Michael Jackson's Journey from Motown to Off the Wall

Directed by Spike Lee, Michael Jackson’s Journey from Motown to Off the Wall is a documentary film about the period in the life of Michael Jackson from his success as a child when he was singing with his brothers in the Jackson 5 to the first major solo release of his career with 1979’s Off the Wall where he would begin to break out on his own. Featuring rare archival footage and interviews from historians, musicians, artists, and those who knew Michael reveal the boy who was driven to become one of the greatest figures in the history of pop music. The result is an entertaining and exhilarating film from Spike Lee.

The film chronicles the period in the life and career of Michael Jackson from being this idol for children when he was singing in the Jackson 5 and then leaving Motown for Epic to find creative freedom with his brothers that would lead to wanting to make a solo album of his own. It is really the look of a someone who desires to make something of his own while studying everything around him from those he was inspired by to the legends of the past. It’s a film that showcases a prodigy growing up and finding his own identity as a man and an artist and how this album that would set the course in him becoming a legend would be this impact for many people including musicians, artists, actors, athletes, and everyone else.

With interviews with Michael’s brothers Jackie and Marlon as well as Motown founder Berry Gordy, producers Kenneth Gamble and Leon Huff, filmmakers Joel Schumacher and Rob Cohen, songwriters Valerie Simpson and Sediah Garrett, Stevie Wonder, and others that knew him. The people Spike Lee would talk to doesn’t just reveal Michael’s drive and persistence but also that desire to wanting to be more than just some bubblegum singer. Even as it comes to the music as he really did all that he could to make it great as he was known for being a perfectionist. The stories about him at Studio 54 reveal that he was there for the music and would spend much of his time either on the dance floor or in the DJ booth. The film also interviews musicians such as Questlove, Pharrell Williams, the Weekend, and David Byrne as well as producers Mark Ronson and Rodney Jerkins where they would dissect each of the songs on the album and reveal why it still holds up.

With the aid of cinematographer Kerwin DeVonish in filming many of the new interviews where actors like John Leguizamo and Rosie Perez talk about the impact of his music and what it meant to them in their adolescents and growing up into adulthood. Lee also brings his own personal experiences about Michael’s music and the impact it had on him and every African-American child growing up when the Jackson 5 were around. With the aid of editors Barry Alexander Brown and Ryan Denmark in compiling many of the footage of concerts including the ones the Jacksons did in the late 70s and early 80s as well as archival audio from many of Michael’s interviews by sound editor Philip Stockton. Even as some of the demos of the songs Michael made for Off the Wall and the stuff he did with his brothers reveal the work that went into those songs which plays into the importance of musicianship and taking the time to make these songs matter in this age of laptops and machines that doesn’t have the human capacity of what can be done.

Michael Jackson’s Journey from Motown to Off the Wall is an extraordinary film from Spike Lee. Not only is it a fascinating documentary about one of the finest albums in the history of popular music but also an intriguing look into the man that made it and what it took to make a statement from being this child prodigy to a genius that is nearly unparalleled with anyone else in the world of music. In the end, Michael Jackson’s Journey from Motown to Off the Wall is a phenomenal film from Spike Lee.

Spike Lee Films: (She’s Gotta Have It) - (School Daze) - Do the Right Thing - Mo' Better Blues - Jungle Fever - (Malcolm X) - Crooklyn - (Clockers) - (Girl 6) - (Get on the Bus) - 4 Little Girls - (He Got Game) - Freak - Summer of Sam - (The Kings of Comedy) - (Bamboozled) - (A Huey P. Newton Story) - 25th Hour - (Jim Brown: All-American) - (She Hate Me) - (Inside Man) - (When the Levees Broke: A Requiem in Four Acts) - (Miracle at St. Anna) - (Kobe Doin’ Work) - (Passing Strange) - (If God is Willing and Da Creek Don’t Rise) - (Red Hook Summer) - Bad 25 - (Oldboy 2013 film)) - Mike Tyson: Undisputed Truth - (Da Blood of Jesus) - (Chi-Raq) - BlacKkKlansman - Da 5 Bloods - (American Utopia)

© thevoid99 2016

Batman Forever

Based on the DC Comics by Bob Kane, Batman Forever is the story of Batman facing new foes as he also deals with his own traumas and identity while taking in a young man who would become his new partner in Robin. Directed by Joel Schumacher with a screenplay by Akiva Goldsman, Lee Batchler, and Janet Scott-Batchler from a story by the Batchlers, the film is the third film of the franchise that began with the 1989 film as Val Kilmer plays the role of the Caped Crusader and Bruce Wayne with Chris O’Donnell in the role of Dick Grayson/Robin while the villains in Harvey “Two-Face” Dent and Edward Nygma/the Riddler are respectively played by Tommy Lee Jones and Jim Carrey. Also starring Nicole Kidman, Pat Hingle, Drew Barrymore, Debi Mazar, and Michael Gough. Batman Forever is an entertaining but messy film from Joel Schumacher.

The film is about Batman facing two new villains as he tries to cope his role as Bruce Wayne and Batman where he also deals with his parents’ death just as a young man named Dick Grayson just lost his parents. While Batman deals with the maniacal Harvey “Two-Face” Dent, who was Gotham’s district attorney until an incident left the left-part of his face scarred as Batman was blamed for it, and a former Wayne Enterprise employee in Edward Nygma who becomes the Riddler. Adding to Wayne’s complicated life is the presence of a psychiatrist Dr. Chase Meridian (Nicole Kidman) who is obsessed with Batman as Wayne goes to her over his own identity issues. In taking the young Grayson, Wayne eventually realizes that he’ll need Grayson to stop Two-Face and the Riddler as Grayson would become Batman’s new sidekick Robin.

The film’s screenplay does create some nice reference to the origin stories of Robin, Two-Face, and the Riddler as they are interesting characters. Yet, the script is much-more lighthearted in its approach to action by infusing some humor into the film as it relates to the Riddler who creates an invention that would extract information from other people’s minds as he would be the one to discover Wayne’s secrets. They’re among some of the elements of the film’s script that works yet there’s some things that don’t work as the characterization of Dr. Meridian is she is this woman whose obsession for Batman makes her somewhat unprofessional as a psychiatrist. Plus, she becomes this damsel-in-distress later on as the writing doesn’t really give her more to do while some of the re-hashing of Bruce Wayne’s past is definitely uninspiring since it’s stuff that audiences already know.

Joel Schumacher’s direction does have some nice moments as the presentation of the film is far more colorful than its predecessors that were helmed by Tim Burton. Even as Schumacher was able to keep things lively in some of the film’s humor and action sequences with some dazzling compositions and moments that are very entertaining. Yet, there’s some moments in Schumacher’s direction that doesn’t work as there is a bit of cheese in some of the dialogue and action sequences where it’s clear that Schumacher wants to create something that is fun but there’s things that feels off since Batman is really a very dark character. One aspect of the direction that is very annoying are the slanted camera angles which are overdone as it makes not sense to some of the visuals in the film. While the film does have an amazing climax, it does get over-the-top at times where it would play into Batman finally accepting his two identities though some of the presentation comes off as very silly. Overall, Schumacher crafts an exciting but dizzying film about Batman and Robin fighting Two-Face and the Riddler.

Cinematographer Stephen Goldblatt does nice work with some of the film‘s extravagant lighting for the look of Gotham as well as creating some shadows and lighting schemes to play into some of the darker moments of the film. Editors Dennis Virkler and Mark Stevens do terrific work with the editing with its use of flashback montages and rhythmic cuts for some of the film‘s action scenes. Production designer Barbara Ling, with art directors Christopher Burian-Mohr and Joseph P. Lucky and set decorator Cricket Rowland, does excellent work with the set pieces from the look of Gotham as well as the secret lair of Two-Face. Costume designers Bob Ringwood and Ingrid Ferrin do some good work with the clothes that Two-Face and the Riddler wear though the look of the Batsuit with nipples and codpieces are just ridiculously bad.

Special makeup designer Rick Baker does amazing work with the look of Two-Face where his left face is badly scarred to play into his unstable personality. Visual effects supervisors Andrew Adamson, Eric Durst, Boyd Shermis, and David Stump do some wonderful work with the miniatures of Gotham and some of the CGI look in some of its action sequences. Sound editors John Levesque and Bruce Stambler, along with sound designers Frank Kniest and Roland N. Thai, do some superb work with the sound from the way Riddler‘s machine extracts information from other people‘s minds to the layering of sounds in the action scenes. The film’s music by Elliot Goldenthal is pretty decent for its orchestral bombast with some triumphant moments but also some humorous pieces while music supervisor Jolene Cherry brings in an eclectic soundtrack that features song by the Flaming Lips, U2, the Offspring, Brandy, and Seal.

The casting by Mali Finn is brilliant for the ensemble that is created as it features some notable appearances from Don “The Dragon” Wilson as a gang leader Grayson encounters, Jon Faverau as a Wayne Enterprise assistant, Rene Auberjonois as the doctor from Arkham Asylum, Joe Grifasi as a bank security guard that Batman saves early in the film, and Ed Begley Jr. as Nygma’s boss who is later killed by Nygma. One small role that isn’t very good is the Gossip Gertie character performed by Bob Kane’s wife Elizabeth Sanders as it’s a very annoying character that serves no purpose to the film. Michael Gough and Pat Hingle are terrific in their respective roles as Alfred Pennyworth and Commissioner Gordon as Gough serves as a father-figure to Grayson while Hingle has Gordon be the man who would bring Grayson to Bruce Wayne.

Drew Barrymore and Debi Mazar are both fun to watch in their respective roles as Two-Face’s assistants Sugar and Spice. Nicole Kidman is alright as Dr. Meridian Chase as this woman who has some charm and sexiness but the writing doesn’t really do any favors for Kidman as her character turns out to be very obsessed with Batman. Chris O’Donnell is excellent as Dick Grayson/Robin as a lost young man wanting vengeance on Two-Face while asking for help from Batman. Tommy Lee Jones is fantastic as Two-Face as this maniacal man who uses a coin to make decisions while wanting to kill Batman at any cost.

Jim Carrey is great as the Riddler as this former Waynes Enterprise employee who wants to get rid of Batman for not accepting his invention and become even richer than Batman as Carrey is just fun to watch. Finally, there’s Val Kilmer in a pretty good performance as Bruce Wayne/Batman as Kilmer does maintain that brooding persona of Batman but doesn’t really make Wayne very interesting while some of the characterization of Batman is off as it includes a shot of Batman smiling. Batman is not supposed to smile.

Batman Forever is a solid film from Joel Schumacher. Thanks to the lively performances of Jim Carrey and Tommy Lee Jones as the villains, it’s a film that is very entertaining but loses a lot of the dark aspects of the Batman character in favor of being more accessible to a younger audience. Especially as Schumacher’s colorful presentation is a bit overwhelming at times where it allows the film and Batman to lose its edge. In the end, Batman Forever is a good but troubling film from Joel Schumacher.

Batman Films: (Batman (1966 film)) - Batman (1989 film) - Batman Returns - Batman & Robin - Batman Begins - The Dark Knight - The Dark Knight Rises - Batman v Superman: Dawn of Justice - The Lego Batman Movie - The Batman (2022 film)

© thevoid99 2014

Batman & Robin

Originally Written and Posted at Epinions.com on 9/15/05 w/ Additional Edits.

When Tim Burton was selected to do a big-screen version of the Caped Crusader Batman back in 1989, he did his job in creating two successful features with the first one with Jack Nicholson and Michael Keaton as Batman. 1992's Batman Returns with Michelle Pfeiffer, Danny DeVito and Christopher Walken was also successful. When Burton chose to drop out to do more personal projects, he remained an executive producer for the third Batman film entitled Batman Forever with Val Kilmer in the role. Chosen to direct the project was Joel Schumacher who had success with such films as St. Elmo's Fire and The Lost Boys. Also starring Tommy Lee Jones, Jim Carrey, Nicole Kidman, and Chris O'Donnell as Robin, Batman Forever was successful though fans of the comic book hated Schumacher's take on the Caped Crusader. Schumacher was selected again to do a fourth one which to this day, is considered to be the worst of the franchise entitled Batman & Robin.

With a screenplay by Akiva Goldsman, Batman & Robin focuses on the duo's battle with a couple of new villains, Mr. Freeze and Poison Ivy while the duo gets help from Batgirl. With Burton no longer involved, whatever was left of the fear presence Batman has was gone. Instead, it's all about the campy style of 1960s Batman with 1990s blockbuster extravagance as George Clooney takes on the role of Batman and Bruce Wayne. With O'Donnell returning as Robin/Dick Grayson along with two of the franchises' mainstay in Michael Gough as Alfred and Pat Hingle as Commissioner Gordon. The casting would only get worse with Arnold Schwarzenegger as Mr. Freeze, Uma Thurman as Poison Ivy/Pamela Isley, and then-"It" girl Alicia Silverstone as Batgirl. In the end, Batman & Robin provides everything that is needed for spewing commentary when fans watch it as if they're in another episode of Mystery Science Theater 3000.

Mr. Freeze is robbing a museum at Gotham with his gang of hooligans on ice as it's up to Batman and Robin to save the day. Freeze's attempt to steal a diamond nearly goes smoothly as Batman and Robin try to stop him, and a rocket though Robin gets frozen as Freeze succeeds in his mission. Batman learns that Freeze's diamond thefts are for a research to cure a rare disease called McGregor's Syndrome that took his wife Nora Fries (Vendela) away. Freeze has frozen her to work on curing the disease in its stages as he needed more diamonds to steal so he can fund his research.

Meanwhile in a lab, a mad doctor Jason Woods (John Glover) has created an experiment to create a super-soldier named Bane (Jeep Swenson) as a scientist named Pamela Isley sees what Woods does as he attacks her, thinking that she is dead only to be revived as a sexpot with poisonous lips as she takes Bane with her. With Alfred starting to ail, Bruce Wayne and Dick Grayson receives a surprise visit from Alfred's niece Barbara (Alicia Silverstone) who has just left school. While Barbara on the surface might seem like a nice girl, she has a knack for trouble and motorcycle racing which Dick begins to suspect. Bruce unveils a brand new telescope to research space as he is confronted by Isley and during a charity auction, Batman and Robin are introduced to Poison Ivy. That same night, Freeze succeeds in stealing another diamond until being stopped by Batman though Robin's frustration in a lack of equal partnership takes its toll.

Freeze is imprisoned in Arkham Asylum as Ivy and Bane breaks him out to retrieve his diamonds and wife as Batman and Robin learn that he's broken out. Their attempt to capture him fails as they're being seduced by Poison Ivy with Batman realizing her powers. Things at home get worse as Alfred is dying with McGregor's Syndrome as Barbara wants to know a secret that Alfred is keeping. When Ivy tells Freeze that his wife has died from Batman's hands, Freeze decides to take vengeance into freezing Gotham for good. With Ivy disguised as Isley approaches at an opening for the telescope, Bruce learns who she really is as he tries to stop Robin from coming to her. Barbara learns the secret as she becomes Batgirl where she helps Robin and Batman stop Freeze and Poison Ivy. Do they succeed? Will Robin score with Poison Ivy? Will Mr. Freeze find a cure for the rare disease? Do.... we even care at this point?

For many purists and fans of Batman, they know Batman as simply as one thing. A superhero who brings fear to his enemies. This Batman however, doesn't scare you. He doesn't even do anything but make a fool of himself and say the most inane things while carrying a credit card. That is not Batman! Batman doesn't go out, stop for Big Macs, hitting on women, fighting criminals with lame gadgets, and having to breast-feed Robin. NO!!!! NO, NO, NO, NO, NO, NO, NO, NO, NO, HELL TO THE NO!!!!!!

The fault shouldn't just totally be on just Joel Schumacher but also screenwriter Akiva Goldsman, the guy who wrote A Beautiful Mind and Cinderella Man. He also wrote such crap-fest as Deep Blue Sea and Lost in Space. Obviously, this guy has not read a single Batman comic book and really doesn't understand the mystique and dark humor that the Caped Crusader has. There's no depth into what Batman does or says, not even Bruce Wayne does anything except go to parties with his girlfriend, mope on Alfred, and be an overbearing dad to Robin. The dramatics of the script feels contrived and uninspiring as it gets overshadowed by bad puns, one-liners, and worst of all, the lines that the audience will know is coming. This is by far one of the worst screenplays ever conceived.

If the script was bad enough, nothing could get any worse in the film's meandering, bloated direction from Joel Schumacher. Not only does he miscalculate in what the audience wants, he presents things and ideas that shouldn't be on a franchise film like Batman. There's fireworks explosions and slow camera action in every action scene and there's a feeling on what is expected. There's nothing going on in the film and the fighting is just.... yawn. Ok, the campy style of the 1960s TV show was entertaining and all but in this film, it just goes way too far. Do we really need batskates, surfboarding, motorcycles, car chases, and all of this into one film where nothing really happens?

It gets worse as when Schumacher tries to take a break from the action, he aims for drama and comedy where it feels flat. The comedy aspect of the film is just silly and only funny in a very bad way. The drama with the subplot of Alfred dying doesn't give much to the story and we know he's going to live. We just don't care. The childhood image flashbacks that Bruce has is supposed to be sentimental but comes out in a very contrived, cheesy way. Nothing in the story works or directing works. The subplots of Barbara doing her thing, Ivy's attempt to destroy the world for her plants, and Freeze wanting to save his wife is really a distraction. The main story is supposed to be about Batman and Robin trying to find equal footing but there's not much going on. Robin gets all bitchy, Batman gets all possessive, they fight over Ivy, and in the end, decide to become partners. Wow...

When the third act arrives and there's a chance to save the world, whatever intelligence is left in the film has vanished into a contrive moment where Batman tries to get Mr. Freeze to be good. It's pathetic. Schumacher should've been shot after making this film and there's never a moment where the film works in any way, even in the technical area. The production of the film feels like it's shot in a studio where it just feels lifeless. The whole area in the exteriors feels like a cartoon where even in the car chase scenes, it's like watching toy cars chasing each other. The interiors don't work either since it comes off in a bloated way. The film's production design by Barbara Ling is just awful in what Schumacher wanted in got while Stephen Goldblatt's cinematography is just off-the-wall with excessive color lighting that is unnecessary. And the costumes by Ingrid Ferrin and Robert Turturice that features nipples on the Batsuits where Schumacher has an excuse to have butt shots and nipple shots in the suits. Ugh!!!!!!!! Oh, Batman has a new Batmobile, it was like the last one. Lame.

Anyone who watches the film closely will definitely see errors and there's many of them. The sound dubbing is awful on a few parts where throughout the entire film, it's mixed way too loud, even if you turn your TV down. The editing by Dennis Virkler doesn't do anything to the film in its overlong running time of 130-minutes plus a scene that is badly edited where Robin is in a pool and suddenly, the film rewinds as he is stuck in the pool. That is some very bad editing. The film score Eliot Goldenthal really does nothing to the film only to know what's coming along with its lame theme. Then, we have the film's awful soundtrack featuring one of the Smashing Pumpkins' worst songs ever and an awful ballad from R. Kelly for Gotham City. (in singing voice) Oh, I love Gotham City, My body's calling!!!! Please buy my new album!!!!! I need to beat my case!!!

Tracks from R.E.M., the Goo Goo Dolls, Jewel, Bone Thugs-N-Harmony, Moloko, Soul Coughing, Underworld, Eric Benet, and Me'Shell Ndegeocello add nothing to the film at all since it's all merely used for commercial reasons.

Then there's your cast and ok... what else is there to say? They all sucked!!!!! They all should've gotten a Razzie Award for worst ensemble cast. Ok, we have supermodel Vendela being stuck in a tank and Vivica A. Fox as a wannabe squeeze for Mr. Freeze. Next. Oh, we have former pro wrestler turned former Governor of Minnesota, Jesse Ventura in a cameo. There's also Coolio and Nicky Katt in the bike racing scenes. Ok... The worst character to come from this and the previous film Batman Forever was a character named Gossip Gerty played by Elizabeth Sanders who just does nothing but blabs and blabs. Ugh... Bane is just a terrible character who just acts like King Kong without the brains and breaks things. This was Jeep Swenson's last role and months later, he died which is sad but this is what he'll be remembered for? For shame. Elle MacPherson plays Bruce Wayne's new girlfriend and does nothing but look pretty. Ok. John Glover goes overboard as a mad scientist, he's not funny, he's not scary. He's just stupid.

Pat Hingle does nothing but be idiotic as Commissioner Gordon, where's Gary Oldman when you need him? Michael Gough does nothing but acts like he's in constipation throughout the film as he gives a very uninspiring performance. Michael Caine was better as Alfred since he actually makes Alfred not only cool but is the moral guide for Batman and actually gets to kick some ass Just get the kid who played the young Bruce Wayne in Batman Begins in this movie and he'll just out act everyone.

Now we go to the main cast. Ok, Uma Thurman is a great actress but what was she thinking when she did this and The Avengers? Oh, $$$$$. Thankfully, she would redeem herself with Kill Bill but imagine if the Bride was in Batman & Robin and was going up against Poison Ivy and Batgirl. Hell, let's add Halle Berry's Catwoman into the mix. It would be done in five seconds as the Bride wins victorious with her Hanzo sword. Thurman is a walking joke throughout the film with her awful, big red hair, overly-done costumes, and does nothing but say awful one-liners in a bad noir-like female voice. Then in her fight scene with Batgirl, bad, bad, bad, bad, bad!!!!!! Ok, everyone has been found guilty and is forced to live in fear of the new Batman. Uma, since you've done Kill Bill, you're free to go but remind yourself to not do things like this again.

Alicia Silverstone is just awful as Batgirl/Barbara Wilson. She not only gives out bad one-liners but also some horrific acting. I had a crush on her during the Aerosmith video days but when I saw this film on TV, it was over. She does nothing to the film but attract young horny boys but they would be totally disgruntled in the end. After the wonderful Clueless, she was definitely poised to be a star but what has she done since that was relevant? She's done nothing and just became another "It" girl who fell and fast too. Sorry, she is guilty and she should be punished. Chris O'Donnell is annoying as Robin and does nothing but pout and whine and give out some awful one liners including the first line of the film, &#147I want the car, chicks dig the car". Shut up!!!! He went on to do a small part in Kinsey while has done some good early work and stayed out the spotlight. He can go with a bit of dignity but he's going to have to wear the Batman/Robin symbol to remind himself of his sins.

George Clooney may have the chin to be Batman and he's a great actor but he is probably the last guy you would expect to play Batman/Bruce Wayne. He's not bad but the lines he's been given and the way his character is written forced Clooney to pretty much, sleepwalk throughout the entire film. You can tell that he isn't into it and even in some dramatic moments, he comes off in a very lazy way. He does what he can do but he probably doesn't think he was right for the role at all. He at least can walk away with dignity for the fact that he knew that he sucked as the Caped Crusader. The film's worst performance is really no-contest and that honor goes to the current Governor of California, Arnold Schwarzenegger. Arnold just basically brings out some of the worst one-liners and puns that is ever said in any film and when he actually, really tries to act. It's just hilarious because it's so bad. He's not even funny when he tries to be or even when he's trying to be intimidating, he's not scary. He's just a stupid big man wearing a stupid big costume. Sorry but it's time to vote this Governor out!!!!!!

When Batman & Robin was released in the summer of 1997, it was expected to be this massive blockbuster hit but poor reviews and mediocre box office numbers helped sunk the entire franchise. Making things worse just as the film was ready for release, plans for another Batman film was in the works. During an appearance on Late Night with Conan O'Brien, Adam West who played the TV Batman said that he was up for the fifth to play Uncle Batman. Whether it was a joke or not, fans of the Caped Crusader had enough. Warner Brothers in the end decided to give the franchise a break as fans were ready to kill.

To this day, Batman & Robin isn't just regarded as the worst film of the Batman series but a reminder of how idiotic Hollywood can be into handling a franchise. What made things worse when the film came out was the commercialization of it where McDonalds was promoting the film and it really got to the point that Batman had become a joke. If the Batman of now would appear in Batman & Robin, that entire cast would be scared to death while Alfred would die a more horrible death by Michael Caine's Alfred while Gary Oldman's Gordon would beat the living crap out of Hingle's Gordon. Kids shouldn't watch this film because it insults their intelligence. No one should see this film except for camp value. Nothing in this movie works and people will probably say, it's only a movie. No it's not, it's a clip of everything that is wrong with Hollywood films that are still being continued. It doesn't even deserve to be called a film or a movie, it doesn't even go as far as being called a snuff film. It's just an exercise in pure garbage.

Joel Schumacher Films: (The Incredible Shrinking Woman) - (D.C. Cab) - (St. Elmo's Fire) - (The Lost Boys) - (Cousins) - (Flatliners) - (The Client) - Batman Forever - (A Time to Kill) - (8MM) - (Flawless) - (Tigerland) - (Bad Company (2002 film)) - (Phone Booth) - (Veronica Guerin) - (The Phantom of the Opera (2004 film)) - (The Number 23) - (Blood Creek) - (Twelve) - (Trespass)

Batman Films: (Batman (1966 film)) - Batman (1989 film) - Batman Returns - Batman Begins - The Dark Knight - The Dark Knight Rises - (Batman v Superman: Dawn of Justice) - The Lego Batman Movie - The Batman (2022 film)

© thevoid99 2012