Showing posts with label miscellaneous. Show all posts
Showing posts with label miscellaneous. Show all posts

Wednesday, January 08, 2025

Happy Elvis Bowie Day!!!!

 



It's Elvis Bowie Day! A day that should become a holiday to celebrate the Gods who were born on that day. The King in Elvis Presley and David Bowie.



It is also the birthday of such notable figures such as Graham Chapman of Monty Python, Dame Shirley Bassey, Sarah Polley, Gaby Hoffman, Cynthia Erivo, and Dr. Stephen Hawking.



© thevoid99 2025

Thursday, November 21, 2024

Happy 40th Birthdays to Jena Malone & Scarlett Johansson!!!!

 

While I am aware that Scarlett Johansson's 40th birthday is the next day. I feel like it is appropriate for both Johansson and Jena Malone to celebrate their birthdays as a two-day event considering that they are both about to turn 40 and let's hope they would be given the respect they deserve as actresses and as women.



© thevoid99 2024

Tuesday, November 02, 2021

ATLANTA BRAVES!!!!!! 2021 WORLD CHAMPIONS!!!!!!!!!

 

For the first time ever in 26 years, the Atlanta Braves have won the World Series once again! November 2, 2021 is a great day to be from the ATL. Yet, this is bittersweet since my father isn't here in person to experience this but I know he is fucking love this. Most of all, this win is for my 2-year old nephew Matteo and my soon-to-be 8 month old niece Adalina as they can now call Atlanta their home and the home of fucking champions. Yet, this victory is for the late, great Hank Aaron. The true major league baseball homerun king! Barry Bonds, suck my fucking dick you overrated cheating piece of shit. Happy that the Truist Stadium is only a couple of miles from where I live where the Battery is off the fucking chain. Time to celebrate with the music of the ATL. Outkast, Mastodon, Deerhunter, Goodie Mob. ATL is going to fucking represent bitches! Everyone who said we weren't going to win this without Ronald Acuna CAN GO FUCK THEMSELVES!!!!! ATLANTA MOTHERFUCKERS!!!! HOME OF THE FUCKING UNITED AND HOME OF THE FUCKING BRAVES! If the Falcons can get their shit together and the Hawks can improve on the past season where they were kicking ass in the playoffs. ATL is the place to be despite the fact that our governor is a stupid-ass cunt who takes it up the ass from the fuckhead who can't even do a fucking tomahawk chop right because he's a bitch! Thank you Braves. For the fucking A!!!!!




© thevoid99 2021

Friday, September 10, 2021

Against the Crowd Blog-a-Thon 2021

 

It’s that time once again for the Against the Crowd Blog-a-Thon hosted by Wendell of Dell on Movies as it’s the chance for everyone to defend a movie that doesn’t get a lot of love but also bash the films that gets a lot of love. Being a participant since 2015 and contributing for the years that follow since with entries for 2016, 2017, 2018, 2019, and last year. It’s always fun to watch yet it is getting harder to find films that are considered beloved that I don’t like very much. Here are the rules for this year’s edition:

Pick one movie “everyone” loves (the more iconic, the better). That movie must have score of 75% or more on rottentomatoes.com (or at least 7.5 on imdb.com). Tell us why you hate it.

Pick one movie that “everyone” hates (the more notorious, the better). That movie must have a score of 35% or less on rottentomatoes.com (or 4.0 or less on imdb.com). Tell us why you love it.

Include the tomato meter scores of both movies.

Use one of the banners in this post, or feel free to create your own (just include all the pertinent details), or just mention this blogathon if using an audio or visual medium.

Let us know what two movies you intend on writing, vlogging, posting, or podcasting about in one of the following ways: Comment on this or any AtC 2021 post on this site, tweet me, or hit me up on instagram @dellonmovies, or e-mail me at dellott@yahoo.com.

Publish your post on any day from Friday, September 10 through Sunday, September 12, 2021, and include a link to this announcement. If you’re a podcaster or YouTuber that is interested in participating just talk about your chosen movies during your closest podcast and/or video to those dates and mention that you are taking part in this blogathon.

If posting on social media, use the hashtag #AgainstTheCrowd2021
I love Martin Scorsese and a lot of his films and I like the music of the Band including their collaboration with Bob Dylan as The Basement Tapes is one of my all-time favorite albums. Now I don’t hate this film as I liked a lot of the music but it’s really about the presentation of the Band’s final concert at the Winterland Ballroom in San Francisco in November of 1976. Notably as the film felt more like a celebration of the band’s main songwriter and guitarist Robbie Robertson rather than the Band itself as Robertson got a producer’s credit for the film as it marked the beginning of a fruitful collaboration with Scorsese that is still on-going. It’s not just that some of the interviews in the film has Robertson doing a lot of the talking on not just himself but also on the Band as drummer/vocalist Levon Helm and bassist/vocalist Rick Danko do get their say while keyboardist/vocalist/multi-instrumentalist Richard Manuel and keyboardist/multi-instrumental Garth Hudson barely get to say anything. While the recorded performances of the Band with the Staple Singers on The Weight and with Emmylou Harris on Evangeline are among the highlights of the film.

There’s moments during the concert that are off-putting as the presence of the now notorious anti-vaxxers in Van Morrison (in his horrendous purple suit) and Eric Clapton (on the fucking booze) are more self-serving these days as a reminder of what they used to be and what they are now. There’s also that legendary story of Neil Young appearing at the show with fucking cocaine all over his nose but it was removed in post-production though it would’ve been much cooler to see how much coke Young had. While I do like Neil Diamond, his appearance in the concert is baffling as fuck as he’s only there because Robertson produced one of his albums. The final song that is performed with Bob Dylan, Ringo Starr, Ron Wood of the Rolling Stones, and everyone else has some very bad direction as there’s a part where Manuel is singing but the camera doesn’t focus on him but on the other people on stage. It’s an overrated concert documentary film that is really more about what Robertson had done when the reality is that he’s only one of five individuals that made the Band so special as it’s no surprise the remaining members reunited without Robertson in 1983 and kept going despite Manuel’s suicide in 1986 and Danko’s death in 1999 with Helm ultimately passing in 2012.
This action film is stupid as it does feature a largely terrible music soundtrack featuring the blandness that is Uncle Krackhead but it is a film that knows it’s not taking itself seriously and doesn’t apologize for it. With an ensemble cast that includes Kevin Costner, Kurt Russell, Bokeem Woodbine, David Arquette, and Christian Slater as bank robbers who all dress up as Elvis impersonators as the film also features Courtney Cox, Thomas Haden Church, Jon Lovitz, Howie Long, Ice-T, Paul Anka, and Kevin Pollak. It is a film that is all action with some humor and sex appeal but it also play up some of the clichés that is often expected in these blockbuster films. You have Costner hamming it up a bit as the main villain as he seemed to be having a hell of a time in the film while also having some nice one-liners that include “tough guys gotta eat too” showing that there’s a bit of humanity in him.

Yet, the film really belongs to Kurt Russell as the criminal who got betrayed by Costner and is trying to retrieve the money as the film also play up Russell’s own history with the King. No one does a dead-on impression of the King better than Russell did where he definitely plays it straight yet manages to hold his own against Costner while also having great scenes with Courtney Cox as a woman whose young son is along for the ride. It is a film that features an over-the-top shoot-out climax that is fucking ridiculous but it is so fun to watch. Plus, it has one of the finest post-credit scenes in the film where Russell goes full-on King to sing Such a Night as it shows exactly how much fun that whole cast had in being in this film.





© thevoid99 2021

Tuesday, May 18, 2021

The Weirdest Movies Blog-a-Thon

 

Ronyell at The Surreal Movies and TV Blog has created a blog-a-thon devoted entirely to the weirdest movies ever seen. Here are the rules:
1) List up to 5 or 10 of the weirdest movies that you have ever seen. If you want to list over 10 movies or below 5 movies, then you are free to do so.

2) You don't necessarily have to list your favorite movies or movies you even like. Just movies that you think are weird.

3) Use the banner at the top of this page in put into your post.

4) This blog-a-thon runs from April 23rd - May 20th, so you need to send your submissions in by May 20th. After that, I will make a special post where I will list all the bloggers who had participated in this blog-a-thon!

5) If you are interested in joining this blog-a-thon, then please feel free to leave your link to your post here or tweet me (@rabbitearsblog)

6) If you are participating in this blog-a-thon through Twitter or you want to let your followers know about this blog-a-thon, then please use the hashtag #weirdestmoviesblogathon so that way, I will know who's participating in this blog-a-thon.
Well, for anyone that has read this blog know that I watch a lot of weird shit and I praise a lot of weird-ass shit. So here’s 10 films that really fucked me up big time:

1. Un Chien Andalou
I think when it comes to weird movies, no one does it better than the master surrealist Luis Bunuel as he is the definition of weird. In this collaboration with another legend of surrealism in Salvador Dali comes a film that defies description. The 16-minute short film is something that can’t be unseen once it is seen as it has no plot as it’s more about images. Still, what Bunuel and Dali do create are moments that would inspire many filmmakers in the years to come as well as the idea of “what the fuck” moments that still remains vital and dangerous.

2. Daisies
There’s just some films in the history of cinema that defies description and this film by Vera Chytilova that is widely considered to be a landmark film of the Czech New Wave in the 1960s is truly out of this world. It’s a film about these two women named Marie who just create havoc while being wined and dined by all of these rich men and just fuck things up all along the way. There are these moments in the film that are baffling to watch yet the sense of anarchy that these two women do just adds to the enjoyment of this film as it’s something film buffs need to see.

3. The Holy Mountain
There’s weird and then there’s Alejandro Jodorowsky yet unlike Luis Bunuel, Jodorowsky is more concerned with spirituality and fear than the more social experiments of Bunuel. This 1973 cult classic is a story of a thief who encounter these images of spirituality as he finds salvation in this strange alchemist who makes claims about enlightenment. It is a film with wondrous images and incredible art direction while it is also a film that has moments that are fucked up. Notably the idea of a man taking a shit and the turd becomes gold as it adds to these strange questions of enlightenment.

4. House
This Japanese horror film about a group of young school girls who go to the home of one of the schoolgirls’ late aunt as strange shit happens. One of them involving a white cat and other strange shit that occurs in the house while there are a lot of things that is just bonkers. A severed head biting a girl’s butt, a killer piano, and the ghost of an aunt as it’s just a film that is just fucking insane. Yet, it is one of these horror films that is also so goddamn fun to watch.

5. Eraserhead
I was in my 20s when I first saw this film and I had no idea what to think of it then and it’s still one of the weirdest films I had seen. Having been familiar with Lynch’s work from Blue Velvet and beyond, I had no idea what to expect from this film as it’s still one of these films that defies description. It is a film about this man who reunites with his old girlfriend who reveals that she has a new baby yet the baby is a strange-looking mutant that has its charm. The fact that it took years to make and it was a film made with a limited budget is proof of Lynch’s talents as well as bring surrealism to a new level. Notably in the films he would make in the years to come yet it’s this film that often brings me back as this or Mulholland Dr. are often considered to be his best film in my opinion.

6. The Peanut Butter Solution
For anyone that grew up watching the Disney Channel in the 1980s probably will remember this film and as a kid born in the 80s. This film fucked me up. It was scary as fuck as it’s about a kid who goes into some house and gets so spooked out that he loses his hair. Yet, he would find a way to get his hair back thanks to some ghosts and he succeeds but some awful shit occurs involving some evil criminals as it leads into the world of child labor and other fucked up shit. This is a film that is in dire need to be rediscovered.

7. Braindead
I first saw this in my 20s when it was on IFC (when it used to show films uncut and uncensored) as I had no idea what to expect. I knew it was from Peter Jackson who was already hot with the Lord of the Rings trilogy and I saw this before Return of the King was to come out. It is fucking insane. A low-budget zombie movie about a guy whose over-protective mother was eaten by infected creature and then she becomes a zombie and so did many other people. That wasn’t the fucked up part. What was the most fucked up thing about that entire film? I only have 2 words: Zombie Baby!

8. Fear and Loathing in Las Vegas
I saw this in the late 90s as I wasn’t sure what to think of it as I was only 18-19 when I first saw it. Years later, I began to understand what Terry Gilliam was trying to do in his take on Hunter S. Thompson’s novel as well as capture the fall of the 1960s. The elements of psychedelic imagery and surrealism definitely captures the spirit of Thompson’s novel as does the performances of Johnny Depp and Benicio del Toro as it adds to the offbeat elements of the film.

9. Raw
A recent discovery that I saw a few years ago is something I didn’t expect as it isn’t this conventional horror film. Yet, I was troubled by the fact that it’s a film about a young woman who attends veterinary school and has to endure a week-long hazing ritual involving red meat as she is a vegetarian. It is quite an original film that plays into the dangers of a woman being forced to do things against her will. Even to the point as she would gain rashes and other disturbing appetites as it was definitely weird up till the end as it just adds to the sense of horror that is in the film.

10. Barb and Star Go to Vista del Mar
The most recent film I had seen in the past few months and I’m still baffled into what the fucking-fuck did I see. It’s a vacation comedy with a bit of suspense and the musical yet I’m just barely scratching the surface into the film as a whole. It’s about these two life-long friends who go on a vacation at a resort in Florida where they meet a man whose job is to carry a mission for an evil albino woman and things suddenly get stranger. Written and starring Kristen Wiig and Annie Mumulo as the titular characters with Wiig also playing the evil albino woman, the film feature things that are just bonkers. Jamie Dornan as an assassin who falls in love and dances, Damon Wayans Jr. as an agent who is terrible at hiding, a young Asian kid who sings Barbra Streisand early in the film, Morgan Freeman as a talking crab, and this is just a sample of the insanity that this film has. It’s stupid, ridiculous, and fucking odd yet it’s so goddamn hilarious.

© thevoid99 2021

Friday, August 21, 2020

Against the Crowd Blog-a-thon 2020




It’s August which means that it’s time once again the annual Against the Crowd Blog-a-thon hosted by Wendell of Dell on Movies. Having participated in this event for the past five years, it’s a chance to go against everyone and be on your own as it’s something I like to do as my contributions in these past years have been really fun as anyone who hasn’t participated should cite my contributions from 2015, 2016, 2017, 2018, and 2019. Here are the rules with a few updates for this year’s edition:


• Pick one movie “everyone” loves (the more iconic, the better). That movie must have score of 75% or more on rottentomatoes.com (or at least 7.5 on imdb.com). Tell us why you hate it.

• Pick one movie that “everyone” hates (the more notorious, the better). That movie must have a score of 35% or less on rottentomatoes.com (or 4.0 or less on imdb.com). Tell us why you love it.

• Include the tomato meter scores of both movies.

• Use one of the banners in this post, or feel free to create your own (just include all the pertinent details), or just mention this blogathon if using an audio or visual medium.

• Let us know what two movies you intend on writing, vlogging, posting, or podcasting about in one of the following ways: Comment on this or any ACB 2020 post on this site, tweet me @w_ott3, or e-mail me at dellott@yahoo.com.

• Publish your post on any day from Friday, August 21 through Sunday, August 23, 2020, and include a link to this announcement. If you’re a podcaster or YouTuber that is interested in participating just talk about your chosen movies during your closest podcast and/or video to those dates and mention that you are taking part in this blogathon.

• If posting on social media, use the hashtag #AgainstTheCrowd2020



I don’t understand the adulation that James L. Brooks have other than his work as a producer as he does deserve some praise for his work on television as shows like The Mary Tyler Moore Show, The Simpsons, Taxi, and other shows while launching the careers of filmmakers such as Wes Anderson and Cameron Crowe. Other than that, why do people think he’s a big deal in the world of film? He’s only made one film that I liked that is Broadcast News which was a different film in comparison to everything else he did. Other than that, a lot of them have a lot of overwrought sentimentality that is just sappy and manipulative. He’s only made six films in his career so far yet half of them have not been well-received as the last film he did in How Do You Know was trashed by the critics and was a massive box office flop. Spending $120 million for a lame rom-com plus $30 million in marketing is just irresponsible.

Having already trashed As Good As It Gets back in 2016, it’s time to trash the film that made him famous and won a bunch of Oscars including Best Picture. It’s a drama about a relationship between mother and daughter that spans for 30 years as it is full of drama and all sorts of shit with Shirley MacLaine being possessive prompting her daughter in Debra Winger to rebel and wanting a life of her own despite the fact that the man she married is a total pussy and cheats on her as she would cheat on him. MacLaine would go into a relationship with Jack Nicholson that is all over the place where it wants to be funny but the humor feels forced while it gets extremely sappy towards the end. This is the film that beat The Big Chill and The Right Stuff for Best Picture and Brooks beat the likes of Ingmar Bergman and Mike Nichols for Best Director? Oscars definitely fucked up that year.



In his lifetime, Chris Farley has only been in two films that were well-received as a lot of the films he did weren’t exactly favorites with the critics though there were a few that did like his approach to physical comedy. Yet, the characters he played are these naïve, well-meaning, underachieving slackers who are actually kind people despite the fact they also have a temper. Farley knew his limits but he was good at what he did and knew how to bring the laughs. In this 1997 film directed by Dennis Dugan who also had a career of poorly-received films despite such films like Problem Child, Brain Donors, Happy Gilmore, Big Daddy, and Saving Silverman that are actually really good films. This film about a white orphan boy who is raised by ninjas as he is eager to be this legendary Great White Ninja yet also aspires to be revered like his adopted older brother. When an American woman comes to the monastery asking for help, Farley travels to Beverly Hills to help her and hilarity ensues.

The film also features Chris Rock as a bellboy who is amazed by Farley’s ninja skills as he is eager to become a ninja as the scenes with Farley and Rock are a joy to watch while Robin Shou does a great supporting performance as Farley’s adopted older brother who is surprisingly quite pretty when he’s dressed up like a woman. The laughs never stop as it often finds a way to be funny with Farley also showing he has range as he is someone that knows that he’s not as skilled as other great ninjas but has a lot of heart. It’s a film that needs to be re-evaluated yet it does get praise from one of cinema’s great actors in Christian Bale.

© thevoid99 2020

Saturday, June 20, 2020

At the Movies Blog Challenge: My Life at the Cinema (21st Century Edition)



For many of us who love films, going to the movie theater is a thing that we all do whether it’s every weekend or a few times a month. It’s the chance to see a new movie that is out that is a big event or to discover a gem that not many people are seeing. It’s also a chance to see an old film in the big screen if it’s given a special presentation while it is either seen with a large audience or a small audience. It allows people to watch something and share that experience whether it’s a good movie or a bad movie. However, in these uncertain times as the whole world is stricken with the COVID-19 pandemic and hundreds of thousands of people have either died or are dying from this virus. The whole world has definitely gone into shutdown mode and going to the cinema is something we can’t do anymore. After all, if someone decides to open a movie theater against the advice of scientists and doctors and someone with the virus show in a room full of people and infect everyone. Then the whole world is absolutely fucked.

Katy Rochelle of Oh So Geeky is hosting a blog challenge that is about going to the movie theaters as a way to bring many of us bloggers together to share that experience even though we can’t do it in person. The idea of the blog challenge is simple:

Create a list sharing your favorite memories of going to the movies. The post must feature a minimum of five items, but feel free to write more than five and choose any "theme" you want.

Having spent a lifetime going to the movies as I’ve written experiences about going to the movies through lists and essays that either explore my adoration for a film or a filmmaker. I want to do something different as it’s more about the different experiences I had of going to the movies in the past 20 years of my life even though it doesn’t feel like 20 years. In order to make this interesting, I will avoid discussions about talking about seeing my all-time favorite film in Lost in Translation as well as the experiences I had in watching the films of Quentin Tarantino. I’m also going to avoid discussing some of the more unpleasant experiences I’ve had in the bad movies I’ve seen. This list of 30 films is going to be about the movies that I saw and how it impacted my growth as a cinephile chronologically from 2002 to 2019.


Before I begin this list, let me preface some background of where I was coming from and why I chose the 30 films on this list. If I was to pin-point my life through watching films, I would say that it would be before seeing this film and after seeing this film. Before 2002, a lot of the films I had seen were mainly from major studios and mainstream fare in the 1980s, there were 3 movie theaters in Smyrna. One at the Galleria across the street from Cumberland Mall, the second a mile south was one at Akers Mill Square that is now a pet store and a Hobby Lobby, and another one just a mile north from the mall that is now a Best Buy and other stores. By 2000-2001, there was only one in the form of a multiplex that AMC Parkway Pointe 15 just half-a-mile south where the one at Akers Mill was. The only other time I went to a movie theater outside of Smyrna was somewhere south of Atlanta during Thanksgiving where my younger sister and I joined our cousins to see The Ringmaster. By the time I got my driver’s license and was able to see what else is out there, I knew it was time to see what else isn’t playing at the multiplexes.

1. 24 Hour Party People


Michael Winterbottom’s 2002 film about the rise and fall of Factory Records that would help launch the local music scene in Manchester from the late 1970s to the early 1990s remains one of my all-time favorite films. I saw the film either around late August or early September in 2002 at the Tara Theatre near the Cheshire area in Atlanta as this was the first time I went to an art house theater and this wouldn’t be the last time. The theater was nearby the home of an old family friend of my parents who had sadly passed away a decade ago as I would inherit three of his cats who sadly passed years later. Seeing a film in this small theater that only has four screens is an immense experience as there weren’t a lot of people there but I was enthralled by what I was seeing as it made me realize that there was so much out there and not every film will be at my local multiplex.

2. American Splendor


Nearly a year later at the same theatre, I went to a screening for this film and it was packed as it was hard for me to get a seat. Yet, it was a screening I wouldn’t forget as there were a lot of laughs and some cries and all sorts of things. It was the screening where I saw the trailer for what would become my all-time favorite film. The film was great but it was the experience seeing it with a large crowd for a film that wasn’t being played at a local multiplex as well as not being some blockbuster comedy nor anything that is mainstream. When the credits rolled, a loud applause occurred as that was something I never expected as it would be the first of several moments I would have at a screening.

3. Girl with a Pearl Earring


I saw this film on my 23rd birthday at the Atlanta Museum of Arts for a special screening as it was quite full while parking was expensive at the time at $10-$15. The ticket to see the film was $5 as it was weird going to the museum where they’re going to have the screening as there’s people older than me drinking champagne and eating fine cheeses as well as all sorts of posh food while I had pizza from Fellini’s for dinner earlier. The film was amazing yet it made me cry as everyone else was applauding for the film but I was a wreck as I sat down in tears. Having seen Scarlett Johansson in Lost in Translation twice already at that time and to see the film for a third time, I knew that was someone to watch as I’ve become a fan of hers since and have stayed on through good films and some shitty films.

4. The Dreamers


The first NC-17 film that I saw at the Landmark Theatre on the Midtown Arts Center just near Piedmont Park was definitely an event and certainly a theater I haven’t been to in nearly a decade mainly because it’s in the city and a little far for me at this point as I don’t like to leave my mother all alone for a long period of time. This theater is probably one of the best I’ve been to as it has walls of posters of film classics from different countries as it’s always something I’m in awe of. The screening for this film is unique mainly because of not just the film but the thrill of watching erotic sex on the big screen as I had seen nudity on film but not in this context as it was exciting. Yet, it was a big deal as it was a film that introduced me to the French New Wave and other films.

5. DiG!


Working as a volunteer at the Atlanta Film Festival in late spring/early summer 2004 at the Midtown Arts Center, I saw a slew of films there including Strayed with Emmanuelle Beart by Andre Techine, Easy starring Marguerite Moreau, The Mother by Roger Michel starring Anne Reid and Daniel Craig, and Some Kind of Monster as well as some short films. I saw I think 3-4 films on the same day as one of them was Ondi Timoner’s documentary about the friendship/rivalry between the Dandy Warhols and the Brian Jonestown Massacre as I chatted briefly with Timoner as we both discussed TVT Records founder Steve Gottlieb as we both agree that he’s an evil person. After all, anyone who follows Nine Inch Nails about Gottlieb and the man is a fucking douche. It was a great screening that was followed by Q&A as it was fun.

6. Primer


Later that night as I had finished my volunteer work, I decided to buy a ticket for a screening of Shane Carruth’s debut film which was the only other film I could see that night as Baadasssss! was also having a big screening that was sold out. I chose Carruth’s film instead as it was another interesting experience at the festival as it ended with applause as it was followed by a Q&A. It was an excellent film though I would appreciate it more as I got older while I also chatted with Carruth for a while as we talked about the film and such as he was a cool guy.

7. The Brown Bunny


Nearby midtown Atlanta and one of the older theatres that is the Plaza Theatre as it is legendary as it showed all sorts of films and some art movies. It is also known for having midnight screenings of The Rocky Horror Picture Show for many years and it’s still going. I’ve seen two films in that theater as one of them is John Sayles’ Casa de los Babys and in the summer of 2004, Vincent Gallo’s sophomore feature. There weren’t a lot of people at the screening as I think it was only 3 or 4 including myself. It wasn’t one of the best screenings that I saw yet I think the only reason those who attended the film was there was to see the infamous blow-job scene. We saw it in all of its glory though I learned years later that Gallo was actually wearing a prosthetic that he borrowed from a film he did for Claire Denis years before and that killed whatever joy I had for the film.

8. La Dolce Vita


Returning once again to the Midtown Arts Center on September 21, 2004 which is the one-year anniversary of the time I saw my all-time favorite film and what better way to celebrate it than watch a restored edition of a film that my favorite movie showed for a bit. I had never seen a Federico Fellini film before and what a way to start all of that. I don’t remember if I had seen a black-and-white film before this yet it was immense as it was a rapturous experience. Even though the screening only featured half the audience, it was still just this indescribable experience though it wasn’t the longest film I had seen in that time. I was so entranced by what I was seeing as I wasn’t sure when the movie was over as I went in there absolutely blind as it remains my favorite Fellini film so far.

9. The Motorcycle Diaries


One of a bunch of films that I saw as part of a free screening in 2004 that also included a remake of Nine Queens in Criminal with John C. Reilly, Diego Luna, and Maggie Gyllenhaal is one that I saw through a magazine ad as myself and many others got a free pass the week before its screening. Shown at the Midtown Arts Center, it was a packed screening as well as hard to get a seat as it was another immense experience. Especially for a film about a controversial figure in Che Guevara in his early years where he travels through South America as he would discover things that would impact him in many ways. There was a loud applause at the end as it was another great experience for me.

10. The Life Aquatic with Steve Zissou


Attending a preview screening for this film at the Midtown Arts Center just before Christmas was a film that I was definitely anticipating for as I had started to discover the films of Wes Anderson as I really wanted to see this. The screening was packed as there were a lot of people wanting to see this as there was trivia before the screening as I answered a question and won a winter beanie hat that I lost a few years ago. It was like the beanie the characters in the film wore as losing it sucked. I had fun watching the film but there wasn’t much of a reaction during the film as it ended with some including myself applaud with others just not really enjoying it. It is Anderson’s most polarizing film to date but it was still fun to watch.

11. Happy Endings


In July of 2005, I went to a screening for Don Roos’ film as I saw it largely because I’m a big fan of Maggie Gyllenhaal as I decided to go to this special screening that would be followed by a Q&A with one of its stars in Jesse Bradford. There weren’t a lot of people at the screening yet it was still an incredible screening as I think it’s an underrated film with a phenomenal ensemble cast that include Lisa Kudrow, Steve Coogan, Tom Arnold, Jason Ritter, Laura Dern, and Bobby Cannavale. It was funny and full of compelling characters with Gyllenhaal in a tremendous performance as a singer for a band who seduces one of her bandmates and her father while Bradford plays a wannabe filmmaker trying to find Kudrow’s long-lost son. Bradford at the Q&A was a really cool guy as I asked him about his look and praised his role in Hackers (which is still a good film). I chatted with him a bit as myself and another guy learned that was going to be in Clint Eastwood’s film Flags of Our Fathers but wanted to keep it a secret which I did until it was officially announced.

12. The New World


Much of my time from 2003 to 2006 was an educational period of discovering about cinema as I realized there was a whole world out there and learning about filmmakers and the films they made. One of them was Terrence Malick as I spent the fall of 2005 watching his films and re-watching The Thin Red Line as I never understood it as a teenager. Yet, I was aware that not all films are meant for the small screen as there was something indescribable about his work as I was anxious to see this though I became aware that his films are often delayed due to last-minute touches. I finally saw the film at my local multiplex and there weren’t a lot of people there yet it was a mesmerizing experience in seeing Chivo’s photography shown like that and with this immense soundtrack as I learned that if Malick was to make another film (and he would) that I have to patient as I understood about the idea of films as an event.

13. I'm Not There


Seeing this at the Midtown Arts Center on my 27th birthday as my birthday movie which is often an annual thing (depending on what’s playing and where). I had been a casual fan of Bob Dylan around that time and Todd Haynes was a filmmaker I enjoyed watching based on the few films that he did. I don’t remember whether the screening I went to was about half or less than half but it was still an incredible moment. Notably as it was just this film that didn’t play the rules as it made me into a super-convert of the gospel according to Dylan. Even as the casting for the actors playing different versions of Dylan made it different as it made me realize that not all film bio-pics had to follow a certain formula or narrative which was becoming the case with every bio-pic that was coming out in those times.

14. There Will Be Blood


I saw this film in early January of 2008 at the Tara Theatre as it was sold out as I was lucky to get a ticket for a showing though finding a seat was fucking hard. I sat second row just really close to the screen. Honestly, it’s not the best way to watch a film as you had to look up to get a proper look as my seat didn’t have cushions at the time. Another reason why I don’t recommend sitting close to the screen and always buy tickets in advance is what I’m about to describe. During the film, there was an oil well explosion and the explosion was loud. Yet, it was the loudest thing I heard as all of a sudden. My ears hurt and I temporarily went deaf during the screening. It took minutes for me to get some of my hearing back but goddamn. That was fucking loud.

15. The Dark Knight


Seeing this in the summer of 2008 as it was the event blockbuster of the season and at my local multiplex. It was nearly full at the screening that I went to as it was like watching something bigger than a blockbuster. Notably as it played more like an action-epic than a typical superhero film where it was the scale of the presentation of it that stood out to me. The visuals along with the soundtrack as well as being something more nihilistic in its themes. Up until the films of the MCU in its third phase, I always felt that this film set not just new standards of what superhero films should be but also blockbusters.

16. Che


Attending a one-week only screening at the Midtown Arts Center during what was a traumatic period for myself and my entire family as it relates to the passing of my youngest sister. I needed to go somewhere and watch something to get away from my lecherous relatives. I had money to watch this special screening as it was double the ticket-price since I’m watching a two-part film as it was the first roadshow film presentation that I ever went to and it’s something that I think audiences need to experience once in their life. Fortunately, it’s twice for me so far as the other was The Hateful Eight. With this film, I’m given a book that features all of the credits as both films don’t feature credits as it opens instead a country and after the first film ends. There’s a 30 minute break and then you get back on board. A lot of people weren’t at this screening but it was at least something immense.

17. Antichrist


Months later in the fall of that year during a time where grief definitely channeled my worth as a writer where I was kind of writing non-stop at the now-defunct Epinions.com as I had become a top writer of sorts. Yet, it was becoming unsatisfying as I felt unchallenged and constrained by what I couldn’t write as well as being frustrated over the lack of value I brought to the site which would close 5 years later. This was a film that didn’t just express a lot of the anxieties and emotions I was going through at the time but it would also foreshadow events of what I would go through in the next year. There weren’t a lot of people at the screening as I was anxious to see this and it delivered but it was also confrontational in its depiction of depression as it was indeed a film that is not meant for the multiplexes.

18. Avatar



To end the 2000s and on New Year’s Eve, I chose the biggest film of that year and it would be my only experience to watch a film in 3D. While I thought it was an excellent film despite the lack of originality in the narrative and some of overwrought ideas of environmentalism. I was underwhelmed by the 3D presentation of it as it really didn’t do anything and I didn’t think the plastic 3D glasses helped at all. I think the film was better upon re-watches and didn’t need the 3D. I still liked the film but it is highly doubtful I will ever watch a film in 3D ever again.

19. Somewhere


Being a major fan of Sofia Coppola, I was anxious to see this but I wanted to see it properly and upon realizing that it wasn’t going to be in multiplexes or at an art house theater nearby. I went to the Midtown Arts Center to see this during one of the coldest winters in Atlanta at that time. There weren’t a lot of people at the screening and it was quite cold but watching this film that is set in sunny Los Angeles made me feel warm. Having watched Coppola’s last film Marie Antoinette with an air of anxiety due to the polarizing reception it had received at Cannes four years earlier. I came into watching this film with no expectations and just the beauty of it as well as the minimalist approach Coppola went with her story just the experience a joy to watch though it’s kind of bittersweet as that was the last movie I had seen at the Midtown Arts Center as I haven’t been there in 9 years.

20. The Tree of Life


Seeing this in June 2011 at the Tara Theatre, I knew I was coming into something that wasn’t going to be something typical of the films I had seen in multiplexes as well as a few art-house movies that I had seen in my lifetime. It was kind of half full yet the screening has specific instructions of how to present the film based on notes that Malick wanted for projectionists. It is an indescribable experience in watching this film as I felt like I was watching a piece of art that not everyone will like (which is often the case with anything by Malick) yet I was entranced by its visuals and the story as it is kind of a spiritual film that made me question the ideas of existence.

21. The Avengers


Every generation of moviegoers will often ask that question of what was it like to see certain films. There’s probably those who will describe what it was like to see Gone with the Wind, Lawrence of Arabia, The Sound of Music, 2001: A Space Odyssey, Jaws, Star Wars, and Titanic. Films that were big upon its release and were like events. I think the same will be asked for those when it comes to this film as I can remember what it was like. It was hard to find a seat at my local multiplex as I saw on an upper deck corner seat yet the atmosphere of it was immense. The cheers were loud and the laughs were also just as loud including the moment where Hulk beat the shit out of Loki like a rag doll as that got some of the biggest laughs I had ever heard. I knew then and there that the MCU is going to be a whole lot of fun these films would deliver and more.

22. The Umbrellas of Cherbourg


There’s only been a few times I went to a restoration or revival screening as in 2010, I went to a revival screening of Casablanca at the theatre in Marietta Square and Back to the Future in a 25th anniversary screening at my local multiplex as I don’t really remember much about them. With this film which I saw at the Lefont Sandy Springs which is now a regular movie theater that would show a few Bollywood films. I saw a restoration for Jacques Demy’s film as I remember that even though there weren’t a lot of people at this restoration. It was still this gorgeous experience in watching this musical and all of the lush colors captured as I had no idea what to expect as it was a great way to see a film like this for the first time as it made me fell in love with the film as well as talking to people including a few who had seen but not on the big screen as they say seeing it like that makes the film even better.

23. Blue is the Warmest Color


Two months later at the same theatre, I decided to see this knowing it wasn’t going to play at my local multiplex since they never play any films relating to gay/lesbian relationships or anything with a NC-17 rating. This was the third NC-17 movie that I saw as the second was Lust, Caution yet this was a more immersive film as I saw it with a half-packed audience as some of them were from the gay/lesbian community as I think was the only straight guy there. It was an enthralling film to watch in terms of its sexual content but it was also emotional given the trials and tribulations of the relationship as there was a reason why it deserved the Palme d’Or despite the controversy that Abdellatif Kechiche has created during the production and what he would become with his subsequent films.

24. The Wolf of Wall Street


I saw this on Christmas Day 2013 as it is kind of tradition for me to watch a film during the Christmas holidays as I wanted to see this mainly because I’m a fan of Martin Scorsese and I heard this film was fucking insane. Well… I think insane just understates exactly what I saw as I was in for a 3-hour ride that I wished never stopped. There wasn’t a lot of people at the screening but I’m sure we were the loudest when I saw at my local multiplex. Most notably the Quaaludes sequence in which Leonardo DiCaprio’s character gets paralyzed by its effects and started to crawl and such. It was in that moment where I started to laugh my fucking ass off and everyone else watching that sequence just laughed their asses off. It wasn’t just how loud the laughter was but how hard and how long it was as it went on for minutes during that entire sequence. It was hard to get our composure after that scene though I’m sure someone at the screening did accidentally wet him/herself. I was like “fuck it” as I came out of that screening with a smile in my face but also in a strut. Not just any strut. A kiss-stealin’, wheelin-dealin’, rolex-wearin’, limousine-ridin’, jet-flyin’, son-of-a-gun, and I’m having a hard time holding on to these alligators on my feet kind of strut. Nature Boy… Ric Flair… WOO!!!!!!

25. The Raid 2: Berandal


The multiplex at the Phipps Plaza near Lenox Mall at Buckhead is a more lenient multiplex for the fact that it showed more independent and arty films as well as films relating to gay/lesbian relationships unlike my local multiplex though it’s been six years since I’ve been there and this was the last film I saw at the Phipps Plaza. Yet, it was a preview of what was to come at my own multiplex in terms of the seating as it was the first showing where I sat on a very comfortable chair with a recliner and such as it made the screening for this film not just enjoyable but also exciting. It was this action film that had a lot to offer and more as there wasn’t a large audience there yet it was still energetic and full of joy.

26. Mad Max: Fury Road


What do you do after you had just seen one of the worst movies ever made and two hours of your life that you will never recover from? Well, during my brief time with Cinema Axis as I was asked to review the horror that was Aloha. I was at the bar at my local multiplex just writing my review of that film and getting ready to watch the next film in about an hour. Man, it was what I needed as it was the exact opposite of Aloha as this was a film that was enthralling and it had everything you wanted in an action-epic film and it was full of joy while the screening was packed (in comparison to the 5-6 people at the screening for Aloha).

27. Star Wars Episode VII: The Force Awakens


I had seen 2 films of the franchise in Attack of the Clones and Revenge of the Sith as the experiences I had with them were… eh… I wasn’t sure if I wanted to get back on board yet the trailers made me realize that things were going into the right direction. Well, for a while. I attended the screening on opening weekend as it was packed as it was the first show where I used Fandango to get a ticket and that actually helped where I was able to get a seat for the show on Sunday at my local multiplex. It was packed and full of energy as it had an audience of all ages as it was loud and full of joy. Even in some of the dark moments as it made me a fan of the franchise all over again despite the emergence of fanboys who bitch over everything as they have sand in their vaginas.

28. Dunkirk


Though I saw the film as part of a double-feature with Spider-Man: Homecoming as it was two different films that both had something to offer. It was Christopher Nolan’s World War II film that was the better of the two films in not just quality but also in experience. There was a fair amount of people at the screening at my local multiplex for this film but it was in the presentation of it as it felt more than just an ordinary blockbuster or a typical war film. The soundtrack and the scope of what Nolan was telling for a simple story made the film a joy to watch.

29. Avengers: Infinity War


Having followed through many of the films of the MCU, I knew that this film was going to be big and I saw it with a packed audience at my local multiplex. The atmosphere made the screening enjoyable as we booed towards whatever lame trailer that was coming before as we all just wanted to see the film. There were cheers and when Spider-Man appeared, lot of fanboys and fangirls screamed as well as cheers for the heroes they love. Massive pops for Black Panther and big screams for Thor’s arrival in Wakanda as it just made the screening a whole lot of fun until… what Thanos did and the gasps and sense of shock just sucked the life of everyone. There were cries and all sorts of emotions right until the last post-credit scene where there were some cheers for what is to come.

30. Avengers: Endgame


Nearly a year later at the same multiplex and with such anticipation, I knew this was going to be intense. What I didn’t expect was how emotional the screening it was going to be for the people around me in my seat. After the first fifteen minutes of the film and it went black, there was murmurs of confusion as someone said “that’s it?” Then came “five years later” as I knew we were in for something different. There were a lot of funny moments but also sad moments as I cried during one key scene involving the death of a major character. Then came moments that elicited a lot of cheers that lead to the climatic portals sequence as that sequence is why cinema is made. Fanboys and fangirls screamed for Spider-Man which was louder than any ovation I heard and this wave of emotional excitement rushed in as I was part of it as well. When the women Avengers assembled, there were little girls and women that cheered their asses off as it was a fucking incredible experience that will be unmatched and why being at the cinema is something we all cherish.

© thevoid99 2020