The Impostors

Written, directed and co-starring Stanley Tucci, The Impostors is the story of two struggling actors who accidentally stow away on a cruise to run from an egomaniacal actor while meeting with an array of offbeat passengers and crew members. The film is a farcical comedy where it involves many people who pretend to be someone else while dealing the need to act in order to save themselves. Also starring Oliver Platt, Alfred Molina, Lili Taylor, Campbell Scott, Hope Davis, Steve Buscemi, Michael Emerson, Billy Connolly, Dana Ivey, Allison Janney, Richard Jenkins, Tony Shalhoub, and Isabella Rosselini. The Impostors is a rip-roaring and exhilarating film from Stanley Tucci.

Set during the Great Depression in New York City, the film revolves around the misadventure of two struggling actors who receive tickets to a show starring an egomaniacal actor where they insult him at a bar only to go on the run and find themselves as stowaways on a cruise ship. It’s a film that play into two men who are trying to make it as actors but upon learning they’re on a cruise ship where they pretend to be stewards. Stanley Tucci’s screenplay is quite loose where it plays into these misadventures of Maurice (Oliver Platt) and Arthur (Stanley Tucci) to them trying to get food as they’re unemployed as well as what goes on in the ship as they encounter a series of offbeat passenger and crew members. Among them is a deposed queen (Isabella Rosselini), a heartbroken singer (Steve Buscemi), a once-rich-turned poor widow (Dana Ivey) with her grieving daughter (Hope Davis), a possibly gay tennis pro (Billy Connolly), and other oddball characters. Adding to the turmoil is the fact that the famed but arrogant actor Jeremy Burtom (Alfred Molina) is also on the ship.

Tucci’s direction is definitely stylish starting with an opening credits sequence where Maurice and Arthur cause trouble as a way to avoid paying for coffee and food as it’s presented like a silent movie. Then it becomes partially straightforward with elements of slapstick comedy where some of it is shot partially in New York City while much of it is shot on a soundstage for the scenes set on the cruise ship. While Tucci would create some amazing compositions with the wide and medium shots, much of it presented loosely where he allows his actors to just create performances that are exaggerated. While it does help to tell the story, there is an element where it feels self-indulgent at times but Tucci wants to create something where the actors are there to have fun and allow themselves to over-act at times. Overall, Tucci creates a silly yet extremely fun film about two actors who stowaway on a cruise and try to find a way to solve problems through the power of acting.

Cinematographer Ken Kelsch does excellent work with the film‘s cinematography from the colorful and sunny look of the daytime New York City exteriors to the look of the many interiors on the cruise ship as well as some of its exteriors. Editor Suzy Elmiger does brilliant work with the editing as its usage of jump-cuts and other rhythmic cuts play into its humor and lively tone. Production designer Andrew Jackness, with set decorator Catherine Davis and art director Chris Shriver does amazing work with the look of the cruise ship with its exteriors as well as some of the interiors of the rooms and ballroom in the ship. Costume designer Juliet Polcsa does fantastic work with the design of the clothes from the clothes of the men including the lavish look of Burtom and the dresses that the women wear.

Hair stylists Victor DeNicola and Carla White do nice work with the hairstyles the women wore in those times along with some of the wigs that some of the characters wear. Sound editor Robert Hein does terrific work with the sound in the way some of the sound effects are presented as well as the sparse moment in the play scene. The film’s music by Gary DeMichele is wonderful for its ragtime/jazz-based score that played into the period of the times while music supervisor Margot Core creates a soundtrack that play into that period including some old music in French as it relates to the destination of where the ship is going to.

The casting by Ellen Lewis is incredible for the ensemble that is created as it feature some notable small roles from David Lipman as a baker Arthur harasses and gives Maurice tickets to a show, Matt Malloy as a fellow actor that Maurice and Arthur knows who had been humiliated by Burtom, Lewis J. Stadlen as a band leader, Elizabeth Bracco as an entertainment director for the cruise, Allan Corduner as the ship’s captain, Michael Emerson as Burtom’s assistant, Teagle F. Bougere as a sheik who has a fondness for a certain French song, Matt McGrath as an Italian detective named Marco who is afraid to kill as he has feelings for one of the ship’s directors in Lily, and Woody Allen in an un-credited yet funny performance as a neurotic stage director Maurice and Arthur audition for. Richard Jenkins and Allison Janney are superb in their respective roles as the con artists Johnny and Maxine as Americans who pretend to be French as they both try to woo Mrs. Essendine and the sheik. Tony Shalhoub is stellar as the ship’s first mate Voltri as a man who runs the ship but also has some very dark motives of his own.

Dana Ivey is wonderful as the widowed Mrs. Essendine who is upset that her late husband didn’t leave her a cent while Hope Davis is terrific as her daughter Emily who grieves for her father and acts melancholy until she notices the heartbroken singer. Isabella Rossellini is fantastic as the veiled queen who laments over being deposed and not want to be seen as she is fun to watch while Campbell Scott is hilarious as the German cruise director Meistrich who has a thing for Lily where he is just a hoot. Billy Connolly is excellent as the tennis pro Sparks who definitely bear some homosexual tendencies as he is fond of Maurice while Steve Buscemi is amazing as the suicidal and heartbroken singer Happy Franks. 

Lili Taylor is brilliant as a cruise director in Lily who befriends Maurice and Arthur as she tries to help them hide as well as deal with Meistrich. Alfred Molina is phenomenal as the egomaniacal actor Jeremy Burtom as a man who is quite full of himself and isn’t aware that he’s just a hack. Finally, there’s the duo of Stanley Tucci and Oliver Platt in remarkable performances in their respective roles as Arthur and Maurice as two unemployed struggling actors trying to get work where an awkward moment with Burtom leads them to accidentally stow away on a cruise where they do whatever they can to hide as they use their acting skills to save them.

The Impostors is a sensational film from Stanley Tucci. Featuring a great cast, amazing set pieces, lively music, and a willingness to just let loose and have fun. It’s a film that is aware that it’s being indulgent while giving the actors a chance to just act out and be funny. In the end, The Impostors is a spectacular film from Stanley Tucci.

Stanley Tucci Films: (Big Night) - (Joe Gould’s Secret) - (Blind Date (2007 film))

© thevoid99 2016

Gattaca

Written and directed by Andrew Niccol, Gattaca is the story of a young man who hopes to travel to outer space despite dealing with prejudice as he hides his genetic imperfections in a futuristic world where science determines who can succeed or not. The film is a mixture of sci-fi with elements of drama and mystery as it also relates to this young man who pretends to be another as he becomes a murder suspect. Starring Ethan Hawke, Uma Thurman, Jude Law, Loren Dean, Alan Arkin, Ernest Borgnine, Blair Underwood, Xander Berkley, Tony Shalhoub, Elias Koteas, and Gore Vidal. Gattaca is a riveting and evocative film from Andrew Niccol.

Set in a futuristic world where science determines one’s fate and when will that person die, the film revolves a young man who was conceived with genetic imperfections as he pretends to be another man in the hopes that he can travel to outer space. At the same time, he becomes a suspect over the death of mission control director as he learns that his younger brother is the detective leading the case. It’s a film that plays into this man who tries to prove that anything is possible in a world where one’s blood-type, urine sample, and such don’t determine one’s outcome. Yet, it is told from this man whose real name is Vincent Freeman (Ethan Hawke) who would take the guise of another man in Jerome Morrow (Jude Law) who would aid Vincent in achieving his dream.

Andrew Niccol’s screenplay is told largely from Vincent’s perspective as it begins with him learning that is one week away from actually achieving his dream to go into outer space. Yet, a simple eyelash found during the murder of the mission control director would be the one thing that might stop him as its first act reveals not just Vincent’s conception but also how he was already determined by science into when he will die and what ailments he will have. Once his younger brother Anton (Loren Dean) is born and is promised all of the things that Vincent will never have because Anton was conceived through genetic selection instead of the natural conception that brought Vincent into the world. Yet, it would be a simple swimming game of chicken where Vincent realizes that anything is possible as he would meet the paralyzed Jerome who was once a swimming star and take on Jerome’s identity while the real Jerome would provide the urine and blood samples Vincent would need.

Once Vincent’s story into how he became Jerome takes up much of the film’s first act, the second act does have a shift in tone where it becomes a mystery as Vincent not only deals with being a suspect but also falls in love with a co-worker in Irene Cassini (Uma Thurman) who is a valid but is unable to travel due to her own heart issues. Yet, she would learn firsthand about who Vincent really is just as Anton suspects that his own brother is the killer due to the loose eyelash from Vincent though Anton isn’t sure since he believes his brother had already died. Especially as his partner Hugo (Alan Arkin) looks into other possibilities as it relates to the prejudices that is hinged upon society where even Jerome was affected by it as he had all of the potential in the world to succeed but failure only made him bitter and depressed. Even as he copes with the pressure that was put upon him making him and Vincent equal of sorts.

Niccol’s direction is truly mesmerizing in terms of not just the compositions but also in presenting a futuristic sci-fi film without the need to make it totally futuristic. Much of it has Niccol shooting on various locations in California through some amazing architectural designs that does give the film a somewhat futuristic look. Niccol’s rich compositions and the way he places some of the wide shots definitely add something that a look that sort of makes it futuristic while he also goes for these kind of intricate crowd shots of exactly what Vincent does when he’s at work as it sort of plays into something that feels bureaucratic in some respects. Especially as Vincent would get a glimpse of how those with perfect genes would live and how he as an invalid would have to live and work where he would start off cleaning windows and then find his way to be part of this space program.

Niccol’s approach to close-up and medium shots are also entrancing as it also includes a few handheld moments such as a chase scene involving Vincent, Irene, and Anton. It plays into not just some of the mystery but also the drama and romance as well as Niccol’s approach to framing the actors where the flashback scenes involving a young Vincent and Anton where Vincent is in the foreground while Anton and their parents are in the background. It establishes how disconnected Vincent is with his own family as well as the world he lives in as the third act showcases him not only trying to reveal some truth to those close to him. Especially as it revealed exactly how he managed to defy the odds in a world that prevents him from achieving his dreams. Overall, Niccol creates a compelling and ravishing film about a young man prejudiced in a futuristic world where science determines one’s fate.

Cinematographer Slawomir Idziak does phenomenal work with the film’s very colorful cinematography with its usage of filters and lighting schemes for some of the film’s interiors while maintaining something that is quite ethereal in its images as it’s among one of the film’s major highlights. Editor Lisa Zeno Churgin does excellent work with the editing as it is quite stylish with some of its rhythmic cuts and usage of dissolves to play into the drama and suspense. Production designer Jan Roefls, with set decorator Nancy Nye and art director Sarah Knowles, does amazing work with the set design from the look of Jerome‘s home as well as the building where Vincent would work as Jerome along with the nightclubs and such the two would go to. Costume designer Colleen Atwood does fantastic work with the costumes from the suits that Vincent and Jerome would wear as well as the trench coat/fedora look of Anton‘s partner Hugo and the dresses that Irene would wear.

Makeup supervisor Ve Neill and key hair stylist Bette Iverson do terrific work with the look of Vincent prior to meeting Jerome and how they would have the same haircut. Visual effects supervisor Jerry Pooler does nice work with some of the minimal visual effects as it relates to spaceship that Vincent wants to board into. Sound editor Richard King does superb work with the sound to play into some of the chaotic elements of the film along with some of the textures that Vincent would endure in his training. The film’s music by Michael Nyman is incredible for its lush orchestral score with elements of minimalist and soft piano textures as it plays into the drama

The casting by Francine Maisler is marvelous as it features notable small roles from Dean Norris as a beat cop, Ken Marino as a sequencing technician, Maya Rudolph as a delivery nurse, Gabrielle Reece as a trainer where Vincent works at, Vincent Nielson and William Lee Scott in respective versions of the adolescent and teenage Anton, Mason Gamble and Chad Christ in the respective version of the adolescent and teenage Vincent, Blair Underwood as a geneticist, Jayne Brook as Vincent and Anton’s mother who loves both sons as she ponders what Vincent will do, and Elias Koteas as Vincent and Anton’s father who seems to favor Anton more than Vincent as he wants his eldest to be more realistic in his dreams. Tony Shalhoub is terrific in a small role as a mysterious man who would help Vincent attain the look and genetics to be Vincent.

Ernest Borgnine is superb as an invalid named Caesar who leads the clean-up crew as he tells Vincent not to clean too well as he would later provide evidence into who might be the killer not knowing that Jerome is really Vincent. Gore Vidal is excellent as the mission flight director Josef who tries to deal with the murder in his building while aiding the detectives. Xander Berkley is amazing as Dr. Lamar who would interview Vincent for the job as he looks into many background checks as it’s a very low-key yet mesmerizing performance. Alan Arkin is fantastic as Detective Hugo as an old-school detective who aids Anton into finding the killer as he initially suspects the invalid Vincent while he goes into looking for other clues. Loren Dean is brilliant as Anton as Vincent’s younger brother who has become a detective as he realizes Vincent is a suspect while wondering if his brother is really alive when he was supposed to.

Jude Law is incredible as Jerome as a former swimming star who has become paralyzed as he aids Vincent in achieving his dream while revealing what happened when he became paralyzed as it showcased how much he and Vincent have in common. Uma Thurman is remarkable as Irene as a woman who works with Vincent as she falls for him unaware of who he really is as she would also make some major discoveries of her own while revealing her own flaws in her genes despite being valid. Finally, there’s Ethan Hawke in a phenomenal performance as Vincent Freeman as a man who was conceived naturally with genetic flaws as he is determined to buck an unjust system while coping with his own ailments as well as what he had to do to overcome them.

Gattaca is a spectacular from Andrew Niccol that features great performances from Ethan Hawke, Uma Thurman, and Jude Law. It’s a film that isn’t just a compelling and provocative sci-fi drama but also a film that explores the ideas of what happens if science determines one’s fate. In the end, Gattaca is an enchantingly rich and tremendous film from Andrew Niccol.

© thevoid99 2015

The Great New Wonderful

Originally Written and Posted at Epinions.com on 12/20/06 w/ Additional Edits & Revisions.

Directed by Danny Leiner and written by Sam Catlin, The Great New Wonderful is a multi-layered film revolving around five different stories in post-9/11 New York City as it involves an ambitious pastry chef, an old woman rekindling an old friendship, two Indian security chief officers, a couple dealing with their troubled son, and an accountant going into therapy. It's a film that plays into the lives of people as the deal with themselves and their own surroundings in New York City. Starring Olympia Dukakis, Jim Gaffigan, Tony Shalhoub, Maggie Gyllenhaal, Judy Greer, Tom McCarthy, Stephen Colbert, Naseerudin Shah, Sharat Saxena, and Edie Falco. The Great New Wonderful is a compelling yet flawed film from Danny Leiner.

Going through a break-up with his girlfriend, an accountant named Sandie (Jim Gaffigan) is seeking therapy from an oddball, office therapist named Dr. Trabulous (Tony Shalhoub). The therapy is taken into an unconventional approach as Sandie becomes evasive. Only Trabulous finally breaks through in which he reveals the anger that Sandie has been swallowing. In another part of New York, an old woman named Judie Hillerman (Olympia Dukakis) is stuck in a monotonous marriage with Henry (Ed Setrakian) as she spends her life doing the same thing while making collages. One day at a council meeting, she sees an old high school friend named Jerry Bono (Dick Latessa) where a couple of days later, they rekindle their friendship. Judie hopes this renewed friendship will break away from her monotonous life with her husband.

Back in the city, an ambitious pastry chef named Emme Keeler (Maggie Gyllenhaal) is trying to get some clients for the most competitive season of the year. Still living in the shadow of cake-queen Safarah Polsky (Edie Falco), Emme hopes to finally get one of her clients. Meanwhile, she is dealing with her own life with boyfriend Danny (Will Arnett) and after a meeting with Polsky, she decides to get into competition. With her team that included Alexa (Martha Millan), Clayton (Seth Gilliam), and Justin (Jim Parsons), they hope to attract the attention of a young actress named Lisa Krindel (Ari Graynor) which nearly falters but Emme gets the job. In another part of the city, Two Indian top-security guards in Avi (Naseerudin Shah) and Satish (Sharat Saxena) are watching over a visiting foreign general (Kapil Bawa). Avi and Satish discuss life as Avi talks about flirting with a woman he met a supermarket while Satish is feeling frustrated about the things in the world.

The fifth and final story revolves around a couple in David (Tom McCarthy) and Allison Burbage (Judy Greer) are dealing with their son Charlie’s (Bill Donner) who is starting to act out in a dysfunctional, violent way. While David is trying to get a client for his firm, Allison works as a teacher where Charlie's behavior has become strange in which he's wearing a cape and wearing hand puppets while not participating in any student events and starts to become violent towards them. Finally turning to the school's child psychologist Mr. Peersall (Stephen Colbert), it's been revealed that Charlie has been suspended several times and things aren't going great. A comment that Peersall says forces David and Allison to see what they can do with Charlie as everyone else is forced to deal about their own lives and all of their achievements and failures.

While the film does have moments that audiences can relate to. Not everything that screenwriter Sam Catlin and director Danny Leiner work. There are five stories. One of them is great which is the two Indian security guards since it's filled with a lot of humor and frustration of two men trying to deal with their lives. Two of them are excellent in the form of Emme's story and the story of Allison and David. The story of Emme is wonderfully told in how a young woman try to do anything to become the cake queen of New York only to realize that it's sometimes not worth it. The story of David and Allison is interesting for its mix of drama and humor, in which the latter is provided by a restrained Stephen Colbert in what he had to say. It's really wonderfully told. 

Another is fine yet flawed, in the story of Judie where despite its elliptical approach towards pacing, it does fulfill everything in her frustration with her marriage and how she tries to break the monotony. The only segment that doesn't work is the Sandie-Trabulous story since the dialogue, particularly Sandie’s evasiveness really gives the segment a lagging feel where it's becomes very inattentive and uninteresting despite Shalhoub's performance. The result is a film that is better in the sum of its parts rather than a whole. While they're all cut in an inter-connected way where all the stories are seen from one to another and to another, it does give the film a sense of being a bit uneven. Still, the film's ending for some of the stories do fulfill about everything that happened one year ago while it has a sense of irony. Despite the flaws and some heavy-handiness, it's still a film that has a bit of entertaining and profound moments.

Helping Leiner in his visual presentation of NYC is cinematographer Harlan Bosmajian whose use of colors ranging from sepia in the Judie Segment to more colorful flourishes in other sequences reveal the difference of the NYC world. Production designer Laura Ballinger and art director Tyler Q. Rosen also works to NYC's diversity from the posh world of Emme to the middle-working class world of David and Allison. Costume designer Alysia Raycraft also works to the film's different class structures on the clothing. Editor Robert Frazen does to do superb work on the cutting the film's structure in moving one segment to another where it doesn't lose its place or anything. Sound designer Jeff Kushner also does wonderful work, especially in the film's ending signifying the one-year anniversary of 9/11. The music of Brett Boyet and John Swihart is wonderfully plaintive to convey the emotions and moods of the characters and stories.

The film's cast is good for the most part with small, notable performances from Bill Donner, Seth Gilliam, Will Arnett, Ari Graynor, Martha Millan, Jim Parsons, Kapil Bawa, Ed Setrakian, and a cameo from playwright Tony Kushner. Jim Gaffigan is a good actor but the role he's been given and his performance was very bizarre and underwritten in a way that he's uncomfortably restrained and it lacks depth. Tony Shalhoub is a great actor and he is funny in his oddball approach but the story doesn't give him much to do and he's largely wasted in some ways. Olympia Dukakis is excellent in her role as the frustrated Judie who is trying to break from her monotonous lifestyle while Dick Latessa is wonderfully charming as her old school friend. Edie Falco is wonderful in her one-scene performance as Emme's rival Safarah who has seen all kinds of success but wants something that's fulfilling as she provides something for Emme. Maggie Gyllenhaal is excellent in her role as the ambitious but shallow cake-maker who is desperate to become queen while leading a posh-like lifestyle where she realizes how unfulfilling her life is in a scene where Gyllenhaal reveals the depth and emotions of her performance.

Judy Greer and Tom McCarthy are excellent in their roles as frustrated parents trying to handle their own love life as well as their anti-social, violent son. Stephen Colbert meanwhile, gives one of the film’s best performances, notably a scene where he steals the show with one line that really shows his talents as an actor and not as the usual Colbert reporter that people know. Sharat Saxena is excellent as the frustrated, grumpy Satish who is trying to figure out his own role in the world while being a guard for a foreign general. Bollywood icon Naseerudin Shah is really the film’s most likeable and charming performance as the charismatic Avi. Shah's wittiness on the mysteries of life and women really gives the film and his segment the most entertaining side as he is also a great comedic man to Saxena's straight-man role.

The Region 1 DVD for The Great New Wonderful from First Independent Pictures presents the film in the 16x9 aspect ratio and 5.1 Dolby Digital Surround Sound. The special features the film has includes the film's theatrical trailer plus a trailer for the film version of David Mamet's play Edmond starring William H. Macy, Rebecca Pidgeon, Joe Mantegna, Julia Stiles, Mena Suvari, and Denise Richards. The features the film brings includes a two-minute character stills presentation featuring promotional pictures. The one-minute NYC Behind the Scenes featurette is really left-over footage of shots of NYC. One big feature of the film that will please its audiences are the film's five segments seen as shorts where audiences can watch the shorts but nothing new is added.

The deleted scenes segment includes 12-minutes worth of 7 deleted scenes with commentary from director Danny Leiner and screenwriter Sam Catlin. Scenes included an alternate opening with voice-over dialogue, Dr. Trabulous leaving a theater, Avi talking about sugar, David and Allison coming home from dinner where they talk to their son's baby sitter (played by Alexa Dziena of Broken Flowers), two scenes with Dr. Trabulous and Sandie where a woman (Karen Leiner) walks out crying and a scene of Trabulous talking about a play. One final scene involves a councilman and an old man talking. Leiner explained that they were cut due to creative reasons and timing. The feature-length commentary track from Leiner and Catlin isn't very interesting largely due to the fact that the two discussed the writing of the film and said "Oh this scene has good writing" and stuff. Not much talk on the cast and the film where the result is very boring and makes the film a bit unwatchable.

The Great New Wonderful is a superb though uneven film from Danny Leiner. While it had a great cast as well as some wonderful stories about people living in post-9/11 New York City, it's a film that is has a lot to offer but also moments that don't work. In the end, The Great New Wonderful is a very good film from Danny Leiner.

© thevoid99 2015

A Life Less Ordinary

Directed by Danny Boyle and written by John Hodge, A Life Less Ordinary is the story about a disgruntled Scottish janitor who kidnaps his boss’ daughter as they conspire to get a ransom unaware that angels are trying to get them to fall in love. The film is a romantic-comedy of sorts with a bit of an edge that revels in a bit of violence but also fantasy. Starring Ewan McGregor, Cameron Diaz, Delroy Lindo, Holly Hunter, Dan Hedaya, Tony Shalhoub, Maury Chaykin, Stanley Tucci, and Ian Holm. A Life Less Ordinary is a witty yet off-the-wall film from Danny Boyle.

When true love is involved, fate comes into play to ensure that true love does happen while anything else that prevents that from happening have to be pushed aside. The film is about a couple of angels who arrive to Earth to make sure that an enraged Scottish janitor named Robert (Ewan McGregor) and a spoiled rich girl named Celine (Cameron Diaz) get together where if they don’t succeed, the angels will be forced to stay on Earth forever. Yet, the angels in O’Reilly (Holly Hunter) and Jackson (Delroy Lindo) do whatever it takes to make sure Robert and Celine together as the former decides to kidnap Celine for a ransom after he was fired by her father (Ian Holm) who replaced him for a robot. Though Robert is inexperienced in the idea of kidnapping, Celine helps him so she can collect some of the ransom money after realizing that her father decides to cut her off.

John Hodge’s screenplay definitely plays to the schematics of love where Robert and Celine are two people with very different views as the former is a dreamer who wants to write a novel as he’s going through a string of bad luck. The latter is a rich young woman who likes to do dangerous things and live a certain lifestyle as she had been through too many bad relationships to even consider the idea that there’s such a thing as true love. Because of the idea that true love is hokey, it causes problems up in Heaven where Gabriel (Dan Hedaya) is overwhelmed as God told him that he’s making new rules about to deal with the failure of love not happening. Hodge’s script isn’t just filled with some elements of black comedy as well as a bit of satire into the idea of the rom-com. He also allows the script to have some funny dialogue that plays into the idea of love while giving Robert and Celine reasons into why they should be with each other.

Danny Boyle’s direction is definitely engaging as well as stylized in some of the framing he creates as well as just letting things be much looser. Notably as Boyle incorporates a bit of the musical in the form of a duet between Robert and Celine to Bobby Darin’s Beyond the Sea. While it is a romantic comedy, Boyle is also aware that he wants to infuse the film with other genres such as crime and black comedy. Though the results can be a bit of a mess, Boyle does enough to make sure that the story is still there where he adds some suspense and moments to keep things light-hearted and fun. Overall, Boyle creates a very exciting and heartfelt film about love and fate.

Cinematographer Brian Tufano does excellent work with the film‘s photography where a lot of it is straightforward for the exteriors set in Los Angeles and parts of Utah while using some more stylish lights in some of the film‘s interior scenes. Editor Masahiro Hirakubo does nice work with the editing as it‘s very stylized to play up some of the humor and action as well as some dazzling moments in Robert‘s fantasy scenes. Production designer Kave Quinn, with set decorator Marcia Calosio and art director Tracey Gallacher, do great work with the look of Heaven where it’s all white and looks like a police station while keeping things more simpler for the scenes set on Earth. Costume designer Rachael Fleming does terrific work with the costumes from the more casual clothing of Robert to the more stylish clothes of Celine to display their personalities as well as bringing some styles to the clothes of O‘Reilly and Jackson.

Animation director Michael Mort does fantastic work with a claymation epilogue that reveals more into the fate of the film‘s characters. Sound editor Andy Kennedy does terrific work with the sound to capture some of the funnier moments of the film as well as some of its action scenes. The film’s music by David Arnold is superb for its playful use of electronic music to capture some of its humor and romantic elements. Music supervisor Randall Poster creates a very fun soundtrack that features music from Diana Ross & the Supremes, R.E.M., Ash, Elastica, Underworld, Oasis, Elvis Presley, Bobby Darin, Sneaker Pimps, the Prodigy, Beck, Orbital, the Shirelles, Gladys Knight, Luscious Jackson, Faithless, the Folk Implosion, and the Cardigans.

The casting by Donna Isaacson is brilliant as it features some notable small roles from K.K. Dobbs as Robert’s former girlfriend, Timothy Olyphant as a hitchhiker, Ian McNiece as Celine’s father’s bodyguard, Tony Shalhoub as a bar owner Robert later works for, Maury Chaykin as a cabin neighbor Robert and Celine befriends, and Stanley Tucci as a former prospect of Celine who would briefly help them out only to try to flirt with Celine. Dan Hedaya is excellent as the archangel Gabriel who gives O’Reilly and Jackson the mission while realizing that he might have the power to play into the fates of Robert and Celine. Ian Holm is superb as Celine’s very greedy and smarmy father who would rather keep the money than pay Robert’s ransom causing more dissent from his daughter.

Holly Hunter and Delroy Lindo are great in their respective roles as O’Reilly and Jackson as two angels who pose as bounty hunters who are doing whatever it takes to get Robert and Celine together even if it hurts or kills them. Ewan McGregor and Cameron Diaz are remarkable in their roles as Robert and Celine as two people brought together by circumstances as they deal with their differences. Notably as McGregor brings a comical approach to his character who is sort of a dimwitted dreamer while Diaz is more cool as a jaded spoiled rich girl who doesn’t believe in love where the two are also very fun to watch.

A Life Less Ordinary is a stellar yet enjoyable film from Danny Boyle that features top-notch performances from Ewan McGregor and Cameron Diaz. Armed with a wonderful supporting cast and a kick-ass soundtrack, it’s a film that doesn’t take itself seriously while wanting to give the audience something that is something different and fun in comparison to some of the more darker and intense films of Boyle’s other work. In the end, A Life Less Ordinary is a fantastic film from Danny Boyle.

Danny Boyle Films: Shallow Grave - Trainspotting - The Beach - 28 Days Later - Millions - Sunshine - Slumdog Millionaire - 127 Hours - Trance - Steve Jobs (2015 film) - T2 Trainspotting - (Yesterday (2019 film))

© thevoid99 2013

The Man Who Wasn't There (2001 film)

Originally Written and Posted at Epinions.com on 9/13/03 w/ Additional Edits & Revisions.

Written, produced, and directed by Joel & Ethan Coen, The Man Who Wasn't There is about a quiet, rigid barber who suspects his wife of having an affair with her boss. When he gets into a scam-deal, he blackmails his wife's lover and it backfires as he accidentally kills him. The film harkens back to the Coen Brothers' love for film noir dating back to their 1984 debut film Blood Simple while setting it on post-war 1940s in Northern California. Starring Billy Bob Thornton, Frances McDormand, James Gandolfini, Jon Polito, Michael Badalucco, Richard Jenkins, Scarlett Johansson, and Tony Shalhoub. The Man Who Wasn't There is a gorgeous yet eerie film from the Coen Brothers.

Ed Crane (Billy Bob Thornton) is a quiet barber who works at a barbershop owned and managed by his talkative brother-in-law Frank (Michael Badalucco) as Ed is married to Frank's sister Doris (Frances McDormand) who works at a department store run by a big-shot named Big Dave (James Gandolfini). During a dinner with Doris, Big Dave, and Dave's wife/store heiress Ann Nirdlinger (Katherine Borowitz), Ed suspects that Doris is having an affair with Dave as he prefers to keep it to himself. When a traveling businessman from Sacramento named Creighton Tolliver (Jon Polito) arrives into town about a business proposal involving dry cleaning, Ed becomes interested and wants to be involved as a silent partner. To get the money, Ed decides to blackmail Dave at a store party only to deal with a tense Dave who is having other issues.

Despite pondering over what he's doing, Ed gets the money in secrecy as he gives it to Tolliver hoping things would go well. After returning home from a wedding reception for Doris' cousin as Doris got drunk, Ed gets a call from Dave who asks him to come to the store. Dave reveals what he found out as a fight led to bad consequences as Ed returns home thinking nothing happened until the next day when Doris was arrested for Dave's murder. With Ed and Frank searching for a lawyer, Ed turns to his neighbor Walter Abundas (Richard Jenkins) whose teenage daughter Birdy (Scarlett Johansson) has wowed Ed with her classical piano playing. After Walter suggests in getting hot-shot lawyer Freddy Riedenschneider (Tony Shalhoub) to defend Doris despite his hefty price tag. Ed's guilt starts to consume him as he confesses to Doris and Riedenschneider about what happened only for Riedenschneider to dismiss Ed's claim.

Following a strange visit from Ann Nirdlinger who claims that UFOs has taken Dave, Ed tries to deal with all that's happened as he finds comfort in Birdy's piano playing. On the day of Doris' trial, something happens leaving Ed ruined as he discovers some startling secrets from a private detective (Jack MeGee). Wanting to find redemption, Ed decides to invest in Birdy's future as a pianist as he gets her to audition for a music expert named Carcanogues (Adam Alexi-Malle) where its aftermath brings Ed some surprising revelations over everything that he's been through.

What makes The Man Who Wasn't There such a different film from previous efforts was the restraint the film took. While there's bits of humor involving UFOs and a strange fantasy sequence near the end of the film. It adds to some of the offbeat quirks needed to provide the character of Ed Crane a sense of surrealism that he's dealing with in the aftermath of what he's done. The directing of the film is as evocative than any other films with imaginative, subtle images that really gives the film a 1940s look. Even with shots where everything is stilted and all of these symbols come into a room. The Coen Brothers' writing is as potent as ever with not just clever, witty dialogue but extremely moving moments while their narrative flows in a smooth, comforting way. The overall work is an entrancing yet meditative piece from the Coen Brothers.

Complementing the directing style in the cinematography department is longtime regular Roger Deakins. Deakins' masterfully, lush black-and-white photography gives the film a noir-like feel that hadn't been felt since the Coens' 1985 debut Blood Simple. With help from production designer Dennis Gassner and costume designer Mary Zophres, the film captures the look of late 1940s with the right detail and tone that helps Deakins' photography shine.

The editing of Roderick Jaynes (the alias of the Coen Bros.) is wonderfully paced in its slow but mesmerizing style that helps to convey the genre. With the piano sonnets of Beethoven played throughout the film, longtime Coen Brothers composer Carter Burwell brings a dark, eerie score with his lush orchestral arrangements to capture the noir, restrained tone of the movie.

Then there's the film rich cast with wonderful cameos from Christopher McDonald and The Hudsucker Proxy star Jennifer Jason Leigh, in an un-credited cameo that plays up to the film's quirks. Smaller performances from Adam Alexi-Malle as Carcanogues and Richard Jenkins as Walter Abundas are wonderfully performed while Katherine Borowitz give a haunting performance as Big Dave's wife Ann. Scarlett Johansson delivers an amazing yet entrancing performance as Birdy Abundas. Johansson brings a complexity to her role as the innocent, bright Birdy who has purity to Ed Crane but also has a haunting presence with her piano playing that has a dark element to the film. Coens regular Michael Badalucco brings a comical performance as Frank, who seems to know everything but is really a childlike character. Tony Shalhoub is the film's best supporting performance as the fast-talking Freddy Riedenschneider with his over-the-top persona and egomaniacal tone.

Coen regular Jon Polito also brings a comical presence to the film as Creighton Tolliver while James Gandolfini brings a wonderful performance as Big Dave with his big-man persona and complex emotions when he's threatened before going to his mean, Tony Soprano mode. Longtime Coens regular (and Joel's wife) Frances McDormand delivers another masterful performance as Ed's wife Doris. McDormand brings a role as the cheating wife who is in an unhappy lifestyle but when she realizes what Ed has done for, McDormand makes her character be filled with regret and sadness as she also combines comedic elements early on. Billy Bob Thornton is the film's greatest performance as the chain-smoking Ed Crane with his restrained, quiet performance of a man who is trying to find a way out of his dismal life. Thornton gives an understated tone while having wonderful scenes with all the actors, notably Gandolfini, McDormand, Johansson, and Shalhoub. This is by far one of Thornton's best performances.

***Updated, DVD Tidbits on 9/20/04***

The film’s regional 1 DVD comes in two formats with many preferring the wide screen format. With 5.1 Digital Surround Sound for English and French plus French and Spanish subtitles, the film has loads of features. With a theatrical trailer and two TV spots, the film also includes a lovely photo gallery and a filmography of several of the film's cast and crew.

The making of feature includes interviews with Thornton, McDormand, Gandolfini, Badalucco, and Shalhoub along with the Coen Brothers and cinematographer Roger Deakins, who all give insight on what the film is about along with a few outtakes. The five deleted scenes don't add a lot to the film except three styles of haircuts and Doris' idea of a salad along with an alternate first argument scene of the courtroom with Tony Shalhoub in top form.

The film also includes two great features for fans of the Coen Brothers. One is a near-hour interview with cinematographer Roger Deakins, who had worked with Coens since 1991's Barton Fink. Deakins gives insight on the art of cinematography along with his influences and how The Man Who Wasn't There came together. While it's long, the interview is a must-see for fans and aspiring filmmakers, notably cinematographers.

The other big feature is a feature-length audio commentary from the Coen Brothers and Billy Bob Thornton, which is by far one of the funniest commentaries heard on DVD. The trio talk a lot of things in the movies including references of a story Gandolfini are telling which is true based on the life of former Coen Brothers cinematographer Barry Sonnenfeld's father. Plus, Thornton makes fun of his Sling Blade persona where he goes "Ed Crane does..." "Ed Crane kills Big Dave and talks to wife again"; "Ed Crane has a boner". Thornton also gives praises to a lot of the crew and cast, notably Scarlett Johansson who he calls "a tough kid" and the Coens admit, they find her intimidating, especially in a scene where she was supposed to eat sunflower seeds and Joel says, she looked at him as if he did something idiotic where Thornton calls her one of the best actresses around.

While the Region 1 DVD has some great moments, there is something that the Coen Brothers fans must have which is the Region 2 DVD. The Region 2 DVD has a colored-version of the movie that looks like a somewhat-bad colorization of black-and-white films but the Coens gave it some lush coloring to make it look plausible.

***End of DVD Review***

The Man Who Wasn't There is a ravishing yet dark film from Joel & Ethan Coen led by a chilling performance from Billy Bob Thornton. Featuring amazing technical work and an outstanding ensemble cast that includes Frances McDormand, James Gandolfini, Scarlett Johansson, Richard Jenkins, Michael Badalucco, Jon Polito, and Tony Shalhoub. It's a film that isn't conventional due to its unique approach to film noir while it is a film that does manage to make more sense through repeated viewings. In the end, The Man Who Wasn't There is a mesmerizing film from the Coen Brothers.

Coen Brothers Films: Blood Simple - Raising Arizona - Miller's Crossing - Barton Fink - The Hudsucker Proxy - Fargo - The Big Lebowski - O Brother, Where Art Thou? - Intolerable Cruelty - The Ladykillers (2004 film) - Paris Je T'aime-Tuileries - To Each His Own Cinema-World Cinema - No Country for Old Men - Burn After Reading - A Serious Man - True Grit (2010 film) - Inside Llewyn Davis - Hail, Caesar! - The Ballad of Buster Scruggs

The Auteurs #9: The Coen Brothers Pt. 1 - The Auteurs #9: The Coen Brothers Pt. 2

© thevoid99 2012

Barton Fink

Written and directed by Joel and Ethan Coen, Barton Fink is the story of a pre-World War II playwright who moves to Hollywood to write a script for a B-movie studio. During his stay in a Hollywood hotel, he encounters strange oddities as well as individuals who help shape the script as faces pressures to give in to the trappings of Hollywood. The film explores the world of the writer and his attempt to create something meaningful in a world where he’s writing to satisfy others. Playing the titular character is John Turturro in his second collaboration with the Coen Brothers. Also starring John Goodman, Judy Davis, Michael Lerner, John Mahoney, Steve Buscemi, Tony Shalhoub, and Jon Polito. Barton Fink is an extraordinary film from the Coen Brothers.

After scoring another hit on Broadway, playwright Barton Fink becomes a success as he tries not to take the praise seriously. His friend Garland Stanford (David Warrilow) asks Fink to go to Hollywood for a week to write a script for the B-movie studio Capitol Pictures to the tune of $1000. Fink isn’t sure thinking it would betray everything he writes about but eventually decides to as he checks into a strange hotel run by a resourceful bellhop named Chet (Steve Buscemi). Meeting with studio head Jack Lipnick (Michael Lerner) and his assistant Lou Breeze (Jon Polito), Fink is asked to write a movie about pro wrestling as Fink has no clue about the world of pro wrestling. He later meets with fast-talking producer Ben Geisler (Tony Shalhoub) about what to do with a pro wrestling film.

At the hotel, Fink meets his neighbor in a big traveling salesman named Charlie Meadows (John Goodman) as the two become friends while Meadows help Fink out with the world of pro wrestling. Despite dealing with writer’s block and overwhelmed with meeting Geisler, Fink bumps into famed novelist W.P. Mayhew (John Mahoney) as the two have lunch the next day with Mayhew’s secretary/lover Audrey Taylor (Judy Davis). The lunch is a disaster due to Mayhew’s alcoholism as Fink continues to deal with writer’s block and more meetings with Lipnick and Geisler. At one particular night, Audrey visits him at his hotel as she reveals to Fink some secrets about Mayhew as she helps him with his script.

Later that morning, something bad happens as Fink asks for Meadows’ help where Meadows manages to take care of things while revealing he had to leave for New York for business. Fink becomes inspired to write a script as he later deals with two detectives named Mastrionotti (Richard Portnow) and Deustch (Christopher Murney) who are looking for a madman named Mundt. Fink finds himself in trouble as he tries to come to terms with his role as a writer.

The film is essentially about a playwright who writes about the common man going to Hollywood where he would be compromised as he deals with writer’s block and encounter strange things in the seedy hotel that he’s staying in. Among them is this mysterious neighbor who makes loud noises while would help him explore the world of pro wrestling that he’s supposed to write about. It is a film about writing and how writers try to put their own voice into a story when someone is telling them that they’re supposed to do this and that. It’s also an exploration into the world of writer’s block as the film’s titular character deals with it head on because he has no idea how to write for other people when he was known for writing for himself.

The screenplay that Joel and Ethan Coen create explores a man being compromised while he would also meet another revered writer whom he’s fond of only to realize that he’s not the man that he idolized. Notably as his secretary would reveal secrets that would further destroy that myth as she would help Barton Fink find his voice into writing this screenplay about wrestling. What the Coen Brothers also do is create this world where the writer is believed to be king but they’re only to serve a higher purpose for a studio as Fink would have a hard time trying to find voice in this world that he is so foreign to while he wants to remain grounded and not give in to adulation. The script is a character study about a man’s motivation to be a writer while dealing with all sorts of trapping in being loved by critics but also have Hollywood build him up only to anticipate tearing him down.

The direction of the Coen Brothers is truly a marvel to watch in the way they create the world of 1940s pre-World War II Hollywood as they show a contrasting world of where Barton Fink is. Whereas Fink lives in this very dilapidated hotel where wallpapers are peeling off the wall, mosquitoes appear quite often, and there’s annoying bellhop who is often to helpful named Chet. The world that he steps into is very rich and there’s a lot out there as it’s to exemplify the world that Fink could be apart of he just writes for what they want him to do. This establishment of the differing worlds that Fink encounters as Coen Brothers emphasize what Fink could have when really, neither the hotel he’s living in nor the world of the rich, successful writers and studio kingpins aren’t that great.

Through these entrancing shots of the hotel hallways and lots of rapturous compositions, the Coen Brothers create a film that is quite engaging while also making fun of Hollywood a bit. Another highlight of their direction is the way they guide actors by having them into a frame or to direct a conversation where it’s about the rhythm. The scenes involving Fink and Lipnick are rich in the way the Coens capture the intensity and drama of these conversation not just in the framing but also in the way the editing times these cuts as the Coens do amazing work in the editing under their moniker Roderick Jaynes. Other moments such as the climatic moment involving the two detectives in a fiery hallway represent the Coens just going all-out. It’s truly a film that isn’t like any other film as the Coen Brothers create what is undoubtedly a film for the ages.

In his first collaboration with the Coen Brothers, cinematographer Roger Deakins does a truly spectacular job with the film’s photography who creates a vastly wonderful look in the film’s hallway and hotel interiors to establish a tone while the exteriors of the California sun exemplify a world that is rich as Deakins’ work is truly phenomenal. Production designer Dennis Gassner, along with set decorator Nancy Haigh and art directors Richard C. Goldstein and Leslie McDonald, do fantastic work with the set pieces created as it includes the hotel that Fink and Meadows were staying in to the lavish homes and places that Fink embarks in as he explores Hollywood.

Costume designer Richard Hornung does a fantastic job with the suits and hats many of the men wear from the 1940s including the more calm yet stylish dresses that Audrey wears. Sound editor Skip Lievsay does a superb job with the sound work from some of the intimate exterior conversation scenes to the sound of Meadow‘s screams that is heard throughout the hotel early in the film. The film’s score by Carter Burwell is magnificent for its array of orchestral scores played in the film ranging from sprawling to more delicate arrangements to play with the differing moods of the film as the soundtrack also includes some pre-World War II music of the time.

The casting by Donna Isaacson and John S. Lyons is amazing for the ensemble that is created for the film. Among those making appearances is the Coen Brothers’ former cinematographer Barry Sonnenfeld as a page boy and Frances McDormand in a voice cameo as a stage actress. Notable small roles include David Warrilow as Barton’s sell-out spouting friend Garland Stanford, Richard Portnow and Christopher Murney as two intimidating detectives, Jon Polito as Lipnick’s supportive assistant Lou Breeze, and Steve Buscemi in a funny performance as the bellhop Chet. John Mahoney is excellent as the William Faulkner-based writer W.P. Mayhew while Tony Shalhoub is superb as the fast-talking and insult-spouting Ben Geisler.

Judy Davis is very good as Mayhew secretary/lover Audrey who reveals to Barton some harsh truths about Mayhew while becoming the one ally he has in the world of writing. Michael Lerner is brilliant as studio head Jack Lipnick who tries to champion Fink while getting him to write the movie as it’s a very charismatic performance for Lerner. John Goodman is terrific as the brash yet helpful Charlie Meadow who befriends Fink and helps him deal with stuff while proving to be a very loyal and tough friend. Finally, there’s John Turturro in an outstanding performance as the titular character. Sporting a weird hairdo, Turturro brings a real sense of humility and passion to a man being compromised as a writer while struggling to find a voice in the work he’s making as he has to endure all of these strange forces. Notably as he is a man lost in a world that tries to make him conform so he can be like everyone else as it’s definitely the best performance Turturro gave in his career.

Barton Fink is a triumphant and mesmerizing film from the Coen Brothers featuring a tour-de-force performance from John Turturro. The film is definitely one of the Coen Brothers’ top films of their career as it’s funny, thrilling, and dramatic. Along with a great ensemble cast and top-of-the-line technical work, it’s a film that truly explores the mind of a writer as well as exploring the theme of compromises and ambition. In the end, Barton Fink is a dazzling yet glorious film from Joel & Ethan Coen.

Coen Brothers Reviews: Blood Simple - Raising Arizona - Miller's Crossing - The Hudsucker Proxy - Fargo - The Big Lebowski - O Brother, Where Art Thou? - The Man Who Wasn’t There - Intolerable Cruelty - The Ladykillers (2004 film) - Paris Je T’aime-Tuileries - To Each His Own Cinema-World Cinema - No Country for Old Men - Burn After Reading - A Serious Man - True Grit (2010 film) - Inside Llewyn Davis - Hail, Caesar! - The Ballad of Buster Scruggs

The Auteurs #9: The Coen Brothers Pt. 1 - The Auteurs#9: The Coen Brothers Pt. 2

© thevoid99 2012

Cars

Originally Written and Posted at Epinions.com on 6/19/08 w/ Additional Edits.

Ever since the release of 1995's landmark film Toy Story, the 3-D computer-animated film changed the cinema forever with its unique look as animation was reinvented. The film coming from a fledgling studio called Pixar backed by Disney would become the predominant 3-D computer animation studio that would put out quality films that each had a unique look and feel. Since the release of Toy Story, Pixar studios and its film directors John Lasseter, Andrew Stanton, Pete Docter, and Brad Bird had created unique films that were often critically acclaimed and huge box office hits. In 2006, Pixar co-founder John Lasseter returned to the director's chair after co-directing 1999's Toy Story 2 for an entertaining, thrilling story about a race car and his exploration of life in the film simply entitled Cars.

Directed by John Lasseter along with co-director Joe Ranft based on their story co-written with Jorgen Klubien and Brenda Chapman. Cars tells the story of a rookie race car named Lightning McQueen who suddenly gets lost in a small, quaint little town called Radiator Springs on U.S. Route 66. After an accidental act of vandalism, McQueen is ordered to fix the town's road as he meets the town's eccentric characters while learning about life and racing. With an all-star cast that included Owen Wilson, Paul Newman, Larry the Cable Guy, Bonnie Hunt, Cheech Marin, Jenifer Lewis, Paul Dooley, George Carlin, Tony Shalhoub, Michael Keaton, Michael Wallis, Katherine Helmond, racing legend Richard Petty, and Pixar regular John Ratzenberg. Cars is an excellent, exciting, and entertaining film from John Lasseter and company.

It's the Dinoco 400 as a bunch of cars race for the coveted Piston Cup. Yet, the top three racers are longtime champion the King (Richard Petty), veteran contender Chick Hicks (Michael Keaton) and new rookie sensation Lightning McQueen (Owen Wilson). Yet, despite McQueen's talents and charisma, the rookie is cocky and arrogant often working alone with a frustrated pit crew. Despite being in a three-way tie, McQueen dreams of winning King's old Dinoco sponsorship that would put him at the top even though he got a break from the Rusteze bumper ointment company. Hoping to make it to California before Hicks does to get the Dinoco deal with big truck Mack (John Ratzenberger), something happens as a tired Mack loses McQueen during the trip to California.

Lost, McQueen finds himself on the famed Route 66 where he enters the quaint town of Radiator Springs and causes trouble by accidentally ruining the town's road. After the old sheriff (Michael Wallis) arrests him, McQueen meets the town's judge Doc Hudson (Paul Newman) who orders him to fix the road for community service. Even as it was the town's local motel owner/Porsche Miss Sally (Bonnie Hunt) makes the suggestion in hopes to raise the town's spirit. Having to drag the road-paving machine Bessie, McQueen meets many of the town's locals including the tow-truck Mater (Larry the Cable Guy), the tire owner Luigi (Tony Shalhoub) and his assistant Guido (Guido Quaroni), the gas station owner Flo (Jenifer Lewis) and her paint-job artist Ramone (Cheech Marin), the hippie Volkswagen bus Filmore (George Carlin), the army surplus jeep Sarge (Paul Dooley), the elder bumper sticker patron Lizzie (Katherine Helmond), and the shy fire truck Red (Joe Ranft).

While McQueen has to contend with the town and its ways, he starts to find to find himself part of the town as he makes friends and learns about Doc Hudson's past as the racing legend Hudson Hornet. After being found by the media, McQueen reluctantly returns to his lavish lifestyle as he finds himself missing the town he's grown to love. With the race for the Piston Cup happening and McQueen uninspired, he gets some unexpected help to race for the championship.

While the film has the sheer look and spirit of all the Pixar films John Lasseter and his team had created. Cars stands out for its sense of entertainment, an exploration into the world of NASCAR as well as its look into the wonders of America on the road. Yet, what the film lacks is a strong story since in comparison to the films Pixar had created before and since. It's approach is also more commercial than the rest of its films since it's more geared for entertainment than taking any kind of artistic risks. Not that there's anything wrong with that. Despite a huge team of writers and contributors that included Bonnie Hunt, John Lasseter does do a fantastic job in creating a look and style to the film that is true to the spirit of road films, NASCAR, and the wonders of America. Yet, Lasseter is still a storyteller at heart as he provides memorable characters and development that allows the story to be memorable and filled with heart as well as some strong themes.

Cinematographer Jeremy Lasky along with production designers William Cone and Bob Pauley do a superb job in the film's look and lighting as well as capturing the look of the home town and the various locations they recreate for Radiator Springs and Route 66. Editor Ken Schretzmann does an excellent job with the film's cutting in the use of dissolves and transitions to tell the story without delving into hyper-fast cutting styles for the film's racing scenes. Sound editor Michael Silvers and sound designer Tom Myers do a fantastic job with the film's sound work in capturing the sound of tires squeals and engines running for the film's race scenes as well as various work where the sound work is one of the film's highlights. Animation directors James Ford Murphy and Bobby Podesta do an amazing work in the look for each character to give them personality with model cars they play as it works to give the entire film a unique look.

Longtime Pixar contributor Randy Newman does a wonderful job with the film's score that is a mix of ragtime and country music to capture the spirit of Middle America and the world of NASCAR. The soundtrack though is a mixed bag despite the fact that it captures the spirit of the film. With old-time music ranging from the Chords, Chuck Berry, Hank Williams, and Jimi Hendrix, the rest of the soundtrack includes such mainstream artists as Sheryl Crow, John Mayer, James Taylor, Brad Paisley, Rascal Flatts, and of all things, Kenny G.

The voice cast is truly superb with cameo appearances from previous Pixar contributors Tom Hanks, Tim Allen, Dave Foley, Billy Crystal, and John Goodman playing their respective Pixar characters in the form of cars as a tribute of sorts to John Ratzenberg’s contributions. Other noted cameo appearances from Bob Costas, Jay Leno, Mario Andretti, Michael Schumacher as a Ferrari, Richard Petty's wife Lynda as Mrs. The King, Dale Earnhardt Jr. as Junior, racing legend Darrell Waltrip as Costas' co-broadcaster, Richard Kind and Edie McClurg as two vans trying to find directions, Jeremy Piven in a typecast but funny role as McQueen's agent Harv, and Finding Nemo director as the rusty car Fred. Other Pixar contributors like Lou Romano as a street racing car, the late Joe Ranft (whom the film was dedicated to) as Red and the Peterbilt truck, and John Ratzenberg as the truck Mack whose voice is so memorable that he's one of the reasons that Pixar is the best 3-D animation studio.

Michael Keaton is great as the cheating, 1980s stock-car with a mustache who likes to spur insults on McQueen and cheat as the rival that everyone loves to hate. Racing legend Richard Petty is also great in the role of The King, the 1970 Plymouth Superbird racing legend who gives McQueen advice on being a champion and such. Katherine Helmond is funny as the old 1923 Ford Model T car Lizzie who has some funny one-liners and is often forgetful. Jenifer Lewis is sassy as the 1957 Motorama show car gas station owner Flo who provides the best gas on Radiator Springs while Cheech Marin is cool as the 1959 Chevy Impala Lowrider Ramone who likes to give cars good paint jobs. Michael Wallis is good and funny as the 1949 Mercury Club Coupe police car who makes sure McQueen doesn't try to run away while having to get repairs for his old parts. Paul Dooley is also good as Willys Army model jeep Sarge who often banters with the 1969 VW Bus Fillmore, played wonderfully by George Carlin, who likes to sell organic fuel and listen to Jimi Hendrix.

Tony Shalhoub is excellent as Luigi, the 1959 Fiat 500 who sells tires and only pay attention to European racing circuit with a love for Ferraris yet it's Guido Quaroni as the little Isetta forklift named Guido that steals the show with his hope to put in new tires for a race as he says the word "Peet stop" with such delight. Larry the Cable Guy is hilarious as the rusty 1950s model tow truck Mater who befriends McQueen while teaching him how to drive backwards with fantasies of wanting to ride in a helicopter.

Bonnie Hunt is wonderfully subtle as the voice of reason in her role as the 2002 Porsche 911 model Sally Carrera who shows McQueen a world that is different from the world he's been as she becomes a potential love interest. Paul Newman is superb as 1951 Hudson Hornet model Doc Hudson who despises McQueen for who he is as he later reveals about his own racing past and what happened to him only to become his unlikely mentor. Owen Wilson is perfectly cast as the cocky, arrogant Lightning McQueen, a hybrid of Le Mans endurance racer and Ford, who goes through the biggest development as he learns about being a true winner and having a good team to back him up.

While Cars isn't as superb or as brilliant as other Pixar films, John Lasseter's tribute to NASCAR and the American road films is still an excellent 3-D animation feature film that has enough spark and entertainment value that is undoubtedly watchable. Fans of the films that Pixar have created will feel that Cars is the weakest of the bunch yet in comparison to most 3-D animated films not put out by Pixar. Cars still beats them in terms of heart and technical brilliance. In the end, for a film with memorable characters, lot of energy, and great themes, Cars is the film to go see.

Pixar Films: Toy Story - A Bug's Life - Toy Story 2 - (Monsters, Inc.) - (Finding Nemo) - The Incredibles - Ratatouille - WALL-E - Up - Toy Story 3 - Cars 2 - Brave - Monsters University - Inside Out - The Good Dinosaur - (Finding Dory) - (Cars 3) - Coco - Incredibles 2 - Toy Story 4 - (Onward) - Soul (2020 film) - (Luca (2021 film)) - Turning Red - (Lightyear) - (Elemental (2023 film)) - Inside Out 2 - (Elio) – (Toy Story 5)

© thevoid99 2011