Showing posts with label melanie thierry. Show all posts
Showing posts with label melanie thierry. Show all posts
Wednesday, September 02, 2020
Da 5 Bloods
***In Memory of Chadwick Boseman (1976-2020) Rest in Power***
Directed by Spike Lee and screenplay by Lee, Kevin Willmott, Danny Bilson, and Paul De Meo from a story by Bilson and De Meo, Da 5 Bloods is the story of four Vietnam War veterans who return to the country to find the remains of their fallen leader as well as treasure they buried during the war. The film is an adventure-action story of sorts where a group of men return to Vietnam as they reflect on their time in the war as well as what was gained and wasn’t gained in their service as well as deal with demons from the past. Starring Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isaiah Whitlock Jr., Melanie Thierry, Johnny Tri Nguyen, Paul Walter Hauser, Jasper Paakkonen, Jean Reno, and Chadwick Boseman as Norman Earl “Stormin’ Norman” Holloway. Da 5 Bloods is a gripping and evocative film from Spike Lee.
The film is the story of four men who served in the Vietnam War as they return to the country to retrieve the remains of their fallen leader as well as gold they had buried many years ago in the hopes of regaining it. It is a film with a simple premise as these four men who fought in the war as they are aware of the dark history of what African-American soldiers had endured as they hope to use the gold for something bigger than themselves. Yet, they return to Vietnam as older men who saw a country that has changed into something different but the past still looms in them. The film’s screenplay by Spike Lee, Danny Bilson, Paul De Meo, and Kevin Willmott does follow a traditional narrative yet it does have elements of flashbacks and insight about the war and the many different perspectives from those who were involved as well as how the world saw it. At the center of the story are these four men in Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock Jr.) who return to Vietnam hoping to get the gold this time for themselves and whoever they felt need it.
Joining the four men is Paul’s son David (Jonathan Majors) who is concerned about his father’s state of mind since Paul suffers from PTSD as well as spouting rhetoric that his fellow Bloods don’t follow as they’re also disturbed by the fact that he wears a MAGA cap. Otis’ return to Vietnam is more personal as it relates to a former lover he has in Tien (Le Y Lan) who gives Otis connections on where the gold is with the aid of a French smuggler in Desroche (Jean Reno) who wants a cut of the gold as an offer to get it out of Vietnam. The second act is about the journey to the jungle with the aid of a guide named Vinh (Johnny Tri Nguyen) who stays behind at a rendezvous point once they finish their journey. Yet, things become complicated as it relates to Paul but also for Otis, Eddie, and Melvin as they’re aware that they’re getting older as the trip back would be even more difficult. Even as they meet a landmine clearing organization group who have put themselves in trouble leading to all sorts of chaos relating to Paul’s paranoia.
Spike Lee’s direction does bear element of style in not just its visuals but also in the way he presents modern-day Vietnam as well as Vietnam in the past. Shot on location in Ho Chi Minh City as well as locations in Bangkok and Chiang Mai, Lee does present a world that has changed yet there is still some lingering resentment from the Vietnamese over the war such as a scene where a young man on a boat tries to sell some fruit only to upset Paul leading some harsh racial words and such. Even as Lee showcases that there are those who are trying to be respectful yet Paul is someone on the verge of going apeshit due to his PTSD as well as some harboring secrets he is carrying. Lee’s compositions are straightforward but also with some stylish compositions where he does use a lot of wide shots to not just establish the locations but also to get a scope of where the characters are at as the jungle itself is a character in the film as it is unforgiving and intense. Especially as there’s areas involving landmines where the people at LAMB come into play despite the fact that David had met them earlier.
Lee’s usage of close-ups and medium shots also play into the drama and exchanges between characters as much of the scenes in present-day Vietnam is shot on digital while the flashback scenes involving Stormin’ Norman is shot on 16mm film stock with a different aspect ratio that allows Lee to bring an air of realism as well as distinctive look of those times. Lee also uses stock footage and such about the Vietnam War including pictures of those who had fallen including African-American soldiers as it relates to the racial inequality that these men endured. Lee also doesn’t shy away from using film references where both Apocalypse Now and Treasure of the Sierra Madre are referenced as it does play into the story. Notably as things do intensify in its third act as it play into this showdown between Da Bloods and these Vietnamese gunmen over the gold the former had found though it the gold also has this history of why it played a part in the war in the first place. Even as it forces these four old veterans to deal with other forces as it all play into the fallacy of greed. Overall, Lee crafts a riveting and intoxicating film about four former Vietnam veterans returning to the country to find gold and the remains of their fallen leader.
Cinematographer Newton Thomas Siegel does brilliant work with the film’s cinematography with its emphasis on low-key lighting for some scenes set at night along with the usage of filters for the nighttime scenes in the jungle along with the stylish usage of grainy 16mm film stock for the flashback scenes. Editor Adam Gough does excellent work with the editing as it does have some stylish cuts while maintaining unique rhythms to play into the emotions as well as letting shots linger on for nearly a minute to play into the drama. Production designer Wynn Thomas, with set decorator Jeanette Scott plus art directors Truong Trung Dao, Anusorn “Sorn” Musicabutr, and Jeremy Woolsey, does amazing work with the look of a club where the Da Bloods go to upon their arrival in Ho Chi Minh City as well as a hotel the four men plus David stay where they meet the people from LAMB. Costume designer Donna Berwick does terrific work with the costumes as it is largely straightforward to play into the personality of the characters as well as the design of the uniforms the soldiers wore back in the 60s.
Special effects supervisor Herbert Blank and visual effects supervisor Richard Baker do fantastic work with some of the film’s action scenes as well as a few visual effects involving the flashbacks without the need to de-age the actors with the exception of a picture for the film’s ending. Sound editor Philip Stockton does superb work with the sound as it plays into the atmosphere of the jungles as well as the sounds of gunfire and explosions that occur in some of the action scenes. The film’s music by Terence Blanchard is incredible for its orchestral based score filled with heavy string arrangements that play into the action and drama as well as low-key somber pieces for the emotional moments of the film while music supervisor Rochelle Claerbaut creates a soundtrack that largely features the music of Marvin Gaye including six songs from his 1971 album What’s Going On as the soundtrack also feature a famed classical piece from Richard Wagner and music by Curtis Mayfield, Freda Payne, the Spinners, and the Chamber Brothers.
The casting by Kim Coleman is wonderful as it feature some notable small roles from Veronica Ngo as the Vietcong radio broadcaster Hanoi Hannah, Sandy Huong Pham as Tien’s daughter Michon, Nguyen Ngoc Lam as a leader of a gang of gunmen wanting the gold, Le Y Tien as Otis’ former Vietnamese girlfriend Tien, Jasper Paakkonen as a member of LAMB in Seppo, and Paul Walter Hauser as an American member of LAMB in Simon. Jean Reno is superb as the slimy smuggler Desroche as a Frenchman who offers to help Da Bloods in getting the gold out with a price only to make things worse during its third act. Melanie Thierry is fantastic as Hedy Bouvier as a LAMB leader whom David meets as she is a woman who uses her own wealth to clear landmines and wants to do something good for the world. Johnny Tri Nguyen is excellent as the Vietnamese guide Vinh who helps Da Blood go through the country and into the jungle while also having to deal with the gunmen as he would prove his worth to the team. Jonathan Major is brilliant as Paul’s son David as a man who joins the Da Bloods in the journey as he is concerned for his father’s PTSD as well as doing what he can to help everyone else as he would have a near-death encounter with a landmine.
Chadwick Boseman is amazing as “Stormin’” Norman Earl Holloway as the leader of Da Bloods who was a warrior as he would get the men to try and do the right thing despite being killed in battle as he would also appear in a vision during a dramatically-intense moment in the film. Norm Lewis is incredible as Eddie as a car salesman who helps fund the whole thing to find Norman’s body while he copes with his own issues as he also laments over the journey involving the gold. Isiah Whitlock Jr. is remarkable as Melvin as the one former soldier who is trying get everyone on check while also trying to do what is right as he is kind of the conscience of the group. Clarke Peters is marvelous as Otis as a soldier who is close to everyone as well as David’s godfather where he is concerned for Paul but is also forced to defend himself as it relates to his relationship with Tien. Finally, there’s Delroy Lindo in a phenomenal as Paul as a war veteran with PTSD and lots of emotional baggage while wearing a MAGA hat as he spouts racial rhetoric that makes everyone uncomfortable as Lindo provides that air of anguish and torment into his character as a man that is lost in his guilt.
Da 5 Bloods is a spectacular film from Spike Lee. Featuring a phenomenal ensemble cast, sprawling visuals, a compelling story of greed, guilt, and loss, Terence Blanchard’s soaring music score, and strong commentary about African-Americans’ role in the Vietnam War. It is definitely a film that isn’t just this reflective war movie but also a film that explores four men dealing with loss and wanting to bring some good to the world despite the complications they endure with the world. In the end, Da 5 Bloods is a sensational film from Spike Lee.
Spike Lee Films: (She’s Gotta Have It) – (School Daze) – Do the Right Thing - Mo' Better Blues - Jungle Fever - (Malcolm X) – Crooklyn - (Clockers) – (Girl 6) – (Get on the Bus) – 4 Little Girls - (He Got Game) – John Leguizamo's Freak - Summer of Sam - (The Original Kings of Comedy) – (Bamboozled) – (A Huey P. Newton Story) – 25th Hour - (Jim Brown: All-American) – (She Hate Me) – (Inside Man) – (When the Levees Broke: A Requiem in Four Acts) – (Miracle at St. Anna) – (Kobe Doin’ Work) – (Passing Strange) – (If God is Willing and Da Creek Don’t Rise) – (Red Hook Summer) – Bad 25 - Mike Tyson: The Undisputed Truth - (Oldboy (2013 film)) – (Da Blood of Jesus) – (Chiraq) – Michael Jackson's Journey from Motown to Off the Wall - BlackKklansman - (American Utopia)
© thevoid99 2020
Friday, September 19, 2014
The Zero Theorem
Directed by Terry Gilliam and written by Pat Rushin, The Zero Theorem is the story of a reclusive computer genius who tries to see if there’s any meaning to life through a formula where he endures a series of surreal misadventures. The film is a dystopian film of sorts set in the future as it recalls many of Gilliam’s films from the past while going into a man dealing with his own identity and his place in the world. Starring Christoph Waltz, Melanie Thierry, Lucas Hedges, Tilda Swinton, David Thewlis, and Matt Damon as the Management. The Zero Theorem is a dazzling yet whimsical film from Terry Gilliam.
Set in a futuristic world, the film explores the troubled life of an eccentric computer programmer whose job is to find the meaning of life through a theory as he ponders about his own existence where he encounters a series of oddball characters during his journey. Yet, it all plays into this programmer who is also very reclusive as he await a phone call that he thinks could have some meaning. During his time in his home where he works continuously to find answers, Qohen Leth (Christoph Waltz) deals with his own loneliness as he often refers to himself as “we” where he starts to fall for a young woman in Bainsley (Melanie Thierry) as well as gain the aid of his boss’ son Bob (Lucas Hedges) where they would get him to showcase a world outside of his work and obsession to find answers.
Pat Rushin’s screenplay does create some unique ideas about existentialism as well as faith where Qohen is a man who seeks answers that are beyond the world he works for as he often crunch numbers to see if there are any answers. Qohen is a man that often dreams about being sucked into a black hole in his feeling that there’s nothing in the world as he is asked by the mysterious known as Management to find these impossible answers. Qohen takes the job because he has nothing to live for where his meetings with Management would be very strange. While he spends a year working to prove this theory in his home, he rarely has human contacts where the odd visits he receives from Bob, Bainsley, and his supervisor Joby (David Thewlis) would be very strange. Even as he learns what Bainsley does as it would complicate things as she would be the one person who shows him that there’s more to life than nothingness.
Terry Gilliam’s direction is quite extravagant in some ways in not just the world that Qohen lives but also the idea of dystopia where it’s more offbeat rather than oppressive. Yet, it does have some satirical comedy about the way technology drives the world such as a party scene where everyone is holding tablets rather than communicate with words. Gilliam’s direction has him utilizing not just close-ups and medium shots but these intricate crane shots to play into Qohen’s sense of loneliness. Especially as he rarely goes outside as he prefers to stay home to await a phone call where there’s an intimacy that Gilliam creates. The artificial world that Qohen would encounter would display his own lack of humanity and struggles along with the idea of what it could be once the fear is gone. Overall, Gilliam creates a very sensational yet compelling film about a man seeking answers in a very troubled world.
Cinematographer Nicola Pecorini does excellent work with the many of the film‘s stylized interior lighting schemes for the party scenes and the main base of where Qohen works at plus an offbeat look to some of the film‘s exterior settings. Editor Mick Audsley does fantastic work with the editing with its rhythmic approach to play into the film‘s humor as well as in some of the dramatic moments. Production designer David Warren, with art director Adrian Curelea and set decorators Jille Azis and Gina Stancu, does amazing work with the set design from the home that Qohen lives in to the look of the city and the place where Qohen works at. Costume designer Carlo Poggioli does brilliant work with the stylized costumes that includes some of the camouflage suits that Management wears in his surroundings as well as the clothes that Bainsley wears.
Hair/makeup designer Kristin Chalmers does terrific work with the hairstyle that Qohen would wear in his fantasy as well as the wig that Bainsley wears in one of her visits. Visual effects supervisors Felix Lepadatu, Jonah Loop, and Fredrik Nord do superb work with the visual effects where it is minimal in some respects from the fantasy world that Qohen and Bainsley live in to the image of the black hole. Sound designer Andre Jacquemin does nice work with the sound work from the sound effects of the cameras that are watching Qohen to the scenes that occur that play into Qohen‘s troubled state of mind. The film’s music by George Fenton is wonderful for its mixture of eerie orchestral music with some offbeat electronic music with the soundtrack featuring electronic dance music and a jazz cover of Radiohead’s Creep.
The casting by Irene Lamb is incredible as it features an array of offbeat cameos from Gwendoline Christie, Ray Cooper, Lily Cole, and Rupert Friend as people seen on commercials, Sanjeev Bhaskar, Peter Stormare, and Ben Whishaw as a trio of oddball doctors, and Robin Williams in an un-credited appearance as televangelist. Other notable small roles include Emil Hostana and Pavlic Nemes as a couple of clones, Dana Rogoz as a sexy pizza girl, and Tilda Swinton in a very hilarious performance as Dr. Shrink-Rom as an artificial shrink who can bust some mad rhymes. Matt Damon is excellent in a small but very memorable performance as the boss known as Management as he appears in the oddest circumstances as it’s Damon playing it very straight.
David Thewlis is amazing as the supervisor Joby who tries to get Qohen to be more outgoing while also being a friend of sorts as he tries to prepare Qohen for what he will endure. Lucas Hedges is fantastic as Bob as this whiz-kid who helps Qohen in uncovering the theory as well as dealing with Qohen’s reclusive behavior. Melanie Thierry is brilliant as Bainsley as this mysterious young woman who meets Qohen at a party as she is intrigued by his personality while getting him to be more open as she would fall for him. Finally, there’s Christoph Waltz in a remarkable performance as Qohen Leth as this very reclusive man who deals with his own existence as well as faith as he tries to uncover a mystery as it’s a performance that features Waltz at his most vulnerable as well as his restrained approach to humor.
The Zero Theorem is an extraordinarily fun and exhilarating film from Terry Gilliam. Armed with a great cast led by Christoph Waltz as well as some amazing technical work and some compelling themes on faith and existentialism. The film is definitely one of Gilliam’s finest works as it proves that he still has a few tricks up his sleeve. In the end, The Zero Theorem is a marvelous film from Terry Gilliam.
Terry Gilliam Films: Jabberwocky - Time Bandits - Brazil - The Adventures of Baron Munchausen - The Fisher King - 12 Monkeys - Fear & Loathing in Las Vegas - The Brothers Grimm - Tideland - The Imaginarium of Dr. Parnassus
The Auteurs #38: Terry Gilliam
© thevoid99 2014
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