Showing posts with label kat dennings. Show all posts
Showing posts with label kat dennings. Show all posts
Monday, March 09, 2015
Down in the Valley
Originally Written and Posted at Epinions.com on 12/8/06 w/ Additional Edits & Revisions.
Written and directed by David Jacobsen, Down in the Valley is the story of a cowboy who meets a rebellious teenage girl as they begin a torrid relationship as he copes with the modern world. The film is an exploration into a man who finds himself in a world where he tries to play cowboy as he faces the darker realities of the modern world. Starring Edward Norton, Evan Rachel Wood, Rory Culkin, David Morse, and Bruce Dern. Down in the Valley is an enchanting yet uneven film from David Jacobsen.
Arriving onto the San Fernando Valley, a cowboy named Harlan (Edward Norton) enters into the strange, vast world filled with gas stations, shops, and cars. To Harlan, it's a mysterious world as he lives at a motel and takes a job at a gas station. Meanwhile, a rebellious, 17-year old girl named Tobe (Evan Rachel Wood) also feels lonely since she lives with her father Wade (David Morse) and her shy, 13-year old brother Lonnie (Rory Culkin). Since Tobe doesn't get along with her father, she often goes out with her friends including April (Kat Denning) where on the way to the beach, Tobe meets Harlan at the gas station. An attraction immediately happens as Harlan joins Tobe and her friends to the beach where they fall in love. After introducing Harlan to Lonnie, Wade becomes uncomfortable at Tobe's new relationship with Harlan.
After a night in the town driven by Ecstacy, Harlan and Tobe's relationship becomes passionate which makes Wade uneasy. Even when Harlan and Tobe decide to go horseback riding where the horse's owner named Charlie (Bruce Dern) accuses Harlan of theft. After Wade deals with Charlie, he forbids Tobe to see Harlan again. Still, Tobe's love for Harlan remains strong as she has to go San Diego for the weekend to be with her friends. Harlan however, tries to live without Tobe for the weekend often pretending to be in some Western or writing a letter to a man named Joe. Hoping for Tobe to return on the day she was supposed to, he finds Lonnie where he takes Lonnie shooting since Wade owns some authentic guns. Upon returning home, Wade finds Lonnie with Harlan and threatens to shoot him if he doesn’t leave his family alone.
Learning what Wade had done, Tobe meets Harlan where she asks him to leave the family alone till Wade cools down. With his cowboy fantasy starting to blur with reality, Harlan gets in trouble as he gets kicked out of his hotel while trying to steal things hoping to win Tobe back. Still, Harlan finds himself alienated by the modern world as he remains stuck in the Old West. After meeting Tobe after some time away from her, he plans to make an escape with her but Tobe isn't sure what's going on. After an accident, Harlan's vision of the Old West begins to collide with reality as he tries to kidnap Lonnie and have a confrontation with Wade, who finds out some troubling news about Harlan from an investigator (Geoffrey Lewis).
Films about reality against fantasy does often require strange fantasy sequences but for what writer/director David Jacobson goes for is an internal conflict in a man who has a love for the West but finds himself alienated by the modern world. While the film is largely inspired by the work of the legendary Terrence Malick, notably Badlands, the film does have the same poetic imagery and dialogue in terms of what Harlan is in and in his relationship with Tobe. Despite the Malick-esque imagery and imagery, the film's script is very flawed. While some can figure out the tense relationship between Wade and Tobe, there's no back story into their tension. Plus, the first half of the film is a love story while the second half becomes a modern-day Western where they're both interesting but makes the film to be uneven. Despite a lot of wonderful imagery, scenes, and everything else, Jacobson doesn't seem to know what kind of film he's making though the performances do remain consistent with its Badlands-like tone.
Helping Jacobson in his unique vision is cinematographer Enrique Chediak whose wonderful photography of many of the film's exterior settings, notably the hills of the San Fernando Valley is breathtaking as well some night sequences that shows the nightlife of Los Angeles in all of its glory. Production designer Franco Giacomo Carbone and set decorator Robert Greenfield do fantastic work in providing the idea of the West in a fantasy sequence for Harlan while showing the colorful and modern look of Los Angeles. Costume designer Jacqueline West does great work in creating the cowboy look for Norton while giving Evan Rachel Wood some wonderful dresses.
Editors Edward Harrison and Lynzee Klingman does wonderful work in providing a rhythmic, stylized editing that gives the film a nice flow and feel. Sound designer Scott Sanders does some great work in the film's sound, including a scene where Harlan goes to a synagogue that reveals his alienation. The film's haunting score is filled with wonderful guitar work from Peter Salett that brings a sense of suspense and atmosphere to its varied sequences. The soundtrack is largely filled with dreamy mixes of music ranging from mariachi to old-school Western songs as well as cuts from Patsy Cline, Hank Williams, Calexio, and two great tracks from Mazzy Star where the vocals of Hope Sandoval provide some of the film's most haunting moments.
The film’s cast includes some wonderful small performances and cameos from Ira David Wood IV, Kat Dennings, Ty Burrell, Elizabeth Pena, and Geoffrey Lewis as an investigator. In a small role, Bruce Dern is great as a haggard ranch owner who is suspicious of Harlan’s motives and understanding of Wade’s control issues. David Morse is excellent as the strict, caring Wade who is trying to talk to his children while dealing with Harlan as Morse does some outstanding work in the scenes he's in. Rory Culkin is amazing as the shy, scared Lonnie who tries to seek some kind of adventure and confidence as he often relies on his sister and Harlan since his dad isn't around much. Evan Rachel Wood is fantastic as Tobe as this young woman who copes with growing pains as she falls for Harlan while having a hard time dealing with Harlan's eccentricities. Finally, there's Edward Norton in a brilliant performance as Harlan as this troubled man who seems like someone that is out of step with the times as he wants to play cowboy in a world that is very complicated as it is this very fascinating mix between fantasy and reality.
The Lions Gate/ThinkFilm Region 1 DVD of Down in the Valley presents the film 5.1 Dolby Digital Surround & 2.0 Stereo sound in 16x9 widescreen presentation. The DVD also brings trailers to not just this film but The King w/ Gael Garcia Bernal and William Hurt, I Love Your Work by Adam Goldberg, and other films. Two big special features are on the DVD. The first is a 21-minute Q&A session with Edward Norton and director David Jacobson as they're interviewed by Rolling Stone film critic Peter Travers. In the interview, Jacobson talks about the collision of fantasy and reality and how the San Fernando Valley has a mystique concerning the West. Edward Norton talked about getting the script in 2003 and wanting to work with Jacobson as the two developed the project and both wanted Evan Rachel Wood for the role of Tobe after seeing her in thirteen in which the two widely praised her as well as the other actors as Norton was laid-back in the interview.
The second big special feature is a nine-minutes worth of four deleted scenes. The first is an extended opening sequence involving Tobe and Lonnie on a bridge in which Lonnie causes an accident. The second is a deleted scene where Harlan looks for a new hat and buys the white dress that Tobe would wear. The third is touching scene involving Lonnie and Wade about an incident in where Lonnie professes his innocence. The final scene is an extended sequence of a supposed fantasy scene where Harlan talks to a cowboy played by Ty Burrell.
Down in the Valley is a superb yet flawed film from David Jacobsen that features top-notched performances from Edward Norton, Evan Rachel Wood, Rory Culkin, and David Morse. While it is uneven in its exploration of fantasy and reality, it does manage to bring in some compelling ideas about the complications of the modern world. In the end, Down in the Valley is a stellar film from David Jacobsen.
© thevoid99 2015
Monday, November 25, 2013
Thor: The Dark World
Based on the comics by Stan Lee, Jack Kirby, and Larry Lieber, Thor: The Dark World is the story about Thor facing an ancient enemy who threatens to destroy his home planet of Asgard following a chilling discovery from Jane Foster that would threaten everything. Directed by Alan Taylor and screenplay by Christopher Yost, Christopher Markus, and Stephen McFeeley from a screen story by Don Payne and Robert Rodat. The film is a sequel to 2011’s Thor where the titular character deals with new enemies and the responsibility of taking over the throne of Asgard from his father Odin as Chris Hemsworth reprises the role of Thor. Also starring Natalie Portman, Tom Hiddleston, Stellan Skarsgard, Rene Russo, Idris Elba, Jaimie Alexander, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Kat Dennings, Ray Stevenson, Chris O’Dowd, Zachary Levi, Tadanobu Asano, and Anthony Hopkins as Odin. Thor: The Dark World is a sensational yet entertaining film from Alan Taylor.
The film is about an ancient enemy known as Dark Elves who suddenly find themselves returning after Jane Foster (Natalie Portman) discovered some portals that led her to a world where a dark mystical power was seeped into her. When Thor learns about what Jane discovered, he takes her back to Asgard so that his father King Odin can see if he can help only to realize that the Dark Elves led by Malekith (Christopher Eccleston) is only keen on destroying the universe after being nearly wiped away by Odin’s father Bor (Tony Curran). What the film does is have Thor take risks in not just saving his planet and Jane but also the universe where he realizes that he has to do things that his father wouldn’t do that would include getting the help from his estranged adopted brother Loki (Tom Hiddleston).
The film’s screenplay does take its time to showcase Thor’s growth into this warrior who definitely seems more grounded in the previous film as he becomes a much more mature individual who is also quite witty but still longs for Jane. When Heimdall (Idris Elba) tells Thor that he couldn’t see Jane, it has Thor trying to figure what is happening to her while there’s something far more sinister that is happening just as all nine realms are to line up for this event known as the Convergence where all portals from the nine realms are to open. With Malekith re-awaken, he decides to use this moment as well as Jane’s discovery of the dark power known as Aether to rebuild the world of the Dark Elves and regain darkness back to the universe. While the script does have a lot of exposition that occurs in order to make sense of the film’s plot. The script does manage to showcase a lot of the other characters such as Thor’s mother Frigga (Rene Russo) who is an important link to Thor’s relationship with Loki.
There’s also some comical moments that occur that includes Jane’s mentor Dr. Erik Selvig (Stellan Skarsgard) going crazy as he’s still recovering from the events that occurred in The Avengers prompting Jane’s intern Darcy (Kat Dennings) and Darcy’s intern Ian (Jonathan Howard) to get Selvig who makes a discovery about the Convergence. It would lead to some very intense moments that mixes action and humor where there’s a showdown between Thor and Malekith in London that also involves the Dark Elves and portals. Notably as it’s Thor trying to do whatever he can to just save the world and realizes the kind of attributes that he needs to succeed his father as King of Asgard.
Alan Taylor’s direction is definitely sprawling in terms of the set pieces that is created as it is a film that is big but also some intimate moments. Notably as Taylor makes sure that many of the visual effects and large set pieces don’t overwhelm the story. Even as Taylor does create some intimate moments that takes place in London where Jane tries to deal with her feelings for Thor as well as the scientific discovery that she and Darcy make that would lead to Jane being teleported into another world that has her discovering the Aether. The scenes in London are very simple with Taylor going for something straightforward but also add some comedy into the mix.
The scenes set in the Dark Elves’ planet as well as other places outside of Asgard is shot in Iceland where it has this very desolate world that is a total representation that Malekith wants. Especially that is sharp contrast to the more sprawling and regal world that is Asgard that Thor wants to protect as he isn’t just concerned for its people that he cares for but also everything his father and grandfather had fought for. Even as he has to get Loki to help him in the hopes as Thor can re-forge the bond that he had with the man whom he had called brother. Most notably as it leads to this massive climax where Taylor knows how to mix humor and action into the mix. Overall, Taylor creates a very extravagant yet exciting film about a hero taking more risks in what to do to save the world.
Cinematographer Kramer Morgenthau does excellent work with the film‘s cinematography from the straightforward look for the scenes in London to some of the more eerie lighting schemes for the scenes set at the Dark Elves‘ old home planet. Editors Dan Lebental and Wyatt Smith do terrific work with the editing by using some fast, rhythmic cuts for some of the film‘s action and humor while slowing down for the dramatic moments. Production designer Charles Wood, with supervising art director Ray Chan and set decorators Gueni Lindal Benediktsson and John Bush, does fantastic work with the set pieces from the look of Asgard as well as the design of the Dark Elves ship that would bring terror to Earth and Asgard.
Costume designer Wendy Partridge does amazing work with a lot of the costumes for the scenes set in Asgard as it has this mixture of old medieval look that Thor and his people wear. Makeup designer Elizabeth Yianni-Georgiou does brilliant work with some of the makeup including the look of Malekith. Visual effects supervisor Mark Breakspear does nice work with the visual effects for some of scenes set in space as well as some of the exteriors of Asgard. Sound designer Will Files and Shannon Mills do superb work with the sound to create some unique sound effects as well as play into some of the chaos that goes in the fight scenes. The film’s music by Brian Tyler is wonderful for its orchestral bombast to play into some of the film’s action and suspense as well in some of the more somber pieces for the dramatic moments.
The casting by Sarah Finn does marvelous work with the casting as it includes some notable small roles from Tony Curran in a prologue scene as Odin’s father Bor, Alice Krige as an Asgardian physician, Chris O’Dowd as a man Jane meets early in the film for a lunch date, Jonathan Howard as Darcy’s intern Ian, and Adewale Akinnuoye-Agbaje as Malekith’s lieutenant Algrim who causes havoc in Asgard. The casting also features some pretty funny cameos such as Stan Lee as a mental ward patient and Chris Evans as Loki pretending to be Captain America. As the members of the Warrior Three, Ray Winstone, Tadanobu Asano, and Zachary Levi are all terrific in their respective roles as Volstagg, Hogun, and Fandral with Winstone and Levi providing some humor. Jaimie Alexander is wonderful as Thor’s friend Sif who aids Thor while dealing with the presence of Jane Foster as she also has feelings for Thor.
Rene Russo is fantastic as Frigga as Thor’s mother who ensures that Loki stays alive following his actions in The Avengers as she becomes a key crucial point in the film for Thor and Loki as she also proves to be a total badass. Stellan Skarsgard is excellent as Dr. Erik Selvig who is still trying to deal with the post-traumatic stress of the events in The Avengers where he makes a big discovery while doing some funny things that involve him not wearing pants. Kat Dennings is hilarious as Jane’s intern Darcy as she not only has some of the film’s funny one-liners but also does things to help ensure that Thor’s plan to stop Malekith would work in some funny results. Idris Elba is incredible as Heimdall as the watcher of the Nine Realms who realizes the magnitude of the situation as he helps Thor out in defeating the Dark Elves. Christopher Eccleston is amazing as Malekith as this very dark individual who seeks revenge for what happened to him and his people as he does whatever it takes to take Thor down.
Anthony Hopkins is great as Odin where he’s still a bit of a cantankerous old man but also tones it down a bit as he still struggles to balance his role as king and father while aware of what Thor is trying to do. Tom Hiddleston is awesome as Loki as Thor’s adopted brother as a man who is slimy but fun as he helps Thor out in dealing with Malekith as well as trying to find something that he can gain. Natalie Portman is superb as Jane Foster as she does more than in the previous film as young woman who makes a chilling discovery while trying to deal with all of the chaos as well as finding ways to help save the world. Finally, there’s Chris Hemsworth in a remarkable performance as Thor as Hemsworth brings some humor to the role that is quite low-key but also a humility as a man who still questions his worth to become a king as it helps make Thor more engaging proving that Hemsworth is right for the part.
Thor: The Dark World is an excellent film from Alan Taylor that features brilliant performances from Chris Hemsworth, Natalie Portman, and Tom Hiddleston. The film isn’t just a much looser and more entertaining film than its predecessor but allows the audience to be engaged by its protagonist as well as find ways that makes him relatable. In the end, Thor: The Dark World is a extraordinarily broad yet stellar film from Alan Taylor.
Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Thor - Captain America: The First Avenger - The Avengers
Marvel Phase Two Films: Iron Man 3 - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: Age of Ultron - Ant-Man
Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
© thevoid99 2013
Wednesday, May 02, 2012
Thor (2011 film)
Based on the Marvel comic by Stan Lee, Larry Leiber, and Jack Kirby, Thor is the story of a demigod who has been banished by his home planet as he lands on Earth. Falling for a scientist while learning that his brother is taking over his home planet, Thor has to return to reclaim his power. Directed by Kenneth Branagh and screenplay by Ashley Edward Miller, Zack Stentz, and Don Payne from a screen story by J. Michael Straczynski and Mark Protosevich. The film is an origin story of how Thor came to power as he’s played by newcomer Chris Hemsworth. Also starring Natalie Portman, Stellan Skarsgard, Kat Dennings, Rene Russo, Tom Hiddleston, Ray Stevenson, Jaime Alexander, Idris Elba, and Anthony Hopkins as Odin, with special appearances from Clark Gregg, Jeremy Renner, and Samuel L. Jackson. Thor is a big and bombastically entertaining film from Kenneth Branagh.
After a war with the Frost Giants led by Laufey (Colm Feore) that led to the victory of Odin and the Asgardians where they claim the Giants’ source power in the Casket of Ancient Winters. An uneasy truce was made for many years as Odin is set to give his throne to his son Thor, a break-in for the Casket by a few Frost Giants failed as Odin thinks it’s just nothing. Thor however, thinks it’s an attempt to break peace as he decides to defy his father’s orders as he along with his younger brother Loki, their friend Sif (Jaime Alexander) and the Warriors Three in Volstagg (Ray Stevenson), Fandral (Joshua Dallas), and Hogun (Tadanobu Asano) go to Jotunheim to confront Laufey and the Frost Giants leading to a battle. After Odin arrives to stop the battle and save his sons and friends, he decides to banish Thor from Asgard and strip his powers from him.
Thor suddenly lands in the planet Earth as he is discovered by an astrophysicist named Jane Foster (Natalie Portman), her assistant Darcy (Kat Dennings), and their mentor Dr. Erik Selvig (Stellan Skarsgard) who take him to a hospital unaware of who he is. After some complications where his hammer has gotten the attention of S.H.I.E.L.D. and its leader Agent Coulson (Clark Gregg), Thor hopes to retrieve it as he tells Jane about what he is. After an attempt to retrieve the hammer where Thor was unable to pull it out of its stone, Thor is taken by S.H.I.E.L.D. where he gets a visit from Loki claiming that Odin has died. With Thor accepting his fate, he is retrieved by Selvig who discovers that Thor might actually be the legend he had read as a child.
Back in Asgard, Odin has fallen into deep sleep where Loki learns about his true parentage as he takes over the kingdom of Asgard where Sif and the Warriors Three suspect something is wrong. Wanting to get Thor back to Earth, they convince the gatekeeper Heimdall (Idris Elba) to transport them to Earth as he is aware of Loki’s dark rule. With Sif and the Warriors Three arriving at Earth to convince Thor to return to Asgard, they all deal with the Destroyer that Loki sends forcing Thor to do something that is unexpected of him in order to deal with his brother.
The film is essentially an origin story of how Thor came to be what he is through his father’s rule and then be banished for his arrogance only to learn about what he must do to save both Asgard and Earth from evil forces. During the course of the story, Thor reveals the world that he lives in to this astrophysicist who has been trying to uncover the mysteries of the universe where the two fall for each other. Still, there’s the matter of what his brother is doing as he starts off as this very quiet and innocent individual who always felt being in his brother’s shadow only to learn about his true parentage. This discovery would crucial to Loki’s development as he becomes an antagonist to Thor much to Thor’s dismay as he loved and cared for his brother.
The screenplay is a by-the-books kind of story in terms of what is expected in an origin story involving superheroes. Still, it has moments of character development for both Thor and Loki where they each would have an understanding of who they are. Notably the former who is this demigod with amazing powers where once he arrives to Earth. He’s still a strong and powerful man but is forced to realize that he can become human as well giving him the chance to understand things that his father had been trying to tell him. It’s a very good script that does what is needed to do as well as provide some substance to some of the characters in the film.
Kenneth Branagh’s direction is definitely ambitious in terms of the way he presents Asgard as this bombastic yet beautiful planet while going for a more straightforward look for the scenes in New Mexico. Branagh opens with the film with Jane and her team trying to find something that leads to them to discover Thor. It is followed by the origin story of how Odin lost his right eye during the war with the Frost Giants as he tells that story to a young Thor and Loki including the importance of the Casket. The rest of the film does become this very vast and interesting origin story that features some wonderful compositions including slanted camera shots. Branagh wisely avoids some of its tropes like fast-cuts and overwhelming the film with lots of action sequences. Instead, he allows the story to play out with bits of humor drama while balancing with some exciting action scenes. Overall, Branagh creates a very enjoyable action-blockbuster that does a lot for what is expected and more.
Cinematographer Haris Zambarloukos does nice work with the film‘s cinematography from the dark setting of Jotunheim to the more colorful yet stylish camera work for the scenes in New Mexico. Editor Paul Rubell does excellent work with the editing to help establish some of the action that is happening while playing up to some of the film’s humor as it’s tightly-paced for what is expected in a comic-book film. Production designer Bo Welch, with set decorator Lauri Gaffin and supervising art director Maya Shimoguchi, does amazing work with the set pieces for the Asgard palace and halls while going for a more low-key approach in the base that surrounds Thor‘s hammer along with some wonderful sets for the New Mexico small town that Jane lives in.
Costume designer Alexandra Byrne does very good work with the costumes from the armor and regal look that the Asgardian characters wear to the more casual clothing of Earth that Thor later sports. Visual effects supervisor Wesley Sewell does superb with the visual effects such as some of the exterior set pieces for the Asgardian palace and the bridge that connects them to the Bifrost transporter along with the effects for the Destroyer in the film’s New Mexico battle scene. Sound designers Michael Babcock and Richard King do terrific work with the sound work from the spectacle of the action scenes with its explosions and clanging objects to the tense atmosphere that occurs in Coulson’s interrogation for Thor. The film’s score by Patrick Doyle is brilliant for its orchestral bombast and sweeping arrangements to play up the action and drama that occurs as it’s a very thrilling score by Doyle.
The casting by Sarah Finn and Randi Hiller do amazing work with assembling the film’s ensemble cast that includes notable small appearances from Dakota Goyo and Ted Allpress in their respective roles as the young Thor and Loki, Clark Gregg as Agent Coulson, Rene Russo as Thor’s mother Frigga, and cameo appearances from Stan Lee as a truck driver, Jeremy Renner as Hawkeye, and Samuel L. Jackson as Nick Fury. Other small roles include Tadanobu Hogun and Joshua Dallas in their respective roles as Warriors Three members Hogun and Fandral while Ray Stevenson is funny as the big and gluttonous Volstagg. Colm Feore is pretty good as the villainous Laufey who despises Odin while Idris Elba is excellent as the very wise gatekeeper Heimdall. Jaime Alexander is wonderful as Thor’s close friend Sif who is proven to be a very able warrior while Kat Dennings is hilarious as Jane’s assistant Darcy.
Stellan Skarsgard is superb as Jane’s mentor Dr. Erik Selvig who is intrigued by Thor as he reminds him of a children’s book he read years ago. Anthony Hopkins is great as Thor’s father Odin who is overwhelmed with Thor’s arrogance as well as keeping a secret about Loki’s true roots. The film’s big breakthrough is Tom Hiddleston in the role of Loki where Hiddleston brings a wonderful restraint to a man living in his brother’s shadow only to become a more intense character as he suddenly starts to take over. Natalie Portman is terrific as Jane Foster by exemplifying her intelligence and determination to discover Thor’s background while there’s also a bit of subtle humor to the way she is smitten with Thor. Finally, there’s Chris Hemsworth in a phenomenal performance as the titular character as he displays wonderful charisma as well as sense of humility to make his character more human as it’s a true star-making performance for the young actor.
Thor is a fun action-blockbuster from Kenneth Branagh that features top-notch work from Chris Hemsworth and Tom Hiddleston. Armed with a strong supporting cast and an engaging story, it is a film that does what is needed to do to entertain but also has some substance to make it more worthwhile. Notably as it involves some crucial development for Thor and Loki as they’re set to face off again in The Avengers. In the end, Thor is a stellar film from Kenneth Branagh.
Kenneth Branagh Films: (Henry V (1989 film)) - (Dead Again) - (Swan Song) - (Peter‘s Friends) - (Much Ado About Nothing (1993 film)) - (Frankenstein (1994 film)) - (A Midwinter’s Tale (1995 film)) - (Hamlet (1996 film)) - (Love’s Labour Lost (2000 film)) - (Listening) - (As You Like It (2006 TV film)) - (The Magic Flute (2006 film)) - (Sleuth (2007 film)) - (Jack Ryan: Shadow Recruit) - Cinderella (2015 film) - (Murder on the Orient Express (2017 film))
Marvel Cinematic Universe: Infinity Saga: Phase One Films: Iron Man - The Incredible Hulk - Iron Man 2 - Captain America: The First Avenger - The Avengers (2012 film)
Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: The Age of Ultron - Ant Man
Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
Marvel Phase Two Films: Iron Man 3 - Thor: The Dark World - Captain America: The Winter Soldier - Guardians of the Galaxy - The Avengers: The Age of Ultron - Ant Man
Marvel Phase Three Films: Captain America: Civil War - Doctor Strange - Guardians of the Galaxy Vol. 2 - Spider-Man: Homecoming - Thor: Ragnarok - Black Panther - Avengers: Infinity War - Ant-Man & the Wasp - Captain Marvel - Avengers: Endgame - Captain Marvel - Spider-Man: Far from Home
Multiverse Saga: Phase Four: Black Widow (2021 film) - Shang-Chi and the Legend of the Ten Rings – Eternals – Spider-Man: No Way Home – Doctor Strange in the Multiverse of Madness – Thor: Love and Thunder – Werewolf by Night - Black Panther: Wakanda Forever - The Guardians of the Galaxy Holiday Special
Phase Five: Ant-Man & the Wasp: Quantumania - Guardians of the Galaxy Vol. 3 – The Marvels – (Deadpool & Wolverine) - (Captain America: Brave New World) - (Thunderbolts*)
Phase 6: The Fantastic Four: First Steps - (Avengers: Doomsday) - (Avengers: Secret Wars)
Related: MCU is Cinema: Pt. 1 - Pt. 2 - Pt. 3 – Pt. 4 – (Part 5) – (Part 6) – (Part 7) - The MCU: 10 Reasons Why It Rules the World
© thevoid99 2012
Subscribe to:
Posts (Atom)


