Showing posts with label ursula andress. Show all posts
Showing posts with label ursula andress. Show all posts
Thursday, October 04, 2012
James Bond Marathon: Bond Girls are Forever
Directed by John Watkin, Bond Girls are Forever is a TV documentary about the evolution of the Bond Girls in the James Bond film series. Hosted by its co-author Maryam D’Abo who played Kara Miloy in The Living Daylights, the documentary showcases how the Bond girl was created and how it would evolve throughout the series as it features interviews with many of the women who played these roles. The result is a fascinating TV documentary about the world of the Bond Girls.
To celebrate the franchise’s 40th anniversary as well as the release of its 20th film Die Another Day, Maryam D’Abo travels all over the world to interview several of the women who had played Bond Girls. Throughout the course of the film, many would reveal not just the joy of playing a Bond Girl but also reveal that not everything is great. Starting with Ursula Andress as Honey Ryder and Honor Blackman as Pussy Galore, the two share their ideas about the Bond Girl and how it transformed their careers. Luciana Paluzzi, who played the villainess Fiona Volpe revealed that being in the film caused a backlash in her native Italy where she found herself unemployed in the Italian film production for a while.
As the 60s became the 70s, Jill St. John, Lois Chiles, Maud Adams, and Jane Seymour each express their views about the evolution of the Bond Girls where some like Adams, Chiles, and Seymour express some discontent over the way Bond treats women sometimes though St. John was more kind about how the Bond Girl was treated as she says it’s just part of a fantasy world that was away from reality. D’Abo and Carey Lowell, who participated in the late 80s Timothy Dalton era, each express their fondness over playing the Bond Girls while noting the lack of sexuality in the film. By the time the 90s rolled around, it became clear that Bond Girls had evolved into more empowering women led by Judi Dench as M.
What makes the documentary interesting isn’t about the evolution of the Bond Girl through different decades and different Bonds. It’s about this exclusive club that these women are a part of where they’re recognized all over the world and become part of a phenomenon. While some enjoy it, a few are uneasy about it. Through the editing of Kevin Bourque and Harry Watson and John Watkin’s direction, it explores the different time periods of the Bond Girls. The shortcoming of the documentary are the ones who don’t get interviewed like Barbara Bach, Daniela Bianchi, Carole Bouquet, and several others. Yet, the ones who do participate do provide a lot of insight into the world of the Bond Girls.
Bond Girls are Forever is a wonderful TV documentary that explores the world of the Bond Girls. It’s something that James Bond fans must see just as an accompanying piece to the films. Notably as it gives them a nice view about the evolution of the Bond films and the way women are portrayed throughout its first 40 years. In the end, Bond Girls are Forever is a superb TV documentary from John Watkin.
James Bond Files: The EON Films: Dr. No - From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty's Secret Service - Diamonds are Forever - Live and Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - For Your Eyes Only - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - GoldenEye - Tomorrow Never Dies - The World is Not Enough - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die
Non-EON Films: Casino Royale (Climax! TV Episode) - Casino Royale (1967 film) - Never Say Never Again
Bond Documentaries: True Bond - Everything or Nothing: The Untold Story of 007
© thevoid99 2012
Friday, July 06, 2012
007 James Bond Marathon: Casino Royale (1967 film)
Based on Ian Fleming’s novel, Casino Royale is a parody film that makes fun of the James Bond franchise in which Bond comes out of retirement to deal with the deaths of fellow agents and face off against an organization called SMERSH. Directed by Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Val Guest, and Richard Talmadge with a screenplay by Wolf Mankowitz, John Law, and Michael Sayers. The film is a big-budgeted spoof where many people led by David Niven who plays a retired Sir James Bond. With a cast that also includes Peter Sellers, Orson Welles, Ursula Andress, Barbara Bouchet, Deborah Kerr, Jacqueline Bisset, Ronnie Corbett, and Woody Allen. The parody version of Casino Royale is a whimsical although extremely messy film.
With the world in danger by an organization named SMERSH, M (John Huston) and fellow spy leaders try to persuade Sir James Bond to come out of retirement to face SMERSH. Things suddenly go out of control when M is killed as Bond goes to M’s estate for the service where he meets M’s widow Lady Fiona McTarry (Deborah Kerr) who is really a double agent trying to capture Bond with the help of her women and others. Instead, the experience has her switching sides forcing Bond to return to the MI6 with a new Miss Moneypenny (Barbara Bouchet) with a plan to fool SMERSH by gathering many people posing as Bond.
With Moneypenny successfully seducing a man named Coop (Terence Cooper) to be Bond, Bond hires Vesper Lynd (Ursula Andress) to persuade gambler Evelyn Tremble (Peter Sellers) to be Bond in order to stop Le Chiffre (Orson Welles) who is trying to raise money to uncover his losses for SMERSH. Bond also decides to recruit his long-lost daughter Mata Bond (Joanna Pettet) to go to Berlin to uncover what Le Chiffre and SMERSH is up to as she succeeds for Tremble to travel to Paris at Casino Royale. Though Tremble was able to beat Le Chiffre, things go wrong forcing Bond to confront SMERSH and its mysterious leader.
The film is essentially a spoof on spy movies including the James Bond films where there’s lots of beautiful women in the film as well as silly situations where Bond has to face various nemesis and such. Yet, it is told in a very clumsy manner due to a screenplay that isn’t sure what it wants to be. The first act is about getting Bond out of retirement while it features this strong second act of Bond recruiting people to be James Bond that includes a baccarat master whose storyline is the most interesting since it plays true to the original Ian Fleming story. Then comes the third act where it becomes more uneven where it falls into loads of shenanigans where it’s funny at times but also takes itself way too seriously to be very funny.
The direction of the film is helmed by six filmmakers where the screenplay’s lack of cohesiveness really makes the film a mess. At times, the framing doesn’t carry much depth where an actor is at the edge of the frame barely seen. Still, there’s moments such as the sequences with Evelyn Tremble and Mata Bond that are very interesting. Notably the face off between Tremble as Bond and Le Chiffre despite some moments where it tries to be funny. The climatic reveal of the villain is definitely one of the film’s funny moments as well as its motivations. Yet, the direction at times tries to do a lot to entertain as well as keep up the times where it makes the whole film dated that included some silly psychedelic montages.
While some of the locations in Scotland is inspiring, the entire sequence that is directed by John Huston is uninspiring while the stuff involving Tremble, Lynd, and Le Chiffre by Joseph McGrath and Robert Parish is pretty good. The scenes with Woody Allen as Bond’s nephew Jimmy by Val Guest is hilarious though at times, does go overboard due to the climatic shenanigans that occurs as it features silly cameos from Jean-Paul Belmondo and George Raft. Overall, the film is a total mess where it tries to be a lot of things only to come out with so little.
Cinematographers Jack Hildyard, Nicolas Roeg, and John Wilcox do nice work with the photography for some of the interior Berlin settings as well as the look of the Casino Royale. Editor Bill Lenny does terrific work with the editing with some stylish montages in Tremble‘s kidnapping scene while some of the pacing goes into sluggish mode during the film‘s very farcical first act. Production designer Michael Stringer, along with art directors Ivor Beddoes, Lionel Couch, and John Howell, does fantastic work with the set pieces such as the place Mata‘s mother Mata Hari stayed at in Berlin to the Casino Royale and the secret SMERSH base.
Costume designers Julie Harris and Anna Duse do wonderful work with the costumes from the clothes the men wear as well as the dazzling dresses and 60s costumes the women wear. The special effects work of Cliff Richardson, Roy Whybrow, and John Richardson is quite good though very primitive at times such as the spaceship flying over London and other weird scenes. Sound editor Chris Greenham does excellent work with the sound such as Tremble‘s scene involving a large Scottish band. The film’s score by Burt Bacharach is superb for its playful music to emphasize the film’s humor with contributions by Herb Alpert and the Tijuana Brass that provides the film’s theme as well as a beautiful song by Bacharach and lyricist Hal David in The Look of Love sung by the late, great Dusty Springfield.
The casting by Maude Spector is quite incredible for the vast amount of people who appears in this film. A lot of them include cameo appearances from Jean Paul Belmondo as a French Legionnaire, George Raft as a coin-tossing man in the film’s climatic fight, Peter O’Toole as a Scottish band player, Geraldine Chaplin as a Keystone girl, William Holden as a CIA official, John Huston as M, Ronnie Corbett as a man in Berlin who is entranced by Mata, Anna Quayle as Mata’s Berlin teacher, Bernard Cribbins as Mata’s taxi driver to Berlin, Daliah Lavi as an agent Coop meets in his training session, Jacqueline Bisset as the agent Miss Goodthighs that Evelyn Tremble meets, Terence Cooper as a Bond agent in training, and Deborah Kerr as Lady Fiona McTarry whose overdramatic performance as a double agent is often one that isn’t fun to watch.
Barbara Bouchet is wonderful as the secretary Miss Moneypenny who is really Moneypenny’s daughter while Joanna Pettet is fun to watch as Bond and Mata Hari’s daughter Mata Bond. Woody Allen is hilarious in his small role as Bond’s bumbling nephew Jimmy Bond while Ursula Andress is excellent as the sexy yet determined Vesper Lynd. Orson Welles is very good as the whimsical Le Chiffre who likes to show off his gifts as a magician. David Niven is alright as Sir James Bond where he plays the character with a sense of charm and wit though he doesn’t seem to be the guy to really capture the sense of swagger that Bond is known for. Finally, there’s Peter Sellers in a superb performance as Evelyn Tremble where Sellers plays the role very straightforward and low-key while doing a few funny bits as it’s one of Sellers’ more underrated performances despite the notoriety he brought to the production in his emphasis to play James Bond straight and to the point.
The 1967 spoof version of Casino Royale is a film where it’s engaging at times but an overall incomprehensive film that tries too hard to entertain. Due to the dated humor and lots of silly shenanigans, it’s a film that Bond fans will have a hard time watching despite its interesting second act. While the film does offer something for fans of Peter Sellers and Woody Allen, it’s not enough to give it a strong recommendation. In the end, Casino Royale is a film that doesn’t offer much to anyone unless they’re James Bond completists.
James Bond Files: The EON Films: Dr. No - From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty’s Secret Service - Diamonds Are Forever - Live & Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - For Your Eyes Only - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - GoldenEye - Tomorrow Never Dies - The World is Not Enough - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die
Non-EON Films: Casino Royale (Climax! TV Episode) - Never Say Never Again
Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007
© thevoid99 2012
Monday, June 04, 2012
007 James Bond Marathon: Dr. No
Based on Ian Fleming’s novel, Dr. No is the story of a British secret agent who battles a mysterious scientist who intends to destroy the U.S. space program. Directed by Terence Young and screenplay by Richard Maibaum, Johanna Harwood, and Berkley Mather, the film marks the first of many adventures by Agent 007 James Bond as he’s played by Scottish actor Sean Connery in his first of many portrayals. Also starring Ursula Andress, Joseph Wiseman, Jack Lord, and Bernard Lee as M. Dr. No is a suspenseful yet mesmerizing film from Terence Young.
After the death of an agent named Strangways (Timothy Moxon) and his secretary in the hands of assassins, British Secret Service head M sends Agent 007 James Bond to Kingston, Jamaica to investigate Strangways’ death. Arriving into Jamaica where Bond deals with a chauffer (Reggie Carter) working for a mysterious organization, Bond begins his investigation at Strangways’ home where he finds a picture with a man named Quarrel (John Kitzmiller) whom Strangways had been fishing with. After Quarrel and CIA agent Felix Leiter (Jack Lord) reveal what Strangways found in an island known as Crab Key, Bond decides to ask a professor named Dent (Anthony Dawson) if he knew about the rocks Strangways has found. Dent claims they’re nothing though Bond believes something is up as he continues his investigation with help from Quarrel and Leiter.
After a failed assassination and seducing a secretary named Miss Taro (Zena Marshall) where he eventually gets a few answers from Dent. Bond and Quarrel travel to Crab Key island where Bond later meets a beautiful marine zoologist named Honey Ryder (Ursula Andress) who collecting seashells on the island. Realizing that the island is filled with men trying to find Bond, Ryder helps Bond trek through as they’re eventually captured where Bond and Ryder enter a lab filled with nuclear contamination. At the secret lab with lavish rooms, Bond finally meets the elusive Dr. No (Joseph Wiseman) who reveals his plans to disrupt the U.S. space program’s Mercury project as well as more revelations forcing Bond to try and stop him.
The film is about a British secret agent who goes to Jamaica to investigate the death of a fellow agent only to discover something even more nefarious as he confronts an evil scientist who plans to create chaos around the world. Yet, this film isn’t about some British secret agent since his name is James Bond. A character that would become the epitome of what a hero should be. A man who is very intelligent for what he does but also can kick some ass. He’s also a charming man who can get his way in and out of any situation. He’s a man who can seduce a woman and make them feel a bit dumb if they’re trying to use their sex appeal against him. He’s the archetype of the film action hero that can look cool but also be someone guys would love to be and women want to be with.
The screenplay that is created by Richard Maibaum, Johanna Harwood, and Berkley Mather does set up a formula of what is expected for a James Bond film. Bond goes to some rich locale, find out what is going on, meet a beautiful woman who could be good or bad, deal with some bad guys, saves the day and gets the girl. It’s a formula that would later be toyed around in later films but it’s the way they play out is what keeps the story so interesting. The writers understand that Bond is a man who is just doing his where the job requires a lot of wit and determination. Especially since he’s also a man of humor through the funny one-liners the writers give him.
While Bond is easily the most fully-developed character of the film, the supporting characters aren’t as developed as Bond yet they do manage to be quite interesting. Notably the titular villain who is finally seen in the film’s third act as it helps create the momentum for his arrival. Dr. No is this brilliant scientist who sports these black metallic hands who is just hell-bent on wanting to destroy the world as he’s also part of an organization that Bond will have to face in future adventures to come. Though Dr. No is a man of great intelligence, he isn’t the kind of villain who can fight Bond physically as he’s really more of an obstacle Bond has to face. Characters like Quarrel, Felix Leiter, and Honey Ryder are interesting individuals since they do provide something to help Bond defeat someone like Dr. No.
Terence Young’s direction is definitely brilliant for the way he can create scenes where he can set up moments of suspense or an action sequence that is truly spectacular. Still, Young knows when to take a break from all of that so he can make sure that Bond is doing his job as a spy investigating and take his time with the investigation. Through these amazing wide shots of the Jamaican location creating a sense of beauty where someone like Bond can go to these places. Young also knows how to use these locations to create some intense sequences like a couple of car chases where the second one is more intense as it’s up to Bond to evade the bad guys. Young knows how to maintain that air of suspense for that sequence including the climatic meet-up with Dr. No.
Through these gorgeous set pieces, Young creates an atmosphere where it is quite unsettling yet beautiful where it establishes the kind of world that Dr. No wants to be in but also make Bond feel comfortable before he’s to be dethroned. Still, it’s about the element of suspense where Young has the camera follow Bond around and create these moments where there could be a feeling that Bond might not pull it off. Even as he uses close-ups to reveal what Bond could be thinking amidst all of the danger he’s facing. Another key element to the Bond film that should be noted is the stylish opening credit sequence with shadowy women dancing around as it features some amazing title design work by Maurice Binder. Overall, Young creates a truly exciting and entertaining action-suspense film that kicks the James Bond franchise with a bang.
Cinematographer Ted Moore does fantastic work with the film‘s very colorful Technicolor photography to capture the beauty of the Jamaican locations as well as the wonderful interiors for the set pieces that includes Dr. No‘s secret lab building. Editor Peter R. Hunt does incredible work with the editing by creating lots of rhythmic cuts to play out the film‘s suspense as well as stylish dissolves for transitions or other scenes such as a phone conversation between Bond and Miss Taro. Production designer Ken Adam and art director Syd Cain do amazing work in the set pieces such as the home apartment Bond lives in London to the Dr. No lab building that is very lavish and also quite vast as it‘s definitely a gorgeous set to look at.
Sound recorders John Dennis and Wally Milner do terrific work with the film‘s sound from the way guns are fired to some of the layered sound work in the lab scenes where Dr. No is conducting his big experiment in the climatic face-off between himself and Bond. The film’s score by Monty Norman, with additional work from John Barry, is brilliant for its thrilling orchestral score as it includes the famous theme with a driving guitar riff and sweeping arrangements. The film’s soundtrack includes some calypso pieces to play out the island atmosphere of the locations as it includes contributions from Byron Lee and the Dragonaires.
The casting by James Liggat is superb for the ensemble that is created as it would feature characters who would be part of the Bond story. Among these characters who would be staples of the Bond franchise include Lois Maxwell as M’s secretary Miss Moneypenny whom Bond always flirts with and Peter Burton as an early version of Q in an arms specialist known as Major Boothroyd. Other notable small roles include such Dr. No goons like Reggie Carter as the chauffer who tried to take out Bond early on, Marguerite LeWars as a freelance photographer, Anthony Dawson as the corrupt geologist Professor Dent, and Zena Marshall as the secretary Miss Taro who tries to woo Bond into a trap. Timothy Moxon is pretty good in a very small role as Strangways while Eunice Gray is also good as the woman known as Sylvia Trench whom Bond meets at a card game.
John Kitzmiller is excellent as the islander Quarrel who aids Bond in his mission to go to Crab Key island while Jack Lord is superb as the CIA agent Felix Leiter who would become one of Bond’s key allies in the course of his adventures. Bernard Lee is great in his one-scene performance as Bond’s superior M who informs Bond on what to do as there’s a great sense of prestige in a character whom Bond reveres. Joseph Wiseman is terrific as the villainous Dr. No who has this great sense of restraint as a man who is quite intelligent and ambitious in his plans despite not being the kind of villain to fight against. Ursula Andress is wonderful as the marine zoologist Honey Ryder who helps Bond explore Crab Key island while proving to be a very cunning though Andress’ voice is dubbed by Nikki van der Zyl which does add to the exotic being of Ryder.
Finally, there’s Sean Connery in his breakthrough performance as Agent 007 James Bond. Connery brings a real sense of cool to his character from the way he’s introduced where he just says, “Bond… James Bond” as well as a charm that is just intoxicating to get into. While Connery may not look like a badass, he can definitely pull in some punches and is not afraid to look beaten up as he definitely sells Bond as a badass. Yet, there’s also a wonderful sense of humor that Connery brings that is quite subtle as he definitely brings the archetype of what a cool spy should be as it’s a true iconic performance from Connery.
Dr. No is a marvelous film from Terence Young that features a truly engaging performance from Sean Connery as James Bond. The film is definitely one of the best films of the James Bond film series while it’s also a great place to start for anyone who is new to James Bond. It’s also a great spy film that allows the audience to get to know the man and how he conducts his work with great professionalism while having the time to score with the ladies. In the end, Dr. No is a thrilling and fun film from Terence Young.
James Bond Files: The EON Films: From Russia with Love - Goldfinger - Thunderball - You Only Live Twice - On Her Majesty’s Secret Service - Diamonds Are Forever - Live & Let Die - The Man with the Golden Gun - The Spy Who Loved Me - Moonraker - For Your Eyes Only - Octopussy - A View to a Kill - The Living Daylights - Licence to Kill - GoldenEye - Tomorrow Never Dies - The World is Not Enough - Die Another Day - Casino Royale (2006 film) - Quantum of Solace - Skyfall - SPECTRE - No Time to Die
Non-EON Films: Casino Royale (Climax! TV Episode) - Casino Royale (1967 film) - Never Say Never Again
Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007
© thevoid99 2012
Bond Documentaries: Bond Girls Are Forever - True Bond - Everything or Nothing: The Untold Story of 007
© thevoid99 2012
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