Three Kings

Written and directed by David O. Russell from a story by John Ridley, Three Kings is the story of four U.S. soldiers who plot a heist to steal gold from Saddam Hussein during the end of the 1991 Gulf War. The film is an unconventional war film in which four different men try to do something after the war in the hopes they can get home to better lives only to deal with all sorts of trouble that would also involve refugees in need of help. Starring George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze, Nora Dunn, Judy Greer, Jamie Kennedy, Mykelti Williamson, Cliff Curtis, and Said Taghmaoui. Three Kings is a gripping yet exhilarating film from David O. Russell.

Set during the final days of the 1991 Gulf War and its aftermath, the film follows four U.S. soldiers who find a map in which they believe has Kuwaiti gold bullions in a bunker that belonged to Saddam Hussein as they plot to steal it to ensure a better life for themselves. It’s a film where these four men go on a mission by themselves without any kind of authority as they find the village with the gold bullions but they would also discover the village would feature some anti-Saddam dissidents who are asking for help as they would and try to deal with pro-Saddam forces despite the fact that a ceasefire had already happened. David O. Russell’s screenplay that is based on John Ridley’s original story where it explores these soldiers dealing with the aftermath of a war where there wasn’t a lot of action and coming home with not much is something the protagonists in the film are dealing with.

Leading the pack is Major Archie Gates (George Clooney) whose job is to escort TV reporter Adriana Cruz (Nora Dunn) as he is more interested in getting paid than do his job. He is joined by Staff Sgt. Chief Elgin (Ice Cube), Sgt. First Class Troy Barlow (Mark Wahlberg), and Private First Class Conrad Vig (Spike Jonze) who all want to get the bullions as they would have a friend in Specialist Walter Wogeman (Jamie Kennedy) to drive Cruz and her cameraman to a false location. Though they would find the gold bullions, they hope not to do anything else but pleas from anti-Saddam dissidents where a woman is killed by Iraqi forces who want to hold these dissidents hostage force Gates and his men to take action. Yet, it would become a big problem when Barlow is taken by Iraqi soldiers after a scuffle forcing Gates, Elgin, and Vig to retrieve him but they would have to make a deal with the dissidents who would help them but be accompanied to the Iranian border in return.

Russell’s direction is definitely stylish for the way it captures life during the Gulf War as well as the sense of danger that was emerging during the period of ceasefire in the aftermath of the war. Shot on various locations in the deserts of Casa Grande, Arizona and parts of California and Mexico, Russell aims for something that is immediate in the way soldiers deal with boredom in their lack of action as the first scene has Barlow killing an Iraqi soldier not knowing he was trying to surrender. The shot would be repeated in a cartoonish fashion where Vig describes to other soldiers what Barlow did as it just adds this air of exaggeration that the soldiers crave for since they didn’t see much action in Iraq and Kuwait. Russell would use wide shots to capture the scope of the locations yet would focus more on using medium shots and close-ups to capture some of the action in the bunker or to get a reaction from a soldier dealing with some kind of violence whether its comic or dramatic. The former would play into the lives that Barlow, Vig, and Elgin have before the war as well as an encounter with a cow on the way to the bunker that add to the film’s dark humor.

Russell’s approach to the suspense and action is stylish as he would shoot it with some hand-held cameras as well as creating some offbeat compositions to play into some of the darker moments in the film. Most notably a torture scene with Barlow having to deal with the consequences of his service in the military where he is forced to visualize what happened if he was in the shoes of the man who is torturing him. There are also these somber and sentimental moments that Russell would create such as Vig’s fascination with Islamic burials which provides a major moment in his development from this redneck who constantly says idiotic things to being a man open towards a culture that is foreign to him. It would culminate with Gates and his men accompanying these refugees in the hope they can have a better future in Iran despite its history with Iraq while Gates is also aware of the trouble he’s caused with his superiors in interfering with things he’s not supposed to be involved in. Overall, Russell creates a riveting yet intense film about a group of soldiers whose planned heist forces them to help dissidents during the aftermath of the Gulf War.

Cinematographer Newton Thomas Sigel does amazing work with the film’s stylish cinematography with the usage of grainy film footage, desaturated film color stocks, and other stylish looks to play into the craziness of the action scenes as well as in the suspense and black humor. Editor Robert K. Lambert does brilliant work with the editing with its usage of jump-cuts, slow-motion cuts, and other stylish cuts to play into the chaos of war as well as some of the suspense and its dark humor. Production designer Catherine Hardwicke, with set decorator Gene Serdena plus art directors Jann K. Engel and Derek R. Hill, does excellent work with the look of the old castles, villages, and bunkers where some of the action occurred as well as the interiors of some of the rooms where Saddam’s soldiers are stationed at. Costume designer Kym Barrett does nice work with the costumes as it is mostly straightforward from the camouflage the soldiers wear to the ragged clothes of the dissidents.

Visual effects supervisor David Sosalla does terrific work with the visual effects for the look of body parts shown from the inside of how they would react to a bullet as well as some of the action scenes. Sound editors Bruce Fortune and John Leveque do fantastic work with the sound in capturing the chaos that goes on in battle as well as the eerie atmosphere of the desert. The film’s music by Carter Burwell is superb for its low-key score that play into the drama and suspense with its mixture of Arabian music textures and orchestral arrangements while music supervisor Ralph Sall provide an offbeat soundtrack that include music from Rare Earth, the Beach Boys, Public Enemy, Chicago, Eddie Murphy, Plastic Bertrand, Snap, Johann Sebastian Bach, and U2.

The casting by Anne McCarthy and Mary Vernieu is wonderful as it feature some notable small roles and appearances from Holt McCallany as Barlow’s superior officer Captain Doug Van Meter who despises Barlow and his antics, Liz Stauber as Troy’s wife, Marsha Horan as Amir’s wife, Judy Greer as a rival journalist trying to get the story while having a tryst with Gates, Alia Shawkat as Amir’s daughter, Said Taghmaoui as an Iraqi interrogator who tortures Barlow, and Mykelti Williamson as Gates’ superior Colonel Ron Horn who doesn’t like what Gates is doing as well as suspicious in what he’s doing. Jamie Kennedy is terrific as Specialist Walter Wogeman as a bumbling soldier who is asked to accompany Cruz on an assignment to distract her from what Gates is doing as he is the film’s comic relief.

Cliff Curtis is superb as Amir as an anti-Saddam dissident who is seen bound and gagged where he helps Gates in the hopes that he can get other dissidents including his daughter to the Iranian border. Nora Dunn is fantastic as Adriana Cruz as a news reporter trying to get a major story about the Gulf War where she finds herself in a different journey where she would also make some discoveries about what is happening during the ceasefire. Spike Jonze is excellent as Private First Class Conrad Vig as a redneck soldier who idolizes Barlow as he often says dumb things and gets way over his head while realizing the reality of his situations where finds a sense of salvation in Islamic culture and their approach to death which he finds to be extremely fascinating.

Mark Wahlberg is brilliant as Sgt. First Class Troy Barlow as a soldier that is eager to come home as he deals with the lack of real action he faced where he takes part in the heist only to be captured as he deals with realities of war. Ice Cube is amazing as Staff Sgt. Chief Elgin who is kind of the film’s conscience as a man who takes part in the heist knowing what he will gain as he also copes with the reality as it relates to the dissidents. Finally, there’s George Clooney in an incredible performance as Major Archie Gates as a special forces soldier who is about to retire from the service as he sees the heist for gold bullions as a way out of not showing much only to realize the severity of where he is prompting him to take action and help these dissidents out of Iraq.

Three Kings is a tremendous film from David O. Russell. Featuring a great ensemble cast, stylish visuals, an offbeat soundtrack, and a story that plays into the fallacy of war and the need to help those in danger during its aftermath. It’s a film that doesn’t play into the conventions of a war movie as it showcases what men will do to make up for their lack of encountering action only to see the reality of a world in turmoil in the aftermath of war. In the end, Three Kings is a spectacular film from David O. Russell.

David O. Russell Films: Spanking the Monkey – Flirting with Disaster – I Heart Huckabees – The Fighter - Silver Linings Playbook - American Hustle - Accidental Love - Joy (2015 film) - The Auteurs #70: David O. Russell

© thevoid99 2017

Bringing Out the Dead

Based on the novel by Joe Connelly, Bringing Out the Dead is the story of a paramedic who copes with the lives he’s lost while working the graveyard shift of his job where he later sees ghosts. Directed by Martin Scorsese and screenplay by Paul Schrader, the film is an exploration of a man dealing with the severity of his work as well as his own faults where he would in the worst possible time with different partners. Starring Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames, Marc Anthony, Mary Beth Hurt, and Tom Sizemore. Bringing Out the Dead is a dark yet evocative film from Martin Scorsese.

Set in the span of three days in the early 1990s, the film revolves around the manic life of a paramedic who works the graveyard shift as he deals with the lives he wasn’t able to save and the emergence of ghosts that he sees including a young woman he wasn’t able to save. Along the way, he would work with three different partners as the craziness of three days would eventually take his toll while he would also encounter the daughter of a man he had just brought in who goes into a coma. Paul Schrader’s script isn’t just the study of a man that is just burned out as he is haunted by the ghost of a young woman whose life he couldn’t save. It’s also in the fact that he’s done this job for five years with mixed results but he past several months haven’t been good.

The script follows the three days in the life of Frank Pierce (Nicolas Cage) who would work with three different partners as well as encounter a strange group of people with only a patient’s daughter that he meets often as the only sense of normalcy he would have. The script also features a voice-over narration from Pierce as it expresses his sense of guilt and loneliness where he doesn’t get a lot of sleep and is numbing himself with alcohol and medication. Since it is set in early 1990s Manhattan in its most seedy and dark, the film also play into a world that is falling apart where a new drug has emerged and society is in chaos. A world that is starting to overwhelm Pierce as he becomes less confident in the lives he is trying to save while the different partners he work with don’t help matters either.

Martin Scorsese’s direction is very atmospheric for the way he presents early 1990s New York City as a world that is teetering on the edge where much of it is shot at night and in the early mornings. It’s a film that has Scorsese not only create something where there is a sense of danger and unpredictability in the course of three days but it’s also in showing a man that is about to fall apart. While Scorsese does include some wide shots and intricate camera angles in much of the shots with the city as its backdrop. Much of the film include mostly medium shots and close-ups to play into the sense of urgency that includes inside the ambulances and in the hospitals were doctors are struggling to save patients. Most notably this old man of a heart attack who keeps going back and forth into life and death as Pierce hears the old man who really just wants to die. Another person that frequently appears in the film is this brain-damaged man named Noel (Marc Anthony) who keeps asking for water as Pierce does whatever he can to help him.

The craziness in some of the moments in and out of the hospital has Scorsese using tracking shots to capture the action in a single take such as what goes on in ICU or what doctors had to do for one patient while several others are waiting. Scorsese does know when to slow things down as it relates to a key sequence in the second half where Pierce hangs out with the former junkie Mary Burke (Patricia Arquette) whose father is fighting for his life. The sequence would also serve as a wake-up call to Pierce as he is about to embark into his third night as it plays into his own revelations about himself and the guilt that consumes him. The film’s third act that includes a lot of manic shots and sequences that play into the craziness of the graveyard shift would say a lot into Pierce’s own views on death but also a chance that he could redeem himself. In the end, Scorsese creates a very eerie yet somber film about a paramedic coping with the insanity and darkness of his work in the span of three crazy nights.

Cinematographer Robert Richardson does phenomenal work with the film‘s cinematography with its emphasis on low-key lights and bits of brightness for many of the exterior scenes at night as well as the more bright look in the hospital scenes as Richardson‘s work is a major highlight of the film. Editor Thelma Schoonmaker does incredible work with the editing where it does rely a lot on style to play up the sense of the craziness of working in the graveyard shift with its jump-cuts, speedy montages, and dissolves. Production designer Dante Ferretti, with set decorator William F. Reynolds and art director Robert Guerra, does excellent work with the look of the hospital wards and ICU rooms to play into the craziness and chaos that occurs as well as that stench of death that looms throughout the film. Costume designer Rita Ryack does nice work with the costumes as it is largely casual that includes the uniforms that Pierce and his team wears.

Special makeup effects artist Manilo Rocchetti does fantastic work with the look of the Noel character with his dreadlocks and ragged look as well as the look of some of the patients Pierce would encounter. Visual effects supervisor Michael Owens does brilliant work with the visual effects as it relates to the manic hallucinations that Pierce sees including the ghosts as it relates to those whose lives he couldn‘t save. Sound editor Philip Stockton does superb work with the sound in creating some unique sound textures to play into the craziness of the streets and locations as well as the way the ambulance sounds when it is on the road. The film’s music by Elmer Bernstein is excellent as it is mostly low-key to play into the drama with its orchestral-based score as it also helps set the dark mood into the film. The film’s music soundtrack largely consists a diverse array of music from Van Morrison, Johnny Thunders, R.E.M., UB40, the Marvelettes, Martha Reeves and the Vandellas, Big Brother & the Holding Company with Janis Joplin, the Who, and the Clash.

The casting by Ellen Lewis is great as it features notable small roles from Michael K. Williams as a drug dealer who is dying over this mysterious drug, Cullen O. Johnson as the dying man Mr. Burke, Afemo Omilami as the hospital police guard Griss, Arthur J. Nascarella as Pierce’s boss Captain Barney, Julyana Soelistyo as Sister Fetus, Cynthia Roman as the ghostly young woman named Rose who is stalking Pierce, Phyllis Sommerville as Mary’s mother, Harper Simon as a rock star who had overdosed on this new drug, Judy Reyes as a ICU nurse, Sonja Sohn as a friend of Mary in Kanita, and as two different dispatchers that Pierce would listen to in Queen Latifah and Martin Scorsese. Other notable small roles include Aida Turturro as a nurse who is trying to keep up with the chaos of patients coming in, Nestor Serrano as the doctor who is looking after one patient after another, Mary Beth Hurt as a nurse who talks to patients in a very cynical yet comical manner, and Cliff Curtis as a drug dealer friend of Mary who gives Pierce a drug in an attempt to help him.

Marc Anthony is excellent as the troubled Noel as a brain-damaged man who constantly asks for water while being a danger to himself where Pierce is one of the few who actually tries to help him. John Goodman is fantastic as Pierce’s first partner Larry who is good at job though can be unreliable but is also the most level-headed guy that Pierce works with as he is aiming to become a captain. Ving Rhames is superb as Pierce’s second partner Marcus as stoic but cynical man that likes to preach Bible quotes as he is aware of Pierce’s depression and weariness only to not really make things any better. Tom Sizemore is brilliant as Pierce’s former partner Tom Wolls who would become his partner in the third act who is just as crazy in his thirst for blood while being the one guy who is more about the ride and chaos rather than saving lives.

Patricia Arquette is amazing as Mary Burke as a former junkie who deals with her father who might be dying or not as well as her own guilt about her relationship with her father where she befriends Pierce as the two both embark into their own journey into guilt and coping with death. Finally, there’s Nicolas Cage in a marvelous performance as Frank Pierce as this paramedic who is burned out, depressed, and guilt-ridden where he tries to deal with his work for three crazy nights in the graveyard shift where it is Cage being manic and somber as well as displaying a vulnerability to a man that is just about to crack.

Bringing Out the Dead is a remarkable film from Martin Scorsese. Featuring an eerie script by Paul Schrader, haunting visuals, a killer soundtrack, and a great ensemble cast led by Nicolas Cage. The film is dark yet intense film about a man teetering on the edge as he tries to save lives in the very late nights where he also deals with the specter of death. In the end, Bringing Out the Dead is a phenomenal film from Martin Scorsese.

Martin Scorsese Films: (Who’s That Knocking on My Door?) - (Street Scenes) - Boxcar Bertha - (Mean Streets) - Italianamerican - Alice Doesn't Live Here Anymore - Taxi Driver - New York, New York - American Boy: A Profile of Steven Prince - (The Last Waltz) - Raging Bull - The King of Comedy - After Hours - The Color of Money - The Last Temptation of Christ - New York Stories-Life Lesson - Goodfellas - Cape Fear (1991 film) - The Age of Innocence - (A Personal Journey with Martin Scorsese Through American Movies) - (Casino) - (Kundun) - (My Voyage to Italy) - (The Blues-Feel Like Going Home) - Gangs of New York - (The Aviator) - No Direction Home - The Departed - Shine a Light - Shutter Island - (A Letter to Elia) - (Public Speaking) - George Harrison: Living in the Material World - Hugo - The Wolf of Wall Street - (The 50 Year Argument) - Silence (2016 film) - (The Irishman) - Killers of the Flower Moon - (An Afternoon with SCTV)

© thevoid99 2016

The Fountain

After two back-to-back acclaim hits and a devoted cult following, Darren Aronofsky was becoming the hot director of the moment. Even as his 2000 film Requiem for a Dream became a massive hit, Aronofsky was attached to a number of projects including a chance to revive the Batman franchise. Though Aronofsky was involved as a producer and writer in a project called Below for David Twohy in 2002. He was focused on making an ambitious project called The Fountain that was to star Brad Pitt and Cate Blanchett with Warner Brothers studio backing him. Yet, production issues and cost overruns led to the departures of Pitt and Blanchett. In 2004, the project was revived on a much smaller scale for a $35 million budget with Hugh Jackman taking on the lead role with Aronofsky’s then-girlfriend Rachel Weisz as the female lead.

Directed and scribed by Darren Aronofsky with a story co-written with Ari Handel. The Fountain tells three different stories that all parallel through different time periods. The first tells the story of a conquistador searching for the Tree of Life for his queen while in 2005, a man is trying to find a cure for his wife’s illness. The third storyline revolves around the future as the same man is trying to revive the Tree of Life through outer space. Recalling on Aronofsky’s themes of struggle, ambition, and fear of death. The film is considered to be Aronofsky’s most personal work at the time. Also starring Aronofsky regulars Ellen Burstyn and Mark Margolis plus Cliff Curtis, Stephen McHattie, Donna Murphy, Sean Patrick Thomas, and Ethan Suplee. The Fountain, despite its ambitions, is a film that falls flat on its ideas.

In the 16th Century, an inquisitor named Silecio (Stephen McHattie) is planning a coup against Queen Isabella of Spain (Rachel Weisz) as her captain Tomas (Hugh Jackman) is sent on a mission. Along with Captain Ariel (Cliff Curtis) and a Franciscan priest named Avila (Mark Margolis), they go on a quest to find the Tree of Life in order to stop Silecio. Meanwhile in 2005, a doctor named Tommy (Hugh Jackman) is trying to find a cure to stop a brain tumor that is wife Izzi (Rachel Weisz). With Izzi trying to finish a story, Tommy finds a breakthrough with his associates through an experiment on a chimpanzee. Still, the experiments become controversial as a fellow surgeon in Dr. Lillian Guzetti (Ellen Burstyn) believes Tommy is going too far.

Yet, Izzi’s illness is worsening as Tommy wants to know more about the progress of the experiment. Meanwhile, in the future, a man named Tom (Hugh Jackman) is traveling inside a bubble with the Tree of Life in hopes to revive the Tree to a nebula.

While the film does recall many themes that Aronofsky has explored in the past. It’s the theme of death and how to live with it that is very prominent throughout the film. Even as its key protagonist is desperate to bring life to the ailing woman that he loves. With Aronofsky using the legend of the Tree of Life with relations to the Mayans and Spain’s search for the New World. All of these ideas seem very promising. The problem is that there’s not a lot of weight to the legend of the Tree of Life and some of the ideas end up becoming comical. For a film that is meant to be dramatic with all of these science fiction ideas. It seems like whatever ideas the film had in its earlier incarnation got stripped down to give audiences a story that ends up not saying very much.

Though the love story between Tom and Izzi, in their various incarnations, does drive the motivation of its protagonist. Aronofsky does make the love story compelling but it ends up being bogged down a bit by the typical romantic formula. For the audience, they pretty much know what will happen and what will be the outcome which ends up being very unsatisfying. Notably when part of the film has Tom trying to discover a cure through elements from the Tree of Life. The legend of the Tree of Life is sort of wasted though its climatic ending through the incarnation of Tomas is presented in such a bad way that it ends up being unintentionally funny.

It’s not just Aronofsky’s screenplay that has some issues with what kind of story it wants to tell. His direction, though often engaging and filled with dazzling visuals, is sort of flat in the presentation. Notably for the staging of scenes in some parts of the film. While the camera does move quite seamlessly at times along with moments to just stop and observe the performance. There’s times when the zooms and close-ups become quite repetitive as if he’s trying to make some stylistic choices that don’t work. While he does create some fascinating scenes and visual cues for the film. It’s also an indication of Aronofsky playing it safe for a film that is meant to be high concept only to fall very short.

Cinematographer Matthew Libatique creates a look to the film that is filled with not much light except yellowish hues and candles to encompass a very eerie atmosphere. The problem is that the look ends up being annoying at times where some scenes needed to be brightened where the audience isn’t sure where they’re at. When the white light does come in, the look of the film does improve though its stylization really hurts the film. Editor Jay Rabinowitz does a nice job with the editing though the pacing of the film lags at time while some of the transitions from period to period isn’t as smooth in some parts.

Production designer James Chinlund, along with a team of set decorators and art directors, do an excellent job in creating a regal look for Queen Isabella’s palace along with the hospital and home that Tommy frequents. Even the look of the Tree of Life is extraordinary with help from visual effects producers Keith Cooper and Rob Myers as the look of the outer space sequences are great. Costume designer Renee April does some spectacular work with the dress of Queen Isabella as well as the period costumes for the 16th Century sequence while the costumes for everything else is very good also. Sound designers Stephen Barden, Brian Emrich, and Craig Henighan do a fantastic job in creating layers of sound for each period sequence where the 16th is quiet and unsettling while the future scenes are nearly silent throughout..

Longtime Aronofsky collaborator Clint Mansell creates a score that is definitely one of the film‘s highlights. Performed by the Kronos Quartet and the indie-rock group Mogwai. The score is a mixture of melancholic orchestral pieces to play up to the film’s emotions along with bombastic arrangements for the more intense scenes. While it isn’t up to par with Mansell’s other work for Aronofsky’s films, it is a fantastic score.

The casting by Mary Vernieu is another of the film’s highlights as the film does have some memorable small performances. Among them are Ethan Suplee, Donna Murphy, and Sean Patrick Thomas as fellow surgeons of Tommy who are baffled by his experiments. Stephen McHattie is very good as fearsome inquisitor who is threatening the Queen while Mark Margolis is also good as Father Avila. Cliff Curtis is excellent as Captain Ariel who is convinced that the quest for the Tree of Life is a curse while Ellen Burstyn is superb in a memorable supporting role as Tommy’s lead surgeon who pleads with him to stop with the experiments.

Rachel Weisz is wonderful in her roles as Queen Isabella and Izzi. For Queen Isabella, she displays a regality that is stunning to watch while being mysterious. For Izzi, Weisz displays a bit of humor and innocence while showing great strength in her vulnerability as it’s one of her more underrated performances. Hugh Jackman gives, what is probably his most overlooked performance as Tomas/Tommy/Tom. Jackman’s performance is really the heart and soul of the film as a man hell-bent on a quest to save his beloved while having troubles to really be there for that person. Jackman really shows great dramatic weight to the role despite the lack of weight in the screenplay. It’s still one of his finest performances of his career.

The 2007 Region 1 DVD from Warner Brothers presents the film in both the full-screen format and the 1:85:1 aspect ratio for widescreen. Also in 5.1 Dolby Surround sound for French and English plus English, French, and Spanish subtitles. The special features in the DVD include the theatrical trailer and a one-hour six-part special featurette called Inside The Fountain: Death & Rebirth. The documentary is essentially a making of the film of sorts where Darren Aronofsky and various crew members dwell into the early stages of the film. The original idea was to shoot the film in Australia following a trip to Central America for a look into the ruins. When that early stage into the production fell apart, it took Aronofsky two more years to get it going. The documentary is pretty entertaining in some parts as it includes some funny moments as well as great insight into what the production could’ve been in its first incarnation.

Despite some of its shortcomings in the story and in the direction of Darren Aronofsky. The Fountain is an interesting film with some great visual effects and some great performances of Hugh Jackman and Rachel Weisz. Fans of Aronofsky, no doubt, will be divided about this film as some might think it’s a fantastic meditation on death while others might find it to be overly-pretentious. There’s even room for those in the middle who are unsure about the film. It’s not a failure nor is it a triumph either. In the end, The Fountain is a decent film from Darren Aronofsky that just falls very short on the themes it tried to explore.

Darren Aronofsky Reviews: Pi - Requiem for a Dream - The Wrestler - Black Swan - Noah - mother!

Related: The Auteurs # 2: Darren Aronofsky

© thevoid99 2010

Sunshine

Originally Written and Posted at Epinions.com on 1/27/08.

Following the critical success of 2004's family-drama Millions, British director Danny Boyle took another direction with the film as he collaborated with Frank Cottrell Bryce on the project. Though Millions was a more accessible, family-friendly film compared to his other films like the zombie-film 28 Days Later and his 1996 heroin-drama Trainspotting. Boyle proved to himself to take on different projects with great success following the disastrous experience with his 2000 film The Beach. Then in 2007, after more than a year in the works, Boyle explored a different genre in science fiction entitled Sunshine.

Directed by Danny Boyle and written by Alex Garland, Sunshine tells the story of a futuristic period where the sun is dying. After a crew in space failed to reignite the sun, a new crew takes over as they learn what happen to the previous crew while dealing with their own emotions in a mission they must not fail. Taking cues from Stanley Kubrick's 1968 classic film 2001: A Space Odyssey, Boyle explores the world of alienation and mysticism of the universe as well as mankind's failing. With an ensemble that includes Boyle regular Cillian Murphy along with Rose Byrne, Chris Evans, Michelle Yeoh, Benedict Wong, Hiroyuki Sanada, Cliff Curtis, and Troy Garity. Sunshine is a haunting, visually-hypnotic film from Danny Boyle and company.

It's 2057 as the sun is dying forcing Earth to nearly die as well. Seven years ago, a spaceship called Icarus attempted to reignite the sun with a nuclear missile attached to the ship. Then for some reason, Icarus and its crew never made it as now, a new crew on Icarus II is hoping to complete the mission and save Earth. Leading the team is Kaneda (Hiroyuki Sanada) with communications officer Harvey (Troy Garity) in second-in-command. Also in the team are a group of scientists, physicists, and an astronaut including pilot Cassie (Rose Byrne), engineer Mace (Chris Evans), navigator Trey (Benedict Wong), psychologist Searle (Cliff Curtis), botanist Corazon (Michelle Yeoh) and physicist/astronaut Robert Capa (Cillian Murphy). Hoping to succeed despite personal tension, the crew of Icarus II are aware that if they fail, Earth will die.

Nearing the planet Mercury, Harvey suddenly hears a signal that turned out to be Icarus as the crew wondered if they should rendevous with the old ship. Capa is forced to make the decision as he ponders what impact it would have since Icarus has another nuclear missile attached. If they can get that second missile, there would be a second shot in reigniting the son in case the one they have doesn't go well. Capa makes his decision as they make way towards Mercury where all of a sudden, a mental error made by Trey on not directing the shields against the sun since he was too busy making calculations on the navigation and such. Kaneda and Capa decide to go outside to inspect the damage and such as Cassie tries to change the navigation. Just as things seem to go well in the repairs, something goes wrong instead as towers and areas get destroyed. With Trey now in a mind full of guilt, Searle sedates him as a suicide risk.

With the ship's plant and garden supply destroyed by the fire and oxygen supply now at a low risk, Corazon realizes that there's four left but four people to survive. Mace and Cassie wonder who should survive as Harvey makes the decision to go to Icarus to see if there's still any oxygen supply left. With Trey, Mace, Harvey, and Capa go onboard Icarus, the rest stays at Icarus II where they discovered what happened to the first Icarus crew but also its captain Pinbacker (Mark Strong) who went insane all of a sudden. Just as they continued to explore, the docking between the two Icarus ships suddenly exploded forcing the men to not return. Cassie directs Icarus II to the nearest docking meter with Icarus as Searle chooses to stay behind in order to get the rest of the team out manually. Though the plan worked for the most part, there are now a few survivors left as Capa's previous decision puts him at odds with Mace. Yet, the mystery of what happened to the docking link remains questioned.

When Capa decides to check on the nuclear payload, he makes a discovery that would impact the ship but his crew as he learned about a force that is trying to stop them as everyone tries to fight to survive in completing their mission.

A film set in space is often filled with themes of alienation and mankind itself. Director Danny Boyle and screenwriter Alex Garland understands these themes as it is explored in the film's first half. Yet, the theme of mankind is explored much further in the second half as the film is about a team trying to reignite the dying sun to save Earth. What Garland does is create a situation in how to stop a team from their mission as what he reveals that man itself is flawed to the point that they would overlook a little thing that would cause problems. The film in some ways is about the fallacy of mankind and how a simple mistake can destroy things where the character of Trey is forced to go on suicide watch.

The pressure on the impact of a mistake can be extremely overwhelming as these eight people aren't just trying to complete their mission but the pressure is overwhelming to them on all parts as they're aware that if they fail. The whole planet of Earth and civilization as they know it will be gone and it's their fault if that happens. It's a continuing frame of mind that crew of Icarus II are going through for the entire film. Yet, by the time the film reaches the third act, it becomes a suspense film of sorts as well as a thriller. In some ways, it becomes a different film and that abrupt shift in tone might irk the audience in some ways as the first two acts is more character-driven.

Director Danny Boyle's vision is truly superb as he creates a unique film that has those great elements of past science-fiction films in the tradition of Stanley Kubrick's 2001 but also Andrei Tarkovsky's film adaptation of Solaris. Creating a feeling of claustrophobia, isolation, and terror, the film has a haunting quality as a large portion of the film is shot from the inside. Boyle's decision on casting is also unique as he brought in an eclectic group of actors for the film with different backgrounds, personalities, and nationalities to convey a sense of international unity despite their own differences. Yet, Boyle's eerie, observant, and hypnotic direction creates an atmosphere that is intense in its emotions. Even as the film goes into suspense mode, the intensity of Boyle's vision doesn't stray from the film's main plot as the third act is also an exploration of sorts of man's failure and its cynicism. It is in some respects a hopeful film as Danny Boyle creates a solid, hypnotic film that gives the director new ground to work on.

Cinematographer Alwin Kuchler does an amazing job in using the sepia-light colors to convey the impact of the dying sun while a lot of the photography and camera work is hand-held in some parts along with tracking shots with the cameras tilted. The look of the camera with its dark, blue-green look works to convey an intimacy and claustrophobia of the film. Visual effects supervisor Tom Wood also helps in the look, particularly the look of the sun as well as the outer-space outside shots that are extremely stunning to look at including the model of Icarus II. Editor Chris Gill does an excellent job in maintaining the intense tone of the film with the use of jump-cuts and transitions to convey the eerie tone of the film as the editing is truly superb.

Production designer Mark Tildesley with set decorator Michelle Day and a team of art directors did a fascinating job in creating the world of Icarus II with its botanic gardens, dream-like fantasy worlds, its claustrophobic space hallways, and the observation room as the film has a wonderful, sci-fi feel. Costume designer Suttirat Anne Larlarb does nice work on the film's clothing uniforms while the astronaut suits with its gold look and helmet are wonderful to convey the eerie tone of the film as well as the claustrophobia. Sound designer/editor Glenn Freemantle does an amazing job in capturing the film's eerie tone with the breaking of ships and such along with bleeps, and noises to convey the film's haunting quality. The film score by John Murphy and the electronic group Underworld is truly spellbinding with its operatic arrangements, intense electronic accompaniments, and dream-like, ambient tones to convey the layers of emotions the characters are going through.

The film's casting is superb with small performances from Mark Strong as the insane Pinbacker and as the voice of Icarus II, Chipo Chung. The main ensemble of its eight principle actors are all superb with Hiroyuki Sanada in a fantastic role as Captain Kaneda, a man whose leadership and wisdom is needed as he tries to do what is right for everyone while maintaining control. Benedict Wong is excellent as the navigator Trey who starts off as a fun, easy-going man but when his intelligence causes him to overlook something simple, he becomes a wreck as Wong's performance is memorable. Troy Garity is also good as Harvey, the communications officer who tries to take over command only to realize what it takes to be a real leader.

Cliff Curtis is amazing in a standout performance as Dr. Searle, the film's lone optimist and moral conscience of sorts as he is the one who tries to give options while being the one man to keep the peace between everyone. Michelle Yeoh is also superb as the botanist Corazon whose hopes for a better world becomes shattered when her beloved garden is destroyed as she tries to deal with the harsh realities of the world. Chris Evans is a revelation as a hot-headed, frustrated engineer who is dealing with everything that is going on while trying to decide what is morally right. Evans, known to audiences as the Human Torch in the Fantastic 4 films brings a lot of intelligence and energy to his performance as he proves to be a solid actor when working with the right director.

Rose Byrne is wonderfully understated and plaintive as the pilot Cassie, who is some ways, the film's heart. Byrne's performance is subtle and engaging yet is also a conscience in a powerful scene about morality as she truly mesmerizes in every scene she's in. Cillian Murphy is also brilliant as Robert Capa, a man whose decision about Icarus makes him someone who is filled with conflict as he isn't sure about whether he made the right decision. Murphy's dream-like look and wavering sense of hope really carries the film as his performance is truly memorable.

Sunshine is a wonderfully haunting, provocative film from Danny Boyle and company. Fans of intelligent sci-fi films will be amazed in the film's visual presentation as well as Boyle's claustrophobic direction. With a great ensemble cast, an eerie score, and amazing visuals, this is a film that will wow audiences in its visual splendor while comment on the flaws of mankind. While the film isn't as solid as Trainspotting, Danny Boyle still proves to be one of Britain's finest directors. In the end, Sunshine is a fascinating film that deserves to be seen for sci-fi aficionados.

Danny Boyle Films: Shallow Grave - Trainspotting - A Life Less Ordinary - The Beach - 28 Days Later - Millions - Slumdog Millionaire - 127 Hours - Trance - Steve Jobs (2015 film) - T2 Trainspotting - (Yesterday (2019 film)

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