the gold. Isiah Whitlock Jr. is remarkable as Melvin as the one former soldier who is trying get everyone on check while also trying to do what is right as he is kind of the conscience of the group. Clarke Peters is marvelous as Otis as a soldier who is close to everyone as well as David’s godfather where he is concerned for Paul but is also forced to defend himself as it relates to his relationship with Tien. Finally, there’s Delroy Lindo in a phenomenal as Paul as a war veteran with PTSD and lots of emotional baggage while wearing a MAGA hat as he spouts racial rhetoric that makes everyone uncomfortable as Lindo provides that air of anguish and torment into his character as a man that is lost in his guilt.

Da 5 Bloods is a spectacular film from Spike Lee. Featuring a phenomenal ensemble cast, sprawling visuals, a compelling story of greed, guilt, and loss, Terence Blanchard’s soaring music score, and strong commentary about African-Americans’ role in the Vietnam War. It is definitely a film that isn’t just this reflective war movie but also a film that explores four men dealing with loss and wanting to bring some good to the world despite the complications they endure with the world. In the end, Da 5 Bloods is a sensational film from Spike Lee.

Spike Lee Films: (She’s Gotta Have It) – (School Daze) – Do the Right Thing - Mo' Better Blues - Jungle Fever - (Malcolm X) – Crooklyn - (Clockers) – (Girl 6) – (Get on the Bus) – 4 Little Girls - (He Got Game) – John Leguizamo's Freak - Summer of Sam - (The Original Kings of Comedy) – (Bamboozled) – (A Huey P. Newton Story) – 25th Hour - (Jim Brown: All-American) – (She Hate Me) – (Inside Man) – (When the Levees Broke: A Requiem in Four Acts) – (Miracle at St. Anna) – (Kobe Doin’ Work) – (Passing Strange) – (If God is Willing and Da Creek Don’t Rise) – (Red Hook Summer) – Bad 25 - Mike Tyson: The Undisputed Truth - (Oldboy (2013 film)) – (Da Blood of Jesus) – (Chiraq) – Michael Jackson's Journey from Motown to Off the Wall - BlackKklansman - (American Utopia)

© thevoid99 2020

A Life Less Ordinary

Directed by Danny Boyle and written by John Hodge, A Life Less Ordinary is the story about a disgruntled Scottish janitor who kidnaps his boss’ daughter as they conspire to get a ransom unaware that angels are trying to get them to fall in love. The film is a romantic-comedy of sorts with a bit of an edge that revels in a bit of violence but also fantasy. Starring Ewan McGregor, Cameron Diaz, Delroy Lindo, Holly Hunter, Dan Hedaya, Tony Shalhoub, Maury Chaykin, Stanley Tucci, and Ian Holm. A Life Less Ordinary is a witty yet off-the-wall film from Danny Boyle.

When true love is involved, fate comes into play to ensure that true love does happen while anything else that prevents that from happening have to be pushed aside. The film is about a couple of angels who arrive to Earth to make sure that an enraged Scottish janitor named Robert (Ewan McGregor) and a spoiled rich girl named Celine (Cameron Diaz) get together where if they don’t succeed, the angels will be forced to stay on Earth forever. Yet, the angels in O’Reilly (Holly Hunter) and Jackson (Delroy Lindo) do whatever it takes to make sure Robert and Celine together as the former decides to kidnap Celine for a ransom after he was fired by her father (Ian Holm) who replaced him for a robot. Though Robert is inexperienced in the idea of kidnapping, Celine helps him so she can collect some of the ransom money after realizing that her father decides to cut her off.

John Hodge’s screenplay definitely plays to the schematics of love where Robert and Celine are two people with very different views as the former is a dreamer who wants to write a novel as he’s going through a string of bad luck. The latter is a rich young woman who likes to do dangerous things and live a certain lifestyle as she had been through too many bad relationships to even consider the idea that there’s such a thing as true love. Because of the idea that true love is hokey, it causes problems up in Heaven where Gabriel (Dan Hedaya) is overwhelmed as God told him that he’s making new rules about to deal with the failure of love not happening. Hodge’s script isn’t just filled with some elements of black comedy as well as a bit of satire into the idea of the rom-com. He also allows the script to have some funny dialogue that plays into the idea of love while giving Robert and Celine reasons into why they should be with each other.

Danny Boyle’s direction is definitely engaging as well as stylized in some of the framing he creates as well as just letting things be much looser. Notably as Boyle incorporates a bit of the musical in the form of a duet between Robert and Celine to Bobby Darin’s Beyond the Sea. While it is a romantic comedy, Boyle is also aware that he wants to infuse the film with other genres such as crime and black comedy. Though the results can be a bit of a mess, Boyle does enough to make sure that the story is still there where he adds some suspense and moments to keep things light-hearted and fun. Overall, Boyle creates a very exciting and heartfelt film about love and fate.

Cinematographer Brian Tufano does excellent work with the film‘s photography where a lot of it is straightforward for the exteriors set in Los Angeles and parts of Utah while using some more stylish lights in some of the film‘s interior scenes. Editor Masahiro Hirakubo does nice work with the editing as it‘s very stylized to play up some of the humor and action as well as some dazzling moments in Robert‘s fantasy scenes. Production designer Kave Quinn, with set decorator Marcia Calosio and art director Tracey Gallacher, do great work with the look of Heaven where it’s all white and looks like a police station while keeping things more simpler for the scenes set on Earth. Costume designer Rachael Fleming does terrific work with the costumes from the more casual clothing of Robert to the more stylish clothes of Celine to display their personalities as well as bringing some styles to the clothes of O‘Reilly and Jackson.

Animation director Michael Mort does fantastic work with a claymation epilogue that reveals more into the fate of the film‘s characters. Sound editor Andy Kennedy does terrific work with the sound to capture some of the funnier moments of the film as well as some of its action scenes. The film’s music by David Arnold is superb for its playful use of electronic music to capture some of its humor and romantic elements. Music supervisor Randall Poster creates a very fun soundtrack that features music from Diana Ross & the Supremes, R.E.M., Ash, Elastica, Underworld, Oasis, Elvis Presley, Bobby Darin, Sneaker Pimps, the Prodigy, Beck, Orbital, the Shirelles, Gladys Knight, Luscious Jackson, Faithless, the Folk Implosion, and the Cardigans.

The casting by Donna Isaacson is brilliant as it features some notable small roles from K.K. Dobbs as Robert’s former girlfriend, Timothy Olyphant as a hitchhiker, Ian McNiece as Celine’s father’s bodyguard, Tony Shalhoub as a bar owner Robert later works for, Maury Chaykin as a cabin neighbor Robert and Celine befriends, and Stanley Tucci as a former prospect of Celine who would briefly help them out only to try to flirt with Celine. Dan Hedaya is excellent as the archangel Gabriel who gives O’Reilly and Jackson the mission while realizing that he might have the power to play into the fates of Robert and Celine. Ian Holm is superb as Celine’s very greedy and smarmy father who would rather keep the money than pay Robert’s ransom causing more dissent from his daughter.

Holly Hunter and Delroy Lindo are great in their respective roles as O’Reilly and Jackson as two angels who pose as bounty hunters who are doing whatever it takes to get Robert and Celine together even if it hurts or kills them. Ewan McGregor and Cameron Diaz are remarkable in their roles as Robert and Celine as two people brought together by circumstances as they deal with their differences. Notably as McGregor brings a comical approach to his character who is sort of a dimwitted dreamer while Diaz is more cool as a jaded spoiled rich girl who doesn’t believe in love where the two are also very fun to watch.

A Life Less Ordinary is a stellar yet enjoyable film from Danny Boyle that features top-notch performances from Ewan McGregor and Cameron Diaz. Armed with a wonderful supporting cast and a kick-ass soundtrack, it’s a film that doesn’t take itself seriously while wanting to give the audience something that is something different and fun in comparison to some of the more darker and intense films of Boyle’s other work. In the end, A Life Less Ordinary is a fantastic film from Danny Boyle.

Danny Boyle Films: Shallow Grave - Trainspotting - The Beach - 28 Days Later - Millions - Sunshine - Slumdog Millionaire - 127 Hours - Trance - Steve Jobs (2015 film) - T2 Trainspotting - (Yesterday (2019 film))

© thevoid99 2013

Up/Partly Cloudy (short)

Originally Written and Posted at Epinions.com on 5/30/09 w/ Additional Edits.

Since 1995, Pixar has been the animated studio that changed the face of cinema and animation itself. Led by co-founder John Lassetter, Pixar in its association with Disney helped introduce the world to 3-D computer animation for many years with its first feature film Toy Story. Eight films later which included such hits like Toy Story 2, A Bug's Life, Monster's Inc., Cars, The Incredibles, Ratatouille, and 2008's WALL-E. The studio continues to push the boundaries of animation with its team of directors including Pete Docter, Andrew Stanton, and Brad Bird. Since its founding in the mid-1980s, Pixar has continued to score massive critical acclaim and box office as in 2009. The studio released its 10th film by having it being the opening film at the prestigious Cannes Film Festival. For the studio, it was a huge achievement as it was the first animated film to open the festival with a simple story about an old man and a boy scout going on an adventure entitled Up.

Directed by Pete Docter, with additional directing by Bob Peterson, and screenplay by Bob Peterson with story credits from Ronnie del Carmen plus additional, un-credited work by Thomas McCarthy. Up tells the story of a widowed, retired 78-year old man whose house is about to be destroyed. To fulfill the wishes of his late wife, the man blows up millions of balloons for his house to be lifted up in the air unaware that he is taking an 8-year-old boy scout on an adventure to South America with help from a dog and a tropical bird.

Inspired by the story of Miguel de Cervantes' Man of La Mancha along with films like Werner Herzog's Fitzcarraldo and Roland Joffe's The Mission. The film is a simple adventure tale filled with the same kind of humor and brilliant animation that Pixar is famous for. Even as the film pushes the boundary of 3D technology without any kind of gimmicks. Along with the accompanying short film Party Cloudy by Peter Sohn about a lonely cloud and a stork. Up features the voices of Edward Asner, Jordan Nagai, Bob Peterson, Ellie Docter, Delroy Lindo, Pixar regular John Ratzenberger, and Christopher Plummer. Up is a charming, adventurous film from Pete Docter and company.

Partly Cloudy

Written and directed by Peter Sohn. The short film tells the story of a gray cloud trying to fit in with other clouds by creating things. While the clouds create babies, puppies, and kittens with lots of things for storks. One stork has to work with the gray cloud who creates baby gators, rams, and other wild creatures that the stork is forced to endure. Feeling sad that he couldn't create something cute, he is afraid that he will be rejected.

The short has a nice little plot that is simple while it's mostly silent with its array of light humor and sentimentality in terms of its cloud. Overall, it's a wonderful, accompanying short film for the big feature film Up.

Up

A young boy named Carl Fredricksen (Jeremy Leary) watches a newsreel about the famed explorer Charles Muntz (Christopher Plummer) whose attempt to discover Paradise Falls in South America became a disaster due to false claims over a mysterious skeletal creature he found. Carl later meets a young girl named Ellie (Ellie Docter) who is an adventurous girl as they become friends and eventually a couple. Many years later, the 78-year old Carl (Edward Asner) is a retired widow whose home is in danger of being destroyed by a construction site. After an incident with a construction worker, Carl is forced to go to a retirement home. Instead, he decides to fulfill Ellie's dream of going to Paradise Falls by blowing up a million balloons for his house to fly away from the city. Carl seems relieved until he realized he had taken a passenger in a young Wilderness Explorer named Russell (Jordan Nagai).

Carl reluctantly takes Russell who is hoping to get one last merit badge to become a Senior Explorer. Upon their destination to South America, they reach the ravine where Paradise Falls is though it's at the other side of that ravine. Having to drag the house, they encounter a large, colorful bird that Russell names Kevin as they also meet a dog named Dug (Bob Peterson) who has a voicebox on his neck to talk. Realizing that Kevin is trying to reach out to other birds of its species, Carl and Russell meet up with other dogs including Alpha (Bob Peterson), Beta (Delroy Lindo), and Gamma (Jerome Ranft) as they're the owners of the legendary Charles Muntz. Carl is enamored by Muntz who is trying to find the bird that is revealed to be Kevin as Muntz goes after the bird.

With Carl more concerned about his house as he finally reaches his destination, Russell decides to save Kevin as Carl reluctantly takes part with help from Dug. With Muntz holding Kevin at his dirigible, Carl and Muntz battle while Russell tries to save the bird with help from Dug and other dogs.

The film is essentially an adventure tale about an old man wanting to fulfill the wishes of his late wife. Along the way, he encounters characters and creatures that would shape his journey similar to the adventures of Don Quixote. While the story and tale is simple, it's a film that is filled with mesmerizing images and montages with a story that is definitely enchanting. Even with the characters that surround the film as Carl Fredricksen is a combination of the crankiness of Walter Matthau, the look of Spencer Tracy, and the determination of Don Quixote. For his Sancho Panza, there's Russell. A young Asian-American boy who serves as the eternal optimist who is hoping to get a great experience while helping Carl in his hopes to become a Senior Explorer. Yet, there's something about Russell that is also sad since he's a boy who doesn't see his father very much where Carl becomes this reluctant father figure of sorts.

The film's antagonist is Charles Muntz, a man who is part Charles Lindbergh, part Howard Hughes, and also a bit like the title character of Werner Herzog's 1982 classic film Fitzcarraldo. Muntz is a man obsessed with finding the bird that is named Kevin in hopes to restore his credibility as an explorer. Instead, he becomes insane and heartless as the man whom Carl idolized has now become a mad recluse surrounded by dogs with electronic collars that has different voices. The leading dog of that group is Alpha whose collar is often malfunctioned where his voice ends up have him talking like a chipmunk. Whereas Alpha is a mean, bossy dog, there's Dug who is the exact opposite as he hopes to be loved by someone like Carl who reluctantly takes him as part of his adventure.

The screenplay is wonderfully structured with some great dialogue and character development. Though the story does have a sense of predictability, it's adventure and development in character makes the story a whole, worthwhile event to be enamored by. All of this is helped by Pete Docter's direction. Docter's approach to the story has this great opening sequence of young Carl meeting Ellie as a kid which leads to this incredible montage of them growing up into adults and such. That sequence of montages alone features no dialogue at all as it's accompanied by music. Then comes the main story as it is filled with a great sense of adventure.

A lot of the scenes in South America were based on locations in Venezuelan mountains and some parts of Brazil. The rugged look of the jungles along with its blistering colors and grand scope is really entrancing to watch. Yet, several scenes which involves Russell and Carl dragging the house does reference the film Fitzcarraldo, which was about a man trying to drag a steamboat ship on top of a mountain. The direction and action sequences definitely keep the adrenaline going with a mix of broad, light-hearted humor and sweeping melodrama in relation to Carl's feelings over Ellie which doesn't go into overly sentimental territory. What Pete Docter and co-director Bob Peterson does create is a spectacular, enjoyable film that is adventurous and fun to watch.

The look of the film from its gorgeous colorful cinematography in the lighting shades of the house and the look of the jungle is brilliant. Even the art direction and location detail by production designer Ricky Nievara with a team of art directors is splendid in the look of Carl's house as well as the rugged locations of the Paradise Falls ravine with an array of rocks coming from the tepui mountains of Venezuela. The sound work is brilliant from the sounds of the water falls, creatures, and storms is great. The music of Michael Giacchino, a regular Pixar collaborator, is splendid with its mix of old-time, early 20th Century rag time music to the sweeping arrangements in the adventure scenes as it's some excellent work from Giacchino.

The voice cast is phenomenal with director Pete Docter playing the Wilderness Explorers leader and his daughter Ellie playing the role of the young Ellie with great enthusiasm and energy. Other notable small voice roles as the dogs are Delroy Lindo and Jerome Ranft as the comical lieutenants of Alpha's crew who often laughs at his squeaky voice. Jeremy Leary is very good as the young Carl with his quiet personality and love for Charles Muntz. Co-director and screenwriter Bob Peterson does excellent work in providing some great humor as the voice of Alpha while doing something mean while being normal and fun as Dug. Pixar regular John Ratzenberger is excellent in a small role as a construction worker who tries to get Carl out of his house as he provides a nice dose of humor to the film.

Christopher Plummer is great as Charles Muntz in voicing the mad personality who is on the brink of insanity as Plummer provides the great vocal work for the film's antagonist. Jordan Nagai is wonderful as the voice of Russell with an exuberance and liveliness that is an 8-year old along with a dose of realism as he faces new challenges and reality. Nagai's voice is definitely the standout as he voices the sheer innocence of a young boy. Finally, there's Edward Asner in one of his best roles yet as the voice of Carl Fredricksen. Asner provides the great mix of bitterness and desire of a man trying to deal with his wife's death while fulfilling a sense of adventure that he needed. It's definitely a role that is lively but also filled with real life regrets and frustrations of a man just trying to fulfill some last wishes as Asner brings some life into the heroic role of Carl Fredricksen.

Up is a tremendous film from Pete Docter. With a great cast of actors providing voices along with some amazing visuals and scenery that lives up to Pixar's unique standards. Fans of the Pixar films will no doubt rank this as one of its finest while it crosses many barriers from an adventure film that kids will enjoy to the fully realized character development that adults and art house fans can enjoy. In the end, Up is a lively film that raises spirits while proving that Pixar is still the animation studio that keeps on putting great stories for everyone to enjoy.

Pixar Films: Toy Story - A Bug's Life - Toy Story 2 - (Monsters, Inc.) - (Finding Nemo) - The Incredibles - Cars - Ratatouille - WALL-E - Toy Story 3 - Cars 2 - Brave - Monsters University - Inside Out - The Good Dinosaur - (Finding Dory) - (Cars 3) - Coco - Incredibles 2 - Toy Story 4 - (Onward) - Soul (2020 film) - (Luca (2021 film)) - Turning Red - (Lightyear) - (Elemental (2023 film)) - Inside Out 2 - (Elio) – (Toy Story 5)

© thevoid99 2011

Crooklyn

Originally Written and Posted at Epinions.com on 2/23/07.

Following the 1992 historical, epic bio-pic on Malcolm X, Spike Lee took a break from making his cinematic epic that some considered to be his best work. After the break, Lee decided to make a low-key yet thoughtful film about family life in the 1970s in Brooklyn titled Crooklyn. Directed by Spike Lee that he co-wrote with sister Joie and brother Cinque, Crooklyn tells the story of a family trying to survive through money problems and troubles in their neighborhood from the perspective of a little girl growing into womanhood. Starring Delroy Lindo, Alfre Woodard, David Patrick Kelly, Isaiah Washington, Zelda Harris, Joie Lee, Bokeem Woodbine, Vondie Curtis-Hall, and Spike Lee. Crooklyn is a thoughtful, personal feature film from the always prolific Spike Lee.

It's the 1970s in Brooklyn as kids play around the streets and stoops of the Brooklyn neighborhood. A mix of African-American, whites, and Puerto Ricans, it's a place filled with joy and bits of trouble. For the Carmichaels led by musician Woody (Delroy Lindo) and his teacher wife Carolyn (Alfre Woodard), it's a place where they raise their rowdy kids that consists of four boys and a young girl named Troy (Zelda Harris). Troy is a tomboy with an attitude who often calls bad names to other kids and have spats with her brothers including her eldest, Knicks-loving Clinton (Carlton Williams). While the rest of the brothers including the hungry Wendell (Sharif Rashed), the middle child Nate (Christopher Knowings), and the youngest child Joseph (Tse-Mach Washington) are rowdy and rambunctious, the family is still in a loving household. While the boys hang out with adults that include Puerto Rican Tommy La La (Jose Zuniga), Vic (Isaiah Washington), and Richard (Bokeem Woodbine). They often get into spats with the reclusive Tony Eyes (David Patrick Kelly), who lives with dogs and his place always stink. The boys are always supported by their mother and their neighbors into the spats with Tony though the boys do throw trash in his place.

While the family continue their daily lives, money has become tight as Woody chooses to make his own music rather than playing traditional pop. Woody’s decision only troubles the family's financial situation as Carolyn has to make more money teaching summer school. The family dysfunctions that included Clinton's love for the Knicks over everything else finally causes a breakdown in which, Woody is forced to leave for a brief period time as he lives with his brother Brown (Vondie Curtis-Hall). Troy meanwhile, continues her rowdy ways as she attempts to shoplift but the store's manager Hector (Manny Perez) gives her a life lesson into stealing. The lesson doesn’t last long as Troy steals from her brother to buy ice cream for herself and one of her friends. After returning to make amends with Carolyn, Woody decides to take the family out on a road trip as a distraction to deal with the family's ongoing financial problems. Even to the point where they had to live on food stamps which was embarrassing to Troy.

Going down to Virginia to visit relatives in Uncle Clem (Norman Matlock), Aunt Song (Frances Foster), and their daughter Viola (Patriece Nelson). The real intention was to give Troy a new atmosphere as she is to stay with her relatives for the summer. The visit only alienated Troy despite Aunt Song's well-meaning behavior and a friend in Viola. Back in Brooklyn, the family gets up from their financial problems with help from Uncle Brown and Aunt Maxine (Joie Lee). Troy returns with a new look only to learn of some harrowing family problems. Troy realizes that her role as the only other woman in her dysfunctional yet loving family has to grow while having to deal with the worst. Even the boys have to face new troubles where they learn what is important.

Inspired by their youth growing up in the 70s, Crooklyn was a change of pace and style to the epic-biography of Lee's previous film, Malcolm X. This time around, Lee and his siblings create probably their most accessible feature to date. While the film lacks a strong plot and is a bit episodic, it's only to convey the sense of realism and nostalgia Lee wanted to show about the 1970s. At times, there are moments that are funny. There's moments of real, family drama, and there's even moments of heartbreak and tragedy. Yet, there's an optimism in the film while it's largely done in the perspective of the character of Troy. Troy is obviously inspired by Joie Lee, who wrote the film's original story. Her story is about a young girl growing into womanhood while dealing with the realities of life.

Lee's direction is wonderfully observant and atmospheric in conveying the times while he goes for style in the sequence involving the world of Aunt Song where on full-screen, the film looks cropped. It's to convey the sense of alienation of Troy while contrasting the fullness of what Brooklyn is back in the 70s before crack and gangs came in. Plus, Lee's approach towards the kids reveal the loss innocence of the times when those kids were playing outside and having fun rather than doing something destructive. While it's not a perfect film, it's honesty and personal touch still makes it an enjoyable, heartwarming film.

Cinematographer Arthur Jafa does excellent work in capturing the beauty and atmosphere of Brooklyn with some wonderful shots conveying the look of the road in the sky. Longtime production designer Wynn Thomas and art director Chris Shriver adds to the authentic touch of Brooklyn with the look of products of what they looked like back in the 70s to the furniture in the home of the Carmichaels. Longtime costume designer Ruth E. Carter also adds to the film's authentic look with bellbottoms, shirts, and all sorts of colorful clothes people wore in the 70s. Editor Barry Alexander Brown does some wonderful cuts to convey the structure and feel of the film without being too slow or too fast despite the episodic nature of the film. Sound designer Skip Leivsay also adds a nice touch to the atmosphere to reveal the sense of joy and nostalgia of Brooklyn in the 70s. Longtime composer Terence Blanchard brings a wonderful, dramatic jazz and orchestral score to present the drama and joy of the film. The film's soundtrack is wonderfully amazing with great cuts from Jimi Hendrix, Stevie Wonder, Sly & the Family Stone, the Jackson 5, Marvin Gaye, and many more.

The film's wonderfully diverse cast includes several memorable small performances and appearances from Bokeem Woodbine, Vondie Curtis-Hall, Joie Lee, Norman Matlock, Patriece Nelson, Manny Perez, Jose Zuniga, and Isaiah Washington. Cameos from RuPaul as a woman dancing in a shop with the store owner while Spike Lee and N. Jeremi Duru are hilarious as two, glue-sniffers trying to get money from the kids. David Patrick Kelly is excellent as the irritable neighbor Tony Eyes and a small part as a man named Jim. Frances Forster is wonderful as the well-meaning Aunt Song with Southern beliefs and manner. Tse-Mach Washington is great as the youngest brother Joseph while Christopher Knowings has a great scene that involved black-eyed peas. Sharif Rashed is funny as the hungry Wendell while Carlton Williams is great as Spike's alter-ego Clinton for his love of the Knicks including a great scene that involves the conflict of what was more important than the Knicks.

Zelda Harris gives an exhilarating performance as the no-nonsense, all-attitude tomboy Troy who brings such joy and energy to her performance. Harris really shines in the film's comical and emotional moments that gives her character some wonderful development. Delroy Lindo is brilliant as the struggling yet charismatic Woody who tries to hold the family together in all of its problems as he serves as the glue of sorts despite his need for artistic recognition. Finally, there's Alfre Woodard in a knock-out performance as the no-nonsense Carolyn. Woodard brings all kinds of emotions as the stern, tough, and caring mother who tries to calm everything down and make sure all the kids behave themselves. Woodard alongside Harris, is the performance to watch who shows how a woman plays her role in a family that is dysfunctional but loving.

While Crooklyn maybe considered as a minor film from Spike Lee, his personal touch and semi-biographical take really adds a sense of nuance and care to this film. With a great cast and a story that revels in nostalgia and realism, this is really one of Lee's premier films. While it's also his most optimistic and positive, it's also a reminder of how far Lee is willing to stretch his talents with the help of his siblings. In the end, for a film that reminds everyone about family and the good times that was the 1970s, Crooklyn is the film to go see.

Spike Lee Films: (She’s Gotta Have It) - (School Daze) - Do the Right Thing - Mo' Better Blues - Jungle Fever - (Malcolm X) - (Clockers) - (Girl 6) - (Get on the Bus) - 4 Little Girls - (He Got Game) - Freak - Summer of Sam - (The Original Kings of Comedy) - (Bamboozled) - (A Huey P. Newton Story) - 25th Hour - (Jim Brown: All-American) - (She Hate Me) - (Inside Man) - (When the Levees Broke: A Requiem in Four Acts) - (Miracle at St. Anna) - (Kobe Doin’ Work) - (Passing Strange) - (If God is Willing and Da Creek Don’t Rise) - (Red Hook Summer) - Bad 25 - Mike Tyson: Undisputed Truth - (Oldboy (2013 film)) - (Da Blood of Jesus) - (Chi Raq) - Michael Jackson's Journey from Motown to Off the Wall - BlacKkKlansman - Da 5 Bloods - (American Utopia)

© thevoid99 2011