Showing posts with label anthology films. Show all posts
Showing posts with label anthology films. Show all posts

Sunday, October 29, 2023

The Witches (1967 film)

 

Produced by Dino De Laurentiis, Le streghe (The Witches) is an anthology film consisting of five comic stories relating to witches all starring Silvana Mangano as it mixes horror and comedy. The anthology film features the work of five different filmmakers with a different cast as it plays into the world of witches who all disguises themselves as different kinds of women. The result is a witty though messy anthology film from producer Dino De Laurentiis.

The Witch Burned Alive

Directed by Luchino Visconti. Written by Giuseppe Patroni Griffi and Cesare Zavattini. Edited by Mario Serandrei. Music by Piero Piccioni. Starring Annie Girardot, Francisco Rabal, Massimo Girroti, Marilu Toto, Nora Ricci, and introducing Helmut Berger.

The film revolves around an actress who stops at the home of a friend in the Austrian mountains as a party is being held yet is pursued by men at the party with women being jealous of her. It is a short that plays into an actress taking a break from work to see a friend whom she realizes is in a crumbling marriage as she wants to spend time with her but there’s a party at the home as she gets drunk and things don’t go well. It is a film that has some humor and some dramatic tension though there are moments where things drag as Luchino Visconti doesn’t do much to make the sexual tension more prominent as it relates to its protagonist Gloria. Notably as Gloria’s beauty is also the source of tension among the women at the home with Gloria’s best friend Valeria (Annie Girardot) defending her while lamenting her own issues with her husband Paolo (Francisco Rabal). Girardot is the standout in the segment as it also include some fine supporting work from Nora Ricci as Gloria’s secretary and Helmut Berger in his debut film appearance as a hotel page who brings things to Valeria’s home.

Civic Spirit

Directed by Mauro Bolognini. Written by Agenore Incrocci, Furio Scarpelli, and Bernardino Zapponi. Edited by Nino Baragli. Music by Piero Piccioni. Starring Alberto Sordi.

The segment revolves around a man who is injured in an auto accident as a woman offers to take him to the hospital only to drive somewhere else to her own destination. It is one of the shorter segments of the film as it is more of a comedy in which Alberto Sordi plays this man who is severely injured and is losing a lot of blood with Mangano as this woman who is in a hurry as she is driving ferociously through Rome. Featuring some amazing editing by Nino Baragli, the film is a comical short that has Mangano being this woman that is more concerned about going to a building than helping this man as it a hilarious segment by Mauro Bolognini.

The Earth Seen from the Moon

Written and directed by Pier Paolo Pasolini. Edited by Nino Baragli. Music by Ennio Morricone. Starring Toto, Ninetto Davoli, Laura Betti, Luigi Leoni, and Mario Cipriani.

A man and his son both travel around the streets of Rome to find a woman for the man so he can create a new family as they chose this mysterious deaf-mute woman. It is a short that is comical but also stylish with Toto playing the father and Ninetto Davoli as his red-haired son wearing a New York City sports team sweater as Pasolini brings this sense of absurdity into the film. Notably as there’s a key scene at the Coliseum involving the mute woman known as Absurdity who takes part in a scheme of theirs. Featuring some great art direction and Baragli’s offbeat editing as well as Morricone’s wondrous music score that stands out from the rest of the music score in the film. This short is easily the best one in the film.

The Sicilian Belle

Directed by Franco Rossi. Written by Agenore Incrocci, Furio Scarpelli, and Bernardino Zapponi. Editor Giorgio Serralonga. Music by Piero Piccioni. Starring Pietro Tordi.

A woman has been humiliated by a man prompting her father (Piero Tordi) to find out who he is as he would massacre the entire family. It is the weakest short of the film series as it doesn’t really much of a story as it is a more dramatic story that has some dark humor but it doesn’t really give Mangano much to work with.

An Evening Like the Others

Directed by Vittorio De Sica. Written by Cesare Zavattini, Fabio Carpi, and Enzo Muzii. Editor Adriana Novelli. Music by Piero Piccioni. Starring Clint Eastwood, Valentino Macchi, and Pietro Torrisi.

The final short of the series revolves around a housewife imagining herself as a woman being swept off her feet by her husband yet the reality is that her husband is content and prefers to work and sleep though he wants to do things for her. Even as the fantasy has him becoming desperate for her attention as it plays into some comical moments but also lavish scenes of her wanting to be the center of attention towards all men with the husband unable to get her attention. It is a film that has a lot of humor though Clint Eastwood’s performance as Charlie is odd considering that isn’t known much for comedy as he’s a bit miscast though there is a brief moment of him playing a cowboy while his scenes set in reality as the husband has him playing it straight where he does manage to hold his own with Mangano.

As a film overall, it is a messy one with Pasolini’s segment being the best of the bunch while the segments by De Sica and Bolognini are strong with the latter being the shortest. Visconti’s segment is a bit dull in parts though it does feature some unique visuals with Rossi’s being the weakest as it wants to be funny but it never hits. All of the segments were shot by cinematographer Giuseppe Rotunno whose photography does add a lot of vibrancy to the film with some low-key work for Visconti and De Sica’s segments to more wondrous colors in Pasolini’s segments. Art directors Mario Garbuglia and Piero Poletto, with set decorators Emilio D’Andria and Cesare Rovatti, do amazing work with the sets with the design of the gravestones for the Pasolini segment being the highlight of the film. Costume designer Piero Tosi does excellent work with the many dresses that Mangano wears in her different characters including the layers of gowns she would wear for De Sica’s segment.

Makeup artist Goffredo Rocchetti does nice work with some of the makeup with the look of green hair and heightened makeup in Pasolini’s segment being the standout. Special optical effects work by Joseph Nathanson is good for the scene in De Sica’s segment in a stadium as it plays into Mangano’s character as the object of desire. The sound work of Vittorio Trentino is terrific in playing up the locations as well as some sound effects in the film. Much of the film’s music by Piero Piccioni as it has its moment in its playful music along with some low-key pieces for the dramatic work yet it is Morricone’s score for the Pasolini segment that is the real standout of the music.

Le streghe is a stellar though flawed anthology film. While it features great performances from Silvana Mangano along with some nice technical work along with standout segments from Mauro Bolognini and Vittorio de Sica as well as a great short from Pier Paolo Pasolini. It is a film where there are things to watch though there are bits that don’t make it work. In the end, Le streghe is a good film from producer Dino De Laurentiis.

Vittorio De Sica Films: (Rose scarlatte) - (Maddalena, zero in condotta) - (Teresa Venerdi) - (Un garibaldino al convento) - (The Children Are Watching Us) - (La porta del cielo) - (Shoeshine) - (Heart and Soul (1948 film)) - Bicycle Thieves - Miracle in MilanUmberto D - (It Happened in the Park) - (Terminal Station) - (The Gold of Naples) - (The Roof) - (Anna of Brooklyn) - Two Women - (The Last Judgment) - (Boccaccio ‘70) - (The Condemned of Altona) - (Il Boom) - Yesterday, Today, and Tomorrow - Marriage Italian Style - (Un monde nouveau) - (After the Fox) - (Woman Times Seven) - (A Place for Lovers) - (Sunflowers (1970 film)) – The Garden of the Finzi-Continis - (Lo chiameremo Andrea) - (A Brief Vacation) - (The Voyage)

Pier Paolo Pasolini Films: (Accattone) – (La Rabbia) - Mamma Roma - (The Gospel According to St. Matthew) - (Location Hunting in Palestine) – (Love Meetings) – (The Hawks and the Sparrows) – (Oedipus Rex) – Teorema - (Porcile) – (Medea (1969 film)) – (Appunti per un film sull’India) – (Notes Towards an African Orestes) – The Decameron - The Canterbury Story - Arabian Nights - Salo or the 120 Days of Sodom

Luchino Visconti Films: (Obsessione) – (Giorni di gloria) – (La Terra Firma) – (Bellissima) – (Appunti su un fatto di cronaca) – (We, the Women) – SensoWhite Nights (1957 film) - Rocco and His Brothers - (Boccaccio ’70-Il lavoro) – The Leopard - Sandra – (The Stranger (1967 film)) – The Damned - Death in Venice - (Alla ricerca di Tadzio) – (Ludwig) – (Conversation Piece) – The Innocent (1976 film)

© thevoid99 2023

Friday, August 04, 2023

Women's Tales V

 

Shangri-La (Isabel Sandoval) is set during the Great Depression where it opens with text relating to anti-interracial laws where couples from different races couldn’t marry one another. Notably as Sandoval plays one of the protagonists as she herself is a Filipino-American as she plays a woman who goes to a confession to talk about her love for a white man. Notably as she is having dreams that include futuristic alternate realities that has Sandoval wear the Miu Miu clothing as her dreams to be with this man could come true. It is an incredible short that explores a woman dealing with love that was considered forbidden in the 20th Century.



I and the Stupid Boy (Kaouther Ben Hania) revolves around a young woman texting her boyfriend for an upcoming date until a young man takes her phone and causes trouble for her leading to a lot of trouble as she takes action over his stupidity. Starring Oulaya Amamra and Sandor Funtek, the film that is set in France as it plays into this young woman who wears some cool clothes but deals with this bland pretty boy who is harassing her and trying to get her to go out with him. Yet, he ends up bringing more trouble as well as the fact that he’s a fucking dumbass. It’s the weakest short of the entire series so far though it has a good ending.



House Comes with a Bird (Janicza Bravo) stars Kelsey Lu who watches over a posh house that many rich buyers are interested in but it comes with a bird. Also starring Natasha Lyonne, Pedro Pascal, Katherine Waterston, and Poorna Jagannathan, the short is definitely one of the best as it play into these people wanting this unique house with Lu watching over everything as she also does the score for the short film. It is definitely one of the best shorts in the series.



Letter to My Mother for My Son (Carla Simon) has Simon reflecting on her own pregnancy as she writes letters to her mother about the arrival of her son. Starring Angela Molina as Simon’s mother, the short is shown through different time periods where a lot of the women wear these amazing designer clothing but also play into the idea of womanhood. It is another tremendous short in the series that also stands out as it has a richness that is rarely captured on film.



Eye Two Times Mouth (Lila Aviles) is a 23-minute short film that revolves around a young woman training for an upcoming opera audition as she works in an art gallery where she feels stifled in the world as she turns to two people to help her with her upcoming audition. It is a rich and gorgeous short set in Mexico City as it stars Akemi Endo as Luz who is helping an artist with her gallery but works with a blind musician (Alan Pingarron) and a Japanese interpreter (Irene Akido Iida) to help prepare for her audition in the opera in Madame Butterfly. It is a tremendous short that features stylish clothing inspired by Japanese robes as its climax has Endo do her operatic performance for the audition with all of its tremendous clothing.



Related: Part I - Part II - Part III - Part IV

© thevoid99 2023

Tuesday, July 18, 2023

Women's Tales IV

 

The Wedding Singer’s Daughter (Haifaa Al-Mansour) is set in 1980s Saudi Arabia as a wedding singer is performing at a wedding until her microphone goes dead prompting her daughter to find out what is going on. Especially as the bride and groom are set to enter the room as the young girl finds out what had happened to save her mother from embarrassment. It is a short that is definitely filled with a lot of charm as well as a sense of innocence as it has a sense of style told by Haifaa Al-Mansour that also has women wearing beautiful clothing in that world of the Middle East.



Shako Mako (Hailey Gates) revolves around a young actress who is working on a movie where she plays a young woman in Arab country whose town is destroyed by a bomb as she ponders the kind of roles she is playing. Even as she is also involved with the casting and such while is eager to break out from the roles she constantly plays as she even does an audition while on location. It is a film with an uneven narrative but it is still an excellent one thanks to a great leading performance from Alia Shawkat.



Brigitte (Lynne Ramsay) is a documentary short film about the photographer Brigitte Lacombe as she is filmed in black-and-white by Lynne Ramsay who captures Lacombe at work. The 30-minute short is among one of the longer shorts in the anthology series as it explore Lacombe’s methods in her photography as well as Ramsay being photographed. Adding to the brilliance of the film is the layered sound design that is a common element of Ramsay’s short films with a lot of these models wearing the Miu Miu clothes as it is one of the top tier shorts of the series.



Nightwalk (Malgorzata Szumowska) is about two different young people in Raffey Cassidy and Filip Rutkowski who play these young people stuck in their respective genders through the clothes they wear. The former is wearing a designer gown while the other is wearing a track suit as they walk out of their homes into the night stripping away the identity they’re forced to be as they become who they want to really be. It is largely a silent film of sorts with music being the dominant soundtrack yet the short does manage to have a great climax as these two young people would meet and embrace who they really are.



In My Room (Mati Diop) has director Mati Diop in her home apartment near Paris during the COVID-19 pandemic as she deals with her ailing grandmother who is living far from Paris as well as being unable to make something outside of her apartment. It is a phenomenal short that has Diop wear Miu Miu dresses and such to deal with her isolation while lip-syncing to opera music as a way to cope with her grandmother’s impending passing and being alone. Diop would serve as the film’s cinematographer where she would also shoot at the world around her including inside where she does mundane things while writing to Miu Miu about her situation as it is definitely one of the best shorts of the series.



Related: Part I - Part II - Part III - Part V

© thevoid99 2023

Thursday, July 06, 2023

Women's Tales III

 

Seed (Naomi Kawase) is about a young woman whose encounter with a dress she finds in a creek has her in touch with not just nature but also the spiritual world. Starring Sakura Ando, the 9-minute short is shot on many locations with recurring images of waterfalls and other natural elements as this young woman who feels alive in this dress would meet a couple of different men including a homeless elderly where they make a simple swap that would bring joy to both them. It is an enchanting short from Kawase who takes something simple and showcase how wondrous the world can be.



That One Day (Crystal Moselle) revolves around a girl in her late teens who goes to a skate park in New York City hoping to fit in with the many inhabitants at the park only to befriend a bunch of other young women who love to wear designer clothing and skateboard. Starring Rachelle Vinberg as this young skateboarder who wants to fit in, it is a 9-minute short that showcases a young woman wanting to belong in a culture that is often dominated by men yet it is these young women that would later be known famously as the Skate Kitchen that Vinberg is a part of as it show these young women not just these incredible skate boarders but do it with style as they would wear these expensive dresses while skateboarding yet they make it look so fucking cool as it also features an awesome music soundtrack.



Carmen (Chloe Sevigny) is about a comedian who does a stand-up performance as she talks about her life as a single woman and the difficulties in the world of dating. Starring Carmen Lynch who also co-wrote the short with Sevigny, it is a film with a simple premise although it does meander at times since it never really goes anywhere. Visually, Sevigny does create some unique visuals including a few shots where everything stops while Lynch’s character continues to talk. While it does feature Lynch in a few beautiful dresses, it is one of the weaker entries in the short series.



(The [End) of History Illusion] (Celia Rowlson-Hall) is a short that is presented as this 1950s Cold War piece where there’s a bunch of women and two twin brothers living in an underground bunker of sorts as it is presented as some weird musical commercial. Featuring Caroline Polacheck as the woman bringing voice to this thing as well as the musician in the home, it starts off as this comical moment features a ballerina doing all of the cooking while a model does interpretive dancing while vacuuming. Everything would unravel through nuclear sirens blaring in the room where everyone is wearing something fashionable but it would be all of these women including a woman wearing a mermaid costume as it plays into this false illusion with an ending that has a lot of revelations about the artificial world as it is an excellent short.



Hello Apartment (Dakota Fanning) stars Eve Hewson as a young woman who purchases her very first apartment as it would be this important figure in her life where she would have parties as well as a whirlwind relationship with her boyfriend. It is a short that plays into a young woman dealing with elements of her life as the story is fascinating with Eve Hewson as the young woman and Christina Rouner as the older version of the character at the end of the short. The only gripe about the short is the appearance of Tom Sturridge as the boyfriend as he just maintains that muggy look he’s known for as he is a sore to watch every scene he’s in.



Related: Part I - Part II - Part IVPart V

© thevoid99 2023

Tuesday, June 20, 2023

Women's Tales II

 

Le donne della Vucciria (Hiam Abbass) revolves around a party in the middle of a town square in Palermo, Sicily in Italy where Lubna Azabal sings and dances to music with many in the town including an old couple who create puppets watch. It is a short that is just full of beauty and liveliness where Abbass keeps things straightforward in the direction. Even as she focuses on the party itself with women wearing these colorful dresses with socks that also have a sense of style.



Spark & Light (So Yong Kim) is about a young woman played by Riley Keough whose car breaks down somewhere in Iceland as she worries about her mother’s health. The 11-minute short that is shot on location in Iceland has Keough’s character trying to get a signal or some sign that leads her to a home where some strange surreal moments that also involves clothes come into play. Even as it play into her worries and such as it is a gorgeous short that features a strong performance from Keough.



Somebody (Miranda July) revolves around a group of people communicating with each other through an app that July has created as a way to connect with one another. It is a short that is offbeat in the style that July is known for as she appears in the film as a woman at a restaurant reading a menu instead of playing herself. Yet, it is a short that has a lot of heart but also things that are off the wall while using the clothes to help play into this sense of quirkiness.



De Djess (Alice Rohrwacher) revolves around a fashion show hosted by nuns who found dresses on a beach wrapped in plastic as one of the dresses comes to life wanting to be worn by a young maid only for a divaesque model wanting to wear it. It is definitely one of the best shorts of the series in its approach to surrealism and humor where the models who wear these dresses are prey to the paparazzi while the main model played by Alba Rohwacher while Yanet Mojica plays the young maid who is in love with this dress as the dress chooses her. It is definitely a tremendous short worth watching as it showcases the brilliance of Alice Rohrwacher.



Les 3 boutons (Agnes Varda) has a young woman who receives a package where it is revealed to be a big pink gown that is filled with wonders as she would walk around Paris trying to discover the world outside of her small farm life. Starring Jasmine Thiere as this young farm girl who talks to the camera about her life and her own desires. The film has her walking around Paris in a simple dress where she would lose three buttons yet there is this lore about losing three buttons which means that the young woman would get three wishes as there is a sense of beauty and wonderment that Varda would display as it is a tremendous gem from one of the great filmmakers that ever lived.



Related: Part I - Part IIIPart II - Part IVPart V

© thevoid99 2023

Monday, June 12, 2023

Women's Tales I

 

Presented by the fashion brand Miu Miu, Women’s Tales is a collection of short films made by women that in which the filmmakers use the clothes of Miu Miu to each tell a story of their own. Each film is set during a certain collection from that season from the fashion brand where a filmmaker is allowed to create a story through the clothes. There are 25 short films so far that all play into womanhood while wearing beautiful clothing.

I-V:

Powder Room (Zoe Cassavetes) is about a woman going into a powder room at a lavish hotel in London for some beauty rest as she sees other women going in and getting ready for whatever they’re about to do. It’s a three-minute short that doesn’t have much going for it but it does set the tone for what the rest of the series does though it’s not a promising start despite its minimalist tone.



Muta (Lucrecia Martel) is set on a yacht on the Amazon near Paraguay where eight women would be on the yacht wearing lavish clothing though their faces aren’t shown with a couple of them wearing masks. Featuring regular Martel actress Maria Alche, the six-minute short is a surreal one as it features an unseen men trying to get on the boat but fails as it is one of the best shorts of the series.



The Woman Dress (Giada Colagrande) revolves around a woman who enters a room where three women are preparing a ritual in creating a dress. The six-minutes short is a strange one in terms of its mixture of drama with a bit of horror though the latter is presented in a less gory manner than one would expect. It is a fascinating short that has Colagrande create something that has elements of surrealism but does a lot in emphasizing the creation of a dress.



It’s Getting Late (Massy Tadjedin) revolves around four women getting ready to finish their work to attend a concert by Zola Jesus. Starring Patricia Clarkson, Gemma Arterton, Rinko Kikuchi, and Aubrey Plaza, the short shows what these women do on a work day with Arterton being a stay-at-home mother, Clarkson a film editor, Kikuchi as a corporate executive, and Plaza as a blogger. The short has them taking off their work clothes and put on the Miu Miu outfit to watch Zola Jesus as it is an incredible short.



The Door (Ava Duvernay) is a stylish short that stars Gabrielle Union as a woman dealing with loneliness as she would meet three different women who would give her a night out. Featuring Adepero Oduye, Emayatzy Corinealdi, and singer Goapele Mohlabene as these admirers, the short has Duvernay showcase this sense of sisterhood among black women as the short also has Alfre Woodard as either a neighbor or Union’s mother who helps Union’s character as it is a phenomenal short.



Related: Part IIPart IIIPart II - Part IVPart V

© thevoid99 2023

Friday, March 24, 2017

Rio, Eu Te Amo




Rio, Eu Te Amo (Rio, I Love You) is an anthology film collecting a series of short films by several of the world’s finest filmmakers about stories of love in the city of Rio de Janeiro. With four segments directed by Brazilian filmmakers Carlos Saldanha, Fernando Meirelles, Jose Padilha, and Andrucha Waddington plus six segments helmed by Guillermo Arriaga, Stephan Elliott, Im Sang-soo, Nadine Labaki, Paolo Sorrentino, and John Turturro as well as transitions directed by Vicente Amorim. The film follows the idea of love through many different people in the city of Rio de Janeiro. The result is a lively and enchanting film all set in the wondrous city of Rio de Janeiro.

In Dona Fulana (directed by Andrucha Waddington and written by Waddington and Mauricio Zacharias), an old homeless woman (Fernanda Montenegro) is roaming around the streets of Rio living her life as she is followed by a young man (Eduardo Sterblitch) as he tries to help her. La Fortuna (written and directed by Paolo Sorrentino) follows a couple (Basil Hoffman and Emily Mortimer) vacationing in Rio where the husband is paralyzed with a stroke while dealing with his spoiled wife who refuses to give him the vices in life that could kill him. In A Musa (directed by Fernando Meirelles and written by Antonio Prata and Chico Mattoso), an artist (Vincent Cassel) makes a sand sculpture as he notices a woman (Debora Nascimento) where he tries to win her love by making a sculpture.

Acho que Estou Apaixonado (written and directed by Stephan Elliott), a popular movie star (Ryan Kwanten) is struck by the wonders of the Sugarloaf Mountain where he and his Brazilian assistant (Marcelo Serrado) climb the mountain as the latter tells him about the legend of the mountain where they meet a beautiful spirit (Bebel Gilberto). In Quando nao ha Mais Amor (written and directed by John Turturro), a couple (John Turturro and Vanessa Paradis) breaks up as they cope with what they had and what got lost. Texas (written and directed by Guillermo Arriaga) is about a one-armed boxer (Land Viera) who is given a chance to help his model wife (Laura Neiva) walk again following an accident where he is offered a proposal by a man (Jason Isaacs) that comes with dire consequences.

In O Vampiro do Rio (written and directed by Im Sang-soo), an old vampire (Tonico Pereira meets a prostitute (Roberta Rodrigues) as he hopes to make her part of a small group of people who live in the city as vampires. Pas de Deux (directed by Carlos Saldanha and written by Elena Soarez) revolves around a ballet couple (Rodrigo Santoro and Bruna Linzmeyer) who perform behind a silhouette curtain for a performance as they quietly bicker about some life-changing decisions. Inutil Paisagem (directed by Jose Paldiha and written by Octavio Leonido) follows a man (Wagner Moura) who flies on a glider over Rio as curses the statue of Christ the Redeemer over his own failed relationship with his ex-wife (Cleo Pires). The final segment in O Milagre (directed by Nadine Labaki and written by Labaki, Rodney El Haddad, and Khaled Mouzanar) has an actor (Harvey Keitel) and an actress (Nadine Labaki) meet a boy (Caua Antunes) at a train station who is waiting from a phone call from Jesus Christ where the actor and actress do something to make that call happen.

The film follows a series of stories about love through ten different segments plus transitional scenes involving characters from those stories as well as a cab driver (Michel Melamed) and his former flame (Claudia Abreu) which is written by Fellipe Barbosa and directed by Vicente Amorim. It all plays into the ideas of love in many ways as it’s all set in the city of Rio de Janeiro where it is a character in the film and many of its landmarks add to its beauty. Though the filmmakers in the film don’t really do anything new to explore more of the city including its slums. It’s more about the city and how it inspires love in many different ways through the eyes of its filmmakers and their own takes on love. Filmmakers such as Stephan Elliott, Andrucha Waddington, Fernando Meirelles, and Nadine Labaki tell stories that are very unconventional as it doesn’t exactly follow the formula of love. Instead, they go for something different in their own definition of love as their segments are the ones that really standout as it also uses the locations and situations to really do something wondrous.

Another segment that is very unconventional is from Im Sang-soo whose idea of vampires living around Rio as they wear sunglasses to protect themselves from the sun is actually a very crafty and fun idea. Especially as they would spend the night dancing around as if it was Carnival where it has something a bit dark but also fun. Jose Paldiha’s segment is the most simple of them all but it’s also kind of controversial considering that its protagonist would make a very obscene gesture towards Christ the Redeemer but it does have a beauty for the fact that it’s shot largely from a glider’s perspective. The rest of the film does kind of play by the rules as far as the conventional ideas of love yet all manage to create stories that are at least engaging. Paolo Sorrentino’s segment is mainly comical while the segments by Guillermo Arriaga and John Turturro are the most dramatic. The segment by Carlos Saldanha is definitely the most beautiful in terms of its presentation as it’s more focused on ballet and music with some rumblings of what is happening behind the scenes between the two dancers.

Visually, the film does follow similar visual palettes in its cinematography though they’re able to give each segment something of its own with Saldanha’s shot largely at night and Meirelles’ segment starting off at night and then into the day where he would have the most technically inventive with its editing both visually and in its sound. Much of the film’s music soundtrack features an array of music from Brazil including the samba and bossa nova with much of its contribution from Gilberto Gil providing the film’s theme music. The film’s phenomenal cast all do some fantastic work with Fernanda Montenegro being the big standout in the titular role of Dona Fulana while Harvey Keitel provides a very kind and sensitive performance as an actor who would help a kid in getting a message from Jesus Christ in the O Milagre segment where Keitel would speak Portuguese for part of the film.

Rio, Eu Te Amo is a marvelous anthology film that features some incredible segments from Fernando Meirelles, Im Sang-soo, Carlos Saldanha, and several others. Along with a great cast, amazing music, and gorgeous images, it’s a film that portrays Rio not just as a place of paradise but also something that is wild and intoxicating from the perspective of its locals to the tourists visiting the city. In the end, Rio, Eu Te Amo is a sensational film that explores all the joys and frustrations of love in Rio de Janeiro.

Related: Paris, Je T'aime - New York, I Love You - (Tbilisi, I Love You)

© thevoid99 2017

Friday, October 14, 2016

Body Bags




Directed and starring John Carpenter and Tobe Hooper and written by Dan Angel and Billy Brown, Body Bags is an anthology film where a coroner and two morgue attendees tell three different stories relating to the bodies they’re analyzing. The first entitled The Gas Station is about a serial killer stalking a gas station attendee while the second entitled The Hair is about a botched hair transplant involving an alien parasite as both segments are directed by John Carpenter. The third entitled Eye is about a baseball player who receives an eye transplant unaware that it belonged to a killer that is trying to possess him as it is helmed by Tobe Hooper. Also starring Robert Carradine, Stacy Keach, David Warner, Twiggy, Sheena Easton, Mark Hamill, Tom Arnold, and Debbie Harry. Body Bags is a riveting and enjoyable film from John Carpenter and Tobe Hooper.

The film is essentially a trilogy of tales told by a coroner (John Carpenter) as it play to the bodies he is examining in one scary night. The first entitled The Gas Station is about a college student who works on her very first night as a gas station attendee as she deals with strange customers as well as the presence of a serial killer on the loose. The second story entitled The Hair is about a middle-aged man dealing with baldness as he goes to a mysterious doctor about a hair transplant where everything seems to go well until he discover alien parasites in his hair. The third and final story entitled Eye is about a baseball player who loses his right eye in a car accident where he goes into surgery to get a new one as he starts to see strange things involving dead bodies and such. All of it is told in different styles where screenwriters Dan Angel and Billy Brown play up some of the suspense where The Gas Station is about an unusual first day at work while Hair is about insecurities and vanities that eventually catches up to a man. Eye is about a man desperate to go back to baseball unaware of the horror he is seeing with his new eye.

Since the first two segments and inserts are directed by John Carpenter and Eye is helmed by Tobe Hooper with Larry Sulkin providing additional work on the insert scenes. Each segment is given a different feel as both Carpenter and Hooper both provide their own idea to their segments while the inserts where Carpenter plays the coroner are presented in a comedic manner. For The Gas Station, Carpenter creates something that is more of a suspense film as it is about a college student’s first day as a gas station attendant where there are bits of humor but also moments where Carpenter plays with the suspense. Much of his compositions in that segment and The Hair are quite simple where the latter is a bit more playful as Carpenter goes for something straightforward rather than make it a big-time horror piece. The scariest segment is definitely Eye where Hooper creates something that is more conventional in terms of the horror genre but prefers to play it out slowly as it also has some more stylistic compositions including surreal moments that play into the terror. Overall, Carpenter and Hooper create a fun and thrilling anthology film about terror.

Cinematographer Gary Kibbe does excellent work with the cinematography from the colorful look of the interiors at the morgue as well as the nighttime exterior scenes for The Gas Station and Eye. Editor Edward A. Warschilka does nice work with the editing as it is stylish with its rhythmic cuts to play into the suspense for all of the segments. Production designer Daniel A. Lomino and set decorator Cloudia Rebar do fantastic work with the look of the morgue as well as the gas station interiors for The Gas Station as well as the more straightforward look of the other segments.

The makeup work of Rick Baker and Greg LaCava, with hair stylist Carolyn Elias, do amazing work for the look of the mortician as well as the look of the new eye in Eye as well as the hair in The Hair. The special effects work of Howard Jensen is terrific as it play into the look of the parasites for The Hair. Sound editor Anthony Milch does superb work with the sound as it help create some of the chilling moments of suspense in The Gas Station and Eye. The film’s music by John Carpenter and Jim Lang is wonderful with Carpenter providing some unique electronic-based pieces for The Gas Station while going for kitsch-based jazz in The Hair while Lang provides a more symphonic score for Eye.

The film’s cast is great as it features an array of cameos from horror film icons as well as pop culture icons. For the scenes set in the morgue, John Carpenter is hilarious as the mortician while Tobe Hooper and Tom Arnold are terrific in their brief roles as the morgue attendees. In The Gas Station, the cameo appearances from Wes Craven as a customer, George Buck Flower as a homeless guy, and Sam Raimi as a dead guy are fun yet the short is largely focused on Robert Carradine in a superb role as the gas station attendant who shows the new girl what to do while Alex Datcher is wonderful as the new girl Anne who is stalked by a crazed serial killer. In The Hair, the appearances of model Kim Alexis and special makeup effects creator Gregory Nicotero as people with good hair are fun to watch while Debbie Harry is a hoot as a nurse trying to help the protagonist find the right look.

David Warner is excellent as Dr. Lock as the man who can help the character Richard find new hair while Sheena Easton is fantastic as Richard’s girlfriend Megan who tries to assure him that he looks fine. Stacy Keach is brilliant as Richard as a man who becomes insecure over his bald hair as he is eager to have a new look and feel happy only for things to go wrong. In Eye, the cameo appearances of Charles Napier as a baseball coach, Roger Corman as a doctor, and John Agar as the surgeon are just amazing to watch while Twiggy is terrific as Brent’s wife Cathy who becomes worried about her husband’s troubled behavior. Mark Hamill is marvelous as Brent Matthews as baseball player who loses his eye in a car accident as he gets a new eye but becomes unhinged by what he is seeing as Hamill definitely camps it up for the performance.

Body Bags is a remarkable film from John Carpenter and Tobe Hooper. It’s a fun anthology film that feature a trilogy of stories created by two masters of horror as it’s a film that is about terror at its most chilling. In the end, Body Bags is an exhilarating and fun film from John Carpenter and Tobe Hooper.

Tobe Hooper Films: (Eggshells) - The Texas Chainsaw Massacre - (Eaten Alive) - (Salem’s Lot) - (The Funhouse) - (Poltergeist) - Lifeforce - (Invaders from Mars) - (The Texas Chainsaw Massacre 2) - (Spontaneous Combustion) - (I’m Dangerous Tonight) - (Night Terrors) - (The Mangler) - (The Apartment Complex) - (Crocodile (2000 film)) - (Toolbox Murders) - (Mortuary) - (Djinn)

John Carpenter Films: Dark Star - Assault on Precinct 13 - Someone's Watching Me! - Halloween - Elvis - The Fog - Escape from New York - The Thing - Christine - Starman - Big Trouble in Little China - Prince of Darkness - They Live - Memoirs of an Invisible Man - In the Mouth of Madness - Village of the Damned - Escape from L.A. - Vampires - Ghosts of Mars - The Ward

The Auteurs #60: John Carpenter Part 1 - Part 2

© thevoid99 2016

Saturday, October 05, 2013

Spirits of the Dead




Histoires extraordinaire (Spirits of the Dead) is an omnibus film from Federico Fellini, Louis Malle, and Roger Vadim that takes three different stories based on the works of Edgar Allen Poe. The three segments each explores the world of horror in many different ways as well as individuals who deal with their sins. The result is a truly fascinating and entertaining omnibus film from Federico Fellini, Louis Malle, and Roger Vadim on the works of Edgar Allen Poe.

Metzengerstein

Directed by Roger Vadim. Screenplay by Roger Vadim, Pascal Cousin, and Daniel Boulanger. Starring Jane Fonda and Peter Fonda. Cinematographer Claude Renoir. Editor Helene Plemiannikov. Production designer Jean Andre. Costume designer Jacques Fonteray. Music by Jean Prodromides.

The segment is about a countess who has inherited a renowned estate as she lives a life of debauchery and excess with no consequences. When she is rejected by her baron cousin who lives nearby, she seeks vengeance only to get a mysterious horse that she becomes attached to. It’s a piece that is filled with an array of beautiful imagery through Roger Vadim’s direction as well as sense of style in the way the clothes display that sense of decadence as well as the sense of guilt and melancholia that Countess Frederique Metzengerstein (Jane Fonda) would deal with over what she did to Baron Wilhem Berliftizing (Peter Fonda). Even as the mysterious horse in a tapestry the countess has might play into the fate that she would encounter with the horse she had just received where both Fonda siblings give fantastic performances where Jane speaks perfect French while Peter is more quiet as his lines are dubbed in French.

William Wilson

Directed by Louis Malle. Screenplay by Louis Malle, Clement Biddle Wood, and Daniel Boulanger. Starring Alain Delon and Brigitte Bardot. Cinematographer Tonino Delli Colli. Editors Franco Arcalli and Suzanne Baron. Production/costume designer Ghislain Uhry. Art director/costume designer Carlo Leva. Music by Diego Masson.

Louis Malle’s segment explores the life of a cruel young man (Alain Delon) who shares the same name of a doppelganger who would set the rights of what his counterpart has done. Yet, it has a narrative that is told in a reflective manner as Wilson confesses to a priest (Salvo Radone) about the rivalry he has with his doppelganger dating back to childhood where it would culminate in a game where Wilson tries to cheat a socialite named Giuseppina (Brigitte Bardot). It’s a very complex and eerie film about identity and such that features a brilliant Alain Delon that is complemented by Malle’s very intense and mesmerizing direction as well Bardot’s very charming and cool performance.

Toby Dammit

Directed by Federico Fellini. Screenplay by Federico Fellini and Bernardino Zapponi. Starring Terence Stamp. Cinematographer Giuseppe Rutunno. Editor Ruggero Mastroianni. Production/costume designer Piero Tosi. Art director Fabrizio Clerici. Visual effects by Joseph Nathanson. Music by Nino Rota.

The segment is about a washed-up Shakespearean actor who goes to Rome to accept an award and to star in a Catholic western as he starts to lose his mind following an encounter with a little girl who lost her ball. It’s a film that is filled with many of the visual traits of Federico Fellini as it’s all style where it’s playful but also gorgeous to look at thanks to Giuseppe Rutunno’s cinematography. The film also features a truly delightful score by Nino Rota that also features a truly magnificent sequence of the titular character driving all over Italy on a Ferrari as he’s played with such complexity by Terence Stamp who adds a melancholia and craziness to the character.

The film is about the sins and such of various individuals all told in very different places as the segments by Roger Vadim and Louis Malle are all period pieces that do play with Edgar Allen Poe’s story. In Metzengerstein, Vadim decided to make Poe’s story about a long-standing family feud be more complex as its protagonist would become a woman as she falls for her rival only to be upset by his rejection. In William Wilson, Malle sets his story in the 19th Century Austria where it plays into a man’s identity and the idea of a double where his double is man that is the exact opposite of the other man.

Both Vadim and Malle bring a sense of faithfulness to their respective stories yet it is Federico Fellini who does a whole lot more in his loose-adaptation of Never Bet the Devil Your Head where he sets in modern-day Italy as it’s all full of style to play up the troubled mind of an alcoholic actor as he’s doing interviews and attend a lavish party that has him realize how undeserving he is as he’s being paid a Ferrari to do a film. It’s Fellini’s segment that is the best of the three as well as one of his most outstanding works of his career.

Histoires extraordinaire is a marvelous omnibus film that chronicles the work of Edgar Allen Poe. Featuring some fantastic segments by Roger Vadim and Louis Malle that features excellent performances from Jane and Peter Fonda, Brigitte Bardot, and Alain Delon. The film also features a magnificent segment by Federico Fellini that is one of his great masterworks that includes an incredible performance by Terence Stamp. In the end, Histoires extraordinaire is a remarkable omnibus film from the trio of Federico Fellini, Louis Malle, and Roger Vadim.

Federico Fellini Films: (Variety Lights) - The White Sheik - (L’amore in Citta-Un’agenzia matrimoniale) - I Vitelloni - La Strada - Il bidone - Nights of Cabiria - La Dolce Vita - (Boccaccio ‘70-Le tentazoni del Dottor Antonio) - 8 1/2 - Juliet of the Spirits - (Fellini: A Director’s Notebook) - Fellini Satyricon - (I Clowns) - Roma - Amarcord - Casanova - Orchestra Rehearsal - City of Women - And the Ship Sails On - Ginger and Fred - (Intervista) - (The Voice of the Moon)

Louis Malle Films: (The Silent World) - (Elevator to the Gallows) - (The Lovers) - (Zazie dans la Metro) - (Vive le Tour) - (A Very Private Affair) - (The Fire Within) - (Viva Maria!) - (The Thief of Paris) - (Calcutta (1969 film)) - (Murmur of the Heart) - (Humain, trop humain) - (Lacombe, Lucien) - (Black Moon) - (Pretty Baby) - (Atlantic City (1980 film)) - (My Dinner with Andre) - (Crackers) - (Alamo Bay) - (God’s Country) - (And the Pursuit of Happiness) - (Au Revoir Le Enfants) - (May Fools) - (Damage) - (Vanya on 42nd Street)

Roger Vadim Films: (And God Created Woman) - (No Sun in Venice) - (The Night Heaven Fell) - (Les laisons dangereuses) - (Blood and Roses) - (Please, Not Now!) - (The Seven Deadly Sins) - (Love on a Pillow) - (Castle in Sweden) - (Vice and Virtue) - (Circle of Love) - (La Curee) - (Barbarella, Queen of the Galaxy) - (Pretty Maids All in a Row) - (Helle) - (Ciao! Manhattan) - (Don Juan, or If Don Juan Were a Woman) - (The Murdered Young Girl) - (Game of Seduction) - (Night Games) - (Hot Touch) - (Surprise Party) - (And God Created Woman (1988 film))

© thevoid99 2013

Tuesday, August 27, 2013

Eros




Eros is an omnibus film from three different filmmakers that explores the world of eroticism in three different continents from its filmmakers Michelangelo Antonioni, Steven Soderbergh, and Wong Kar-Wai. Each segment explores the world of love and sex in various different ways told by these three filmmakers. The result is one of the most fascinating anthology films that features two incredible segments from two of its contributors but also a disappointing one from Michelangelo Antonioni.

The Dangerous Thread of Things

Directed by Michelangelo Antonioni. Screenplay by Michelangelo Antonioni and Tonino Guerra from a book by Michelangelo Antonioni. Starring Christopher Buchholz, Regina Nemni, and Luisa Ranieri. Cinematography by Marco Pontecorvo. Edited by Claudio Di Maurio Set design by Stefano Luci. Costume design by Carin Berger. Sound editing by Gianluca Carbonelli. Music by Enrica Antonioni and Vinicio Milani.

The first segment explores a bickering couple (Christopher Bucholz and Regina Nemni) who spend the day together as they deal with their disintegrating relationship as the man later meets a beautiful woman (Luisa Ranieri) whom he wants to have sex with. It’s a segment that is essentially all style but very little substance. While many of the compositions are beautiful and definitely recalls a lot of Antonioni’s great work from the 1960s that includes Marco Pontecorvo‘s lush cinematography and Claudio Di Maurio‘s stylized editing. It feels more like this bad mix of pretentious art-house cinema mixed in with vapid soft-core porn though nothing really wrong with that. Plus, the acting isn’t very inspired while the music is also very off as it adds to the sense of pretentiousness that is rampant in this very terrible short.

Equilibrium

Written, shot, edited, and directed by Steven Soderbergh. Starring Robert Downey Jr., Alan Arkin, and Ele Keats. Set design by Philip Messina. Costume designed by Milena Canonero. Sound editing by Larry Blake. Casting by Debra Zane.

The segment revolves a man (Robert Downey Jr.) who talks to his psychiatrist (Alan Arkin) about a recurring fantasy he has with this mysterious woman (Ele Keats) while dealing with the pressure he’s having working as an advertising agent. It’s a film that explores a sense of repression and fantasy where it mixes reality and fiction where the psychiatric sessions are shot in black-and-white while the fantasy scenes are shot in color. It’s filled with many ambiguities about what is real and what is fantasy where it also involves voyeurism as Soderbergh puts bits of humor as the psychiatrist is also a voyeur who is more concerned with what’s outside rather than this man’s problems. With great performances from Robert Downey Jr. and Alan Arkin, the segment is easily the most entertaining.

The Hand

Written and directed by Wong Kar-Wai. Starring Gong Li and Chen Chang. Cinematography by Christopher Doyle. Edited and set/costume designed by William Chang. Sound design by Claude Letessier and Du-Che Tu. Music by Peer Raben.

The third and final segment is about the relationship between a high-class prostitute (Gong Li) and her tailor (Chen Chang) as the tailor makes dresses for her yet keep their relationship professional no matter how troubled she may be and the desires they have for each other. This one is easily the most sensual in not just in its story but also in the performances of Li and Chang as they play into people who care for each other but are separated by circumstances. With its exotic soundtrack filled with old Chinese music and dazzling images courtesy of cinematographer Christopher Doyle and editor/set-costume designer Wiliam Chang. Kar-Wai creates a piece that is just intoxicating to look that is backed up by a very heartbreaking and enthralling story about love.

The film is essentially an exploration into the world of eroticism and how it can delve into the psyche of individuals. With inserted artwork by Lorenzo Mattotti that is filled with these gorgeous images of people making love that comes in between each segment that includes some bossa-nova music in the background. It all reinforce the idea of eroticism as both Steven Soderbergh and Wong Kar-Wai each manage to create interesting takes on eroticism. Soderbergh in a lightly-comedic fashion that is filled with ambiguities while Kar-Wai adds a melancholia to this love story about a tailor and a prostitute. The one person that definitely seems to miss the mark is Michelangelo Antonioni as he seems to want to reach into the great work he did in the 1960s to comment on loneliness and sex but ends up making something that just feels very empty despite the gorgeous visuals he creates.

Eros is an excellent omnibus film thanks in part to the contributions of Steven Soderbergh and Wong Kar-Wai. Fans of the two filmmakers will no doubt enjoy their segments as it represents some of the best work they did. Especially Kar-Wai whose segment is easily the best of the three for his sensitive portrayal on love. The film sadly also features a very disappointing segment from the late Michelangelo Antonioni in one of his final contributions to cinema. In the end, Eros is an extraordinary anthology film that explores the world of eroticism.

Michelangelo Antonioni Films: (Story of a Love Affair) - (I Vinti) - (The Lady Without Camelias) - Le Amiche - (Il Grido) - L'Avventura - La Notte - L’Eclisse - Red Desert - Blow-Up - Zabriskie Point - (Chung Kuo, Cina) - The Passenger - (The Mystery of Oberwald) - Identification of a Woman - (Beyond the Clouds)

Steven Sodberbergh Films: sex, lies, & videotape - Kafka - King of the Hill - The Underneath - Gray’s Anatomy - Schizopolis - Out of Sight - The Limey - Erin Brockovich - Traffic - Ocean's Eleven - Full Frontal - Solaris (2002 film) - Ocean’s Twelve - Bubble - The Good German - Ocean’s Thirteen - Che - The Girlfriend Experience - The Informant! - And Everything is Going Fine - Contagion - Haywire - Magic Mike - Side Effects - Behind the Candelabra - Logan Lucky - (Unsane) - (High Flying Bird) - The Auteurs #39: Steven Soderbergh Pt. 1 - Pt. 2

Wong Kar-Wai Films: As Tears Go By - Days of Being Wild - Chungking Express - Ashes of Time/Ashes of Time Redux - Fallen Angels - Happy Together - In the Mood for Love - 2046 - My Blueberry Nights - The Grandmaster - The Auteurs #28: Wong Kar-Wai

© thevoid99 2013

Wednesday, January 16, 2013

The Hire




The Hire is a collection of eight short films revolving around a mysterious driver in different assignments while driving different variations of the BMW as these shorts were produced for the car manufacturer. Playing the role of the driver is Clive Owen as he ventures into eight different adventures helmed by eight different filmmakers as it also includes a diverse cast of actors to appear in these eight different short films. The result is an incredible collection of shorts from some of the world's best filmmakers.

Ambush (directed by John Frankenheimer and written by Andrew Kevin Walker) is about the driver escorting a man (Tomas Milian) carrying $2 million worth of diamonds as they’re being pursued by a van full of armed men. Chosen (directed by Ang Lee and written by David Carter) is the story about a holy boy (Mason Lee) escorted by the driver as they’re being pursued by criminals at a loading dock where the boy is supposed to be at a sanctuary. In The Follow (directed by Wong Kar-Wai and written by Andrew Kevin Walker), the driver is hired by his manager (Forest Whitaker) to pursue the wife (Adriana Lima) of a film actor (Mickey Rourke) to see if she’s cheating on him. Star (Directed by Guy Ritchie and written by Joe Sweet and Guy Ritchie) is about a spoiled celebrity (Madonna) who orders her driver to drive her to the venue where the results becomes more than she bargains for.

In Powder Keg (directed by Alejandro Gonzalez Inarritu and written by Alejandro Gonzalez Inarritu, Guillermo Arriaga, and David Carter), a war photographer (Stellan Skarsgard) is wounded after taking a photograph as the driver tries to get him to the border so he can be saved. Hostage (directed by John Woo and written by David Carter, Greg Hahn, and Vincent Ngo) is about the driver delivering ransom money to a man (Maury Chaykin) who had kidnapped a CEO (Kathryn Morris) as he later races to save her. In Ticker (Written and directed by Joe Carnahan), the driver escorts a man (Don Cheadle), who is carrying a mysterious briefcase under the orders of a mysterious man (F. Murray Abraham), as they’re under attack from a helicopter while running short on time.

In Beat the Devil (Directed by Tony Scott and written by David Carter, Greg Hahn, and Vincent Ngo), James Brown makes a visit with the Devil (Gary Oldman) to renegotiate an old contract in the form of a wager through a drag strip race in Las Vegas between the driver and the Devil’s driver Bob (Danny Trejo).

The film is a collection of stories involving a driver and all of the adventures he takes in. Some are intense, some are quite funny, some are dramatic, and others are just downright fucking insane. While Star and The Follow don’t exactly follow the conventions of most car-driven films. They do contain some amazing driving sequences as the former is just a straight-out comedy from Guy Ritchie while the latter is a moody piece filled with evocative voice-over narration that plays true to Wong Kar-Wai’s style. Chosen may be an action piece of sorts but Ang Lee inject bits of humor as well as a story about a man and a boy. The rest of the series play to the world of action as the filmmakers each put their stamp into the different stories. Joe Carnahan and John Frankenheimer each create stories involving a passenger that is carrying something where the latter is more slick and professional while the former is more stylish with its mixture of grainy film stock and more clear cinematography.

Alejandro Gonzalez Inarritu’s Powder Keg is definitely the most unconventional in terms of action and drama as it is presented in a grainy film stock courtesy of cinematographer Robert Richardson. John Woo’s Hostage is a strange twist on the hostage story not just because of the kidnapper but what happens afterwards. Then there’s Tony Scott’s Beat the Devil where it’s definitely the strangest one of them all as it’s a mixture of humor and action with a bit of Satanism that involves James Brown and a cameo appearance from Marilyn Manson.

While all of the shorts do stand out on their own, The Follow is clearly the best of them all due to its lingering images from cinematographer Harris Savides and its hypnotic soundtrack. The casting is also great as many of the actors involved are amazing yet the series really belongs to Clive Owen. Owen displays a really low-key approach to his character as he’s just a driver while he does get the chance to be funny but also intense as he really is the star of the series.

The Hire is an extraordinary series of short films that features a superb performance from Clive Owen. The series is a must-see for fans of many of these filmmakers for the way it utilizes different models of BMWs to help tell a story that is engaging but also intense. In the end, The Hire is a fantastic collection of short films from some of the world’s best filmmakers.

© thevoid99 2013

Tuesday, November 13, 2012

Four Rooms




Four Rooms is an anthology comedy film about a bellboy who works on his first day during New Year’s Eve where he would encounter all sorts of strange things in four different rooms. With segments written and directed by Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino, the film explores a crazy day in the life of a new bellhop named Ted that is played by Tim Roth. Also starring Antonio Banderas, Madonna, Valeria Golino, Jennifer Beals, Ione Skye, Lili Taylor, Alicia Witt, Tamlyn Tomita, Paul Calderon, Sammi Davis, Marisa Tomei, and Bruce Willis. Four Rooms is a whimsical yet chaotic anthology-comedy from Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino.

It’s New Year’s Eve as a bellhop named Ted is working in his first day at the Hotel Mon Signor. For his first assignment in The Missing Ingredient (Allison Anders), a coven of witches take the honeymoon suite to create a potion in hopes of freeing a woman (Amanda deCadenet) who had been a statue for 40 years. When one of the young witches in Eva (Ione Skye) is unable to get one special ingredient, Ted is called upon to help Eva get the ingredient. Later that night, Ted is asked to bring ice to a room where a party’s going on. In The Wrong Man (Alexandre Rockwell), Ted enters a room where a man (David Proval) holds his wife Angela (Jennifer Beals) hostage to confront her about a possible affair where Ted is mistaken to be Angela’s lover.

Following that troubled encounter, Ted is then called to do his next job in The Misbehaviors (Robert Rodriguez) where he’s asked by a man (Antonio Banderas) to watch for his kids (Danny Verduzco and Lana McKissack) for the night as the man and his wife (Tamlyn Tomita) go to a New Year’s party. Ted is getting calls from the kids about strange demands while the kids later complain about a strange smell in the room where they discover the source of the smell. Following that incident, Ted tries to reach his boss Betty (Kathy Griffin) about the things he’s been dealing with as he has to finish one more assignment for the night. In The Man from Hollywood (Quentin Tarantino), Ted brings some things to filmmaker Chester Rush (Quentin Tarantino) for a party that includes Angela, a friend named Norman (Paul Calderon), and Leo (Bruce Willis) about a bet based on a episode from The Alfred Hitchcock Hour that involves Chester’s car and Norman’s pinky where Ted has to play a key role in the bet.

The film is essentially a collection of stories about a crazy first day for a bellhop who encounters four very strange events as they all become more out of control as time goes on. All of it is largely told from the perspective of this young bellhop who has no idea what’s in store for him in the course of a crazy day. Particularly as it’s on New Year’s Eve where everybody is partying and there’s brief inserts that help sets up each story. There, this young man named Ted would be involved crazy events involving a coven of witches, a fighting couple, misbehaving kids, and a filmmaker with a crazy proposition all of which would tempt Ted with money.

In the first segment by Allison Anders, Ted plays to the service of a group of very strange yet eccentric witches who are creating a potion to revive someone yet there’s a lot trouble ensues. Anders’ direction is very playful as she also employs some fun editing schemes by Margaret Goodspeed and Rodrigo Garcia’s bright and colorful cinematography. It’s a segment that doesn’t take itself seriously as it opens the film in a nice start. The weakest segment belongs to Alexandre Rockwell where it has an interesting premise but ends up dragging the film where it involves a lot of strange moments and hijinks that don’t work such as a scene where Ted is stuck between a bathroom window. With editing by Elena Maganini and photography by Phil Parmet, it’s the one segment that doesn’t really get the chance to stand out due to its weak script and lackluster direction.

Robert Rodriguez’s segment is clearly the best one due to the shenanigans of the children where they smoke, drink, and watch all sorts of things where Rodriguez really captures the energy of kids misbehaving. With Rodriguez serving as his own editor and Guillermo Navarro providing some amazing camera work, it’s a segment that really captures the antics of children in all of its insanity that is followed by a very funny insert involving a stoned woman (Marisa Tomei) and a sleepy hotel owner. This would then lead to the final segment from Quentin Tarantino that is the most stylistic segment of the film. Largely due to the few long-takes Tarantino uses for the scene along with some amazing compositions courtesy of cinematographer Andrzej Sekula along with the methodical editing of Sally Menke. Tarantino’s segment ends the film on a high note as the overall work is a very funny and off-the-wall anthology comedy.

Production designer Gary Frutkoff, along with set decorator Sara Andrews and art director Mayne Berke, does superb work with the set pieces to give each room a distinctive look and feel for each segment. Costume designers Susan L. Bertram and Mary Claire Hannan do excellent work in the costumes from the dresses the witches wear to the party clothes the other characters wear along with Ted‘s uniform. Sound designer Lance Brown, along with sound editors Bruce Fortune and Victor Iorillo, does terrific work with the sound to capture the craziness that goes on in each room. The music by Combustible Edison is wonderful for its playful score that adds to the humor of the film as the rest of the soundtrack features a couple of stuff by Esquivel that plays to some of the craziness of the film.

The casting by Russell Gray is brilliant for the ensemble that is created for this anthology film. For The Missing Ingredient, there’s fantastic performances from Madonna, Valeria Golino, Sammi Davis, and Lili Taylor as the four eccentric and experienced witches along with a quirky one from Alicia Witt as the daughter of one of the witches. Amanda deCadenet is terrific in her appearance as the goddess Diana while Ione Skye is superb as the young witch Eva. From The Wrong Man, there’s a funny appearance from producer Lawrence Bender as a drunk yuppie along with Paul Skemp in a small role as a partygoer. David Proval is pretty good as the angry husband Siegfried while Jennifer Beals is excellent as Siegfried’s wife Angela who also appears in The Man from Hollywood.

From The Misbehaviors, there’s an appearance from Salma Hayek as the dancing woman on the TV while Tamlyn Tomita is very good as the wife. Antonio Banderas is amazing as the very intimidating husband while Danny Verduzco and Lana McKissack are wonderful as the two troublesome kids. From the insert between the last two segments, Marisa Tomei is hilarious as the stoned partygoer while Kathy Griffin is pretty good as Ted’s boss Betty. From The Man from Hollywood, Quentin Tarantino is very funny as the talkative Chester Rush while Paul Calderon is solid in a small role as Norman. Bruce Willis is also very funny in an un-credited performance as Chester’s friend Leo. Finally, there’s Tim Roth in a marvelous performance as Ted the bellhop where Roth gets to show a lot of wit and physicality into his role as a bellhop working on his first day on the job where Roth really gets the chance to be funny.

While it is a flawed film, Four Rooms is still a very entertaining anthology comedy from Quentin Tarantino, Robert Rodriguez, Allison Anders, and Alexandre Rockwell. While the film features some great segments from Tarantino and Rodriguez along with a good one from Anders. Only the Rockwell segment is the one that drags the film as a whole though things do pick up after that segment. In the end, Four Rooms is a stellar anthology comedy that features a crazy story in the day of a young bellhop.

© thevoid99 2012